Musical Evolution and Human Migration
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Bálint Veres Moholy-Nagy University of Art&Design [email protected]
TACTILE TACTICS IN ϮϭST CENTURY CULTURAL DISPLAYS ϭ͘ ^ƚĂƌƚŝŶŐ ƉŽŝŶƚ͗ an example ĄůŝŶƚsĞƌĞƐ Moholy-Nagy University of Art&Design [email protected] In September 2013, during the Budapest Design Week, together with two of my colleagues, I had the privilege to encourage a team of art students to perform an exhi- ABSTRACT: There is a long tradition to see museums and similar cultural displays as sites of knowing and self- bition intervention, hosted by the Museum of Ethnogra- education; and also as tools of political and ideological phy, an initiative that is still rare in the Hungarian tuition, indoctrination indeed. The critical approach of 1 new museology in the late 20th century launched a museum practice. The museum invited us to be com- systematic revision of the social and epistemological role pletely free in our approach to the task, and at first we museums play in contemporary culture. New museology highly increased, or at least required, the self-reflexivity deemed it as a double task. On the one hand, there was of cultural displays, however, an increase in reflexivity a chronological exhibition of partly folk, partly artistic, does not involve, in a self-evident way, an increase of intensified experience, which became crucial to our professional and industrial exhibition materials, under contemporary life, especially in the perspective of the title of The living tradition of ryijy – Finnish rugs from somaesthetics. Thus, more recent museological and curatorial approaches, oriented according to the a private collection. On the other hand, the bustle of the corporeal turn in philosophy and social sciences, Design Week and the freshness of art students’ creativity emphasize the effects and consequences of the sensorial range in use within cultural displays. -
Alan Lomax: Selected Writings 1934-1997
ALAN LOMAX ALAN LOMAX SELECTED WRITINGS 1934–1997 Edited by Ronald D.Cohen With Introductory Essays by Gage Averill, Matthew Barton, Ronald D.Cohen, Ed Kahn, and Andrew L.Kaye ROUTLEDGE NEW YORK • LONDON Published in 2003 by Routledge 29 West 35th Street New York, NY 10001 www.routledge-ny.com Published in Great Britain by Routledge 11 New Fetter Lane London EC4P 4EE www.routledge.co.uk Routledge is an imprint of the Taylor & Francis Group. This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.” All writings and photographs by Alan Lomax are copyright © 2003 by Alan Lomax estate. The material on “Sources and Permissions” on pp. 350–51 constitutes a continuation of this copyright page. All of the writings by Alan Lomax in this book are reprinted as they originally appeared, without emendation, except for small changes to regularize spelling. All rights reserved. No part of this book may be reprinted or reproduced or utilized in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publisher. Library of Congress Cataloging-in-Publication Data Lomax, Alan, 1915–2002 [Selections] Alan Lomax : selected writings, 1934–1997 /edited by Ronald D.Cohen; with introductory essays by Gage Averill, Matthew Barton, Ronald D.Cohen, Ed Kahn, and Andrew Kaye. -
The Global Jukebox: a Public Database of Performing Arts and Culture 2 Anna L.C
1 The Global Jukebox: A Public Database of Performing Arts and Culture 2 Anna L.C. Wood1*, Kathryn R. Kirby2,3, Carol R. Ember4, Stella Silbert1, Sam Passmore5, .Hideo 3 Daikoku5, John McBride6, Forrestine Paulay1,7, Michael Flory8, John Szinger1, Gideon 4 D’Arcangelo9, Karen Kohn Bradley7, Marco Guarino1, Maisa Atayeva1, Jesse Rifkin1, Violet 5 Baron1, Miriam El Hajli1, Martin Szinger1, Patrick E. Savage5* 6 7 1 Association for Cultural Equity (ACE), Hunter College, New York City, NY, USA 8 2Department of Linguistic and Cultural Evolution, Max Planck Institute for the Science of Human 9 History, Jena 07745, Germany 10 3Department of Ecology and Evolutionary Biology, University of Toronto, Toronto Canada 11 4Human Relations Area Files at Yale University, New Haven, CT, USA 12 5 Keio University, Fujisawa, Japan 13 6 Center for Soft & Living Matter, Institute for Basic Science, South Korea 14 7 Laban/Bartenieff Institute for Movement Studies, New York, NY, USA 15 8 NYS Institute for Basic Research in Developmental Disabilities 16 9 Arup, New York, NY, USA 17 18 *Correspondence to: [email protected]; [email protected] 19 Please note: This is a non-peer-reviewed preprint. We welcome questions, comments, citation, and constructive criticism, bearing in mind that this is a non-peer-reviewed draft subject to revision. Supplementary materials will be added in future updates, at which time the data repository will be made public. Please direct correspondence to [email protected] and [email protected]. Recommended citation: Wood ACL, Kirby KR, Ember CR, Silbert S, Passmore S, Daikoku H, McBride J, Paulay P, Flory M, Szinger J, D’Arcangelo G, Guarino M, Atayeva M, Rifkin J, Baron V, El Hajli M, Szinger M, Savage PE (2021) The Global Jukebox: A Public Database of Performing Arts and Culture. -
Concept Space in Holocaust Research
Janine Fubel, Alexandra Klei, Katrin Stoll, Annika Wienert: „Space in Holocaust Research“ “Space in Holocaust Research”. An International, Interdisciplinary Conference Hamburg, 23 – 26 March 2020 Aim and Objectives “Space in Holocaust Research” is the first conference in Germany to examine ‘space’ as a central category of Holocaust research from a theoretical and methodological perspective. It is conceptualized and organized by Janine Fubel (Berlin), Alexandra Klei (Hamburg/Berlin), Katrin Stoll (Warsaw), and Annika Wienert (Warsaw). The conference is a co-operation between the German Historical Institute Warsaw and the Institute for the History of the German Jews in Hamburg. The overarching goal of the conference is to foster interdisciplinary Holocaust Studies, a research field that as of yet has no institutional framework in German academia. The project takes as its point of departure the discussions about the ‘spatial turn’ that have taken place in the humanities since the 1980s. In the course of these discussions, an understanding of space beyond Newton’s container model has gained acceptance. Space is now understood as a process and perceived in relational terms, as something that is socially produced and socially effective. The project combines inter- and transdisciplinary discussions of a spatial turn in the humanities with recent research on the Holocaust and its legacy. Such a synthesis is still lacking. The paradigm of space will allow for cross-disciplinary discussions on central issues of Holocaust research and for a prolific integration of new approaches. Integrating various disciplines will enable a critical analysis of terms as well as of theoretical and methodological questions. While references to space, place and sites have become an integral part in works dealing with the history of the Holocaust and its legacy, a metaphorical way of speaking has predominated thus far. -
Ethnochoreology As a Mediating Perspective in Irish Dance Studies
Catherine E. Foley Ethnochoreology as a Mediating Perspective in Irish Dance Studies Up until the 1980s, dance in Ireland existed as an important human activity, engaged in for various reasons: socialization, entertainment, competition, per- formance, tourism, ceremonial occasions, and so on. It was not, however, re- searched and examined on a par with other fields of study within the social sciences. From the 1980s on, however, the academic study of dance within the context of culture increasingly gained ground in the West, due to the influence of a number of anthropologists in the United States interested in human move- ment studies.1 Academicians also began to note the work of ethnochoreologists in Europe who, since the 1960s, had been involved in field research and studies of dance in their respective cultures.2 Dance and the role that it played—together with the meaning that it embodied within diverse societies around the world— gradually became a significant field of research and study. Scholars within mul- tidisciplinary fields of study—including anthropology, ethnochoreology, eth- nomusicology, dance ethnology, sociology, philosophy, cultural studies, cultural geography and feminist scholarship—argued for the significance of dance and the body as a way of illuminating and understanding issues relating to human 1. See, for example: Adrienne Kaeppler, “Method and Theory in Analyzing Dance Structure with and Analysis of Tongan Dance,” Ethnomusicology, 16, 2 (May, 1972), 173–217, and “American Ap- proaches to the Study of Dance,” Yearbook for Traditional Music, 13 (1991), 11–12; Drid Williams, “The Human Action Sign and Semasiology,” in Dance Research Annual, 10 (New York: CORD, 1979), pp. -
Emergence of Ethnochoreology Internationally: the Janković Sisters, Maud Karpeles, and Gertrude Kurath
Elsie Ivancich Dunin Emergence of Ethnochoreology... DOI: 10.2298/MUZ1417197D UDK: 394.3:793.3 39:929 Јанковић Љ. 39:929 Јанковић Д. Emergence of Ethnochoreology Internationally: The Janković sisters, Maud Karpeles, and Gertrude Kurath Elsie Ivancich Dunin1 University of California (Los Angeles) Abstract A fifty-year (1962–2012) period has been shown as a history of ethnochoreology supported by living memories of members of the International Council for Traditional Music (ICTM) Study Group on Ethnochoreology. Recently uncovered and juxtapositioned correspondence of three predecessors within earlier years of the International Folk Music Council (IFMC) broadens the history. This article reveals the emergence of ethnochoreology during the 1950s with publications of the two Janković sisters in Serbia with that of Gertrude Kurath in the United States, alongside correspondence with Maud Karpeles, the unheralded founder of the IFMC. Keywords ethnochoreology, Janković sisters, Gertrude Kurath, Maud Karpeles, IFMC (International Folk Music Council) Introduction The publications of Ljubica and Danica S. Janković2 overlap contemporaneously with dance research writings of Gertrude Prokosch Kurath,3 who in the United States (U.S.) is honored as a pioneer of ethnochoreology (also known as dance ethnology). Although never meeting, the Janković sisters and Kurath are linked through the International Folk Music Council (IFMC) launched by Maud Karpeles in 1947. Her vision of an international commission of dance scholars, such as Janković and Kurath, is evidenced through correspondence in the IFMC/ICTM archives located in the National Library of Australia. Other communications linking Janković and Kurath with folklorists, ethnomusicologists, and anthropologists are found in the Cecil Sharp House with the Vaughan Williams Memorial Library in London and various university-based archives in the United States, such as the Cross-Cultural Dance Resources at Arizona State University, Lilly Library at the University of Indiana in Bloomington, and more. -
Henning Eichberg the Study of Body Culture : Observing Practice
Henning Eichberg The study of body culture : observing practice Idō - Ruch dla Kultury : rocznik naukowy : [filozofia, nauka, tradycje wschodu, kultura, zdrowie, edukacja] 6, 194-200 2006 A ntropologia a k u l t u r a c ia ł a / A nthropology & B o d y C u l t u r e H e n n in g E ic h b e r g University of Southern Denmark, Centre for Sports, Health and Civil Society, Gerlev, Denmark and Centre for the Study of Body Culture, Tsukuba / Japan The study of body culture - observing practice / Studium kultury ciała - praktyka obserwacyjna Key words: movement culture, anthropology, material basis, dialectic, bodily democracy Body and movement constitute fundamental conditions of human existence. They can be the starting point for a new understanding of what is the ‘material basis’ in social and cultural theory. Based on three decades of compara tive studies in body cultures, some methodological and theoretical observations are concluded. They propose directions for a future phenomenology, history, and anthropology of practice. Body culture studies open perspectives for a new way of thinking dialectically and for a humanistic materialism. They contribute to inter-bodily democracy. 1. The body asa material base The body is the material base of our existence as a human being. The body tells our story: Who am I, who are we? On one hand, the body is a part of human existence, which the individual is not free just to choose freely. On the other hand, the body is not determined from the very beginning. Between the given body on one hand and intentional body management on the other, body culture devel ops in a process, which is historical and collective. -
Announcements Our Back Pages News Features Implementation Of
Volume 52, Number 2 Spring 2018 Colorado-based Paola Ines y Norte-Sur performing “Gracias a la vida.” Ethno Nights at the Mercury Cafe, SEM 2017 Annual Meeting. Photo: Sarah Morelli. Implementation of SEM 2017–2022 Strategic Plan SEM has begun implementation of its 2017–2022 who offered advice over the past two years. At present, Strategic Plan, which includes a wide-ranging agenda the Society is developing specific initiatives in pursuit for expanding the capacity of the Society as a medium of the major goals of the plan and will offer a progress for dialogue, a resource for members and the general report to the membership at the 2018 Annual Meeting public, and an agent for change in today’s world. The in Albuquerque. The plan’s various goals suggest many Society thanks the many contributors to this plan, opportunities for new projects. Please address any including the Strategic Planning Committee, (Andrew communications to Gregory Barz (SEM President) at Weintraub – Chair, Gage Averill, Virginia Danielson, [email protected] and Stephen Stuempfle Joanna Bosse, Maria Mendonça, Michael Birenbaum (SEM Executive Director) at [email protected]. Quintero, and Sylvia Nannyonga Tamusuza); the Board; the Council; and other groups and individuals Read the 2017–2022 Strategic Plan Features Announcements News Our Back Pages President’s Column New Moderator of SEM-L AIIS Fellowship Competition SEM Publications 2017–2022 Strategic Plan Two Draft Statements Member News Conference Calendar Forum: The Lure of Universals Ethics Statement Institutional -
MUSIC and POLITICS Thoughts from Thefield10 Continued on Next Page
SEM {STUDENTNEWS} A publication of MUSIC AND POLITICS the Society for Ethnomusicology © Letter from the SEM President 1 Student Voices: Who Cares About Ethnomusicology? 5 Thoughts from the Field 10 Audiovisual Frames: What Films Can Do: An Interview with Jeff Roy 14 Dear SEM 19 “We’re Not Gonna Take It”: Trump and Striking West Virginia Teachers 22 Deconstruction as Political Discourse in Janelle Monáe’s “Q.U.E.E.N.” 25 Stadium Shows and Spotify: Popular Music and the Complicity of Consumption 29 “Baile de Favela” and Its Sounding Transgressions 32 Glocal Politics in Bavarian Slang Rap: “Wolli” by Liquid & Maniac 37 Music and Conflict Resolution in Israeli-Palestinian Relations 42 Peacebuilding, Not Politics: Music and MESPO’s Model for Change 46 Ethnomusicology and Empathy 49 Join your peers After the Mudslides: The Ethics of Singing, Witnessing, and Fieldwork 51 by following us on Beyond the IRB: Affirmative Consent in the Field 54 Facebook, Twitter, Analogies of Political Structure in Ethnomusicological Writing 56 and semsn.com Politics & Music: An Annotated Bibliography 60 to get the latest updates and calls Our Staff 63 Volume 14, Number 1 | Spring/Summer 2018 Volume for submission! Cover image courtesy of Liquid & Maniac/Demograffics © (see page 37) Letter from the SEM President The Coextensive Moment of Music and Politics continue to be surprised at how many case studies, in Africa: A Pedagogical Perspective musical repertoires, and pedagogical experiences As I write this brief reflection, I we have in common (note that both of us conducted wind down the spring semester doctoral-level field research in Tanzania). -
Complete Issue
This page has been intentionally left blank. Even as we move into the second half of 2020, the crisis of COVID- 19—though plateaued in some countries—is yet to decelerate in many parts of the world. Broken connections unify us in a humbling realization of the existential fragility of our human lives. Hope, however, continues to guide common people, rising beyond their differences and disabling circumstances, affirm Life by doing their bit and keep the world running. Our gratitude to these unknown men and women with big hearts who did what Governments couldn't. This page has been intentionally left blank. LANGUAGE, LITERATURE, AND INTERDISCIPLINARY STUDIES EDITORIAL BOARD Editors Deeksha Suri Nikita Goel Associate Editor Md. Faizan Moquim Assistant Editor Pallavi Editorial Assistants Divya Sharma Ritupma Shekhawat Advisory Board Abhishek Sharma, University of Delhi, India Angus McBlane, Cardiff University, United Kingdom Ashish Thomas, University of Delhi, India Ipshita Chanda, EFLU, India O. P. Singh, University of Delhi, India Priyanka Srivastava, University of Delhi, India R. K. Sharma, University of Delhi, India S. K. Singh, Ambedkar University Delhi, India T. S. Satyanath, University of Delhi, India Yvonne Stafford-Mills, Cerro-cosso College, USA Language, Literature, and Interdisciplinary Studies (LLIDS) ISSN 2457-0044 Language, Literature, and Interdisciplinary Studies (LLIDS) is an open access e-journal with a double-blind peer review policy. It is published quarterly in Fall, Winter, Spring, and Summer. LLIDS is conceived as a platform to engage with the existing fault lines of standard academic research through perceptive and rigorous enquiry. Committed to promote the standards of quality research, it provides discursive space for relevant and meaningful investigations in the fields of linguistics, literature, and other interdisciplinary studies for both upcoming as well as established scholars alike. -
VOICE, RACE, and NATION in US MUSIC, 1890-1924 by Scott A
VOX AMERICANA: VOICE, RACE, AND NATION IN U.S. MUSIC, 1890-1924 by Scott A. Carter A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy (Music) at the UNIVERSITY OF WISCONSIN-MADISON 2014 Date of final oral examination: 05/15/2014 This dissertation is approved by the following members of the Final Oral Committee Ronald M. Radano, Professor, School of Music Jerome Camal, Assistant Professor, Anthropology Susan C. Cook, Professor, School of Music R. Anderson Sutton, Professor, School of Pacific and Asian Studies, University of Hawaii at Manoa Amanda Weidman, Associate Professor, Anthropology, Bryn Mawr College i For Katie ii The more I hear, the less I know. — "Music is a Better Noise," Essential Logic iii Table of Contents Acknowledgements v List of Figures ix A Note on Transcriptions and Direct Quotations x Chapter One 1 Introduction Chapter Two 28 Anthropology, Vocal Science, and the Ordering of World Song Chapter Three 73 Forging a Sound Citizenry: Voice Culture and the Embodiment of the Nation Chapter Four 122 Bert Williams's Vocal Challenge Chapter Five 167 The Vocal Economy of Vernon Dalhart Epilogue 205 Bibliography 211 iv v Acknowledgements Like any major project, my dissertation has benefitted from the insights, critiques, and generous advice of friends and colleagues. I want to begin my acknowledgements by thanking the community of scholars in the School of Music at UW-Madison for creating programs that challenge students to produce scholarship of the highest caliber while allowing them the freedom to pursue avenues of innovative musical inquiry. I am particularly grateful for the interdisciplinary approach to scholarship afforded by the department, which allowed me to seek out and work with scholars in anthropology, history, communication arts, and Afro-American studies. -
Performance Style and Culture Research Guide, Alan Lomax
American Folklife Center, Library of Congress Performance Style and Culture Research Guide Alan Lomax Collection (AFC 2004/004) By Nancy Johnson (2008) Edited by Todd Harvey (2016) 1 Contents Collection overview......................................................................................................................... 5 Collection title ............................................................................................................................. 5 Collection creator ........................................................................................................................ 5 Extent .......................................................................................................................................... 5 Dates ........................................................................................................................................... 5 Arrangement ............................................................................................................................... 5 Biographical note ........................................................................................................................ 6 Abstract ....................................................................................................................................... 6 Repository ................................................................................................................................... 8 Administrative notes ......................................................................................................................