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An Analysis of Factors in the Russian Revolutionary
AN ANALYSIS OF FACTORS IN THE ---- RUSSIAN REVOLUTIONARY MOVEMENT By Rev . Paul OtBrien, S. C. J. A Theaia submitted to the Pacultyot the Graduate Sohool, Marquette University, in Partial Fulfillment ot the Re quirements tor the Degree of Master of Arts .. · Milwauke., Wisconsin ay, 1948 O(Jl:ltents n.:.1"\9 ~ l1:'efQoe ••••• ~4o ............... jO .. .. .. ', ......... .... " ....... .. 1 lhapter I 'A'he Hist,orioal Ba ok~round , . 'l'he Husstan Intel116eIl1a~:ta ............. ~ ....., ••• ,......... .. 6 The i. r:l t:tngs ot ilJ.exander He r zen ••, ' • .,., ... it ....... ., ..... a ,ahernyehevs1:cl nnd his ldeas, l?ete"r LavrOV ...... jO ..... 10 Bel:1:n.sky end Ba ~~unl n .... I. ;0 '••••••••• ;0 ....., .................11 Tt:;.aohev and Plekhanov f theori ate or revolution ... II •• la tater Russian Ll terature • •••••• '••••• ' ••••' .......... " .la rxinm (lna lta influence ... ....... ...................16 'he Poll tioal. Phaae 11 at'O'noal Qb j eO' tl 'ICS of '1'ea r i ,slG..., it •••' .......... 20 The l:leoembl'i,sts .............. .. ... .. .............. ,.... 23 'rhe re:tr!n of' Mi ollOlu.s II ........................... ... 26 Chapter II 'J.1he lnf,luenoe of .Pe).'~ona11 ties p - l The T·ger Nl chalas II ........ .... '. '... .. ..... II! II! .......... 34 The ..c;mp l,,~ s 9 end Has put111 • •, ••••• , .... .... '" • "'. "' ••• "' .. 39 cn1n •• • '. "". •• Ie !•• •• • " ••• 0 • ~ ••••• • .•• Ct ................, . 44 '.i:rotsk y ........' .,Ii. II ••••••• :0 •••• ;0 .. '" '" w' .... '" '" '. '.... '" ••• ",. 47 Ohapter III The Influ ~ nl3e_ of the fiar The ~. ar and 1 ts effeots •••••• '" . .... ............... 5., 1sta1:;es i ntbe \'lo r e ttort and the! r effeot. "' •••• 5 he Vlar years of Ni aholas II . ........... '0., ••• "' ••• • 57 he lIar and i ts effcot on Huss1an eoonolay ......... 59 The f all of the uonorohy ••••••••••••••••••••••••• G2 Chapter IV Pase The Soviets Strussl. -
Online Versions of the Handouts Have Color Images & Hot Urls September
Online versions of the Handouts have color images & hot urls September 6, 2016 (XXXIII:2) http://csac.buffalo.edu/goldenrodhandouts.html Sam Wood, A NIGHT AT THE OPERA (1935, 96 min) DIRECTED BY Sam Wood and Edmund Goulding (uncredited) WRITING BY George S. Kaufman (screenplay), Morrie Ryskind (screenplay), James Kevin McGuinness (from a story by), Buster Keaton (uncredited), Al Boasberg (additional dialogue), Bert Kalmar (draft, uncredited), George Oppenheimer (uncredited), Robert Pirosh (draft, uncredited), Harry Ruby (draft uncredited), George Seaton (draft uncredited) and Carey Wilson (uncredited) PRODUCED BY Irving Thalberg MUSIC Herbert Stothart CINEMATOGRAPHY Merritt B. Gerstad FILM EDITING William LeVanway ART DIRECTION Cedric Gibbons STUNTS Chuck Hamilton WHISTLE DOUBLE Enrico Ricardi CAST Groucho Marx…Otis B. Driftwood Chico Marx…Fiorello Marx Brothers, A Night at the Opera (1935) and A Day at the Harpo Marx…Tomasso Races (1937) that his career picked up again. Looking at the Kitty Carlisle…Rosa finished product, it is hard to reconcile the statement from Allan Jones…Ricardo Groucho Marx who found the director "rigid and humorless". Walter Woolf King…Lassparri Wood was vociferously right-wing in his personal views and this Sig Ruman… Gottlieb would not have sat well with the famous comedian. Wood Margaret Dumont…Mrs. Claypool directed 11 actors in Oscar-nominated performances: Robert Edward Keane…Captain Donat, Greer Garson, Martha Scott, Ginger Rogers, Charles Robert Emmett O'Connor…Henderson Coburn, Gary Cooper, Teresa Wright, Katina Paxinou, Akim Tamiroff, Ingrid Bergman and Flora Robson. Donat, Paxinou and SAM WOOD (b. July 10, 1883 in Philadelphia, Pennsylvania—d. Rogers all won Oscars. Late in his life, he served as the President September 22, 1949, age 66, in Hollywood, Los Angeles, of the Motion Picture Alliance for the Preservation of American California), after a two-year apprenticeship under Cecil B. -
Hooray for Hollywood!
Hooray for Hollywood! The Silent Screen & Early “Talkies” Created for free use in the public domain American Philatelic Society ©2011 • www.stamps.org Financial support for the development of these album pages provided by Mystic Stamp Company America’s Leading Stamp Dealer and proud of its support of the American Philatelic Society www.MysticStamp.com, 800-433-7811 PartHooray I: The Silent forScreen andHollywood! Early “Talkies” How It All Began — Movie Technology & Innovation Eadweard Muybridge (1830–1904) Pioneers of Communication • Scott 3061; see also Scott 231 • Landing of Columbus from the Columbian Exposition issue A pioneer in motion studies, Muybridge exhibited moving picture sequences of animals and athletes taken with his “Zoopraxiscope” to a paying audience in the Zoopraxographical Hall at the 1893 Columbian Exposition. Although these brief (a few seconds each) moving picture views titled “The Science of Animal Locomotion” did not generate the profit Muybridge expected, the Hall can be considered the first “movie theater.” Thomas Alva Edison William Dickson Motion Pictures, (1847–1947) (1860–1935) 50th Anniversary Thomas A. Edison Pioneers of Communication Scott 926 Birth Centenary • Scott 945 Scott 3064 The first motion picture to be copyrighted Edison wrote in 1888, “I am experimenting Hired as Thomas Edison’s assistant in in the United States was Edison upon an instrument which does for the 1883, Dickson was the primary developer Kinetoscopic Record of a Sneeze (also eye what the phonograph does for the of the Kintograph camera and Kinetoscope known as Fred Ott’s Sneeze). Made January ear.” In April 1894 the first Kinetoscope viewer. The first prototype, using flexible 9, 1894, the 5-second, 48-frame film shows Parlour opened in New York City with film, was demonstrated at the lab to Fred Ott (one of Edison’s assistants) taking short features such as The Execution of visitors from the National Federation of a pinch of snuff and sneezing. -
Ruth Prawer Jhabvala's Adapted Screenplays
Absorbing the Worlds of Others: Ruth Prawer Jhabvala’s Adapted Screenplays By Laura Fryer Submitted in fulfilment of the requirements of a PhD degree at De Montfort University, Leicester. Funded by Midlands 3 Cities and the Arts and Humanities Research Council. June 2020 i Abstract Despite being a prolific and well-decorated adapter and screenwriter, the screenplays of Ruth Prawer Jhabvala are largely overlooked in adaptation studies. This is likely, in part, because her life and career are characterised by the paradox of being an outsider on the inside: whether that be as a European writing in and about India, as a novelist in film or as a woman in industry. The aims of this thesis are threefold: to explore the reasons behind her neglect in criticism, to uncover her contributions to the film adaptations she worked on and to draw together the fields of screenwriting and adaptation studies. Surveying both existing academic studies in film history, screenwriting and adaptation in Chapter 1 -- as well as publicity materials in Chapter 2 -- reveals that screenwriting in general is on the periphery of considerations of film authorship. In Chapter 2, I employ Sandra Gilbert’s and Susan Gubar’s notions of ‘the madwoman in the attic’ and ‘the angel in the house’ to portrayals of screenwriters, arguing that Jhabvala purposely cultivates an impression of herself as the latter -- a submissive screenwriter, of no threat to patriarchal or directorial power -- to protect herself from any negative attention as the former. However, the archival materials examined in Chapter 3 which include screenplay drafts, reveal her to have made significant contributions to problem-solving, characterisation and tone. -
+- Vimeo Link for ALL of Bruce Jackson's and Diane
Virtual February 9, 2021 (42:2) William A. Wellman: THE PUBLIC ENEMY (1931, 83 min) Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. Cast and crew name hyperlinks connect to the individuals’ Wikipedia entries +- Vimeo link for ALL of Bruce Jackson’s and Diane Christian’s film introductions and post-film discussions in the Spring 2021 BFS Vimeo link for our introduction to The Public Enemy Zoom link for all Fall 2020 BFS Tuesday 7:00 PM post-screening discussions: Meeting ID: 925 3527 4384 Passcode: 820766 Selected for National Film Registry 1998 Directed by William A. Wellman Written by Kubec Glasmon and John Bright Produced by Darryl F. Zanuck which are 1958 Lafayette Escadrille, 1955 Blood Cinematography by Devereaux Jennings Alley, 1954 Track of the Cat, 1954 The High and the Film Editing by Edward M. McDermott Mighty, 1953 Island in the Sky, 1951 Westward the Makeup Department Perc Westmore Women, 1951 It's a Big Country, 1951 Across the Wide Missouri, 1949 Battleground, 1948 Yellow Sky, James Cagney... Tom Powers 1948 The Iron Curtain, 1947 Magic Town, 1945 Story Jean Harlow... Gwen Allen of G.I. Joe, 1945 This Man's Navy, 1944 Buffalo Bill, Edward Woods... Matt Doyle 1943 The Ox-Bow Incident, 1939 The Light That Joan Blondell... Mamie Failed, 1939 Beau Geste, 1938 Men with Wings, 1937 Donald Cook... Mike Powers Nothing Sacred, 1937 A Star Is Born, 1936 Tarzan Leslie Fenton... Nails Nathan Escapes, 1936 Small Town Girl, 1936 Robin Hood of Beryl Mercer.. -
PRICES REALIZED DETAIL - Hollywood 65 Auction 65, Auction Date: 10/17/2014
26662 Agoura Road, Calabasas, CA 91302 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - Hollywood 65 Auction 65, Auction Date: 10/17/2014 LOT ITEM PRICE PREMIUM 1 AUTO RACING AND CLASSIC AUTOS IN FILM (14) VINTAGE PHOTOGRAPHS. $350 2 SEX IN CINEMA (55) VINTAGE PHOTOGRAPHS. $4,500 3 LILLIAN GISH VINTAGE PORTRAIT PHOTOGRAPH BY HARTSOOK STUDIO. $200 4 COLLECTION OF (19) PORTRAIT PHOTOGRAPHS OF LUCILLE BALL, TALLULAH $325 BANKHEAD, THEDA BARA, JOAN CRAWFORD, AND OTHERS. 5 ANNA MAY WONG SIGNED PORTRAIT PHOTOGRAPH BY CECIL BEATON. $4,000 6 MABEL NORMAND (7) SILENT-ERA VINTAGE PHOTOGRAPHS. $200 7 EARLY CHILD-STARS (11) VINTAGE PHOTOGRAPHS INCLUDING OUR GANG AND $225 JACKIE COOGAN. 9 BARBARA LA MARR (3) VINTAGE PHOTOS INCLUDING ONE ON HER DEATHBED. $325 10 ALLA NAZIMOVA (4) VINTAGE PORTRAIT PHOTOGRAPHS. $300 11 SILENT-FILM LEADING LADIES (13) VINTAGE PHOTOGRAPHS. $200 13 SILENT-FILM LEADING MEN (10) VINTAGE PHOTOGRAPHS. $200 14 PRE-CODE BLONDES (24) VINTAGE PHOTOGRAPHS. $325 15 CHARLIE CHAPLIN AND PAULETTE GODDARD (2) VINTAGE PHOTOGRAPHS. $350 16 COLLECTION OF (12) OVERSIZE PORTRAIT PHOTOGRAPHS OF RENÉE ADORÉE, $400 MARCELINE DAY, AND OTHERS. 17 COLLECTION OF (17) OVERSIZE PORTRAIT PHOTOGRAPHS OF EVELYN BRENT, $1,200 NANCY CARROLL, LILI DAMITA, MARLENE DIETRICH, MIRIAM HOPKINS, MARY PICKFORD, GINGER ROGERS, GLORIA SWANSON, FAY WRAY AND OTHERS. 18 MYRNA LOY (14) VINTAGE PHOTOGRAPHS INCLUDING SEVERAL RARE $375 PRE-CODE IMAGES. Page 1 of 85 26662 Agoura Road, Calabasas, CA 91302 Tel: 310.859.7701 Fax: 310.859.3842 PRICES REALIZED DETAIL - Hollywood 65 Auction 65, Auction Date: 10/17/2014 LOT ITEM PRICE PREMIUM 19 PREMIUM SELECTION OF LEADING MEN (32) VINTAGE PHOTOGRAPHS. -
WARNER ARCHIVE DVD COLLECTION – Informal Collection List As of Winter 2013
WARNER ARCHIVE DVD COLLECTION – informal collection list as of Winter 2013. For updated information or to arrange viewing, please e-mail [email protected]. Item # Title DVD8925 2 WEEKS IN ANOTHER TOWN [1962] DVD7519 20,000 YEARS IN SING SING [1933] DVD9691 24 HOURS TO KILL [1965] DVD7301 3 SAILORS AND A GIRL [1953] DVD8754 -30- [1959] DVD10749 5 TIME CHAMPION [2012] DVD9877 7 FACES OF DR. LAO [1963] DVD9174 ABBOTT AND COSTELLO MEET CAPTAIN KIDD [1952] DVD7192 ABDICATION, THE [1974] DVD7206 ABE LINCOLN IN ILLINOIS [1940] DVD7171 ABOVE AND BEYOND [1952] DVD7934 ABOVE SUSPICION [1943] DVD9781 ACROSS THE WIDE MISSOURI [1951] DVD7520 ACROSS TO SINGAPORE [1928] DVD7201 ACTRESS, THE [1953] DVD10743 ADA [1961] DVD8764 ADAM’S WOMAN [1969] DVD9634 ADVANCE TO THE REAR [1963] DVD9780 ADVENTURE [1945] DVD7191 ADVENTURES OF HUCKLEBERRY FINN, THE [1939] DVD7216 ADVENTURES OF MARK TWAIN, THE [1944] DVD7743 ADVENTURES OF ONE ESKIMO, THE [2009] DVD9976 AFFAIRS OF DOBIE GILLIS, THE [1953] DVD8554 AGATHA [1978] DVD10336 AGE OF CONSENT, THE [1932] DVD9136 AGE OF INNOCENCE, THE [1934] DVD7195 AH, WILDERNESS! [1935] DVD7669 AIRBORNE [1993] DVD9800 AKIRA KUROSAWA’S DREAMS [1990] DVD7226 AL CAPONE [1959] DVD9807 ALEX IN WONDERLAND [1970] DVD8845 ALIAS THE DOCTOR [1932] DVD8118 ALIBI IKE [1935] DVD10532 ALICE [THE COMPLETE FIRST SEASON] [DISC 1 OF 3] DVD10533 ALICE [THE COMPLETE FIRST SEASON] [DISC 2 OF 3] DVD10534 ALICE [THE COMPLETE FIRST SEASON] [DISC 3 OF 3] DVD10772 ALICE [THE COMPLETE SECOND SEASON] [DISC 1 OF 3] DVD10773 ALICE [THE COMPLETE SECOND SEASON] -
1 the Ruin of an Empire
c01.qxd 7/16/03 1:09 PM Page 28 1 The Ruin of an Empire shrill whistle shattered the silence of the snowy afternoon as the Red Cross train slowly steamed into the sid- ing at Tarnopol. Weary soldiers, bundled against the freezing rain,A shuffled noiselessly along the crowded platform, heads bent low, eyes hollow and resigned. Amid the sea of disconsolate faces, J. P. Demidov, muffled in a thick astrakhan coat and hat, made his way across the siding, jumped into a waiting motorcar, and left the despair of the station in his wake. It was the first winter of the Great War. In the devastation of Russian-occupied Galicia, a rising tide of miseries threatened to over- take the Imperial Army. Four months earlier, poorly trained, unedu- cated peasants proudly wore their new uniforms as they marched west, toward the advancing German and Austro-Hungarian armies under the late summer sun; for many, the clean leather boots had been the first pair of decent shoes they owned. But the four months could have been four years for the changes they wrought. Uniforms were ragged, mud- died, stained with food, sweat, urine, and their comrades’ blood, and the new boots—so impressive in the bright August sunshine—revealed their shabby manufacture as the Imperial Army waded through the marshes of Poland and the Danube. Disease and dejection hung like specters over these men, slowly replacing the patriotic ideals and short conflict promised in the far-off days of summer. Demidov’s motorcar snaked through the streets of Tarnopol, clogged with refugees shuffling through the slush among the ruins of bombed buildings as they dodged piles of fallen brick and burned 28 c01.qxd 7/16/03 1:09 PM Page 29 THE RUIN OF AN EMPIRE 29 timbers. -
Concepts and Communication
70-26,361 SEELS, Barbara Ann B illings, 1940- CONCEPTS AND COMMUNICATION. The Ohio State U niversity, Ph.D., 1970 Education, theory and practice University Microfilms, A XEROX Company, Ann Arbor, Michigan © 1971 Barbara Ann B illin g s Seels ALL RIGHTS RESERVED THIS DISSERTATION HAS BEEN MICROFILMED EXACTLY AS RECEIVED CONCEPTS AND COMMUNICATION DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By H i U ' l Barbara:Billings Seels ****** The Ohio State University 1970 Approved by \dviser School of Education ACKNOWLEDGMENTS I am grateful to those whose discerning questions forced me to present the data with greater clarity and precision: Dr. Edgar Dale, Dr. Daniel Stuffelbeam, Dr. Robert Wagner. 1 1 VITA February 18, 1940. Bom - Syracuse, New York 1969 .................................. Student, U niversity of B r isto l, England 1961 .................................. A.B., Bucknell University, Lewisburg, Pennsylvania 1962 .................................. Research Assistant, Syracuse University, Syracuse, New York 1963 .................................. M.S., Syracuse University, Syracuse, New York 1963 .................................. Instructor, Clarion State College, Clarion, Pennsylvania 1964 ................... .... Research Assistant, University of Pittsburgh, Pittsburgh, Pennsylvania 1965-1967 ......................... Research Assistant, The Ohio State University, Columbus, Ohio 1969 .................................. Director -
The Holy All-Russian New Martyrs 2
THE HOLY ALL-RUSSIAN NEW MARTYRS 2 CONTENTS 1. TSAR-MARTYR NICHOLAS II AND HIS FAMILY AND SERVANTS .....3 His Most Pious Majesty .........................................................................................9 The Atoning Sacrifice............................................................................................22 Great Prince Michael Alexandrovich....................................................................28 Martyrdom............................................................................................................29 Posthumous Glory.................................................................................................32 2. MARTYR GREAT PRINCE SERGIUS AND NUN-MARTYR GREAT PRINCESS ELIZABETH .......................................................................................39 3. HIEROMARTYR TIKHON, PATRIARCH OF MOSCOW AND ALL RUSSIA ....................................................................................................................64 Early Years............................................................................................................64 Archbishop in America..........................................................................................65 The First World War.............................................................................................65 Metropolitan of Moscow .......................................................................................66 The Local Council of the Russian Orthodox Church ............................................67 -
P-26 Motion Picture Collection Repository: Seaver Center For
P-26 Motion Picture Collection Repository: Seaver Center for Western History Research, Natural History Museum of Los Angeles County Span Dates: c.1872-1971, bulk 1890s-1930s Extent: 48 linear feet Language: Primarily English Conditions Governing Use: Permission to publish, quote or reproduce must be secured from the repository and the copyright holder Conditions Governing Access: Research is by appointment only Preferred Citation: Motion Picture Collection, Seaver Center for Western History Research, Los Angeles County Museum of Natural History Related Holdings: There are numerous related collections, and these can be found by consulting the Photo and General Collection guides available at the Seaver Center’s website. They include manuscripts in general collection 1095 (Motion Pictures Collection), general collection 1269 (Motion Picture Programs and Memorabilia), general collection 1286 (Movie Posters Collection), general collection 1287 (Movie Window Cards and Lobby Cards Collection), and general collection 1288 (Motion Picture Exhibitors’ Campaign Books). Seaver Center for Western History Research P-26 Abstract: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented, including portraits by studio photographers, film and set stills, and other images, as well as related programs, brochures and clippings. Early technology and experimental work in moving pictures is represented by images about camera and projection devices and their inventors. Items related to movie production include early laboratories, sound, lighting and make-up technology. These items form Photograph Collection P-26 in the Seaver Center for Western History Research. Scope and Content: The Motion Picture Collection is primarily a photograph collection. Actor and actress stills are represented (including portraits by studio photographers), film stills, set stills, and other images, as well as related programs, brochures and clippings. -
SCHEDULE the Oscars from a to Z
2021 SCHEDULE The Oscars from A to Z Thursday, April 1 6:00 AM Adam's Rib (1969) 8:00 AM The Adventures of Robin Hood (1938) 10:00 AM After The Thin Man (1936) 12:00 PM Agnes of God (1985) 2:00 PM Air Force (1943) 4:15 PM Algiers (1938) 6:00 PM Alice Adams (1935) 8:00 PM All the King's Men (1949) 10:00 PM Almost Famous (2000) 12:15 AM An American in Paris (1951) 2:15 AM Anatomy of a Murder (1959) 5:15 AM Anna Christie (1930) Friday, April 2 6:45 AM Around the World in 80 Days (1956) 10:00 AM Au Revoir Les Enfants (1987) 12:00 PM The Awful Truth (1937) 1:45 PM Baby Doll (1956) 3:45 PM The Band Wagon (1953) 5:45 PM Being There (1979) 8:00 PM Ben-Hur (1959) 12:00 AM The Best Man (1964) 2:00 AM The Big Chill (1983) 4:00 AM The Birds (1963) 2021 SCHEDULE Saturday, April 3 6:00 AM Blithe Spirit (1945) 7:45 AM Block-Heads (1938) 9:00 AM Born Yesterday (1950) 11:00 AM Bridge on the River Kwai (1957) 2:00 PM Bullitt (1968) 4:15 PM Caged (1950) 6:00 PM Calamity Jane (1953) 8:00 PM Carefree (1938) 9:45 PM Carol (2015) 12:00 AM Cat on a Hot Tin Roof (1958) 2:00 AM Charade (1967) 4:15 AM The Circus (1928) Sunday, April 4 6:00 AM Citizen Kane (1941) 8:00 AM The Corn is Green (1945) 10:00 AM Dark Victory (1939) 12:00 PM Days of Wine and Roses (1962) 2:15 PM The Defiant Ones (1958) 4:00 PM Destination Moon (1950) 5:45 PM East of Eden (1955) 8:00 PM Easter Parade (1948) 10:00 PM The Egg and I (1947) 12:00 AM The Enchanted Cottage (1945) 2:00 AM The End of the Affair (1999) 4:00 AM The Entertainer (1960) 2021 SCHEDULE Monday, April 5 6:00 AM Eskimo (1933) 8:00 AM Executive Suite (1954) 10:00 AM Experiment Perilous (1944) 11:45 AM The Facts of Life (1960) 1:30 PM The Fallen Idol (1948) 3:15 PM Far from the Madding Crowd (1962) 6:15 PM A Farewell to Arms (1932) 8:00 PM Father of the Bride (1950) 10:00 PM Five Easy Pieces (1970) 12:00 AM The 5,000 Fingers of Dr.