Archivolt the Continuous Molding Framing an Arch. in Romanesque Or Gothic Architecture, One of the Series of Concentric Bands Framing the Tympanum

Total Page:16

File Type:pdf, Size:1020Kb

Archivolt the Continuous Molding Framing an Arch. in Romanesque Or Gothic Architecture, One of the Series of Concentric Bands Framing the Tympanum archivolt The continuous molding framing an arch. In Romanesque or Gothic architecture, one of the series of concentric bands framing the tympanum. baptistery In Christian architecture, the building used for baptism, usually situated next to a church. barrel vault A masonry roof or ceiling constructed on the arch principle. A barrel or tunnel vault, semicylindrical in cross­section, is in effect a deep arch or an uninterrupted series of arches, one behind the other, over an oblong space. A quadrant vault is a half­barrel vault. A groin or cross vault is formed at the point at which two barrel vaults intersect at right angles. In a ribbed vault, there is a framework of ribs or arches under the intersections of the vaulting sections. A sexpartite vault is a vault whose ribs divide the vault into six compartments. A fan vault is a vault characteristic of English Perpendicular Gothic, in which radiating ribs form a fanlike pattern. bestiary A collection of illustrations of real and imaginary animals. campanile A bell tower of a church, usually, but not always, freestanding. cathedra Latin, “seat.” See cathedral. cathedral A bishop's church. The word derives from cathedra, referring to the bishop’s seat. cloister A monastery courtyard, usually with covered walks or ambulatories along its sides. compound pier A pier with a group, or cluster, of attached shafts, or responds, especially characteristic of Gothic architecture. Crusades In medieval Europe, armed pilgrimages aimed at recapturing the Holy Land from the Muslims. crypt A vaulted space under part of a building, wholly or partly underground; in churches, normally the portion under an apse or a chevet. diaphragm arch A transverse, wall­bearing arch that divides a vault or a ceiling into compartments, providing a kind of firebreak. double monastery A monastery for both monks and nuns. embroidery The technique of sewing threads onto a finished ground to form contrasting designs. Stem stitching employs short overlapping strands of thread to form jagged lines. Laid­and­couched work creates solid blocks of color. engaged column A half­round column attached to a wall. See also pilaster. feudalism The medieval political, social, and economic system held together by the relationship between landholding liege lords and the vassals who were granted tenure of a portion of their land and in turn swore allegiance to the liege lord. groin vault A masonry roof or ceiling constructed on the arch principle. A barrel or tunnel vault, semicylindrical in cross­section, is in effect a deep arch or an uninterrupted series of arches, one behind the other, over an oblong space. A quadrant vault is a half­barrel vault. A groin or cross vault is formed at the point at which two barrel vaults intersect at right angles. In a ribbed vault, there is a framework of ribs or arches under the intersections of the vaulting sections. A sexpartite vault is a vault whose ribs divide the vault into six compartments. A fan vault is a vault characteristic of English Perpendicular Gothic, in which radiating ribs form a fanlike pattern. hall church German, “hall church.” A church design favored in Germany, but also used elsewhere, in which the aisles rise to the same height as the nave. Hallenkirche A hall church. A church design favored in Germany, but also used elsewhere, in which the aisles rise to the same height as the nave. historiated Ornamented with representations, such as plants, animals, or human figures, that have a narrativeas distinct from a purely decorativefunction. incrustation Wall decoration consisting of bright panels of different colors. jambs In architecture, the side posts of a doorway. laid­and­couched work The technique of sewing threads onto a finished ground to form contrasting designs. liege lord In feudalism, a landowner who grants tenure of a portion of his land to a vassal. lintel A horizontal beam used to span an opening. lunette A semicircular area (with the flat side down) in a wall over a door, niche, or window; also, a painting or relief with a semicircular frame. manor In feudalism, the estate of a liege lord. pediment In classical architecture, the triangular space (gable) at the end of a building, formed by the ends of the sloping roof above the colonnade; also, an ornamental feature having this shape. pointed arch A narrow arch of pointed profile, in contrast to a semicircular arch. quadrant arch An arch whose curve extends for one quarter of a circle’s circumference. radiating chapels In medieval churches, chapels for the display of relics that opened directly onto the ambulatory and the transept. relics The body parts, clothing, or objects associated with a holy figure, such as the Buddha or Christ or a Christian saint. repoussé Formed in relief by beating a metal plate from the back in a hollow mold of wood or some other pliable material. Often finished with a graver. rib A relatively slender, molded masonry arch that projects from a surface. In Gothic architecture, the ribs form the framework of the vaulting. A diagonal rib is one of the ribs that form the X of a groin vault. A transverse rib crosses the nave or aisle at a 90­degree angle. Romanesque Romanlike. A term used to describe the history, culture, and art of medieval western Europe from ca. 1050 to ca. 1200. sedes sapientiae Latin, “throne of wisdom.” A Romanesque sculptural type depicting the Virgin Mary with the Christ Child in her lap. sexpartite vault A masonry roof or ceiling constructed on the arch principle. A barrel or tunnel vault, semicylindrical in cross­section, is in effect a deep arch or an uninterrupted series of arches, one behind the other, over an oblong space. A quadrant vault is a half­barrel vault. A groin or cross vault is formed at the point at which two barrel vaults intersect at right angles. In a ribbed vault, there is a framework of ribs or arches under the intersections of the vaulting sections. A sexpartite vault is a vault whose ribs divide the vault into six compartments. A fan vault is a vault characteristic of English Perpendicular Gothic, in which radiating ribs form a fanlike pattern. springing The lowest stone of an arch, resting on the impost block. In Gothic vaulting, the lowest stone of a diagonal or transverse rib. stem stitching The technique of sewing threads onto a finished ground to form contrasting designs. tapestry A weaving technique in which the weft threads are packed densely over the warp threads so that the designs are woven directly into the fabric. transverse arch An arch separating one vaulted bay from the next. transverse barrel vault In medieval architecture, a semicylindrical vault oriented at a 90­degree angle to the nave of a church. tribune trumeau In church architecture, the pillar or center post supporting the lintel in the middle of the doorway. tympanum (pl. tympana) The space enclosed by a lintel and an arch over a doorway. vassal In feudalism, a person who swears allegiance to a liege lord and renders him military service in return for tenure of a portion of the lord’s land. vault A masonry roof or ceiling constructed on the arch principle. A barrel or tunnel vault, semicylindrical in cross­section, is in effect a deep arch or an uninterrupted series of arches, one behind the other, over an oblong space. A quadrant vault is a half­barrel vault. A groin or cross vault results when two barrel vaults intersect at right angles. In a ribbed vault, there is a framework of ribs or arches under the intersections of the vaulting sections. A sexpartite vault is a vault whose ribs divide the vault into six compartments. A fan vault is a vault characteristic of English Perpendicular Gothic, in which radiating ribs form a fanlike pattern. vita contemplativa Latin, “contemplative life.” The secluded spiritual life of monks and nuns. voussoir A wedge­shaped block used in the construction of a true arch. The central voussoir, which sets the arch, is the keystone. .
Recommended publications
  • Preliminary Investigation of the Iconography of the Woman with the Skull from the Puerta De Las Platerías of Santiago De Compostela
    PRELIMINARY INVESTIGATION OF THE ICONOGRAPHY OF THE WOMAN WITH THE SKULL FROM THE PUERTA DE LAS PLATERÍAS OF SANTIAGO DE COMPOSTELA By KAREN FAYE WEBB A THESIS PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS UNIVERSITY OF FLORIDA 2004 Copyright 2004 by Karen Faye Webb To Dan and Judy Webb ACKNOWLEDGMENTS I am indebted to many individuals for their support and guidance in my physical and conceptual pilgrimage to Santiago de Compostela. I would most like to thank Dr. David Stanley who has been my constant supporter as my toughest critic and my most caring mentor. Dr. Carolyn Watson’s medieval art class at Furman University introduced me to the complex beauty of the south transept portal. My parents indulged my awe of this portal and physically and metaphorically climbed the steps leading to the Puerta de las Platerías with me to pay homage to the Woman with the Skull. Without them, this study would not have been possible. I would like to thank my reader, Dr. John Scott, for his insightful comments, and Jeremy Culler, Sarah Webb and Sandra Goodrich for their support, friendship, and unwavering faith in me. Finally, I would like to thank the Woman with the Skull, who brought me on this pilgrimage and has given me a new awareness about art and myself. iv TABLE OF CONTENTS page ACKNOWLEDGMENTS ................................................................................................. iv LIST OF FIGURES ..........................................................................................................
    [Show full text]
  • Gothic Beyond Architecture: Manchester’S Collegiate Church
    Gothic beyond Architecture: Manchester’s Collegiate Church My previous posts for Visit Manchester have concentrated exclusively upon buildings. In the medieval period—the time when the Gothic style developed in buildings such as the basilica of Saint-Denis on the outskirts of Paris, Île-de-France (Figs 1–2), under the direction of Abbot Suger (1081–1151)—the style was known as either simply ‘new’, or opus francigenum (literally translates as ‘French work’). The style became known as Gothic in the sixteenth century because certain high-profile figures in the Italian Renaissance railed against the architecture and connected what they perceived to be its crude forms with the Goths that sacked Rome and ‘destroyed’ Classical architecture. During the nineteenth century, critics applied Gothic to more than architecture; they located all types of art under the Gothic label. This broad application of the term wasn’t especially helpful and it is no-longer used. Gothic design, nevertheless, was applied to more than architecture in the medieval period. Applied arts, such as furniture and metalwork, were influenced by, and followed and incorporated the decorative and ornament aspects of Gothic architecture. This post assesses the range of influences that Gothic had upon furniture, in particular by exploring Manchester Cathedral’s woodwork, some of which are the most important examples of surviving medieval woodwork in the North of England. Manchester Cathedral, formerly the Collegiate Church of the City (Fig.3), see here, was ascribed Cathedral status in 1847, and it is grade I listed (Historic England listing number 1218041, see here). It is medieval in foundation, with parts dating to between c.1422 and 1520, however it was restored and rebuilt numerous times in the nineteenth century, and it was notably hit by a shell during WWII; the shell failed to explode.
    [Show full text]
  • Evaluation of the Central Narthex Portal at Sainte-Madeleine De Vèzelay" (2005)
    Louisiana State University LSU Digital Commons LSU Master's Theses Graduate School 2005 Evaluation of the central narthex portal at Sainte- Madeleine de Vèzelay Christine Ann Zeringue Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_theses Part of the Arts and Humanities Commons Recommended Citation Zeringue, Christine Ann, "Evaluation of the central narthex portal at Sainte-Madeleine de Vèzelay" (2005). LSU Master's Theses. 85. https://digitalcommons.lsu.edu/gradschool_theses/85 This Thesis is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Master's Theses by an authorized graduate school editor of LSU Digital Commons. For more information, please contact [email protected]. EVALUATION OF THE CENTRAL NARTHEX PORTAL AT SAINTE-MADELEINE DE VÉZELAY A Thesis Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirements for the degree of Master of Arts in The School of Art by Christine Ann Zeringue B.S., Louisiana State University, 2000 May 2005 ACKNOWLEDGEMENTS I would like to thank Dr. Kirstin Noreen for her invaluable guidance and patience throughout the long process of creating this thesis. Without her continuing support I would never have completed my degree. Drs. Mark Zucker and Marchita Mauck also deserve my thanks for working me into their busy schedules by agreeing to serve on my graduate committee. I would also like to thank Professor H. Parrot Bacot for all the wonderful talks we had during the early preparations for my thesis.
    [Show full text]
  • 2008 Romanesque in the Sousa Valley.Pdf
    ROMANESQUE IN THE SOUSA VALLEY ATLANTIC OCEAN Porto Sousa Valley PORTUGAL Lisbon S PA I N AFRICA FRANCE I TA LY MEDITERRANEAN SEA Index 13 Prefaces 31 Abbreviations 33 Chapter I – The Romanesque Architecture and the Scenery 35 Romanesque Architecture 39 The Romanesque in Portugal 45 The Romanesque in the Sousa Valley 53 Dynamics of the Artistic Heritage in the Modern Period 62 Territory and Landscape in the Sousa Valley in the 19th and 20th centuries 69 Chapter II – The Monuments of the Route of the Romanesque of the Sousa Valley 71 Church of Saint Peter of Abragão 73 1. The church in the Middle Ages 77 2. The church in the Modern Period 77 2.1. Architecture and space distribution 79 2.2. Gilding and painting 81 3. Restoration and conservation 83 Chronology 85 Church of Saint Mary of Airães 87 1. The church in the Middle Ages 91 2. The church in the Modern Period 95 3. Conservation and requalification 95 Chronology 97 Castle Tower of Aguiar de Sousa 103 Chronology 105 Church of the Savior of Aveleda 107 1. The church in the Middle Ages 111 2. The church in the Modern Period 112 2.1. Renovation in the 17th-18th centuries 115 2.2. Ceiling painting and the iconographic program 119 3. Restoration and conservation 119 Chronology 121 Vilela Bridge and Espindo Bridge 127 Church of Saint Genes of Boelhe 129 1. The church in the Middle Ages 134 2. The church in the Modern Period 138 3. Restoration and conservation 139 Chronology 141 Church of the Savior of Cabeça Santa 143 1.
    [Show full text]
  • The Architecture of Joseph Michael Gandy (1771-1843) and Sir John Soane (1753-1837): an Exploration Into the Masonic and Occult Imagination of the Late Enlightenment
    University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations 2003 The Architecture of Joseph Michael Gandy (1771-1843) and Sir John Soane (1753-1837): An Exploration Into the Masonic and Occult Imagination of the Late Enlightenment Terrance Gerard Galvin University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Architecture Commons, European History Commons, Social and Behavioral Sciences Commons, and the Theory and Criticism Commons Recommended Citation Galvin, Terrance Gerard, "The Architecture of Joseph Michael Gandy (1771-1843) and Sir John Soane (1753-1837): An Exploration Into the Masonic and Occult Imagination of the Late Enlightenment" (2003). Publicly Accessible Penn Dissertations. 996. https://repository.upenn.edu/edissertations/996 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/996 For more information, please contact [email protected]. The Architecture of Joseph Michael Gandy (1771-1843) and Sir John Soane (1753-1837): An Exploration Into the Masonic and Occult Imagination of the Late Enlightenment Abstract In examining select works of English architects Joseph Michael Gandy and Sir John Soane, this dissertation is intended to bring to light several important parallels between architectural theory and freemasonry during the late Enlightenment. Both architects developed architectural theories regarding the universal origins of architecture in an attempt to establish order as well as transcend the emerging historicism of the early nineteenth century. There are strong parallels between Soane's use of architectural narrative and his discussion of architectural 'model' in relation to Gandy's understanding of 'trans-historical' architecture. The primary textual sources discussed in this thesis include Soane's Lectures on Architecture, delivered at the Royal Academy from 1809 to 1836, and Gandy's unpublished treatise entitled the Art, Philosophy, and Science of Architecture, circa 1826.
    [Show full text]
  • The Story of Architecture
    A/ft CORNELL UNIVERSITY LIBRARY FINE ARTS LIBRARY CORNELL UNIVERSITY LIBRARY 924 062 545 193 Production Note Cornell University Library pro- duced this volume to replace the irreparably deteriorated original. It was scanned using Xerox soft- ware and equipment at 600 dots per inch resolution and com- pressed prior to storage using CCITT Group 4 compression. The digital data were used to create Cornell's replacement volume on paper that meets the ANSI Stand- ard Z39. 48-1984. The production of this volume was supported in part by the Commission on Pres- ervation and Access and the Xerox Corporation. Digital file copy- right by Cornell University Library 1992. Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/cletails/cu31924062545193 o o I I < y 5 o < A. O u < 3 w s H > ua: S O Q J H HE STORY OF ARCHITECTURE: AN OUTLINE OF THE STYLES IN T ALL COUNTRIES • « « * BY CHARLES THOMPSON MATHEWS, M. A. FELLOW OF THE AMERICAN INSTITUTE OF ARCHITECTS AUTHOR OF THE RENAISSANCE UNDER THE VALOIS NEW YORK D. APPLETON AND COMPANY 1896 Copyright, 1896, By D. APPLETON AND COMPANY. INTRODUCTORY. Architecture, like philosophy, dates from the morning of the mind's history. Primitive man found Nature beautiful to look at, wet and uncomfortable to live in; a shelter became the first desideratum; and hence arose " the most useful of the fine arts, and the finest of the useful arts." Its history, however, does not begin until the thought of beauty had insinuated itself into the mind of the builder.
    [Show full text]
  • Romanesque Architecture and Arts
    INDEX 9 PREFACES 17 1ST CHAPTER 19 Romanesque architecture and arts 24 Romanesque style and territory: the Douro and Tâmega basins 31 Devotions 33 The manorial nobility of Tâmega and Douro 36 Romanesque legacies in Tâmega and Douro 36 Chronologies 40 Religious architecture 54 Funerary elements 56 Civil architecture 57 Territory and landscape in the Tâmega and Douro between the 19th and the 21st centuries 57 The administrative evolution of the territory 61 Contemporary interventions (19th-21st centuries) 69 2ND CHAPTER 71 Bridge of Fundo de Rua, Aboadela, Amarante 83 Memorial of Alpendorada, Alpendorada e Matos, Marco de Canaveses ROMANESQUE ARCHITECTURE AND ARTS omanesque architecture was developed between the late 10th century and the first two decades of the 11th century. During this period, there is a striking dynamism in the defi- Rnition of original plans, new building solutions and in the first architectural sculpture ex- periments, especially in the regions of Burgundy, Poitou, Auvergne (France) and Catalonia (Spain). However, it is between 1060 and 1080 that Romanesque architecture consolidates its main techni- cal and formal innovations. According to Barral i Altet, the plans of the Romanesque churches, despite their diversity, are well defined around 1100; simultaneously, sculpture invades the building, covering the capitals and decorating façades and cloisters. The Romanesque has been regarded as the first European style. While it is certain that Romanesque architecture and arts are a common phenomenon to the European kingdoms of that period, the truth is that one of its main stylistic characteristics is exactly its regional diversity. It is from this standpoint that we should understand Portuguese Romanesque architecture, which developed in Portugal from the late 11th century on- wards.
    [Show full text]
  • Architectural Style Guide.Pdf
    Architectural Styles Chicago School any buildings constructed in Manitoba Prairie School th th during the 19 and 20 centuries bear the Georgian Revival M imprint, or at least the influence, of certain Tudor Revival architectural styles or traditions. Some are faithful to Bungalow a single style. Many more have elements from several Art Deco different styles and are referred to as eclectic. Even Art Moderne more only hint at the basic architectural style from International which they are derived; we might refer to them as vernacular versions of the style. Understanding the basic characteristics of architectural styles is a useful way to begin seeing buildings more critically. Such an understanding also helps in describing a building, in determining its age, or in assessing its architectural value when compared with other buildings of the same style. This guide is an introduction to some of the most significant architectural styles employed during the past 150 years of Manitoba’s history. There are two other sections—building traditions and types, and a glossary of architectural terms—that constitute a complete set for reference. This section, Styles, describes those sophisticated styles that were most influential in this province’s architectural development. Many buildings, often those not designed by formally-trained architects, do not relate at all to these historical styles. Their designs are often dictated by utility, and may be influenced by the designer’s familiarity with other buildings in the district. Such vernacular buildings are sometimes quite particular to a region. The styles discussed here stem from various historical traditions. A section of Main Street in Winnipeg, shown in Georgian an archival photograph from about 1915, reveals Gothic Revival the variety of architectural styles that animated Second Empire Manitoba streetscapes: on the right a massive Italianate Chicago School office tower and on the left a Romanesque Revival highly detailed Italianate storefront.
    [Show full text]
  • Northern Estate Programme Norman Shaw North Standalone
    Northern Estate Programme Norman Shaw North Standalone - Archaeological Statement March 2021 00NSN-2131-MLA-XX-XX-T-XX-RG-10344 Status: S2 Revision: C01 Version Date Name Reviewed By Description of Sign-off Changes C01 29/03/2021 Ashley Blair Rupert For Planning Rosalind Morris Featherby & Rosalind Morris -1- Norman Shaw North Standalone Archaeological Statement ContentsContents ................................................................................................................................... 2 Figure List ................................................................................................................................................ 3 1 Introduction .................................................................................................................................... 4 2 Methodology and sources consulted .............................................................................................. 8 3 Site location, topography and geology ......................................................................................... 10 4 Archaeological and historical background .................................................................................... 14 5 Statement of significance.............................................................................................................. 23 6 Impact of proposals ...................................................................................................................... 26 7 Conclusion and recommendations ..............................................................................................
    [Show full text]
  • June 20, 2021 • 12TH SUNDAY in ORDINARY TIME • Volume 70:19
    The TIMES CatholicThe Diocese of Columbus’ Information Source June 20, 2021 • 12TH SUNDAY IN ORDINARY TIME • Volume 70:19 Inside this issue Clergy assignments: The Diocese of Columbus released its official list of changes in clergy assignments for 2021-22. A majority of the changes become effective July 13, Page 2 Long-lasting marriages: Two couples from the diocese who have been married for 72 and 65 years are profiled ahead of the annual Jubilee of Anniversaries that will take place Sunday, June 27 at Powell St. Joan of Arc Church, Pages 10-11 Parish anniversary: Chillicothe St. Peter Church’s 175th anniversary was last year, but the parish will celebrate a pandemic- delayed commemorative Mass with Bishop Robert Brennan on June 29, the feast of Sts. Peter and Paul, Page 26 DISCIPLE MAKER INDEX PROVIDES INFORMATION FOR GROWTH Pages 15-18 Catholic Times 2 June 20, 2021 Official announcement – clergy assignments The Diocese of Columbus has re- frey S. Kirch, C.PP.S., Father James frey S. Kirch, C.PP.S., Father An- leased its list of changes in clergy as- Gaynor, C.PP.S. from service outside drew O’Reilly, C.PP.S from Senior signments for 2021-22. the diocese, to Senior Parochial Vicar, Parochial Vicar, St. James the Less These appointments become effective St. James the Less Church, Colum- Church, Columbus, to service outside July 13, 2021, unless otherwise noted. bus, effective July 1, 2021. the diocese, effective June 1, 2021. Father Brian Beal, from Parochial Father Michael Gentry, from Pas- Father David Schalk, to Pastor, St.
    [Show full text]
  • The Art of Framing Catalog
    THE ART OF FRAMING CATALOG Dome Ceilings • Groin Vaults • Cove Ceilings • Barrel Vaults & MORE! We Create Curve Appeal If you’ve ever admired the elegance of an archway or sat in awe of an arched ceiling, but weren’t sure if such a project would fall within your budget – you’ve found your solution. Archways and arched ceilings have historically been skill-dependent, costly and very time consuming. Well, we’ve got good news for you… cost is not an issue any more! Our prefab archway and ceilings systems are designed for PROs, but easy enough for DIYers. The production process eliminates the need for skill at installation, making these systems affordable and easy to implement. We’re your direct archways and ceilings manufacturer, so no retail markup, and we’ll produce to your field measurements. Plus, we’ve got the nation covered. We have manufacturing plants in Anaheim, CA, Dallas/Fort Worth, TX & Atlanta, GA. You’ll work directly with us from start to finish. No middleman. No markup. This means you always get the best price and customer service. All of our archway and ceilings kits are made to your specs. Worried about lead times? Most archway and ceiling kits are built within 3 -5 business days, from here we’re ready to ship your archways and ceiling kits directly to your jobsite. Ready for the best part? Because we have the tools and staffing to adapt to your needs in a flash, our prices will leave you smiling. Visit any of our product pages online and use our pricing calculator or look over our pricing table to see for yourself.
    [Show full text]
  • The French Connection.Pdf
    FRANCE and the HOLY LAND PARALLAX Re-visions of Culture and Society Frankish Culture Stephen G. Nichols, Gerald Prince & Wendy Steiner Series Editors at the End of the Crusades Edited by Daniel H. Weiss & Lisa Mahoney THE JOHNS HOPKINS UNIVERSITY PRESS BALTIMORE & LONDON FRANCE and the HOLY LAND PARALLAX Re-visions of Culture and Society Frankish Culture Stephen G. Nichols, Gerald Prince & Wendy Steiner Series Editors at the End of the Crusades Edited by Daniel H. Weiss & Lisa Mahoney THE JOHNS HOPKINS UNIVERSITY PRESS BALTIMORE & LONDON T FRANKISH PRESENCE IN THE LEVANT and his Family Represented as Heraclius and his Family," in Age of Spirituality: Late CHAPTER 5 Antique and Early Christian Art, Third to Seventh Century, ed. Kurt Weitzmann (New York, 1979), 35"36, fig. 29. 26. Friedrich W. Deichmann, Ravenna: Hauptstadt des spdtantiken Abendlandes, vol. 1, Geschichte undMonumente (Wiesbaden, 1969), 2416°. and pis. 358, 359 (San Vi- tale), 123, 342-43 (Sant'Apollinare in Classe); vol. 2 (Wiesbaden, 1976), 273-79 and The French Connection? pis. 404-6 (the Granting of the Autokephalia mosaic in Sant'Apollinare in Classe). Construction of Vaults and Cultural Identity See also Otto G. von Simson, Sacred Fortress: Byzantine Art and Statecraft in Ravenna (Princeton, 1987), xjS., pis. 2, 18, for the representations of Justinian and Theodora in Crusader Architecture with their retinues in San Vitale, and 59f, pi. 27, for the "Privilegia" mosaic in Sant'Apollinare in Classe. 27. Delbriick, Die Consulardiptychen, 272. 28. See the conclusive remarks of Breckenridge, "The Drawing of Job," 36: "The Robert Ousterhout Coptic monk who added this picture to the manuscript symbolized his biblical king in terms of his own ruler ..
    [Show full text]