Lost Faith Page 1
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Very Short Bio Don White
Don White – Very Short Bio There is no one-word description for what Don White does. He’s an award-winning singer/songwriter, a comedian, an author, and a storyteller. He’s been brining audiences to laughter and tears for thirty years, released nine CDs, three live DVDs, and a book, Memoirs of a C Student. His latest album is More Alive. Since 2015, he has joined master storytellers Bil Lep and Bill Harley in Father’s Daze, a hilarious three-man storytelling show about the triumphs and tribulations of fatherhood. He toured North America for nine years with folk songwriting legend Christine Lavin, with whom he still plays the occasional show. Don White – Short Bio There is no one-word description for what Don White does. He’s an award-winning singer/songwriter, a comedian, an author, and a storyteller. He’s been brining audiences to laughter and tears for thirty years, released nine CDs, three live DVDs, and a book, Memoirs of a C Student. His latest album is More Alive. In 2011, he won the Jerri Christen Memorial Award, given out by Boston Area Coffeehouse Association, for his work with the community and that same year was given a key to the city in his hometown of Lynn. White has opened for Arlo Guthrie, Ritchie Havens. Louden Wainwright III, and Taj Mahal, shared a bill with David Bromberg, Janis Ian, and Lyle Lovett. White has been featured in storytelling festivals around the country including the National Storytelling Festival in Jonesboro, Tennessee. Since 2015, he has joined master storytellers Bil Lep and Bill Harley in Father’s Daze, a hilarious three-man storytelling show about the triumphs and tribulations of fatherhood. -
Idioms-And-Expressions.Pdf
Idioms and Expressions by David Holmes A method for learning and remembering idioms and expressions I wrote this model as a teaching device during the time I was working in Bangkok, Thai- land, as a legal editor and language consultant, with one of the Big Four Legal and Tax companies, KPMG (during my afternoon job) after teaching at the university. When I had no legal documents to edit and no individual advising to do (which was quite frequently) I would sit at my desk, (like some old character out of a Charles Dickens’ novel) and prepare language materials to be used for helping professionals who had learned English as a second language—for even up to fifteen years in school—but who were still unable to follow a movie in English, understand the World News on TV, or converse in a colloquial style, because they’d never had a chance to hear and learn com- mon, everyday expressions such as, “It’s a done deal!” or “Drop whatever you’re doing.” Because misunderstandings of such idioms and expressions frequently caused miscom- munication between our management teams and foreign clients, I was asked to try to as- sist. I am happy to be able to share the materials that follow, such as they are, in the hope that they may be of some use and benefit to others. The simple teaching device I used was three-fold: 1. Make a note of an idiom/expression 2. Define and explain it in understandable words (including synonyms.) 3. Give at least three sample sentences to illustrate how the expression is used in context. -
ED311449.Pdf
DOCUMENT RESUME ED 311 449 CS 212 093 AUTHOR Baron, Dennis TITLE Declining Grammar--and Other Essays on the English Vocabulary. INSTITUTION National Council of Teachers of English, Urbana, Ill. REPORT NO ISBN-0-8141-1073-8 PUB DATE 89 NOTE :)31p. AVAILABLE FROM National Council of Teachers of English, 1111 Kenyon Rd., Urbana, IL 61801 (Stock No. 10738-3020; $9.95 member, $12.95 nonmember). PUB TYPE Books (010) -- Viewpoints (120) EDRS PRICE MF01/PC10 Plus Postage. DESCRIPTORS *English; Gr&mmar; Higher Education; *Language Attitudes; *Language Usage; *Lexicology; Linguistics; *Semantics; *Vocabulary IDENTIFIERS Words ABSTRACT This book contains 25 essays about English words, and how they are defined, valued, and discussed. The book is divided into four sections. The first section, "Language Lore," examines some of the myths and misconceptions that affect attitudes toward language--and towards English in particular. The second section, "Language Usage," examines some specific questions of meaning and usage. Section 3, "Language Trends," examines some controversial r trends in English vocabulary, and some developments too new to have received comment before. The fourth section, "Language Politics," treats several aspects of linguistic politics, from special attempts to deal with the ethnic, religious, or sex-specific elements of vocabulary to the broader issues of language both as a reflection of the public consciousness and the U.S. Constitution and as a refuge for the most private forms of expression. (MS) *********************************************************************** Reproductions supplied by EDRS are the best that can be made from the original document. *********************************************************************** "PERMISSION TO REPRODUCE THIS MATERIAL HAS BEEN GRANTED BY J. Maxwell TO THE EDUCATIONAL RESOURCES INFORMATION CENTER (ERIC)." U S. -
The Walkons Repertoire
THE WALKONS REPERTOIRE BALLADS Blackbird, Something The Beatles All Of Me, Ordinary People John Legend Stand By Me Ben E. King Oh My Love John Lennon Piano Man Billy Joel I Hope You Dance LeAnn Womack Make You Feel My Love Bob Dylan Amazed Lonestar I’m on Fire Bruce Springsteen Let’s Get it on Marvin Gaye A Song For You Donny Hathaway Turn me On Nora Jones Can’t Help Falling in Love Elvis Presley I’ve Been Loving You For Too Long Otis Thinking Out Loud Ed Sheeran Redding Wonderful Tonight Eric Clapton Crazy Patsy Cline At Last Etta James When A Man Loves A Woman (Michael Bolton) Percy Sledge Landslide Fleetwood Mac Fields of Gold Sting Wanted Hunter Hayes Pillowtalk Zayne You Are So Beautiful To Me Joe Cocker 90’S All The Small Things Blink 182 Fast Car, Gimme One Reason Tracy Smooth (Rob Thomas) Carlos Santana Chapman You Gotta Be Des’ree Meet Virginia Train Save Tonight Eagle-Eye Cherry Semi-Charmed Life Third Eye Blind Change The World Eric Clapton When Love Comes to Town U2 w/ BB King Are You Gonna Go My Way Lenny Kravitz Island in The Sun Weezer My Own Worst Enemy Lit Santeria , What I Got Sublime 1 80’S ROCK / POP Take on me A-Ha Sledgehammer Peter Gabriel Livin’ On A Prayer Bon Jovi Easy Lover Phil Collins Pour Some Sugar On Me Def Leppard Message in a Bottle, Every Breath you Money for Nothing Dire Straits Take, The Police Paradise City, Sweet Child O’ Mine Guns ‘N Every Little Thing She Does is Magic, So Roses Lonely Don’t Stop Believin’ Journey Rule The World Tears For Fears Footloose Kenny Loggins Jump Van Halen Hit Me With -
Catalogue Karaoke
CHANSONS ANGLAISES A A A 1 CAUGHT IN THE MIDDLE NO MORE SAME OLD BRAND NEW YOU Aallyah THE ONE I GAVE MY HEART TO Aaliyah & Timbaland WE NEED A RESOLUTION Abba CHIQUITITA DANCING QUEEN KNOWING ME AND KNOWING YOU MONEY MONEY MONEY SUPER TROUPER TAKE A CHANCE ON ME THANK YOU FOR THE MUSIC Ace of Base ALL THAT SHE WANTS BEAUTIFUL LIFE CRUEL SUMMER DON'T TURN AROUND LIVING IN DANGER THE SIGN Adrews Sisters BOOGIE WOOGIE BUGLE BOY Aerosmith I DON'T WANT TO MISS A THING SAME OLD SONG AND DANCE Afroman BECAUSE I GOT HIGH After 7 TILL YOU DO ME RIGHT Air Supply ALL OUT OF LOVE LOST IN LOVE Al Green LET'S STAY TOGETHER TIRED OF BEING ALONE Al Jolson ANNIVERSARY SONG Al Wilson SHOW AND TELL Alabama YOU'VE GOT THE TOUCH Aladdin A WHOLE NEW WORLD Alanis Morissette EVERYTHING IRONIC PRECIOUS ILLUSIONS THANK YOU Alex Party DON'T GIVE ME YOUR LIFE Alicia Keys FALLIN' 31 CHANSONS ANGLAISES HOW COME YOU DON'T CALL ME ANYMORE IF I AIN'T GOT YOU WOMAN'S WORTH Alison Krauss BABY, NOW THAT I'VE FOUND YOU All 4 One I CAN LOVE YOU LIKE THAT I CROSS MY HEART I SWEAR All Saints ALL HOOKED UP BOTIE CALL I KNOW WHERE IT’S AT PURE SHORES Allan Sherman HELLO MUDDUH, HELLO FADDUH ! Allen Ant Fam SMOOTH CRIMINAL Allure ALL CRIED OUT Amel Larrieux FOR REAL America SISTER GOLDEN HAIR Amie Stewart KNOCK ON WOOD Amy Grant BABY BABY THAT'S WHAT LOVE IS FOR Amy Studt MISFIT Anastacia BOOM I'M OUTTA LOVE LEFT OUTSIDE ALONE MADE FOR LOVING YOU WHY'D YOU LIE TO ME Andy Gibb AN EVERLASTING LOVE Andy Stewart CAMPBELTOWN LOCH Andy Williams CAN'T GET USED TO LOSING YOU MOON RIVER -
Whitney Houston in Memory
==== ==== Hello : Check out on How to save on cable tv spending now: http://tinyurl.com/tvpconvertca ==== ==== Another New Jersey native, Whitney Elizabeth Houston was born in Newark in 1963. It's no wonder she chose music as a career, since her mother is singer Cissy Houston, her cousins are Dionne Warwick and Dee Dee Warwick and her godmother is Aretha Franklin. Whitney first started singing in church where she also learned to play the piano. She also traveled with her mother on her tours when Whitney was in her early teens. On occasion, she would join her mother on stage. In addition to singing backup on Chaka Khan's hit single, "I'm Every Woman" when she was just fifteen, and which Whitney would also make a hit, she also appeared doing background work on albums by Jermaine Jackson and Lou Rawls. Before Whitney's singing career took off, she was a familiar face as a model on the cover of many magazines, including Seventeen, Glamour and Cosmopolitan. In 1983, Whitney was signed to Clive Davis' Arista Records where she recorded a duet with Teddy Pendergrass, which went Top 5 on Billboard's R&B Charts. Her first solo album, "Whitney Houston", had problems getting off the ground with two unsuccessful singles. However, her third single, "You Give Good Love" went to #3 on Billboard's Top 40 Weekly Charts. On the charts, Whitney made it to the Top 40 thirty times, with eleven of those singles going to number one. Here's a look at Whitney Houston's twenty biggest hits, according to Billboard's Weekly Top 40 charts. -
The Totally 80S Karaoke Song List! Alpha by Artist
The Totally 80s Karaoke Song List! Alpha by Artist Disc # Artist Song J 89 10000 Maniacs Like The Weather D 229 38Special Hold On Loosely H 229 A Ha Take On Me H 645 Abba Super Trouper A 520 AC/DC You Shook Me All Night Long D 198 AC/DC Back In Black D 188 AC/DC Hells Bells H 38 Adam Ant Goody Two Shoes F2 1 Aerosmith Dude Looks Like a Lady F2 2 Aerosmith Love in an Elevator D 967 Aerosmith Walk This Way H 315 Air Supply All Out Of Love H 1124 Air Supply Lost In Love A 41 Alabama Mountain Music G 744 Alan Jackson Here In The Real World A 130 AlannahMyles Black Velvet D 118 Alice Cooper Generation Landslide D 777 AlJarreau After All H 1024 Amy Grant El Shaddai H 1000 Amy Grant / Peter Cetera Next Time I Fall H 1165 Anita Baker Caught Up In The Rapture A 652 AnitaBaker Sweet Love G 1076 Atlantic Star Always H 251 Atlantic Star Secret Lovers B 126 Atlantic Starr Always H 1200 Atlantic Starr Masterpiece H 245 B. Segar / Silver Bul. Against The Wind D 1179 B52's Love Shack H 185 B-52's Roam H 254 Bad English When I See You Smile A 337 Bananarama Venus H 187 Bananarama Cruel Summer D 902 Bangles Eternal Flame D 1201 Bangles Manic Monday A 339 Bangles Walk Like An Egyptian D 1139 Barbra Streisand Memory D 1106 Barbra Streisand People J 76 Barbra Streisand/Barry GibbGuilty H 282 Berlin Take My Breath Away G 714 Bertie Higgins Just Another Day In Paradise D 1067 Bette Midler Wind Beneath My Wings, The A 561 Billy Idol Cradle Of Love E2 15 Billy Idol Rebel Yell H 1228 Billy Idol White Wedding A 336 Billy Joel It's Still Rock And Roll To Me A 321 -
'I've Got Nothing to Hide' and Other Misunderstandings of Privacy
GW Law Faculty Publications & Other Works Faculty Scholarship 2007 'I've Got Nothing to Hide' and Other Misunderstandings of Privacy Daniel J. Solove George Washington University Law School, [email protected] Follow this and additional works at: https://scholarship.law.gwu.edu/faculty_publications Part of the Law Commons Recommended Citation 44 San Diego L. Rev. 745 (2007) This Article is brought to you for free and open access by the Faculty Scholarship at Scholarly Commons. It has been accepted for inclusion in GW Law Faculty Publications & Other Works by an authorized administrator of Scholarly Commons. For more information, please contact [email protected]. SOLOVE POST-AUTHOR PAGES (SUPER FINAL).DOC 2/7/2008 3:16:38 PM “I’ve Got Nothing to Hide” and Other Misunderstandings of Privacy DANIEL J. SOLOVE* TABLE OF CONTENTS I. INTRODUCTION .................................................................................................. 745 II. THE “NOTHING TO HIDE” ARGUMENT ................................................................ 748 III. CONCEPTUALIZING PRIVACY.............................................................................. 754 A. A Pluralistic Conception of Privacy ........................................................ 754 B. The Social Value of Privacy..................................................................... 760 IV. THE PROBLEM WITH THE “NOTHING TO HIDE” ARGUMENT................................. 764 A. Understanding the Many Dimensions of Privacy..................................... 764 B. Understanding -
Language Styles Used in Whitney Houston's Songs A
1 LANGUAGE STYLES USED IN WHITNEY HOUSTON’S SONGS A JOURNAL Submited as a Partial Fulfillment of the Requirements for Bachelor Degree in English Department Faculty of Teacher Training and Education Mataram University By: ULFA HAYATUL KAMILA E1D 014 053 ENGLISH EDUCATION PROGRAM LANGUAGE AND ART DEPARTMENT FACULTY OF TEACHER TRAINING AND EDUCATION MATARAM UNIVERSITY 2018 i KEMENTERIAN RISET, TEKNOLOGI DAN PENDIDIKAN TINGGI UNIVERSITAS MATARAM FAKULTAS KEGURUAN DAN ILMU PENDIDIKAN Jl. Majapahit no. 62 Telp (0370) 623873 Fax. 634918 Mataram 83125. JOURNAL APPROVAL Entitled: Language Styles Used in Whitney Houston’s Songs by Ulfa Hayatul Kamila E1D014053 Has been approved in Mataram, 24 March 2018 by: First Advisor, Dr. Muhammad Fadjri, MA NIP. 195812201985101001 ii LANGUAGE STYLES USED IN WHITNEY HOUSTON’S SONGS Ulfa Hayatul Kamila, Dr. Muhammad Fadjri M.A, Eka Fitriana, SS. M. A English Department Faculty of Teacher Training and Education Mataram University Email: [email protected] ABSTRACT LANGUAGE STYLES USED IN WHITNEY HOUSTON’S SONGS Ulfa Hayatul Kamila E1D014053 This study focuses on the types, meaning and the function of figurative language that used in Whitney Houston’s songs. The writer uses theory by Keraf (2009) to analyze the types of figurative language and the function of figurative language. Whereas, semantics theory by Leech to analyze the meaning of the types of figurative language. In supporting this research of figurative language that found in Whitney Houston’s songs, the writer uses qualitative methods. The result of this study, the writer found there are 7 metaphors, 2 hyperboles, and 5 repetitions. Based on the fuctions of figurative language, the writer concluded that figurative language functioned as a means to influence or convince the listeners, which means that language can make the reader or listener more confident with the author says; as a tool for creating the right atmosphere, and as a tool to reinforce the effect of the ideas. -
Whitney Houston
Chart - History Singles All chart-entries in the Top 100 Peak:1 Peak:1 Peak: 1 Germany / United Kindom / U S A Whitney Houston No. of Titles Positions Whitney Elizabeth Houston (August 9, 1963 – February Peak Tot. T10 #1 Tot. T10 #1 11, 2012) was an American singer and actress. She was 1 31 8 3 445 74 13 cited as the most awarded female artist of all time by 1 37 18 4 438 88 16 Guinness World Records and remains one of the best- 1 40 23 11 689 183 31 selling music artists of all time with 200 million records sold worldwide. 1 46 29 12 1.572 345 60 ber_covers_singles Germany U K U S A Singles compiled by Volker Doerken Date Peak WoC T10 Date Peak WoC T10 Date Peak WoC T10 1 Hold Me 01/1986 44 7 06/1984 46 18 as ► Teddy Pendergrass with Whitney Houston 2 You Give Good Love 08/1985 93 1 05/1985 3 21 6 3 Saving All My Love For You 01/1986 18 15 11/1985 1 2119 8708/1985 1 22 4 How Will I Know 03/1986 26 9 01/1986 5 13 4612/1985 1 2 24 5 Greatest Love Of All 05/1986 30 10 04/1986 8 13 3703/1986 1 3 20 6 I Wanna Dance With Somebody (Who Loves Me) 05/1987 1 5 21 1205/1987 1 2218 805/1987 1 20 9 7 Didn't We Almost Have It All 08/1987 20 9 08/1987 14 9 08/1987 1 2 17 7 8 So Emotional 11/1987 5 11 3810/1987 1 1 19 9 Where Do Broken Hearts Go 03/1988 14 9 02/1988 1 2 18 6 10 Love Will Save The Day 07/1988 37 13 05/1988 10 7 1107/1988 9 16 11 One Moment In Time 09/1988 1 2 23 9609/1988 1 2 16 09/1988 5 17 4 12 I Know Him So Well 01/1989 46 5 as ► Cissy & Whitney Houston 13 It Isn't, It Wasn't, It Ain't Never Gonna Be 09/1989 29 5 07/1989 41 8 as ► -
Whitney Houston | Primary Wave Music
WHITNEY HOUSTON facebook.com/WhitneyHouston instagram.com/whitneyhouston/ Image not found or type unknown youtube.com/channel/UC7fzrpTArAqDHuB3Hbmd_CQ whitneyhouston.com en.wikipedia.org/wiki/Whitney_Houston open.spotify.com/artist/6XpaIBNiVzIetEPCWDvAFP With over 200 million combined album, singles and videos sold worldwide during her career with Arista Records, Whitney Houston has established a benchmark for superstardom that will quite simply never be eclipsed in the modern era. She is a singer’s singer who has influenced countless other vocalists female and male. Music historians cite Whitney’s record-setting achievements: the only artist to chart seven consecutive #1 Billboard Hot 100 hits (“Saving All My Love For You,” “How Will I Know,” “Greatest Love Of All,” “I Wanna Dance With Somebody (Who Loves Me),” “Didn’t We Almost Have It All,” “So Emotional,” and “Where Do Broken Hearts Go”); the first female artist to enter the Billboard 200 album chart at #1 (her second album, Whitney, 1987); and the only artist with eight consecutive multi-platinum albums (Whitney Houston, Whitney, I’m Your Baby Tonight, The Bodyguard, Waiting To Exhale , and The Preacher’s Wife soundtracks; My Love Is Your Love and Whitney: The Greatest Hits). In fact, The Bodyguard soundtrack is one of the top 5 biggest-selling albums of all-time (at 18x-platinum in the U.S. alone), and Whitney’s career-defining version of Dolly Parton’s “I Will Always Love You” is the biggest-selling single of all time by a female artist (at 8x-platinum for physical and digital in the U.S. alone). Born into a musical family on August 9, 1963, in Newark, New Jersey, Whitney’s success might’ve been foretold. -
Figurative Languages Found in the Whitney Houston's Songs Lyrics a Paper Written by Vetty Nur Adhuri Reg. No. 142202065 Diplo
FIGURATIVE LANGUAGES FOUND IN THE WHITNEY HOUSTON’S SONGS LYRICS A PAPER WRITTEN BY VETTY NUR ADHURI REG. NO. 142202065 DIPLOMA III ENGLISH STUDY PROGRAM FACULTY OF CULTURAL STUDIES UNIVERSITY OF SUMATERA UTARA MEDAN 2017 UNIVERSITAS SUMATERA UTARA UNIVERSITAS SUMATERA UTARA AUTHOR’S DECLARATION I, VETTY NUR ADHURI, Declare that i am the sole author of this paper. Except where the references is made in the text of this paper, this paper contains no material publised elsewhere or extracted in whole or in part from a paper by which qualified for or awarded another degree. No other person’s work has been used without due acknowledgement in the main text of the paper. This paper has not been submitted for the award of degree in any tertiary education. Signed : ................................ Date : 14th August, 2017 i UNIVERSITAS SUMATERA UTARA COPYRIGHT DECLARATION Name : VETTY NUR ADHURI Titlle of Paper : FIGURATIVE LANGUAGE FOUND IN THE WHITNEY HOUSTON’S SONGS LYRICS. Qualification : D-III / Ahli Madya Study Program : English I am willing that my paper should be available for reproduction at the discretion of the Liberatarian of the Diploma III English Study Program Faculty of Cultural Studies, University of Sumatera Utara on the understanding that users are made aware of their obligation under law of the Republic of Indonesia. Signed : Date : ii UNIVERSITAS SUMATERA UTARA ABSTRAK Kertas karya ini berjudul “Figurative Language Found in the Whitney Houston’s Songs Lyrics.” yang membahas tentang bahasa kiasan yang terdapat dalam lirik lagu Whitney Houston. Metode yang digunakan penulisa dalam kertas karya ini adalah metode deskriptif, dimana penulis mengumpulkan data dari lirik, mengidentifikasi lirik, mengurutkan sesuai dengan jenis – jenis nya, menjelaskan arti dari setiap kiasan, dan terakhir menyimpulkannya.