Byzantine Architecture and Decoration in Cyprus: Metropolitan Or Provincial? Author(S): A
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About Russian Beginnings
CK_5_TH_HG_P104_230.QXD 2/14/06 2:23 PM Page 209 At a Glance continued ◗ Ivan III (the Great) and Ivan IV (the Terrible) expanded Russian terri- tory and the authority of the czars. ◗ Peter the Great sought to modernize and westernize Russia in order to enable it to compete with European nations for trade, territory, and prestige. ◗ The desire to find a warm-water port was one factor that encouraged Russian expansion. ◗ Catherine the Great, while once interested in reforming certain abuses of Russian government, became as autocratic as her predecessors after a peasant revolt and the French Revolution. ◗ The lives of peasants worsened under Peter and Catherine. Teaching Idea What Teachers Need to Know You may want to teach section B, A. History and Culture “Geography,” before “History and Culture.” Byzantine Influence in Russia The rise of Russia is closely related to the history of the Byzantine Empire, which students in Core Knowledge schools should have encountered in Grades 3 and 4. For a thousand years after the fall of the Roman Empire in the west, the Eastern or Byzantine Empire continued to build on ancient Greek and Roman tra- ditions and culture. For example, Byzantine architects used the Roman dome to build magnificent churches, such as Hagia Sophia in the Byzantine capital of Constantinople (now called Istanbul). Byzantine artists also created beautiful mosaics and icons. Students in Core Knowledge schools should have studied Hagia Sophia and Byzantine mosaics as part of the art curriculum for Grade 3. However, they may not be acquainted with icons, which are special pictures of Jesus, Mary, and the saints. -
Cyprus Tourism Organisation Offices 108 - 112
CYPRUS 10000 years of history and civilisation CONTENTS CONTENTS INTRODUCTION 5 CYPRUS 10000 years of history and civilisation 6 THE HISTORY OF CYPRUS 8200 - 1050 BC Prehistoric Age 7 1050 - 480 BC Historic Times: Geometric and Archaic Periods 8 480 BC - 330 AD Classical, Hellenistic and Roman Periods 9 330 - 1191 AD Byzantine Period 10 - 11 1192 - 1489 AD Frankish Period 12 1489 - 1571 AD The Venetians in Cyprus 13 1571 - 1878 AD Cyprus becomes part of the Ottoman Empire 14 1878 - 1960 AD British rule 15 1960 - today The Cyprus Republic, the Turkish invasion, 16 European Union entry LEFKOSIA (NICOSIA) 17 - 36 LEMESOS (LIMASSOL) 37 - 54 LARNAKA 55 - 68 PAFOS 69 - 84 AMMOCHOSTOS (FAMAGUSTA) 85 - 90 TROODOS 91 - 103 ROUTES Byzantine route, Aphrodite Cultural Route 104 - 105 MAP OF CYPRUS 106 - 107 CYPRUS TOURISM ORGANISATION OFFICES 108 - 112 3 LEFKOSIA - NICOSIA LEMESOS - LIMASSOL LARNAKA PAFOS AMMOCHOSTOS - FAMAGUSTA TROODOS 4 INTRODUCTION Cyprus is a small country with a long history and a rich culture. It is not surprising that UNESCO included the Pafos antiquities, Choirokoitia and ten of the Byzantine period churches of Troodos in its list of World Heritage Sites. The aim of this publication is to help visitors discover the cultural heritage of Cyprus. The qualified personnel at any Information Office of the Cyprus Tourism Organisation (CTO) is happy to help organise your visit in the best possible way. Parallel to answering questions and enquiries, the Cyprus Tourism Organisation provides, free of charge, a wide range of publications, maps and other information material. Additional information is available at the CTO website: www.visitcyprus.com It is an unfortunate reality that a large part of the island’s cultural heritage has since July 1974 been under Turkish occupation. -
Archivolt the Continuous Molding Framing an Arch. in Romanesque Or Gothic Architecture, One of the Series of Concentric Bands Framing the Tympanum
archivolt The continuous molding framing an arch. In Romanesque or Gothic architecture, one of the series of concentric bands framing the tympanum. baptistery In Christian architecture, the building used for baptism, usually situated next to a church. barrel vault A masonry roof or ceiling constructed on the arch principle. A barrel or tunnel vault, semicylindrical in crosssection, is in effect a deep arch or an uninterrupted series of arches, one behind the other, over an oblong space. A quadrant vault is a halfbarrel vault. A groin or cross vault is formed at the point at which two barrel vaults intersect at right angles. In a ribbed vault, there is a framework of ribs or arches under the intersections of the vaulting sections. A sexpartite vault is a vault whose ribs divide the vault into six compartments. A fan vault is a vault characteristic of English Perpendicular Gothic, in which radiating ribs form a fanlike pattern. bestiary A collection of illustrations of real and imaginary animals. campanile A bell tower of a church, usually, but not always, freestanding. cathedra Latin, “seat.” See cathedral. cathedral A bishop's church. The word derives from cathedra, referring to the bishop’s seat. cloister A monastery courtyard, usually with covered walks or ambulatories along its sides. compound pier A pier with a group, or cluster, of attached shafts, or responds, especially characteristic of Gothic architecture. Crusades In medieval Europe, armed pilgrimages aimed at recapturing the Holy Land from the Muslims. crypt A vaulted space under part of a building, wholly or partly underground; in churches, normally the portion under an apse or a chevet. -
Vol. Xii. 2014. Full Text
SERIES BYZANTINA Virgin Mary; glassware decoration, from catacombs in Rome, 4th c. AD; N. P. Kondakov, Ikonografi a Bogomateri, St. Petersburg 1914, p. 77 SERIES BYZANTINA Studies on Byzantine and Post -Byzantine Art VOLUME XII POLISH INSTITUTE OF WORLD ART STUDIES CARDINAL STEFAN WYSZYŃSKI UNIVERSITY Warsaw 2014 EDITOR: Waldemar Deluga EDITORIAL BOARD: Anca Bratuleanu, Bucharest Viktoria Bulgakova, Berlin Ana Dumitran, Alba Iulia Mat Immerzeel, Amsterdam Michał Janocha (chairman), Warsaw Catherine Jolivet-Levy, Paris Alina Kondratjuk, Kiev Magdalena Łaptaś, Warsaw Jerzy Malinowski, Warsaw Márta Nagy, Debrecen Daniela Rywikova, Ostrava Athanassios Semoglou, Thessaloniki Tania Tribe, London Natasha Tryfanava, Minsk ADMINISTRATOR: Dominika Macios WEBMASTER: Rafał Zapłata EDITORIAL ADDRESS: Institut of History of Art Cardinal Stefan Wyszyński University ul. Wóycickiego 1/3 PL 01-938 Warszawa [email protected] Revised by Nicholas Barber, Anette and Denis Morin Cover design, typhographic project, illustrations editing and typesetting by Paweł Wróblewski Continuation of the series published by the NERITON Publishing House The issue subsidized by the Ministry of Science and Higher Education (Program „Index Plus”) © Copyright by Waldemar Deluga ISSN 1733–5787 Printed by Sowa - Druk na Życzenie www.sowadruk.pl tel. (48 22) 431 81 40 Edition of 400 copies Contents Introduction (Waldemar Deluga).................................................................................................7 Agnieszka Gronek, Eschatological elements in the schemes of -
Art and Architecture of Ravenna & Bologna
Art and Architecture of Ravenna & Bologna Travel Passports Baggage allowance Please ensure your 10-year British Passport is not We advise you to check the baggage allowances out of date and is valid for a full six months beyond carefully as you are likely to be charged the excess the duration of your visit. EU, Andorra, if you exceed the weight limit. Maximum weights Liechtenstein, Monaco, San Marino or Switzerland for single bags apply. valid national identification cards are also acceptable for travel to Italy. With British Airways your ticket includes one hold bag of up to 23kg plus one cabin bag no bigger than 56 x 45 x 5 cm and a personal bag (handbag or Visas computer case) no bigger than 45 x 36 x 20 cm. British and EU passport holders are not required to have a visa. Please contact the airline for further information. http://www.britishairways.com For all other passport holders please check the visa requirements with the appropriate embassy. Labels Please use the luggage labels provided. It is useful Italian Consulate-General: “Harp House”, 83/86 to have your home address located inside your Farringdon Street, London EC4A 4BL. suitcase should the label go astray. Tel: (0)20 7936 5900. Fax: (0)20 7583 9425. Email: [email protected] Website: http://www.conslondra.esteri.it/Consolato_Londra Transfers Open Mon-Fri 0900-1200 On arrival in Bologna, transfer to Ravenna (approx. 1 hour) to Hotel Bisanzio for three-night stay. Departure Tax Tickets The departure tax is included in the price of your Included with your detailed itinerary is an e-ticket, flight tickets. -
8 Heaven on Earth
Heaven on Earth The Eastern part of the Roman empire from the mid 5 th century to the mid 15 th century is referred to as the Byzantine Empire [62] but that term 8 would not have meant anything to the people living either in the Eastern or the Western parts of the Roman Empire at the time. The residents of the East thought of them- 62 selves as “Romans” as Map of the maximum extent much as the residents of of the Byzantine Empire (edited map: xenohistorian.faithweb.com/ the West did. In fact, Con- europe/eu08.html ) stantine the Great had The Byzantine Empire expanded moved the capital of the and contracted many times from Roman Empire in 330 476, when the last emperor of the from “old” Rome in the Western Roman Empire abdi- West to what he called cated, until its demise in 1453. The “New” Rome ( Nova map gives us some idea of the core of the Byzantine Empire’s Roma ) in the East. There political and cultural influence. was already a city in the new location, Byzantion, and that is where the term Byzantine comes from. The name Constantinople was given to the new capital after the death of Constantine. Constantinople grew in power, cultural, and diplo- matic influence while old Rome was repeatedly plundered by barbarians. By the end of the 5 th century the Western Roman Empire was out of busi- ness. So it was that the citizens in the East saw themselves as simply the continuation of the Roman Empire. We call that remnant of the old em- pire in the east, Byzantium, in recognition of the changed political situa- tion centered on Constantinople between 476 and 1453. -
Cyprus Authentic Route 2
Cyprus Authentic Route 2 Safety Driving in Cyprus Comfort Rural Accommodation Tips Useful Information Only DIGITAL Version A Village Life Larnaka • Livadia • Kellia • Troulloi • Avdellero • Athienou • Petrofani • Lympia • Ancient Idalion • Alampra • Mosfiloti • Kornos • Pyrga • Stavrovouni • Kofinou • Psematismenos • Maroni • Agios Theodoros • Alaminos • Mazotos • Kiti • Hala Sultan Tekke • Larnaka Route 2 Larnaka – Livadia – Kellia – Troulloi – Avdellero – Athienou – Petrofani – Lympia - Ancient Idalion – Alampra – Mosfiloti – Kornos – Pyrga – Stavrovouni – Kofinou – Psematismenos – Maroni – Agios Theodoros – Alaminos – Mazotos – Kiti – Hala Sultan Tekke – Larnaka Margo Agios Arsos Pyrogi Spyridon Agios Tremetousia Tseri Golgoi Sozomenos Melouseia Athienou Potamia Pergamos Petrofani Troulloi Margi Nisou Dali Pera Louroukina Avdellero Pyla Chorio Idalion Kotsiatis Lympia Alampra Agia Voroklini Varvara Agios Kellia Antonios Kochi Mathiatis Sia Aradippou Mosfiloti Agia Livadia Psevdas Anna Ε4 Kalo Chorio Port Kition Kornos Chapelle Delikipos Pyrga Royal LARNAKA Marina Salt LARNAKA BAY Lake Hala Sultan Stavrovouni Klavdia Tekkesi Dromolaxia- Dipotamos Meneou Larnaka Dam Kiti Dam International Alethriko Airport Tersefanou Anglisides Panagia Kivisili Menogeia Kiti Aggeloktisti Perivolia Aplanta Softades Skarinou Kofinou Anafotida Choirokoitia Alaminos Mazotos Cape Kiti Choirokoitia Agios Theodoros Tochni Psematismenos Maroni scale 1:300,000 0 1 2 4 6 8 10 Kilometers Zygi AMMOCHOSTOS Prepared by Lands and Surveys Department, Ministry of Interior, -
A Description of the Historic Monuments of Cyprus. Studies in the Archaeology and Architecture of the Island
Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924028551319 NICOSIA. S. CATHARINE'S CHURCH. A DESCRIPTION OF THE Historic iftlonuments of Cyprus. STUDIES IN THE ARCHEOLOGY AND ARCHITECTURE OF THE ISLAND WITH ILLUSTRATIONS FROM MEASURED DRAWINGS AND PHOTOGRAPHS. BT GEORGE JEFFERY, F.S.A., Architect. * * * * CYPRUS: Printed by William James Archer, Government Printer, At the Government Printing Office, Nicosia. 1918. CONTENTS. ILLUSTRATIONS. Frontispiece. S. Catharine's Church facing Title . Page Arms of Henry VIII. or England on an Old Cannon . 1 Arms of de L'Isle Adam on an Old Cannon St. Catherine's Church, Nicosia, South Side Plan of Nicosia Town St. Catherine's Church, Nicosia, Plan . „ ,, „ Section Arms of Renier on Palace, Famagusta . Sea Gate and Cidadel, Famagusta Citadel of Famagusta, Elevations ,. Plans Famagusta Fortifications, The Ravelin Ancient Plan of a Ravelin Famagusta Fortifications, Moratto Bastion ,, „ Sea Gate ,, „ St. Luca Bastion St. George the Latin, Famagusta, Section Elevation Plan Plan of Famagusta Gates of Famagusta Church of Theotokos, Galata „ Paraskevi, Galata „ Archangelos, Pedoulas Trikukkia Monastery. Church of Archangelos, Pedoulas Panayia, Tris Elijes Plan of Kyrenia Castle Bellapaise, General Plan . „ Plan of Refectory „ Section of Refectory „ Pulpit in Refectory St. Nicholas, Perapedi Ay. Mavra, Kilani Panayia, Kilani The Fort at Limassol, Plan . SHOET BIBLIOGEAPHY. The Principal Books on Cyprus Archeology and Topography. Amadi, F. Chronicle (1190-1438) Paris, 1891. Bordone, B. Isolario Venice, 1528. Bruyn, C. de, Voyage (1683-1693) London, 1702. -
A4 ENGLISH-Text
CYPRUS TOURISM ORGANISATION yprus may be a small country, but C it’s a large island - the third largest in the Mediterranean. And it’s an island with a big heart - an island that gives its visitors a genuine welcome and treats them as friends. With its spectacular scenery and enviable climate, it’s no wonder that Aphrodite chose the island as her playground, and since then, mere mortals have been discovering this ‘land fit for Gods’ for themselves. Cyprus is an island of beauty and a country of contrasts. Cool, pine-clad mountains are a complete scene-change after golden sun- kissed beaches; tranquil, timeless villages are in striking contrast to modern cosmopolitan towns; luxurious beachside hotels can be exchanged for large areas of natural, unspoilt countryside; yet in Cyprus all distances are easily manageable, mostly on modern roads and highways - with a secondary route or two for the more adventurous. Most important of all, the island offers peace of mind. At a time when holidays Cyprus are clouded by safety consciousness, a feeling of security prevails everywhere since the crime level is so low as to be practically non-existent. 1 1 ew countries can trace the course of their history over 10.000 years, but F in approximately 8.000 B.C. the island of Cyprus was already inhabited and going through its Neolithic Age. Of all the momentous events that were to sweep the country through the next few 2 thousand years, one of the most crucial was the discovery of copper - or Kuprum in Latin - the mineral which took its name from “Kypros”, the Greek name of Cyprus, and generated untold wealth. -
Where to … Larnaka
WHERE TO … LARNAKA –Past & Present treasures revealed– WHERE TO… WHERE TO… 2 LARNAKA LARNAKA 3 Past & Present treasures revealed content welcome Past & Present treasures revealed WHERE to… WHERE to… STAY VISIT CTO Licensed Religious Sites Accommodation Establishments Cultural Sites Rural Larnaka 06 11 WHERE to… WHERE to… the chairman of the larnaka tourism Born and raised in Larnaka, he is pas- hope that you will begin to understand Board welcomes you to larnaka. sionate about his home, “I love every why this is the feeling that so many single thing about Larnaka. I strongly people from Larnaka carry in their GO TaSTE Dinos Lefkaritis, endeavours along believe that Larnaka is the most beau- hearts. with the other board members to tiful city in Cyprus.” highlight this beautiful, historical re- The charismatic personalities, the hos- Beaches . Watersports Dining gion. As you browse through our guide, we pitable warmth, as with good food is Leisure . Diving & Cruising Drinking Cycling . Nature Trails Events Diary 52 76 WHERE to… WHERE to… SHOP FIND Retail Therapy Tourist Information Maps 84 88 Published by Where To Cyprus for the Larnaka Tourism Board. Where To Cyprus endeavor to make every effort to ensure that the contents of this publica- tion are accurate at the time of publication. The editorial materials and views expressed do not necessarily reflect the views of Where To Cyprus, its publish- ers or partners. Where To Cyprus Reserve All Rights to this publication and its content and it may not be reproduced in full or in part without expressed written permission of Where To Cyprus. -
BİZANS MİRASI MİMARLIK VE SANAT Genco Berkin1
IJSHS, 2018; 2 (2): 53-64 53 BİZANS MİRASI MİMARLIK VE SANAT Genco Berkin1 ÖZET Bizans mimarisi, yapı, ikon ve mozaik sanatları açısından çok zengindir. Bizans mimarisi başta Avrupa ve Amerika olmak üzere birçok yapıya esin kaynağı olmuştur. Bu yüzden üzerinde daha fazla araştırma yapılması gerekmektedir. Bizans mimarisi ve sanatı yeni bir akım olan Neo-Bizans akımını ortaya çıkarmıştır. Bizans mimarisi 15. Ve 19. Yüzyılda Avrupa mimarisini derinden etkilemiştir. Bizans mimarisinin Doğu ve Batı kültürlerinin gelişmesi ve ilerlemesi üzerinde büyük katkısı olmuştur. Bu çalışmada geçmiş ve bugünün Doğu-Batı mimari etkileşimleri karşılıklı olarak irdelenmiştir. Anahtar Kelimeler: Bizans Mimarisi, Bizans Mozaikleri, Neo Bizans Akımı THE LEGACY OF BYZANTINE ARCHITECTURE AND ART ABSTRACT Byzantine architecture is extraordinarily rich in terms of the buildings, iconography and mosaics that have survived in the course of two millennia. Byzantine architecture and art was overlooked for a long period. Byzantine influence on architecture and art has widespread through Europe and America. Byzantine influence on several professions consisted of architecture, paintings, poetry, decorations and jewelry. Byzantine architecture and art was so spectacular that in the following eras it whether created a revival or became the spring of Neo- Byzantine style. Byzantine architecture had impressions on European Architecture from 15th century to 19th century. Byzantine Empire has served as a bridge of cultural transportation between East and West civilizations -
Offprint / Ayribasim
JMR BURSA ULUDAĞ UNIVERSITY JOURNAL OF MOSAIC RESEARCH AIEMA - TÜRkİye SCIENTIFIC COMMITTEE / BILIMSEL KOMITE CATHERINE BALMELLE (CNRS PARIS-FRANSA/FRANCE), JEAN-PIERRE DARMON (CNRS PARIS-FRANSA/FRANCE), MARIA DE FÁTIMA ABRAÇOS (UNIVERSITY NOVA OF LISBON – PORTEKIZ/PORTUGAL), MARIA DE JESUS DURAN KREMER (UNIVERSITY NOVA OF LISBON – PORTEKIZ/PORTUGAL), MICHEL FUCHS (LAUSANNE UNIVERSITY – ISVIÇRE/SWISS), KUTALMIS GÖRKAY (ANKARA ÜNIVERSITESI – TÜRKIYE), ANNE-MARIE GUIMIER-SORBETS (AIEMA – FRANSA/FRANCE), WERNER JOBST (AUSTRIAN ACADEMY OF SCIENCES – AVUSTURYA/ AUSTRIA), I. HAKAN MERT (BURSA ULUDAG˘ ÜNIVERSITESI –TÜRKIYE), MARIA LUZ NEIRA JIMÉNEZ (UNIVERSIDAD CARLOS III DE MADRID - ISPANYA- SPAIN), ASHER OVADIAH (TEL AVIV UNIVERSITY – ISRAIL/ISRAEL), MEHMET ÖNAL (HARRAN ÜNIVERSITESI – TÜRKIYE), DAVID PARRISH (PURDUE UNIVERSITY – A.B.D./U.S.A), GÜRCAN POLAT (EGE ÜNIVERSITESI – TÜRKIYE), MARIE-PATRICIA RAYNAUD (CNRS PARIS – FRANSA/FRANCE ), DERYA AHIN (BURSA ULUDAG˘ ÜNIVERSITESI – TÜRKIYE), MUSTAFA AHIN(BURSA ULUDAG˘ÜNIVERSITESI–TÜRKIYE), Y. SELÇUK ENER (GAZI ÜNIVERSITESI – TÜRKIYE), EMINE TOK (EGE ÜNIVERSITESI – TÜRKIYE), PATRICIA WITTS (AIEMA– BIRLEŞIK KRALLIK/UNITED KINGDOM), LICINIA N.C. WRENCH (NEW UNIVERSITY OF LISBON – PORTEKIZ/PORTUGAL) OFFPRINT / AYRIBASIM VOLUME 12 2019 Bursa Uludağ University Press Bursa Uludağ Üniversitesi Yayınları Bursa Uludağ University Mosaic Research Center Bursa Uludağ Üniversitesi Mozaik Araştırmaları Merkezi Series - 3 Serisi - 3 JMR - 12 BURSA ULUDAĞ UNIVERSITY BURSA ULUDAĞ ÜNİVERSİTESİ JMR Prof. Dr. A.