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Memories of the Origins of Ethnographic Film / Beate Engelbrecht (Ed.)
Contents Preface Beate Engelbrecht IX Introduction 1 The Early Years of Visual Anthropology Paul Hockings 3 The Prehistory of Ethnographic Film Luc de Heusch 15 Precursors in the Documentary Film 23 Robert Flaherty as I Knew Him. R ichard L eacock 2 5 Richard Leacock and the Origins of Direct Cinema: Re-assessing the Idea of an 'Uncontrolled Cinema' Chris tof Decker 31 Grierson Versus Ethnographic Film Brian Winston 49 Research and Record-Making Approaches 57 Recording Social Interaction: Margaret Mead and Gregory Batcson's Contribution to Visual Anthropology in Ethnographic Context Gerald Sullivan 59 From Bushmen to Ju/'Hoansi: A Personal Reflection on the Early Films of John Marshall. Patsy Asch 71 Life By Myth: The Development of Ethnographic Filming in the Work of John Marshall John Bishop 87 Pulling Focus: Timothy Asch Between Filmmaking and Pedagogy Sarah Elder 95 VI Contents Observational and Participatory Approaches 121 Colin Young, Ethnographic Film and the Film Culture of the 1960s David MacDougall 1 23 Colin Young and Running Around With a Camera Judith MacDougall 133 The Origins of Observational Cinema: Conversations with Colin Young Paul Henley 139 Looking for an Indigenous View 163 The Worth/Adair Navajo Experiment - Unanticipated Results and Reactions Richard Chalfen 165 The Legacy of John Collier, Jr. Peter Biella 111 George Stoney: The Johnny Appelseed of Documentary Dorothy Todd Henaut 189 The American Way 205 "Let Me Tell You A Story": Edmund Carpenter as Forerunner in the Anthropology of Visual Media Harald Prins and John Bishop 207 Asen Balikci Films Nanook Paul Hockings 247 Robert Gardner: The Early Years Karl G. -
25 Actual Hits from the 80S That Mr. Moderator Liked
25 Actual Hits From The 80s That Mr. Moderator Liked Even During Those Days When He Was "Too Cool for School": Song Artist Suggested by: 1.) Don't You Want Me Human League Mr. Moderator 2.) True Spandau Ballet Mr. Moderator 3.) Missing You John Waite Mr. Moderator 4.) Like a Virgin Madonna Mr. Moderator 5.) Temptation New Order Mr. Moderator 6.) What You Need INXS Mr. Moderator 7.) Tainted Love Soft Cell funoka 8.) I Melt with You Modern English Mr. Moderator 9.) Faith George Michael Mr. Moderator 10.) She Drives Me Crazy Fine Young Cannibals Mr. Moderator 11.) Always Something There to... Naked Eyes Ohmstead 12.) Age of Consent New Order Slim Jade 13.) Rhythm is Gonna Get You Gloria Estefan Slim Jade 14.) (You Gotta) Fight for Your Right... Beastie Boys Mr. Moderator 15.) So Alive Love and Rockets andyr 16.) Looking for a New Love Jodi Watley jeangray 17.) Pass the Dutchie Musical Youth alexmagic 18.) Antmusic Adam and the Ants alexmagic 19.) Goody Two Shoes Adam Ant alexmagic 20.) Love Plus One Haircut 100 andyr 21.) Paper in Fire John Cougar Melloncamp Mr. Moderator 22.) (Keep Feeling) Fascination Human League alexmagic 23.) Material Girl Madonna Mr. Moderator 24.) Sweet Dreams (Are Made of This) Eurythmics alexmagic 25.) Church of the Poison Mind Culture Club Mr. Moderator Rock Town Hall 80s Master Playlist Song Artist Suggested by: 1.) A Message to You Rudy The Specials ladymisskirroyale 2.) A New England Kristy MacColl Suburban kid 3.) AEIOU Sometimes Y Ebn-Ozn jeangray 4.) Addicted to Love Robert Palmer ladymisskirroyale 5.) Ah! Leah! Donnie Iris Sgt. -
Lemos, Ronaldo. "To Kill an MC: Brazil's New Music and Its
Lemos, Ronaldo. "To Kill an MC: Brazil’s New Music and its Discontents." Postcolonial Piracy: Media Distribution and Cultural Production in the Global South. Ed. Lars Eckstein and Anja Schwarz. London: Bloomsbury Academic, 2014. 195–214. Bloomsbury Collections. Web. 23 Sep. 2021. <http://dx.doi.org/10.5040/9781472519450.ch-009>. Downloaded from Bloomsbury Collections, www.bloomsburycollections.com, 23 September 2021, 16:35 UTC. Copyright © Lars Eckstein and Anja Schwarz 2014. You may share this work for non-commercial purposes only, provided you give attribution to the copyright holder and the publisher, and provide a link to the Creative Commons licence. 9 To Kill an MC Brazil’s New Music and its Discontents Ronaldo Lemos Introduction On 6 July 2013, the Brazilian ‘funk carioca’ musician Daniel Pellegrine, known as MC Daleste, was killed on stage while performing in front of 5,000 people in the city of Campinas. Daleste was first shot in the armpit. Not knowing what was going on, he shouted at the audience. A second fatal shot hit him in the abdomen. All was instantly caught on video by his fans, some of whom later posted the killing on YouTube. The police concluded that Daleste was shot from a distance of 40 metres, indicating that he was probably hit by a sharpshooter. Daleste (his name is a contraction of ‘from the East’, in reference to the ‘East Zone’, the largest metropolitan area in Sao Paulo) was 20 years old. Even though virtually unknown by the upper economic classes, Daleste was one of the most popular artists in Brazil. -
Urbanism Under Google: Lessons from Sidewalk Toronto
Fordham Law Review Volume 88 Issue 2 Article 4 2019 Urbanism Under Google: Lessons from Sidewalk Toronto Ellen P. Goodman Rutgers Law School Julia Powles University of Western Australia Follow this and additional works at: https://ir.lawnet.fordham.edu/flr Part of the Law and Society Commons, and the Science and Technology Law Commons Recommended Citation Ellen P. Goodman and Julia Powles, Urbanism Under Google: Lessons from Sidewalk Toronto, 88 Fordham L. Rev. 457 (2019). Available at: https://ir.lawnet.fordham.edu/flr/vol88/iss2/4 This Symposium is brought to you for free and open access by FLASH: The Fordham Law Archive of Scholarship and History. It has been accepted for inclusion in Fordham Law Review by an authorized editor of FLASH: The Fordham Law Archive of Scholarship and History. For more information, please contact [email protected]. URBANISM UNDER GOOGLE: LESSONS FROM SIDEWALK TORONTO Ellen P. Goodman* & Julia Powles** Cities around the world are rapidly adopting digital technologies, data analytics, and the trappings of “smart” infrastructure. These innovations are touted as solutions to help rationalize services and address rising urban challenges, whether in housing, transit, energy, law enforcement, health care, waste management, or population flow. Promises of urban innovation unite cities’ need for help with technology firms’ need for markets and are rarely subject to evidentiary burdens about projected benefits (let alone costs). For the city, being smart is about functioning better and attracting tech plaudits. For the technology company, the smart city is a way to capture the value of data flows—either by directly monetizing behavioral insights or by using those insights to design or acquire services—and then realizing the network effects and monopoly rents that have characterized information technology platforms. -
Open Lyric and Liberation.Pdf
THE PENNSYLVANIA STATE UNIVERSITY SCHREYER HONORS COLLEGE DEPARTMENT OF PHILOSOPHY LYRIC AND LIBERATION: ADORNO AND THE DIALECTICAL IMPLICATIONS OF BRAZILIAN HIP HOP ALEXANDER GONCALVES Fall 2018 A thesis submitted in partial fulfillment of the requirements for a baccalaureate degree in Philosophy with honors in Philosophy Reviewed and approved* by the following: Eduardo Mendieta Professor of Philosophy Thesis Supervisor Brady Bowman Professor of Philosophy Honors Adviser * Signatures are on file in the Schreyer Honors College. i Abstract This paper offers a critique of the cultural defeatism posited in Theodor Adorno’s 1937 work “On Jazz” through adumbration of the music of Brazilian favelas. Whereas Adorno sees musical attempts at liberation as nullified by their subservience to the whims of government and market, the research and reflection here evidences the emancipatory nature of music. Brazilian Funk demonstrates our capacity to advance change through music, and thus calls upon us to build more efficacious systems for fostering and assimilating music of the world’s people. In refuting Adorno’s condemnation of jazz, I craft a narrative evidencing the pragmatic import of fostering musical outlets within communities while acknowledging the dangers of artistic proliferation in capitalist society. The case of the funk movement in Rio De Janeiro demonstrates art’s function both as a liberatory tool and fulcrum for exploitation. The data substantiating this thesis were compiled through myriad sources: the social and aesthetic theory of Adorno, his contemporaries, and predecessors; interviews with Brazilian funk musicians, musicologists, and enthusiasts; three months investigating the musical communities in Rio De Janeiro and São Paulo; relevant documentaries, ethnographic and historical research, news archives, musical releases, and other online media. -
Kevin O Chris, Parangolé, Banda Eva E Dennis Intense Na Programação Da Liga Dos Blocos De Carnaval De Ouro Preto
KEVIN O CHRIS, PARANGOLÉ, BANDA EVA E DENNIS INTENSE NA PROGRAMAÇÃO DA LIGA DOS BLOCOS DE CARNAVAL DE OURO PRETO A seleção de atrações da Liga dos Blocos para o Carnaval de Ouro Preto contempla estilos musicais que são a cara do verão. Quem vier para a festa, no Espaço Folia, vai encontrar muita animação, ao som de axé, funk e música eletrônica. Kevin O Chris, MC Livinho, Jerry Smith, MC Don Juan e DJ Guuga animam o dia 22 de fevereiro, sábado, quando o Bloco do Caixão comanda a festa. Parangolé, Breaking Beatzz, Groove Delight, MC Rick e FP de Trem Bala fazem parte do line-up do Bloco Cabrobró, no dia 23 de fevereiro, domingo. Na segunda-feira, 24 de fevereiro, o Bloco da Praia é quem dá o tom, com Banda Eva, Liu, MC G15 e Pedro Sampaio. Para finalizar, no dia 25 de fevereiro, terça-feira, o Bloco Chapado traz Dennis Intense, Bruno Martini e Thiaguinho (Warm Up). Confira as atrações de cada bloco integrante da Liga: Bloco do Caixão – 22 de fevereiro de 2020 Atrações: Kevin O Chris, MC Livinho, Jerry Smith, MC Don Juan e DJ Guuga Kevin O Chris 2019 foi o ano de Kevin O Chris. O artista emplacou mais de 10 hits nas paradas nacionais. No ano anterior, Kevin o Chris começou a se destacar na vertente do funk carioca conhecida por "funk 150 BPM", que tem batidas mais aceleradas, e na festa "Baile da Gaiola", originária do Complexo da Penha, no Rio de Janeiro. Sua primeira canção a alcançar o topo das paradas musicais brasileiras foi "Vamos Pra Gaiola". -
The Sociology of Music and Social Distinctions: P!NK's Career As an Example of Social Linkage
Digital Commons @ Assumption University Honors Theses Honors Program 2019 The Sociology of Music and Social Distinctions: P!NK's Career as an Example of Social Linkage David Cifarelli Assumption College Follow this and additional works at: https://digitalcommons.assumption.edu/honorstheses Part of the Music Commons, and the Social and Behavioral Sciences Commons Recommended Citation Cifarelli, David, "The Sociology of Music and Social Distinctions: P!NK's Career as an Example of Social Linkage" (2019). Honors Theses. 49. https://digitalcommons.assumption.edu/honorstheses/49 This Honors Thesis is brought to you for free and open access by the Honors Program at Digital Commons @ Assumption University. It has been accepted for inclusion in Honors Theses by an authorized administrator of Digital Commons @ Assumption University. For more information, please contact [email protected]. The Sociology of Music and Social Distinctions: P!NK’s Career as an Example of Social Linkage David Cifarelli Faculty Supervisor: Christopher Gilbert, Ph. D Department of English A Thesis Submitted to Fulfill the Requirements of the Honors Program at Assumption College Spring 2019 Cifarelli 1 Introduction Music is extremely social. It is one of the most expressive art forms our society holds. Due this expressive nature, the art of making music can hold many social connotations and directly involve or relate itself to social occurrences, movements and ideals. This intertwined relationship thus allows music to be a conductor of social change by existing and working within these various social constructs. In addition, those involved with the music-making business are, by association, also potential conductors of social change. -
Bálint Veres Moholy-Nagy University of Art&Design [email protected]
TACTILE TACTICS IN ϮϭST CENTURY CULTURAL DISPLAYS ϭ͘ ^ƚĂƌƚŝŶŐ ƉŽŝŶƚ͗ an example ĄůŝŶƚsĞƌĞƐ Moholy-Nagy University of Art&Design [email protected] In September 2013, during the Budapest Design Week, together with two of my colleagues, I had the privilege to encourage a team of art students to perform an exhi- ABSTRACT: There is a long tradition to see museums and similar cultural displays as sites of knowing and self- bition intervention, hosted by the Museum of Ethnogra- education; and also as tools of political and ideological phy, an initiative that is still rare in the Hungarian tuition, indoctrination indeed. The critical approach of 1 new museology in the late 20th century launched a museum practice. The museum invited us to be com- systematic revision of the social and epistemological role pletely free in our approach to the task, and at first we museums play in contemporary culture. New museology highly increased, or at least required, the self-reflexivity deemed it as a double task. On the one hand, there was of cultural displays, however, an increase in reflexivity a chronological exhibition of partly folk, partly artistic, does not involve, in a self-evident way, an increase of intensified experience, which became crucial to our professional and industrial exhibition materials, under contemporary life, especially in the perspective of the title of The living tradition of ryijy – Finnish rugs from somaesthetics. Thus, more recent museological and curatorial approaches, oriented according to the a private collection. On the other hand, the bustle of the corporeal turn in philosophy and social sciences, Design Week and the freshness of art students’ creativity emphasize the effects and consequences of the sensorial range in use within cultural displays. -
To Be Able to Partner with God in Bringing Life
Volume 11, No. 9 December 27, 2006 In This Issue A Year-End Truth Editorial Page 2 Updating Kwanzaa Page 3 School Board Shenanigans Page 4 ASSETS Graduation Page 5 Cover Story: Dr. Karen Adams-Ferguson Page 6 The Truth Arts Broadside Press Page 7 Jacob Lawrence Page 8 Phantom of the Opera Page 9 Is Hip Hop Dead? Page 10 Darfur: Color of Genocide Page 11 BlackMarketPlace Page 14 Classifieds Page 15 Alpha Phi Alpha at 100 Dr. Karen Adams-Ferguson Page 16 Ob-Gyn “To be able to partner with God in bringing life into this world and make sure it comes here with full potential, is the best as it can be.” Page 2 The Sojourner’s Truth December 27, 2006 This Strikes Us … Community Calendar A Sojourner’s Truth Editorial December 26 to January 1 As we close out the year, and pray as always for things to go so much better during the • KWANZAA!! Wayman Palmer YMCA; 5 pm each day; sponsored by the Toledo new one, The Truth would like to take this opportunity to reflect on what went right – and Kwanzaa House Committee; 40th Anniversary wrong – during 2006. Here are a few of the key stories of the year. December 30 The War in Iraq: • Toledo Gospel Rescue Mission: Annual Christmas Dinner; 5 pm: 419-241-6579 Nothing quite sums up what happened during our War in Iraq, other than the death tolls, than a statement of President George Bush last week in which he admitted that we weren’t January 1 winning the war. -
Music and Politics in Europe from Wagner to the 1960S
History 101-47 Music and Politics in Europe from Wagner to the 1960s MWF 10-10:50, Kauke 102 Professor David Tompkins Email: [email protected] Tel. 330-287-1902 119 Kauke Office Hours: M 3-4, Th 2-4, and by appt. This course examines the often fraught, comp licated relationship between music and politics from the mid-nineteenth century through the mid-twentieth. Our field of inquiry will include all of Europe, but will particularly focus on Germany, Poland, and the Soviet Union. We will look at several composers and their legacies in considerable detail, including Beethoven, Wagner, and Shostakovich. While much of our attention will be devoted to “high” or “serious” music , we will explore developments in popular music as well. The four main areas of inquiry include: · music that supports political systems and ideologies, and is commissioned by governments, especially nationalism, fascism, Nazism, and stalinism · music linked to political movements more broadly · oppositional or dissident music that attempts to oppose political leaders and effect political change · the attempts by composers and musicians to create a sphere for themselves separate from politics (a political act in itself) REQUIRED READINGS Most of our readings will be articles or chapters from books, which will either be directly accessible from the internet (URLs provided here and on the interactive syllabus on Blackboard), or will be put on e-reserve at the library (password is nationalism). I expect you to print these out and bring them to class with you with your comments and reactions. Please also purchase the following two books: -- David Dennis, Beethoven in German Politics, 1870-1989. -
December 2013 Spirit of the Season
Inside this issue 3 Fr. Rolando Arias to be ordained in Bethel 15 Diocese releases financial reports Please visit us on: ) at www.facebook.com/ Fairfield County Catholics ORTENSEN M and at bridgeportdiocese at www.twitter.com/ MY A dobevents, dobyouth BY Latest news: HOTO bridgeportdiocese.com (P Frank E. Metrusky, CFP® President and Financial Advisor 945 Beaver Dam Road Offering more than 30 graduate programs in Stratford, CT 06614 growing and in-demand fields including: Business · Communication · Education · Health Professions · Arts & Sciences 203.386.8977 Apply now and start as early as January 2014. Securities and Advisory Services offered through National Planning Corporation (NPC), Member FINRA/SIPC, and a Registered Investment Advisor. www.sacredheart.edu/graduate · [email protected] Catholic Way investments and NPC are separate and unrelated companies. 2 December 2013 Spirit of the Season 1. Visit www.BlessedGifts.org to select gifts. 2. Dedicate a gift to a friend or loved one. 3. The Diocese will send a card to your gift recipient or you may print one on your computer or send an e-card. 4. The Diocese will direct your gift to the selected ministry. Questions: 203-416-1479 www.BlessedGifts.org Simply complete the Blessed Gifts supports your faith in action envelope that is inserted in the Fairfield County Catholic through ministries across the Diocese of Bridgeport. with your gift selections. Diocese of Bridgeport, 238 Jewett Avenue, Bridgeport, Connecticut 06606 ON THE COVER | CONTENTS LIGHTING THE ADVENT WREATH— 6 “JESUS CHRIST IS LORD” 25 REVISITING PACEM IN TERRIS Aaron Cipriano lights the Advent Wreath while his wife, Bishop Caggiano Coat of Arms Peace on Earth Patricia Freyler and daughter, Sabryne, look on before Mass Inside this issue at St. -
Musical Evolution and Human Migration
MUSICAL EVOLUTION AND HUMAN MIGRATION MUSICAL EVOLUTION AND HUMAN MIGRATION: CLASSIFICATION, QUANTIFICATION, AND APPLICATION By PATRICK E. SAVAGE, B.A.(Hons) A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree Master of Science McMaster University © Copyright by Patrick E. Savage, August 2011 MASTER OF SCIENCE (2011) McMaster University (Psychology, Neuroscience and Behaviour) Hamilton, Ontario TITLE: Musical evolution and human migration: Classification, quantification, and application AUTHOR: Patrick E. Savage, B.A. (Hons) SUPERVISOR: Dr. Steven Brown NUMBER OF PAGES: vi, 76 ii Abstract Musical evolution and human migration: Classification, quantification, and application Patrick E. Savage Master of Science Depratment of Psychology, Neuroscience and Behaviour McMaster University 2011 The cross-cultural study of music is important to our understanding of the evolution of human biological and cultural diversity. Early comparative musicologists failed to develop rigorous scientific methods for studying this, and the modern-day fields of music cognition and ethnomusicology still lack such methods. In this thesis, I describe our attempts to design new methods for classifying and quantifying cross-cultural musical diversity and to apply these methods to the study of musical evolution and migration. Using a new method of classifying songs, we analyzed 421 songs from 16 indigenous tribes in Taiwan and the Philippines. We found striking parallels between musical and genetic diversity, both in the degree of diversity found within each culture and in the patterns of similarities between cultures. These findings suggest that music may be subject to similar processes of evolution and migration as are genes. A new, multidisciplinary, and scientifically-grounded comparative musicology may thus provide a new line of evidence to complement and integrate existing research into the complex relationship between music, biology, and culture.