Byzantine Town Planning – Does It Exist? (With Plates 8–21)
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Center for Open Access in Science Open Journal for Studies in History 2020 ● Volume 3 ● Number 1 https://doi.org/10.32591/coas.ojsh.0301 ISSN (Online) 2620-066X OPEN JOURNAL FOR STUDIES IN HISTORY (OJSH) ISSN (Online) 2620-066X www.centerprode.com/ojsh.html [email protected] Publisher: Center for Open Access in Science (COAS) Belgrade, SERBIA www.centerprode.com [email protected] Editorial Board: Spyridon Sfetas (PhD) Aristotle University of Thessaloniki, Faculty of Letters, GREECE Ilya Evgenyevich Andronov (PhD) Moscow State Lomonosov University, Faculty of History, RUSSIAN FEDERATION Mirela-Luminita Murgescu (PhD) University of Bucharest, Faculty of History, ROMANIA Kostadin Rabadjiev (PhD) Sofia University “St. Kliment Ohridski”, Faculty of History, BULGARIA Snezhana Dimitrova (PhD) South-West University “Neofit Rilski”, Department of History, Blagoevgrad, BULGARIA Nikola Zhezhov (PhD) Ss. Cyril and Methodius University of Skopje, Faculty of Philosophy, NORTH MACEDONIA Vojislav Sarakinski (PhD) Ss. Cyril and Methodius University of Skopje, Faculty of Philosophy, NORTH MACEDONIA Amalia Avramidou (PhD) Democritus University of Thrace, Faculty of Classics and Humanities Studies, Komotini, GREECE Eleftheria Zei (PhD) University of Crete, Department of History and Archeology, Rethymno, GREECE Boyan Youliev Dumanov (PhD) New Bulgarian University, School of Graduate Studies, Sofia, BULGARIA Boryana Nikolaeva Miteva (PhD) Sofia University “St. Kliment Ohridski”, Faculty of History, Sofia, BULGARIA Florian Bichir (PhD) University of Piteşti, Faculty of Theology, Literature, History and Arts, ROMANIA Executive Editor: Goran Pešić Center for Open Access in Science, Belgrade Open Journal for Studies in History, 2020, 3(1), 1-24. ISSN (Online) 2620-066X __________________________________________________________________ CONTENTS 1 The Impact of 1918 on Bulgaria George Ungureanu 11 Influences of the East on Early Christian Iconography Maria Chumak Open Journal for Studies in History, 2020, 3(1), 1-24. -
Perspective and Geometry in the Roman Painted Gardens
ISSN: 2687-8402 DOI: 10.33552/OAJAA.2019.02.000527 Open Access Journal of Archaeology and Anthropology Review Article Copyright © All rights are reserved by Manuela Piscitelli Perspective and Geometry in the Roman Painted Gardens Manuela Piscitelli* Università degli Studi della Campania Luigi Vanvitelli, Department of Architecture and Industrial Design, Italy *Corresponding author: Manuela Piscitelli, Università degli Studi della Campania Received Date: November 18, 2019 Luigi Vanvitelli, Department of Architecture and Industrial Design, Via San Lorenzo ad Septimum, Aversa (CE), Italy. Published Date: November 25, 2019 Abstract Garden painting is a very precise genre that is distinct from landscape painting. Present in Roman villas but also in tombs of the same period, wall to obtain an illusory effect of expansion of space, responds to precise geometric characteristics. The article relates the structure, also geometric, it responds to some specific compositional rules. The structure of the representation, realized for the most part with the intent to break through the by the point of view under which the garden (real or imaginary) must be observed, and in both cases, there is a will to bend nature within rigidly of the Roman gardens with their pictorial representation, which derives from it its justification. In both cases, in fact, the composition is guided betweengeometric the and parts. symmetrical schemas. The sense of perspective recreated in the painted gardens offers at first glance a feeling of naturalness into the garden, which -
The Architectural Style of Bay Pines VAMC
The Architectural Style of Bay Pines VAMC Lauren Webb July 2011 The architectural style of the original buildings at Bay Pines VA Medical Center is most often described as “Mediterranean Revival,” “Neo-Baroque,” or—somewhat rarely—“Churrigueresque.” However, with the shortage of similar buildings in the surrounding area and the chronological distance between the facility’s 1933 construction and Baroque’s popularity in the 17th and 18th centuries, it is often wondered how such a style came to be chosen for Bay Pines. This paper is an attempt to first, briefly explain the Baroque and Churrigueresque styles in Spain and Spanish America, second, outline the renewal of Spanish-inspired architecture in North American during the early 20th century, and finally, indicate some of the characteristics in the original buildings which mark Bay Pines as a Spanish Baroque- inspired building. The Spanish Baroque and Churrigueresque The Baroque style can be succinctly defined as “a style of artistic expression prevalent especially in the 17th century that is marked by use of complex forms, bold ornamentation, and the juxtaposition of contrasting elements.” But the beauty of these contrasting elements can be traced over centuries, particularly for the Spanish Baroque, through the evolution of design and the input of various cultures living in and interacting with Spain over that time. Much of the ornamentation of the Spanish Baroque can be traced as far back as the twelfth century, when Moorish and Arabesque design dominated the architectural scene, often referred to as the Mudéjar style. During the time of relative peace between Muslims, Christians, and Jews in Spain— the Convivencia—these Arabic designs were incorporated into synagogues and cathedrals, along with mosques. -
Das Archiv Des Instituts Für Kunstgeschichte Der Universität Wien
Das Archiv des Instituts für Kunstgeschichte der Universität Wien Friedrich Polleroß, Institut für Kunstgeschichte der Universität Wien Das älteste Kunsthistorische Institut Österreichs und der Anteil an politischer Einflussnahme immer größer. eines der bedeutendsten Europas verfügt über ein be- Die Diskriminierung und Verfolgung von jüdischen merkenswertes Archiv. Dieses „Archiv“ bzw. die „Nach- Studierenden und Wissenschaftler*innen manifestierte lass-Sammlung“ setzt sich aus drei Bestandsgruppen zu- sich in eigenen „Studienregelungen für Juden“ sowie einer sammen : „Liste der Bücher im Judenkasten“. Neben Hinweisen auf die Konfiskationen von Kunstwerken (Stift St. Florian, I. Akten des Institutsarchives Stift Melk) sowie den zunehmenden Kriegseinwirkungen gab es auch fachspezifische Schwerpunkte wie die Ein- Dieser Bestand beginnt 1882 und umfasst zunächst Korre- richtung einer „Ostabteilung“, die Konzeption einer „Zeit- spondenzen der Lehrkanzeln Moritz Thaussing und Franz schrift für die Kunstgeschichte Südosteuropas“ oder einer Wickhoff mit dem Dekan, dem Ministerium und der Nie- Schriftenreihe für den „Kriegseinsatz der Geisteswissen- derösterreichischen Statthalterei, wobei es vorwiegend um schaften“. Der „totale Kriegseinsatz“ begann mit Luft- Finanzangelegenheiten und Anschaffungen geht. Hervor- schutzdiensten der Studierenden sowie einer Verordnung gehoben sei eine Bitte um ein Gutachten von Wickhoff zum zu Sitzplätzen für Kriegsversehrte und endete 1944/45 mit Statutenentwurf des geplanten kunsthistorischen Seminars Kriegsbergungen -
Archivolt the Continuous Molding Framing an Arch. in Romanesque Or Gothic Architecture, One of the Series of Concentric Bands Framing the Tympanum
archivolt The continuous molding framing an arch. In Romanesque or Gothic architecture, one of the series of concentric bands framing the tympanum. baptistery In Christian architecture, the building used for baptism, usually situated next to a church. barrel vault A masonry roof or ceiling constructed on the arch principle. A barrel or tunnel vault, semicylindrical in crosssection, is in effect a deep arch or an uninterrupted series of arches, one behind the other, over an oblong space. A quadrant vault is a halfbarrel vault. A groin or cross vault is formed at the point at which two barrel vaults intersect at right angles. In a ribbed vault, there is a framework of ribs or arches under the intersections of the vaulting sections. A sexpartite vault is a vault whose ribs divide the vault into six compartments. A fan vault is a vault characteristic of English Perpendicular Gothic, in which radiating ribs form a fanlike pattern. bestiary A collection of illustrations of real and imaginary animals. campanile A bell tower of a church, usually, but not always, freestanding. cathedra Latin, “seat.” See cathedral. cathedral A bishop's church. The word derives from cathedra, referring to the bishop’s seat. cloister A monastery courtyard, usually with covered walks or ambulatories along its sides. compound pier A pier with a group, or cluster, of attached shafts, or responds, especially characteristic of Gothic architecture. Crusades In medieval Europe, armed pilgrimages aimed at recapturing the Holy Land from the Muslims. crypt A vaulted space under part of a building, wholly or partly underground; in churches, normally the portion under an apse or a chevet. -
Reevaluating the Nika Riot & Placing It in Conversation with the Antioch
Xavier University Exhibit Honors Bachelor of Arts Undergraduate 2019-4 Reevaluating the Nika Riot & Placing it in Conversation with the Antioch Riot of 387 Ty Richer Xavier University, Cincinnati, OH Follow this and additional works at: https://www.exhibit.xavier.edu/hab Part of the Ancient History, Greek and Roman through Late Antiquity Commons, Ancient Philosophy Commons, Classical Archaeology and Art History Commons, Classical Literature and Philology Commons, and the Other Classics Commons Recommended Citation Richer, Ty, "Reevaluating the Nika Riot & Placing it in Conversation with the Antioch Riot of 387" (2019). Honors Bachelor of Arts. 39. https://www.exhibit.xavier.edu/hab/39 This Capstone/Thesis is brought to you for free and open access by the Undergraduate at Exhibit. It has been accepted for inclusion in Honors Bachelor of Arts by an authorized administrator of Exhibit. For more information, please contact [email protected]. Reevaluating the Nika Riot & Placing it in Conversation with the Antioch Riot of 387 By: Ty Richer CPHAB Senior Thesis Xavier University 2019 1 Introduction: A Fine Mess on a Sunny Day You enter into the stadium and find a place to sit down, doing chores around the house made you late, but multiple races run each day, so much of the fun is still ahead. Behind you sits a man, having brought his son to see the games. In front of you is a young man and woman talking about their interests, on their first date no doubt. You strike up a conversation with the man sitting to your left and begin to talk about the new taxes you both have to pay. -
Bibliotheca Sacra
618 Atha11usius and his Times. [Oct. ARTICLE VI. ATHANASIUS THE COPT, AND HIS TIMES.1 BY NORVELLE WALLACE SHARPE, M.D., F.A.C.S., ST. LOUIS, MO. I. THE Athanasian epoch occurred in the htter portion of the third century and the major portion of the fourth. The predomi nating world power was the Roman Empire, vast in extent, polyglot in its constituents, notably J..acking in the virility and co hesive stability of the preceding centuries, - its art, its science, its literature, its politics, its philosophy, and its religion frankly manifesting the evidence of decadence that but foreshadowed its final doom. Speculative philosophy was the fashion of thought in extra-ecclesiastic circles; speculative religion the vogue prac ticed by the intra-ecclesiastic world. The sound and enduring things are seen to have been masked by casuistic embroid eries; the Spirit of the Law has been smothered by the Let ter: - while Reason of the Forum, Logic of the Schools, and simple Faith of the Sanctuary have been supplanted by Co) liquative Verbiage,.- clamorous progenitor of Confusion. With the exception of the far distant civilizations of China, Japan, and India, the Civilized World may be held, at this period, to be synonymous with the Roman Empire. A single instance will suffice as illustration: Britain was invaded by Julius Cresar B.C. 55; Claudius attempted further conquest nearly a century later; under Julius Agricola A.D. 78-84 1915. ] Athanasius and his Times. 619 Rome attained her maximum of control. In the Athanasian epoch (297-373) the English segment of the Teutoni<; peo ples yet resided on the Continent, crude in civilization, and worshipers of divers gods, of which Tiw, \Voden, Thor, Frea, Saetere, and Eastre spring readily to mind. -
The Byzantine State and the Dynatoi
The Byzantine State and the Dynatoi A struggle for supremacy 867 - 1071 J.J.P. Vrijaldenhoven S0921084 Van Speijkstraat 76-II 2518 GE ’s Gravenhage Tel.: 0628204223 E-mail: [email protected] Master Thesis Europe 1000 - 1800 Prof. Dr. P. Stephenson and Prof. Dr. P.C.M. Hoppenbrouwers History University of Leiden 30-07-2014 CONTENTS GLOSSARY 2 INTRODUCTION 6 CHAPTER 1 THE FIRST STRUGGLE OF THE DYNATOI AND THE STATE 867 – 959 16 STATE 18 Novel (A) of Leo VI 894 – 912 18 Novels (B and C) of Romanos I Lekapenos 922/928 and 934 19 Novels (D, E and G) of Constantine VII Porphyrogenetos 947 - 959 22 CHURCH 24 ARISTOCRACY 27 CONCLUSION 30 CHAPTER 2 LAND OWNERSHIP IN THE PERIOD OF THE WARRIOR EMPERORS 959 - 1025 32 STATE 34 Novel (F) of Romanos II 959 – 963. 34 Novels (H, J, K, L and M) of Nikephoros II Phokas 963 – 969. 34 Novels (N and O) of Basil II 988 – 996 37 CHURCH 42 ARISTOCRACY 45 CONCLUSION 49 CHAPTER 3 THE CHANGING STATE AND THE DYNATOI 1025 – 1071 51 STATE 53 CHURCH 60 ARISTOCRACY 64 Land register of Thebes 65 CONCLUSION 68 CONCLUSION 70 APPENDIX I BYZANTINE EMPERORS 867 - 1081 76 APPENDIX II MAPS 77 BIBLIOGRAPHY 82 1 Glossary Aerikon A judicial fine later changed into a cash payment. Allelengyon Collective responsibility of a tax unit to pay each other’s taxes. Anagraphis / Anagrapheus Fiscal official, or imperial tax assessor, who held a role similar as the epoptes. Their major function was the revision of the tax cadastre. It is implied that they measured land and on imperial order could confiscate lands. -
From Settler Colonies to Black Utopias: the Dialectics of American Architecture in Black and White
University at Buffalo, SUNY | School of Architecture and Planning ACSA DIVERSITY ACHIEVEMENT AWARD From Settler Colonies to Black Utopias: The Dialectics of American Architecture in Black and White Statement: The attached dossier outlines the range of activities the candidate (Charles L. Davis II) engaged during the 2019-20 academic year to promote racial equity and social justice within the discipline of architecture. These activities include publishing two academic books on race and architecture, hosting a symposium on the whiteness of American architectural history, serving on the advisory board of the Society of Architectural Historians to foster an affiliate group for people of color, and teaching new courses on race and architecture within a professional architecture program. Davis’ academic research is propelled by the dialectic established between the critique of whiteness in the disciplinary norms of Euroamerican architecture and a recovery of blackness in the historical contributions of people of color to modern architecture culture. In a general sense, Davis explores the former in academically peer-reviewed studies and the latter in experimental design courses and architectural criticism. Davis specializes in the historical integrations of race and style theory established within the paradigm of architectural organicism, or the philosophy of making that purported to translate the generative laws of nature into a rational process of design. During the nineteenth century, the notion that buildings possessed character provided architects with a lens for relating the buildings they designed to the populations they served. Davis argues that the exclusively white racial character of many canonical “American architecture” movements constitutes a material form of white cultural nationalism that rhetorically policed the boundaries of the American body politic. -
Denver Graninger, Late Argeads in Thrace: Religious Perspectives
The Ancient History Bulletin VOLUME THIRTY-ONE: 2017 NUMBERS 3-4 Edited by: Timothy Howe òEdward Anson ò Michael Fronda David Hollander òJoseph Roisman ò John Vanderspoel Pat Wheatley ò Sabine Müller òAlex McAuley Catalina Balmacedaò Charlotte Dunn ISSN 0835-3638 ANCIENT HISTORY BULLETIN Volume 31 (2017) Numbers 3-4 Edited by: Edward Anson, Catalina Balmaceda, Michael Fronda, David Hollander, Alex McAuley, Sabine Müller, Joseph Roisman, John Vanderspoel, Pat Wheatley Senior Editor: Timothy Howe Assistant Editor: Charlotte Dunn Editorial correspondents Elizabeth Baynham, Hugh Bowden, Franca Landucci Gattinoni, Alexander Meeus, Kurt Raaflaub, P.J. Rhodes, Robert Rollinger, Victor Alonso Troncoso Contents of volume thirty-one Numbers 3-4 70 Timothy Doran, Nabis of Sparta: Heir to Agis IV and Kleomenes III? 92 Christopher Tuplin, The Great King, his god(s) and intimations of divinity. The Achaemenid hinterland of ruler cult? 112 Michael Kleu, Philip V, the Selci-Hoard and the supposed building of a Macedonian fleet in Lissus 120 Denver Graninger, Late Argeads in Thrace: Religious Perspectives NOTES TO CONTRIBUTORS AND SUBSCRIBERS The Ancient History Bulletin was founded in 1987 by Waldemar Heckel, Brian Lavelle, and John Vanderspoel. The board of editorial correspondents consists of Elizabeth Baynham (University of Newcastle), Hugh Bowden (Kings College, London), Franca Landucci Gattinoni (Università Cattolica, Milan), Alexander Meeus (University of Leuven), Kurt Raaflaub (Brown University), P.J. Rhodes (Durham University), Robert Rollinger (Universität Innsbruck), Victor Alonso Troncoso (Universidade da Coruña) AHB is currently edited by: Timothy Howe (Senior Editor: [email protected]), Edward Anson, Catalina Balmaceda, Michael Fronda, David Hollander, Alex McAuley, Sabine Müller, Joseph Roisman, John Vanderspoel and Pat Wheatley. -
Art History and the Founding of the Modern Turkish State
ART HISTORY AND THE FOUNDING OF THE MODERN TURKISH STATE Burcu Dogramaci Translated by Charlotte Schoell-Glass The Origins of Art History in Turkey “The true leader in life is knowledge”: with this sentence the founder of modern Turkey, Mustafa Kemal Atatürk, defined one of the principles of his reformist politics. The building of a landscape of universities was one of the political leadership’s main concerns after the proclamation of the Turkish Republic in 1923. Its aim was the modernization of a country that had been dominated for centuries in all areas of society, its culture and the sciences, by Islam. Religious schooling institutions (‘Darülfünun’) were secularized immediately, and institutes and universities after the Western European model were founded in quick succession. The establishment of art history as a discipline in Turkey was achieved in the 1940s. At that time, Turkish ministries tried to bring foreign scholars to the country to press ahead with the establishment of art history. The foundations for the development of the field had been laid early on by the Vienna art historian Josef Strzygowski (1862–1941). He had been in close contact with Istanbul already in the 1920s and 1930s.1 In search of their own Turkish identity outside of the Ottoman culture, republican schol- ars in Turkey were fascinated by Strzygowski’s ideas and ideologies. In his writings and lectures the art historian emphasized the importance of nation and ‘race’ for the production of culture. These arguments, founded on ethnicity, were in accordance with the Kemalists’ sense of nationhood and their concern with superseding Islamic cultural history.2 Strzygowski also emphasized the necessity of re-evaluating those cultures in Asia that 1 Strzygowski was invited in 1932 to speak at the First Turkish History Conference under Atatürk’s patronage. -
Europe's Evolution of Atrium Houses
Europe’s evolution of atrium houses Architectural history thesis MSc Architecture, Technical University Delft MSc2 AR2A011 Architectural History Thesis S Sem van der Straaten 4652657 Europe’s evolution of atrium houses An architectural history thesis S.F.G. van der Straaten Cover image by author Acknowledgement I would like to show my appreciation to Catja Edens for guiding me, helping me keep focus on the storyline and her constructive feedback. Thank you. 14/04/21 Abstract This thesis investigates the historical evolution of the atrium house in Europe. The origin and the climatic benefits of the atrium house were found by conducting literature review. Typological variants on the atrium house are determined by testing them to a set of criteria. The traditional atrium house developed in the Roman empire from Greek and Etruscan influences. The research shows four residential variants on the atrium typology in Europe, which are: the courtyard, cortile, patio and court. These typologies with enclosed outdoor spaces have impact by offering climatic benefits and a secluded outside space which stimulates social interaction. From an architectural perspective, this research emphasizes the benefits and history of the atrium typologies. Keywords: Atrium, Benefits, Courtyard, Cortile, Court, Patio, Typologies. I Table of contents List of figures ......................................II Introduction .......................................V Chapter 1: The origin of the atrium house ...............1 1.1. Origin of the European atrium house 2 1.2. The Roman atrium house 3 1.3. Functions of the atrium 5 Chapter 2: European variants on the atrium house ........9 2.1. European atrium variants 9 2.2. Historical development of European atrium variants 11 2.2.1.