Associate Artists Working with Will Cotton
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2018 BAM Next Wave Festival #Bamnextwave
2018 BAM Next Wave Festival #BAMNextWave Brooklyn Academy of Music Adam E. Max, Katy Clark, Chairman of the Board President William I. Campbell, Joseph V. Melillo, Vice Chairman of the Board Executive Producer Place BAM Harvey Theater Oct 11—13 at 7:30pm; Oct 13 at 2pm Running time: approx. one hour 15 minutes, no intermission Created by Ted Hearne, Patricia McGregor, and Saul Williams Music by Ted Hearne Libretto by Saul Williams and Ted Hearne Directed by Patricia McGregor Conducted by Ted Hearne Scenic design by Tim Brown and Sanford Biggers Video design by Tim Brown Lighting design by Pablo Santiago Costume design by Rachel Myers and E.B. Brooks Sound design by Jody Elff Assistant director Jennifer Newman Co-produced by Beth Morrison Projects and LA Phil Season Sponsor: Leadership support for music programs at BAM provided by the Baisley Powell Elebash Fund Major support for Place provided by Agnes Gund Place FEATURING Steven Bradshaw Sophia Byrd Josephine Lee Isaiah Robinson Sol Ruiz Ayanna Woods INSTRUMENTAL ENSEMBLE Rachel Drehmann French Horn Diana Wade Viola Jacob Garchik Trombone Nathan Schram Viola Matt Wright Trombone Erin Wight Viola Clara Warnaar Percussion Ashley Bathgate Cello Ron Wiltrout Drum Set Melody Giron Cello Taylor Levine Electric Guitar John Popham Cello Braylon Lacy Electric Bass Eileen Mack Bass Clarinet/Clarinet RC Williams Keyboard Christa Van Alstine Bass Clarinet/Contrabass Philip White Electronics Clarinet James Johnston Rehearsal pianist Gareth Flowers Trumpet ADDITIONAL PRODUCTION CREDITS Carolina Ortiz Herrera Lighting Associate Lindsey Turteltaub Stage Manager Shayna Penn Assistant Stage Manager Co-commissioned by the Los Angeles Phil, Beth Morrison Projects, Barbican Centre, Lynn Loacker and Elizabeth & Justus Schlichting with additional commissioning support from Sue Bienkowski, Nancy & Barry Sanders, and the Francis Goelet Charitable Lead Trusts. -
Montclair State University Digital Commons Field
Montclair State University Montclair State University Digital Commons 2018-2019 Borders and Boundaries PEAK Performances Programming History 10-18-2018 Field Office of Arts + Cultural Programming PEAK Performances at Montclair State University Follow this and additional works at: https://digitalcommons.montclair.edu/peak-performances-2018-2019 Part of the Theatre and Performance Studies Commons World Premiere! Liz Gerring Dance Company Field Photo by Rodrigo Vazquez Photo by Rodrigo October 18-21, 2018 Alexander Kasser Theater Dr. Susan A. Cole, President Daniel Gurskis, Dean, College of the Arts Jedediah Wheeler, Executive Director, Arts + Cultural Programming World Premiere! Liz Gerring Dance Company Field Choreographed by Liz Gerring Original Music Composed by Michael J. Schumacher Production Design by Robert Wierzel Associate Lighting Designer/Company Production Manager Amith A. Chandrashakar Assistant Lighting Designer Abigail Hoke-Brady Stage Manager Stephanie Byrnes-Harrell Rehearsal Assistants Brandon Collwes, Claire Westby Company Manager Elizabeth DeMent Dancers Brandon Collwes, Joseph Giordano, Forrest Hersey, Julia Jurgilewicz, Jamie Scott, Thomas Welsh-Huggins, Claire Westby Liz Gerring Dance Company is a program of TonalMotion Inc., a 501(c)3 nonprofit corporation. lizgerringdance.org Co-produced by Peak Performances @ Montclair State (NJ). Field was developed in residence at the Alexander Kasser Theater, Montclair State University, Montclair, NJ. Additional funding provided by Kirk Radke. Duration: 1 hour, no intermission. In consideration of both audiences and performers, please turn off all electronic devices. The taking of photographs or videos and the use of recording equipment are not permitted. No food or drink is permitted in the theater. Program Notes Field is the third work by Liz Gerring in the trilogy of large-scale proscenium works commissioned by Peak Performances at Montclair State University. -
David Byrne Love This Giant Mp3, Flac, Wma
David Byrne Love This Giant mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Funk / Soul / Pop Album: Love This Giant Country: Taiwan Released: 2012 Style: Alternative Rock, Experimental, Indie Rock MP3 version RAR size: 1187 mb FLAC version RAR size: 1716 mb WMA version RAR size: 1988 mb Rating: 4.7 Votes: 486 Other Formats: AHX DXD MMF MP1 DMF DTS MIDI Tracklist Hide Credits 1 Who 3:49 2 Weekend In The Dust 3:07 3 Dinner For Two 3:42 4 Ice Age 3:13 5 I Am An Ape 3:05 6 The Forest Awakes 4:52 7 I Should Watch T.V. 3:08 8 Lazarus 3:13 9 Optimist 3:49 10 Lightning 4:15 The One Who Broke Your Heart 11 3:46 Featuring – Antibalas, The Dap-Kings 12 Outside Of Space And Time 4:18 Companies, etc. Phonographic Copyright (p) – Todo Mundo Copyright (c) – Todo Mundo Licensed To – 4AD Credits Bass – Paul Frazier (tracks: 1, 12) Bass [Synth] – Annie Clark (tracks: 4, 5, 7, 10) Brass [Arrangements] – Kelly Pratt (tracks: 3), Ken Thompson (tracks: 6), Tony Finno (tracks: 1, 4, 5, 6, 7, 8, 9, 10, 11, 12) Brass [Arrangements], Brass [Contracted], Saxophone – Lenny Pickett (tracks: 2) Brass [Contracted] – Alex Kadvan (tracks: 11), Garo Yellin (tracks: 1, 3, 4, 5, 6, 7, 8, 9, 10, 12) Clarinet – Evan Smith (tracks: 1, 5), Jack Bashkow (tracks: 9), Steve Elson (tracks: 9), Tom Timko (tracks: 9) Co-producer, Drum Programming – John Congleton Co-producer, Mixed By, Recorded By – Patrick Dillett Cover [Back Type Design] – Philip Laslett Cover [Photo] – Richard Burbridge Cover [Type Design] – Steve Powers Drums – Anthony LaMarca (tracks: 1) Engineer [Additional] – Jon Altschuler, Yuki Takahashi Euphonium – Kenneth Finn (tracks: 3), Tom Hutchinson (tracks: 3) French Horn – Chris Komer (tracks: 1, 3, 4, 5, 7, 9, 10, 12), Eric Davis (tracks: 1, 3, 4, 5, 6, 7, 8, 9, 10, 12), Jacquelyn Adams (tracks: 1, 4, 5, 7, 10, 12), Lawrence Di Bello (tracks: 6), Patrick Milando (tracks: 6), R.J. -
Of Producing Popular Music
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 6-26-2019 1:00 PM The Elements of Production: Myth, Gender, and the "Fundamental Task" of Producing Popular Music Lydia Wilton The University of Western Ontario Supervisor Coates, Norma. The University of Western Ontario Graduate Program in Popular Music and Culture A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Music © Lydia Wilton 2019 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Musicology Commons Recommended Citation Wilton, Lydia, "The Elements of Production: Myth, Gender, and the "Fundamental Task" of Producing Popular Music" (2019). Electronic Thesis and Dissertation Repository. 6350. https://ir.lib.uwo.ca/etd/6350 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract Using Antoine Hennion’s “anti-musicology”, this research project proposes a methodology for studying music production that empowers production choices as the primary analytical tool. It employs this methodology to analyze Kesha’s Rainbow, Janelle Monáe’s Dirty Computer, and St. Vincent’s Masseduction according to four, encompassing groups of production elements: musical elements, lyrical elements, personal elements, and narrative elements. All three albums were critical and commercial successes, and analyzing their respective choices offers valuable insight into the practice of successful producers that could not necessarily be captured by methodologies traditionally used for studying production, such as the interview. -
Bright Moments and the Camas High School Choir Push Musical Boundaries in Upcoming Performance
DATE: March 21, 2018 CONTACT: Ryn McCoy, [email protected] Bright Moments and the Camas High School Choir Push Musical Boundaries in Upcoming Performance Bright Moments and the Camas High School Choir Friday, April 13 Doors 6:30pm / Show 7:00pm Portland Institute for Contemporary Art (PICA) 15 NE Hancock St, Portland $10 advance, $12 at the door Tickets at http://bit.ly/2IuBu5F On Friday, April 13, join Bright Moments and the Camas High School Choir for an unforgettable concert that explores the exponential advancement of human technology and the notion of human progress. This concert is a collaboration of the Camas High School Choir under the direction of Ethan Chessin, indie-rock musician and composer Kelly Pratt, and arts education nonprofit Young Audiences of Oregon & SW Washington. Building on the success of a composer-in-residence partnership that Young Audiences fostered two years ago between experimental art-pop band AU and the Camas High School Choir, Pratt has been working with Chessin and his students this school year to create an original, hour-long performance for a rock band, horns and 200 high school singers. The choir will be performing new music composed by Bright Moments, Pratt’s solo project, specifically for this collaboration. The concert blends together a wide array of styles and genres — from afrobeat to metal to more traditional choral music — into a compelling intergenerational musical experience. In addition to Pratt, the high school singers and brass players will be joined by pillars of the local professional music community Dana Buoy, Lorna Krier and Justin Miller. -
Recorder: Facebook.Com/Recorder.Hu Front
front St. Vincent. nem féli a jövőt. Annie Clark vitán felül korunk egyik legfontosabb dalszerzője, aki alig egy évtized alatt indie-üdvöskéből artrock-szektavezérré lépett elő, mellesleg virtuóz és inno- vatív gitáros is. Övé az utóbbi évek egyik legkövetkezetesebben épített albumsoro- zata, miközben zeneileg nem hasonlítható senki máshoz. Ötödik, Masseduction című, októberi lemeze a kivételes karrier újabb meglepő fordulata. KOLLÁR BÁLINT. St. Vincent számára az elismerést a komplexen riban a legfőbb inspirációt a Pantera-gitáros, kalomadtán olyanokkal dzsemmelt, mint az egyéni, alaposan megcsavart dalstruktúrák Dimebag Darrell jelentette számára, ám hamar avantgárd gitáros Glenn Branca. Ekkoriban és a bámulatos gitárjáték mellett az agyas, túllépett rajta: megtanult mindkét kezével vette fel a St. Vincent nevet is, Nick Cave There sokrétű szövegek hozták meg. Lemezről-le- tapping-technikával játszani a hangszeren She Goes, My Beautiful World című dala után. mezre egyre több kritikus borult le innovatív (ez az, amikor a pengetős kéz is a fogólapon A név azt a kórházat jelöli, ahol a részeges tehetsége előtt, a szakmai tisztelet mellett matat), fingerpicking technikája (a húrok walesi költőfejedelem, Dylan Thomas meghalt népszerűsége is folyamatos emelkedésben ujjakkal való pengetése) pedig már egészen (tágabb értelemben pedig a „költészet halálára” van. Ma már olyanok versengenek a kegyeiért, fiatal korában sajátos volt. Ennek ellenére is utal). Marry Me című első, 2007-es leme- mint Beck vagy David Byrne, a Nirvana tagjai mereven elutasítja az akadémista szemléletet, zén még szinte minden hangszeren egyedül pedig többek közt őt kérték fel, hogy a zenekar hangsúlyozza, hogy nem tud kottát olvasni játszott, a végeredmény pedig tíz év távlatából Rock And Roll Hall Of Fame-es beiktatásakor vagy tudatosan komponálni. -
St. Vincent Leads Off New Season of Austin City Limits Season 44
St. Vincent Leads Off New Season of Austin City Limits Season 44 Premieres October 6 on PBS Austin, TX—October 4, 2018—Austin City Limits (ACL) launches a new season of must-see performances with an epic hour showcasing one of the most compelling figures in contemporary music: innovative art-rock performer St. Vincent. The season premiere airs Saturday, October 6 at 8pm CT/9pm ET opening ACL’s Season 44. The program airs weekly on PBS stations nationwide (check local listings for times) and full episodes are made available online for a limited time at pbs.org/austincitylimits immediately following the initial broadcast. Viewers can visit acltv.com for news regarding future tapings, episode schedules and select live stream updates. The show's official hashtag is #acltv. First appearing on ACL in 2009, the groundbreaking Texas native—born Annie Clark—delivers a thrilling, 13-song career-spanning set in a visually and sonically stunning hour. Dressed in a red vinyl bodysuit and matching thigh-high stiletto boots and set amidst the backdrop of a futuristic production, the singer-songwriter-guitarist is backed by a three-piece ensemble including two male musicians rendered as faceless mannequins on electronics and drums. St. Vincent’s mesmerizing set draws heavily from her critically-acclaimed fifth album MASSEDUCTION, with highlights including a segue from the guitar-shredding coda of “Pills,” into the vulnerable musical eulogy of “New York”. The album’s hypnotic title track opens with bassist/keyboardist Toko Yasuda chanting “power corrupts” in Japanese, while Clark unleashes furious guitar licks amidst a flurry of strobes. -
GRAMMY AWARDS 2013: FULL LIST of WINNERS Record of the Year
GRAMMY AWARDS 2013: FULL LIST OF WINNERS Record of the Year: "Somebody That I Used to Know," Gotye featuring Kimbra Album of the Year: Babel, Mumford & Sons Song of the Year: "We Are Young," fun. featuring Janelle Monáe Best New Artist: fun. Best Pop Solo Performance: "Set Fire to the Rain," Adele Best Pop Duo/Group Performance: "Somebody That I Used to Know," Gotye featuring Kimbra Best Pop Instrumental Album: Impressions, Chris Botti Best Pop Vocal Album: Stronger, Kelly Clarkson Best Dance Recording: Bangarang, Skrillex featuring Sirah Best Dance/Electronica Album: Bangarang, Skrillex Best Traditional Pop Vocal Album: Kisses on the Bottom, Paul McCartney Best Rock Performance: Lonely Boy, The Black Keys Grammys 2013: Arrivals Best Hard Rock/Metal Performance: "Love Bites (So Do I)," Halestrom Best Rock Song: "Lonely Boy," The Black Keys Best Rock Album: El Camino, The Black Keys Best Alternative Music Album: Making Mirrors, Gotye Best R&B Performance: "Climax," Usher Best Traditional R&B Performance: "Love on Top," Beyoncé Best R&B Song: "Adorn," Miguel Best Urban Contemporary Album: Channel Orange, Frank Ocean Taylor Swift talks opening the Grammys Best R&B Album: Black Radio, Robert Glasper Experiment Best Rap Performance: "N****s in Paris," Jay-Z and Kayne West Best Rap/Sung Collaboration: "No Church In The Wild," Jay-Z and Kanye West featuring Frank Ocean and The Dream Best Rap Song: "N****s in Paris," Jay-Z and Kayne West Best Rap Album: Take Care, Drake Best Country Solo Performance: "Blown Away," Carrie Underwood Best Country -
BAM and Barclays Center Present Contemporary Color, Conceived by David Byrne
BAM and Barclays Center present Contemporary Color, Conceived by David Byrne David Byrne, Nelly Furtado, How to Dress Well, Devonté Hynes, Zola Jesus, Lucius, Money Mark + Ad-Rock, Nico Muhly + Ira Glass, St. Vincent, tUnE-yArDs, and ten color guard teams from North America all perform LIVE Art Direction & Design by Doyle Partners; photo by Julieta Cervantes Contemporary Color marks BAM’s first production partnership with Barclays Center, a historic pairing of performing arts institution and major arena June 27 & 28 at Barclays Center for BAM 2015 Winter/Spring Season June 22 & 23 at Toronto’s Air Canada Centre for Luminato Festival Bloomberg Philanthropies is the 2014/2015 Season Sponsor BAM and Barclays Center Present Contemporary Color Conceived by David Byrne Barclays Center (620 Atlantic Ave) Jun 27 & 28 at 7:30PM Tickets start at $25 On sale Jan 28 to general public (Jan 21 to Friends of BAM) Brooklyn, NY/updated May 14, 2015— BAM and Barclays Center present Contemporary Color, a performance event created by music icon David Byrne, co-commissioned by BAM and Toronto’s Luminato Festival, and inspired by the high school phenomenon of color guard, known as “the sport of the arts.” Ten 20-40 person color guard teams from the US and Canada will perform at Brooklyn’s Barclays Center and Toronto’s Air Canada Centre, alongside an extraordinary array of musical talent performing live. Artist and team parings can be found below. Contemporary Color is the artistic culmination of Byrne’s interest in color guard as a piece of Americana and a competitive art form. -
The Issue Angel Haze
X AMBASSADORS • BETTY WHO • THE CHAINSMOKERS • JON BELLION • BOMBAY BICYCLE CLUB • SWITCHFOOT VARIANCETHE SIGHTS + SOUNDS YOU LOVE 40 ALBUMS TO WATCH FOR IN 2014 BASTILLE t ANGEL HAZE PHANTOGRAM JAMES VINCENT MCMORROW THE FUTURESOUNDS ISSUE VOICES THAT WILL REIGN THIS YEAR VOL. 5, ISSUE 1 | FEB_WINTER 2014 AVAILBLE NOW AT SKULLCANDY.COM @SKULLCANDY / FEATURING KAI OTTON Variancemagazine_Navigator_Kai.indd 1 12/14/12 3:10 PM TAPE MIX JAMES VINCENT MCMORROW PHANTOGRAM LILY ALLEN “Gold” “Black Out Days” “Hard Out Here” by @AlainUlises by @OJandCigs by @AleksaConic WINTER2014 VANCOUVER SLEEP CLINIC CHILDISH GAMBINO BOMBAY BICYCLE CLUB “Collapse” “telegraph ave. (‘Oakland’ by Lloyd)” “Carry Me” by @Jedshepherd by @tylersduke by @mardycum ANGEL HAZE FEAT. SIA JAMIE N COMMONS & X AMBASSADORS LO-FANG “Battle Cry” “Jungle” “#88” by @jenryannyc zz by @JK1KJ by @6n6challenge SAM SMITH MATTHEW MAYFIELD “Money on My Mind” “Heartbeat” by @AllenOVCH by @MissBehavinC YOU CREATE THE PLAYLIST ST. VINCENT "Digital Witness" Annie Clark foreshadows her new album with this catchy tune FIRSTTHINGSFIRST PHOTO BY KIM ERLANDSEN You” shot up the blogosphere last summer when video of a marriage proposal utilizing the song went viral. She’s since signed to RCA Records and is working on her major label debut. Also on the roster are X Ambassadors, the little band that could from Ithaca, N.Y. After teaming up with Alex Da Kid, who can do no wrong, in our opinion, the ris- ing act is expected to release a full-length this year. And based on everything we’ve heard so far, these guys will only continue to climb. -
Beliefs Are Not Evolving at Bryan
1955 2014 Thursday, March 6, 2014 - Volume 60.19 14049 Scenic Highway, Lookout Mountain, Georgia, 30750 www.bagpipeonline.com Study abroad Recruiting policy changes begins at the by Rebekah Taft ITC For some students at by Holton Winburne Covenant, studying abroad just became much more President Halvorson’s current affordable. Beginning in fall visit to Indonesia is a reminder 2014, students whose majors of the amount of work that has require them to study abroad to be done to make the Interna- will receive 100% of their tional Teachers College (ITC) a institutional financial aid for reality in Jakarta, Indonesia. Covenant-approved semester Education Department Chair programs. Dr. Jim Drexler, who is currently “Since a semester of study in Indonesia to help start the abroad is required for some ITC, said, “We are working majors, the college wants to Usnews.com on marketing and recruitment fund that semester of study in of students, recruitment of a manner that does not place Beliefs are not evolving at Bryan faculty and staff for starting in additional financial burden August, continued discussions on the student,” said Vice by Kendi Anderson munity have evolved since the all humanity is descended between the foundation here President for Academic Affairs college was founded. Diverse from Adam and Eve. They are and Covenant, working towards Dr. Jeff Hall. William Jennings Bryan was a interpretations of Genesis 1 and historical persons created by making this a full-fledged Students majoring in Span- prosecutor in the 1925 Scopes 2 have caused some professors, God in a special formative act, Covenant branch campus by ish, French, and German Monkey Trial. -
Docility, Resistance and the Indie Guitarist: a Foucaultian Interpretation of the Guitar- Hero Joshua Hochman
Docility, Resistance and the Indie Guitarist: A Foucaultian Interpretation of the Guitar- Hero by Joshua Hochman A thesis submitted to the Faculty o f Graduate and Postdoctoral Affairs in partial fulfillment of the requirements for the degree o f Masters in Music and Culture Carleton University Ottawa, Ontario ©2013 Josh Hochman Library and Archives Bibliotheque et Canada Archives Canada Published Heritage Direction du 1+1 Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-94602-2 Our file Notre reference ISBN: 978-0-494-94602-2 NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distrbute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. paper, electronic and/or any other formats. The author retains copyright L'auteur conserve la propriete du droit d'auteur ownership and moral rights in this et des droits moraux qui protege cette these. Ni thesis. Neither the thesis nor la these ni des extraits substantiels de celle-ci substantial extracts from it may be ne doivent etre imprimes ou autrement printed or otherwise reproduced reproduits sans son autorisation.