INSPIRED by PAN AM 201 a Private Jet Expedition from Miami to Buenos Aires
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
Juan Terry Trippe Collection
Juan Terry Trippe Collection 2002 National Air and Space Museum Archives 14390 Air & Space Museum Parkway Chantilly, VA 20151 [email protected] https://airandspace.si.edu/archives Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Scope and Contents........................................................................................................ 2 Biographical / Historical.................................................................................................... 1 General............................................................................................................................. 2 Names and Subjects ...................................................................................................... 2 Juan Terry Trippe Collection NASM.XXXX.0179 Collection Overview Repository: National Air and Space Museum Archives Title: Juan Terry Trippe Collection Identifier: NASM.XXXX.0179 Date: 1917-1968 Extent: 25.28 Cubic feet ((4 flatboxes) (20 records center boxes)) Creator: Trippe, J. T. (Juan Terry), 1899-1981 Trippe, Betty S. Language: English . Administrative Information Acquisition Information Juan Trippe, Gift, unknown, XXXX-0179, NASM Restrictions No restrictions on access Conditions Governing Use Material is subject to Smithsonian Terms of Use. Should you wish to use NASM material in any medium, -
Nelson Rodrigues
DADOS DE COPYRIGHT Sobre a obra: A presente obra é disponibilizada pela equipe Le Livros e seus diversos parceiros, com o objetivo de oferecer conteúdo para uso parcial em pesquisas e estudos acadêmicos, bem como o simples teste da qualidade da obra, com o fim exclusivo de compra futura. É expressamente proibida e totalmente repudíavel a venda, aluguel, ou quaisquer uso comercial do presente conteúdo Sobre nós: O Le Livros e seus parceiros disponibilizam conteúdo de dominio publico e propriedade intelectual de forma totalmente gratuita, por acreditar que o conhecimento e a educação devem ser acessíveis e livres a toda e qualquer pessoa. Você pode encontrar mais obras em nosso site: LeLivros.us ou em qualquer um dos sites parceiros apresentados neste link. "Quando o mundo estiver unido na busca do conhecimento, e não mais lutando por dinheiro e poder, então nossa sociedade poderá enfim evoluir a um novo nível." © 2013 by Espólio de Nelson Falcão Rodrigues. Direitos de edição da obra em língua portuguesa no Brasil adquiridos pela EDITORA NOVA FRONTEIRA PARTICIPAÇÕES S.A. Todos os direitos reservados. Nenhuma parte desta obra pode ser apropriada e estocada em sistema de banco de dados ou processo similar, em qualquer forma ou meio, seja eletrônico, de fotocópia, gravação etc., sem a permissão do detentor do copirraite. EDITORA NOVA FRONTEIRA PARTICIPAÇÕES S.A. Rua Nova Jerusalém, 345 — Bonsucesso — 21042-235 Rio de Janeiro — RJ — Brasil Tel.: (21) 3882-8200 — Fax: (21)3882-8212/8313 Capa: Sérgio Campante Fotos de capa: Em cima, torcedores paulistas comemorando gol do Brasil contra o Peru na Copa do Mundo de 1970; em baixo, Jairzinho, Rivelino, Carlos Alberto, Pelé e Wilson Piazza comemoram a vitória do Brasil contra a Itália, na Copa do Mundo de 1970. -
Projects Emiliano Rio De Janeiro
projects emiliano rio de janeiro diveBeach culture gets in a boost in Brazil By MATT DOUGHERTY Photography by FERNANDO GUERRA 1. An infinity pool crowns the 12-story Emiliano Rio de Janeiro to reveal Copacabana Beach views. 2. Traditional cobogo bricks cover the hotel’s exterior, which can either open to the beachfront or be closed for privacy. 1 2 hospitalitydesign.com May 2018 247 5. Traditional and 6. Brazilian artist and modern Brazilian landscape architect furniture in green and Roberto Burle Marx’s natural tones, stone, and artistic mural defines leather mingle in the the reception area and lobby and bar area. informs much of the design scheme. 3 3. A screen in the calming lobby seating area hints at the cobogo 5 brick-clad façade. 4. A ceiling light in the lobby refers to the shape of the city’s mountains, 6 while the bar counter is made from a single tree trunk that has been cut in half. was hatched to bring nature inside while paying tribute to the region’s rich design history, most notably with the façade, which features cobogo bricks typical of 1950s and ’60s Brazilian architecture laid over the entire front of the building. The weatherproof panels can open guestrooms to beachfront views or be left closed to maintain privacy. “I wanted to create another reference 4 point to Atlântica Avenue,” the seafront promenade of the beach, Casas explains, “something that could dialogue with the Carioca architecture and the peculiar and exuberant nature of the city.” Of all the beach metropolises Miami firm developed the plans for the In the lobby, terrazzo floors, modern in the world, none seem to be as visually project before Studio Arthur Casas took Brazilian furniture, and walls covered in iconic as the Copacabana district of Rio de over during construction). -
A Study to Determine the Basic Requirements of International Hotel
Florida International University FIU Digital Commons FIU Electronic Theses and Dissertations University Graduate School 8-1983 A study to determine the basic requirements of international hotel chains when investing in Latin America, and also to analyze if Colombia meets these basic requirements Carlos Alberto de Freitas Florida International University DOI: 10.25148/etd.FI15101446 Follow this and additional works at: https://digitalcommons.fiu.edu/etd Part of the Hospitality Administration and Management Commons Recommended Citation Freitas, Carlos Alberto de, "A study to determine the basic requirements of international hotel chains when investing in Latin America, and also to analyze if Colombia meets these basic requirements" (1983). FIU Electronic Theses and Dissertations. 3416. https://digitalcommons.fiu.edu/etd/3416 This work is brought to you for free and open access by the University Graduate School at FIU Digital Commons. It has been accepted for inclusion in FIU Electronic Theses and Dissertations by an authorized administrator of FIU Digital Commons. For more information, please contact [email protected]. ABS TRA CT A Study to Determine the Basic Requirements of International Hotel Chains When Investing in Latin America, and also to Analyze if Colombia Meets These Basic Requirements by Carlos Alberto De Freitas 1. Area of Invetigation The basic requirements of six major International Hotel chains when investing in Latin America, and the Colombian laws which deal with Foreign Investment, in order to find out the reasons why there are only two major chains in Colombia. 2 Materials and Methods Used One questionnaire directed to the Directors of Operations of the six selected international hotel companies was used to collect the required data as well as in depth personal interviews, The data gathered in relation to the Colombian laws came from official publications and Colombian law codes. -
March 2018 REFLECTIONS the Newsletter of the Northwest Airlines History Center Dedicated to Preserving the History of a Great Airline and Its People
Vol.16, no.1 nwahistory.org facebook.com/NorthwestAirlinesHistoryCenter March 2018 REFLECTIONS The Newsletter of the Northwest Airlines History Center Dedicated to preserving the history of a great airline and its people. NORTHWEST AIRLINES 1926-2010 ______________________________________________________________________________________________________ THE QUEEN OF THE SKIES Personal Retrospectives by Robert DuBert It's hard to believe that they are gone. Can it be possible that it was 50 years ago this September that this aircraft made its first public appearance? Are we really all so, ahem, elderly that we Photo: True Brand, courtesy Vincent Carrà remember 1968 as if it were yesterday? This plane had its origins in 1964, when Boeing began work on a proposal for the C-5A large military airlifter contract, and after Lockheed won that contest, Boeing considered a commercial passenger version as a means of salvaging the program. Urged on by Pan Am president Juan Trippe, Boeing in 1965 assigned a team headed by Chief Engineer Joe Sutter to design a large new airliner, although Boeing at the time was really more focused on its supersonic transport (SST) program. A launch customer order from Pan Am on April 13, 1966 for twenty five aircraft pushed Sutter's program into high gear, and in a truly herculian effort, Joe Sutter and his Boeing team, dubbed “The Incredibles,” brought the program from inception on paper to the public unveiling of a finished aircraft in the then unheard of time of 29 months. We're talking, of course, about the legendary and incomparable Boeing 747. THE ROLLOUT It was a bright, sunny morning on Monday, Sept. -
Roberto Burle Marx: Painting, Architecture and Landscaping in the Creation of a New Language for Gardens
Roberto Burle Marx: Painting, Architecture and Landscaping in the Creation of a New Language for Gardens 66 docomomo · 42 — Summer 2010 doco42—53/99.indd 66 29/07/10 17:55 ainting, architecture and landscaping have never been so well incorporated in one person as P in Roberto Burle Marx. His painter skills enabled Roberto Burle Marx to apply deep thorough pictorial principles to the landscape, thus avoiding other approaches made by pioneers who liter- ally transposed cubist or abstract art, which almost resulted in caricatures. His botanical knowl- edge allowed him to discover new species in regard to their individual beauty and to their proper integration in ecological environments, which provided adequate choices of harmonious systems in terms of their aesthetics and their good survival in the new garden habitat. By Lauro Cavalcanti AINTING, architecture and landscaping have exaggerated nationalist stance. In order to escape this never been so well incorporated in one person chauvinistic trap, he took use of his intellectual sophistica- Pas in Roberto Burle Marx. Intended as a total art- tion, of his admiration for universality driven by abstrac- work, modern architecture aimed to integrate structural tionism and last but not the least, he invested in the growth support and visual appearance, organize both internal of the scope of his work by leading botanical research and external spaces and act upon urban planning and expeditions around tropical and subtropical areas of the urban design. Within this process, the garden began to planet. draw nearer or even merge with the building and art lost One of the weaknesses of modern architecture was its façade decorative function, as it either had sculptural its inability to cope with the inevitable effects of the flow physical presence or acted as a source of inspiration for of time in its accomplishments. -
MAM Leva Obras De Seu Acervo Para As Ruas Da Cidade De São Paulo Em Painéis Urbanos E Projeções
MAM leva obras de seu acervo para as ruas da cidade de São Paulo em painéis urbanos e projeções Ação propõe expandir as fronteiras do Museu para além do Parque Ibirapuera, para toda a cidade, e busca atingir públicos diversos. Obras de artistas emblemáticos da arte brasileira, de Tarsila do Amaral a Regina Silveira, serão espalhadas pela capital paulista Incentivar e difundir a arte moderna e contemporânea brasileira, e torná-la acessível ao maior número possível de pessoas. Este é um dos pilares que regem o Museu de Arte Moderna de São Paulo e é também o cerne da ação inédita que a instituição promove nas ruas da cidade. O MAM expande seu espaço físico e, até 31 de agosto, apresenta obras de seu acervo em painéis de pontos de ônibus e projeções de escala monumental em edifícios do centro de São Paulo. A ação MAM na Cidade reforça a missão do Museu em democratizar o acesso à arte e surge, também, como resposta às novas dinâmicas sociais impostas pela pandemia. “A democratização à arte faz parte da essência do MAM, e é uma missão que desenvolvemos por meio de programas expositivos e iniciativas diversas, desde iniciativas pioneiras do Educativo que dialogam com o público diverso dentro e fora do Parque Ibirapuera, até ações digitais que ampliam o acesso ao acervo, trazem mostras online e conteúdo cultural. Com o MAM na Cidade, queremos promover uma nova forma de experienciar o Museu. É um presente que oferecemos à São Paulo”, diz Mariana Guarini Berenguer, presidente do MAM São Paulo. Ao longo de duas semanas, MAM na Cidade apresentará imagens de obras de 16 artistas brasileiros espalhadas pela capital paulista em 140 painéis em pontos de ônibus. -
I CURATING PUBLICS in BRAZIL: EXPERIMENT, CONSTRUCT, CARE
CURATING PUBLICS IN BRAZIL: EXPERIMENT, CONSTRUCT, CARE by Jessica Gogan BA. in French and Philosophy, Trinity College Dublin, 1989 MPhil. in Textual and Visual Studies, Trinity College Dublin, 1991 Submitted to the Graduate Faculty of the Kenneth P. Dietrich School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2016 i UNIVERSITY OF PITTSBURGH DIETRICH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Jessica Gogan It was defended on April 13th, 2016 and approved by John Beverley, Distinguished Professor, Hispanic Languages and Literatures Jennifer Josten, Assistant Professor, Art History Barbara McCloskey, Department Chair and Professor, Art History Kirk Savage, Professor, Art History Dissertation Advisor: Terence Smith, Andrew W.Mellon Professor, Art History ii Copyright © by Jessica Gogan 2016 iii CURATING PUBLICS IN BRAZIL: EXPERIMENT, CONSTRUCT, CARE Jessica Gogan, MPhil/PhD University of Pittsburgh, 2016 Grounded in case studies at the nexus of socially engaged art, curatorship and education, each anchored in a Brazilian art institution and framework/practice pairing – lab/experiment, school/construct, clinic/care – this dissertation explores the artist-work-public relation as a complex and generative site requiring multifaceted and complicit curatorial approaches. Lab/experiment explores the mythic participatory happenings Domingos da Criação (Creation Sundays) organized by Frederico Morais at the Museum of Modern Art, Rio de Janeiro in 1971 at the height of the military dictatorship and their legacy via the minor work of the Experimental Nucleus of Education and Art (2010 – 2013). School/construct examines modalities of social learning via the 8th Mercosul Biennial Ensaios de Geopoetica (Geopoetic Essays), 2011. -
Brazilian Literature and Culture
Yale Portuguese Studies in Portuguese language, literatures, and cultures YALE SUMMER SESSIONS 2016 PORT S-352 Introduction to Brazil: A Cultural History Conducted in English at Yale and Portuguese in Brazil MEETS from May 30- June 17 MWTh 1:30-3:30 p.m. at Yale, HGS117; Paraty TBA; June 27 – July 22 MW 1:00-3:00 at IBEU Ipanema, Rio de Janeiro Professor: K. David Jackson DEPARTMENT OF SPANISH AND PORTUGUESE <[email protected]> Tel. 432-7608 -- 82-90 Wall Street, Room 224 Description This course provides a comprehensive introduction to Brazil’s regions and cultural history, to Brazil’s unique place in the Americas, and to its place in the world of Portuguese language. It presents major topics in the panorama of Brazilian cultural history and civilization from 1500 to the present through readings on regions, cultures, peoples, and arts, including the architects of Brazil’s national cultural identity, its chronological development, and modern self-description. Topics include discovery and rediscovery of Brazil, baroque architecture, romanticism and empire, regionalism, immigration, urbanization, and modernization. The main texts draw on a cultural history of Brazil through selected writings by major authors and scholars. The course features an individual creative project on the student’s experience in Brazil to be presented in Portuguese during the final two classes. Requirements No absences allowed in YSS. Two objective tests during weeks 3 and 6 (40%) covering important names, documents, and events from the readings. Preparation and oral participation in each class discussion required (20%). Each student will prepare an original project on a specific interest in Brazil, coordinated with the professor (25%), presented in class on July 20. -
Chapter.11.Brazilian Cdr.Cdr
BRAZIL Chapter 11 Art, Literature and Poetry Brazil was colonized by Portugal in the middle of the 16th century. In those early times, owing to the primitive state of Portuguese civilization there, not much could be done in regard to art expression. The original inhabitants of the land, pre-Columbian Indigenous peoples, most likely produced various forms of art, but very little is known about this. Little remains, except from elaborate feather items used as body adornments by all different tribes and specific cultures like the Marajoara, who left sophisticated painted pottery. So, Brazilian art - in the Western sense of art - began in the late 16th century and, for the greater part of its evolution until early 20th century, depended wholly on European standards. 170 BRAZIL Pre-Columbian traditions Main article: Indigenous peoples in Brazil Santarém culture. Museu Paraense Emílio Goeldi Bororo Indian with feather headdress and body painting 171 BRAZIL The oldest known art in Brazil is the cave paintings in Serra da Capivara National Park in the state of Piauí, dating back to c. 13,000 BC. More recent examples have been found in Minas Gerais and Goiás, showing geometric patterns and animal forms. One of the most sophisticated kinds of Pre- Columbian artifact found in Brazil is the sophisticated Marajoara pottery (c. 800–1400 AD), from cultures flourishing on Marajó Island and around the region of Santarém, decorated with painting and complex human and animal reliefs. Statuettes and cult objects, such as the small carved-stone amulets called muiraquitãs, also belong to these cultures. The Mina and Periperi cultures, from Maranhão and Bahia, produced interesting though simpler pottery and statuettes. -
Research Studies Series a History of the Civil Reserve
RESEARCH STUDIES SERIES A HISTORY OF THE CIVIL RESERVE AIR FLEET By Theodore Joseph Crackel Air Force History & Museums Program Washington, D.C., 1998 ii PREFACE This is the second in a series of research studies—historical works that were not published for various reasons. Yet, the material contained therein was deemed to be of enduring value to Air Force members and scholars. These works were minimally edited and printed in a limited edition to reach a small audience that may find them useful. We invite readers to provide feedback to the Air Force History and Museums Program. Dr. Theodore Joseph Crackel, completed this history in 1993, under contract to the Military Airlift Command History Office. Contract management was under the purview of the Center for Air Force History (now the Air Force History Support Office). MAC historian Dr. John Leland researched and wrote Chapter IX, "CRAF in Operation Desert Shield." Rooted in the late 1930s, the CRAF story revolved about two points: the military requirements and the economics of civil air transportation. Subsequently, the CRAF concept crept along for more than fifty years with little to show for the effort, except for a series of agreements and planning documents. The tortured route of defining and redefining of the concept forms the nucleus of the this history. Unremarkable as it appears, the process of coordination with other governmental agencies, the Congress, aviation organizations, and individual airlines was both necessary and unavoidable; there are lessons to be learned from this experience. Although this story appears terribly short on action, it is worth studying to understand how, when, and why the concept failed and finally succeeded. -
100 HOMOERÓTICOS MAIS CÉLEBRES NA HISTÓRIA DO BRASIL “Dai Aos Gays O Que É Dos Gays!”
100 HOMOERÓTICOS MAIS CÉLEBRES NA HISTÓRIA DO BRASIL “Dai aos gays o que é dos gays!” Esta lista inclui gays, lésbicas, travestis, transexuais, bissexuais e heterossexuais já falecidos, sobre os quais há fama pública e permanente, ou documentação escrita, de que tiveram alguma relação com o "amor que não ousava dizer o nome". É resultado de pesquisa bibliográfica e junto à memória oral da comunidade homossexual, e como tal, de acordo com a ética da pesquisa científica e jornalística, preserva o anonimato dos informantes quando solicitado. Como toda pesquisa histórica, está sujeita a revisão desde que novos documentos comprovem o contrário. Seu objetivo é científico e humanitário: visa resgatar a história da homossexualidade no Brasil, colaborando assim para a consolidação dos direitos humanos e cidadania plena das minorias sexuais. Para facilitar a pesquisa e permitir uma melhor visualização da participação diversa dos praticantes célebres do homoerotismo na história do Brasil, agrupamos os nomes desta lista dentro das seguinte categorias: percussores e pioneiros; destaques coloniais;, arquitetos, paisagistas e engenheiros; artistas plásticos; artistas e diretores de cinema, teatro e televisão; cantores, compositores e carnavalescos; escritores; jornalistas; intelectuais; estrangeiros; heróis nacionais; líderes de direitos humanos; lideres religiosos; marginais; modistas e esteticistas; políticos; travestis; mulheres. Entre os 100 "vips" citados, há poços homossexuais assumidos; outros que foram publica e notoriamente infamados de sê-lo, quer dentro da comunidade gay, quer na sociedade em geral; certos foram denunciados, processados e punidos devido à prática do homoerotismo; outros tiveram seus nomes citados e/ou referidos em obras impressas com os denominativos de sodomita, fanchono, pederasta, homossexual, invertido, efeminado, dândi, mulher-macho, lésbica, etc.