Beliefs Are Not Evolving at Bryan
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Associate Artists Working with Will Cotton
Associate Artists working with Will Cotton Taissia Basaria Taissia Basaria was born in 1987 in Mytishchi, Russia. Her work combines the aesthetics of 19th century Romanticism with Russian regionalist painting traditions and using HD technologies of today to illustrate that all is not lost in the fight for the conservation of nature and the people who inhabit it. A big part of the inspiration behind the work was Basaria’s childhood spent next to the Elk Island National Reserve and witnessing firsthand the connection between humankind and the wilderness. Basaria received her BFA from Pratt Institute in 2010. In 2016 she was awarded the Trelex residency in the Amazon region of Peru. In 2017 Basaria returned to the Amazon in collaboration with Tambopata Macaw project to document bird conservation in the region. In 2019 Basaria received her MFA from New York Academy of Art and was awarded the Altos de Chavon teaching residency in the Dominican Republic. Basaria currently lives and works in New York City. Gabe Cortese Born in Key West, Florida, Gabe Cortese is a Florida- based figurative painter. Cortese graduated in 2017 from the University of Central Florida with a BFA and is currently pursuing his MFA at UCF in Studio Art. Interested in intersectional identities and the male body, Cortese’s work is centered around his identity as a queer Latino male. In his work he explores topics of otherness, gender performance and sexual identity. Growing up in “American” culture but becoming intricately immersed in his Puerto Rican and Argentinian roots, he is conscious of the standards of masculinity as each culture defines it. -
St. Vincent Leads Off New Season of Austin City Limits Season 44
St. Vincent Leads Off New Season of Austin City Limits Season 44 Premieres October 6 on PBS Austin, TX—October 4, 2018—Austin City Limits (ACL) launches a new season of must-see performances with an epic hour showcasing one of the most compelling figures in contemporary music: innovative art-rock performer St. Vincent. The season premiere airs Saturday, October 6 at 8pm CT/9pm ET opening ACL’s Season 44. The program airs weekly on PBS stations nationwide (check local listings for times) and full episodes are made available online for a limited time at pbs.org/austincitylimits immediately following the initial broadcast. Viewers can visit acltv.com for news regarding future tapings, episode schedules and select live stream updates. The show's official hashtag is #acltv. First appearing on ACL in 2009, the groundbreaking Texas native—born Annie Clark—delivers a thrilling, 13-song career-spanning set in a visually and sonically stunning hour. Dressed in a red vinyl bodysuit and matching thigh-high stiletto boots and set amidst the backdrop of a futuristic production, the singer-songwriter-guitarist is backed by a three-piece ensemble including two male musicians rendered as faceless mannequins on electronics and drums. St. Vincent’s mesmerizing set draws heavily from her critically-acclaimed fifth album MASSEDUCTION, with highlights including a segue from the guitar-shredding coda of “Pills,” into the vulnerable musical eulogy of “New York”. The album’s hypnotic title track opens with bassist/keyboardist Toko Yasuda chanting “power corrupts” in Japanese, while Clark unleashes furious guitar licks amidst a flurry of strobes. -
The Issue Angel Haze
X AMBASSADORS • BETTY WHO • THE CHAINSMOKERS • JON BELLION • BOMBAY BICYCLE CLUB • SWITCHFOOT VARIANCETHE SIGHTS + SOUNDS YOU LOVE 40 ALBUMS TO WATCH FOR IN 2014 BASTILLE t ANGEL HAZE PHANTOGRAM JAMES VINCENT MCMORROW THE FUTURESOUNDS ISSUE VOICES THAT WILL REIGN THIS YEAR VOL. 5, ISSUE 1 | FEB_WINTER 2014 AVAILBLE NOW AT SKULLCANDY.COM @SKULLCANDY / FEATURING KAI OTTON Variancemagazine_Navigator_Kai.indd 1 12/14/12 3:10 PM TAPE MIX JAMES VINCENT MCMORROW PHANTOGRAM LILY ALLEN “Gold” “Black Out Days” “Hard Out Here” by @AlainUlises by @OJandCigs by @AleksaConic WINTER2014 VANCOUVER SLEEP CLINIC CHILDISH GAMBINO BOMBAY BICYCLE CLUB “Collapse” “telegraph ave. (‘Oakland’ by Lloyd)” “Carry Me” by @Jedshepherd by @tylersduke by @mardycum ANGEL HAZE FEAT. SIA JAMIE N COMMONS & X AMBASSADORS LO-FANG “Battle Cry” “Jungle” “#88” by @jenryannyc zz by @JK1KJ by @6n6challenge SAM SMITH MATTHEW MAYFIELD “Money on My Mind” “Heartbeat” by @AllenOVCH by @MissBehavinC YOU CREATE THE PLAYLIST ST. VINCENT "Digital Witness" Annie Clark foreshadows her new album with this catchy tune FIRSTTHINGSFIRST PHOTO BY KIM ERLANDSEN You” shot up the blogosphere last summer when video of a marriage proposal utilizing the song went viral. She’s since signed to RCA Records and is working on her major label debut. Also on the roster are X Ambassadors, the little band that could from Ithaca, N.Y. After teaming up with Alex Da Kid, who can do no wrong, in our opinion, the ris- ing act is expected to release a full-length this year. And based on everything we’ve heard so far, these guys will only continue to climb. -
Watch That Man: Gender Representation and Queer Performance in Glam Rock
Watch That Man: Gender Representation and Queer Performance in Glam Rock Hannah Edmondson Honors Thesis Department of English Spring 2019 Thesis Adviser: Dr. Graig Uhlin Second Reader: Dr. Jeff Menne TABLE OF CONTENTS Abstract……………………………………………………………………………………..…… 3 I. Introduction………………………………………………………………………………….… 4 II. “Hang On To Yourself”: Glam Rock’s Persona Play…………………………………….…... 9 III. “Controversy” and Contradictions: Evaluating Prince, Past and Present……………….….. 16 IV. Cracked Actors: Homosexual Stints and Straight Realities………………………………... 23 V. “This Woman’s Work”: Female Foundations of Glam………………………………….….. 27 VI. Electric Ladies: Feminist Possibilities of Futurism and Science Fiction……………….….. 34 VII. Dirty Computer……………………………………………………………………………. 44 VIII. MASSEDUCTION………………………………………………………………………… 53 IX. Conclusion………………………………………………………………………………….. 60 2 Abstract Glam rock, though considered by many music critics chiefly as a historical movement, is a sensibility which is appropriated frequently in the present moment. Its original icons were overwhelmingly male—a pattern being subverted in both contemporary iterations of glam and the music industry as a whole. Fluid portrayals of gender, performative sexuality, camp, and vibrant, eye-catching visuals are among the most identifiable traits which signify the glam style, though science fiction also serves as a common thread between many glam stars, both past and present. The superficial linkages between artists like David Bowie, Prince, Janelle Monáe, and St. Vincent provide -
Copy Edited.Indd
volume 17 - issue 1 tuesday, january 20, 2015 uvm, burlington, vt uvm.edu/~watertwr @thewatertower thewatertower.tumblr.com an op-ed by kerrymartin When twelve people—eight writers, millions of French Algerians did) only ex- only representing a fraction of this whole— Against government advice, Charlie editors, and cartoonists at Charlie Hebdo, posed themselves to this racist, demeaning it’s crucial that they find and follow the real Hebdo had come to symbolize freedom France’s crudest and most galvanizing Francocentrism at closer proximity. Even lesson from what’s happened. They—we— of speech and press in France, ideals for satire newsmag, as well as several cops in Paris, living Western lives, Muslims are must defend freedom of speech as a weap- which the country has fought its fair share and passersby—were shot dead by three still presumed dangerous, silenced, and on against all war, not as another noisy fire- of revolutions. Given the shackled position French-speaking Islamic fanatics on Janu- ghettoized. Although January 7th was the arm to wield in our own war. In this, I am of French Muslims outlined earlier, it may ary 7th…I didn’t know what to say. And largest “terrorist attack” on French soil in least optimistic. seem rather anti-revolutionary to taunt an soon after, I didn’t know what not to say. decades, it was only the loudest and most Through satirical writing and cartoon- oppressed group. But Islam received no My first worry—other than my dad, heinous strike back from an understand- ing that lampooned every institution in worse treatment from Charlie Hebdo than who was in Paris at the time, and other ably embittered group in an old standoff. -
Vol L Issue 3
page 2 the paper october 25, 2017 Weinstein, pg. 3 Prager U, pg. 9 Loving Vincent, pg. 15 F & L, pg. 21-22 Earwax, pg. 23 the paper “Saturday Morning Cartoons” c/o Office of Student Involvement Editors-in-Chief Fordham University John “He-Man and the Masters of the Universe” Looby Bronx, NY 10458 Luis “Yu-Gi-Oh!” Gómez [email protected] News Editors http://fupaper.blog/ Nick “Tom & Jerry” Peters Declan “Jonny Quest” Murphy the paper is Fordham’s journal of news, analysis, comment and review. Students from all years and disciplines get together biweekly to produce a printed version of the paper using Opinions Editors Adobe InDesign and publish an online version using Wordpress. Photos are “borrowed” from Colleen “Rugrats” Burns Internet sites and edited in Photoshop. Open meetings are held Tuesdays at 9:00 PM in McGin- Rachel “Scooby-Doo, Where Are You!” Poe ley 2nd. Articles can be submitted via e-mail to [email protected]. Submissions from Arts Editors students are always considered and usually published. Our staff is more than willing to help Matthew “Spongebob Squarepants” Whitaker new writers develop their own unique voices and figure out how to most effectively convey their Michael “The Magic School Bus” Sheridan thoughts and ideas. We do not assign topics to our writers either. The process is as follows: have an idea for an article, send us an e-mail or come to our meetings to pitch your idea, write Earwax Editor the article, work on edits with us, and then get published! We are happy to work with anyone Reyna “Code Lyoko” Wang who is interested, so if you have any questions, comments or concerns please shoot us an e- Features and List Editors mail or come to our next meeting. -
St Vincent Biog
ST. VINCENT ! Official Site | Facebook! | Twitter It starts with the creation myth: St. Vincent, naked and alone in the wilderness, startled as the omi- nous rattle of a snake breaks the silence of her Eden. She realizes she's not alone in the world and breaks into a run, headed towards the uncertainty of the future. It's a lovely and appropriate metaphor to open St. Vincent's self-titled fourth album, except that it literally happened. "It's not a metaphor at all," St. Vincent, aka Annie Clark, says of the album's lead track, "Rattlesnake." While visiting a friend's west Texas ranch, she decided to strip away her clothes and fully enjoy the soli- tude that city life so rarely affords. "I went walking around this great expanse of land. There was no one around so I decided to take my clothes off and immerse myself in nature. I saw holes in the path, but did not put two-and-two together until I heard the rattle and caught a glimpse of the snake." Clark's been moving at a breakneck speed for the past two years, barely stopping to catch her breath amidst a whirlwind of recording and touring. In 2011 she released her third album, 'Strange Mercy,' called "one of the year's best" by the New York Times and "something to behold" by Pitchfork. The record cemented her status as one of her generation's most fearsome and inventive guitarists, earned her the covers of SPIN, Paper, and Under the Radar, performances everywhere from the Metropolitan Museum of Art and Fallon to Letterman and Conan, and a year-long sold-out tour of her biggest venues to date around the world. -
The Mood Room Big Dance Theater 30Th Anniversary Season
The Mood Room Big Dance Theater 30th Anniversary Season CONTACT ArKtype/Thomas O. Kriegsmann E [email protected] T 917.386.5468 www.bigdancetheater.org Notes from the Director Sometimes you find an artistic soul mate in the simple act of opening a book. This is what th happened to me when I read the late 20 C “plays” of visual artist Guy de Cointet. But, they are not really plays-- they are visual events with texts that bask in the hot mess of the non-narrative posing as narrative-- a state I would call living! Here is where de Cointet and I intersect: he is devoted to detours, departures, tonal shifts, and the unconfirmed. An atmosphere of codes, exits, and non-results permeate the writing. He quotes without substantiation or reason, he is a-historic, is liberated from achieving even a glimmer of resolution, and his authorial voice is intentionally cracking. His theater is both textual and visually based, without any hierarchy for language, truth, or the answer-- and the physical objects in the texts have no stable meaning throughout the play. No one changes; no one learns anything. The Mood Room will work specifically from the text of de Cointet’s (1982) text The Five Sisters. The Five Sisters very lightly references Chekhov’s Three Sisters with both a hilarious disrespect – and with a recognition of the internal intention of the regret, despair and relational complexity in the Chekhov text. The departure from the original Cointet production will be the staging, choreography and visual design, as The Mood Room will utilize Cointet’s words without any reference to his original staging or visual design. -
Win a Zildjian/Ddrum Setup Worth $4,900!
WIN A ZILDJIAN/DDRUM SETUP WORTH $4,900! THE WORLD’S #1 DRUM MAGAZINE GREAT ’80s HEAVY ROCK THE RETURN DRUM OF PARAMORE’S TRACKS ZAC FARRO THE PROFOUND EVOLUTION OF MATT JOHNSON ▶▶▶ ST. VINCENT JEFF BUCKLEY + MAY 2018 BT BAM’S BLAKE RICHARDSON ROD MORGENSTEIN • JIMMY CHAMBERLIN JOHN MCLAUGHLIN’S RANJIT BAROT 12 Modern Drummer June 2014 BASS HEADS ARE ONE-SIZE-FITS-ALL.* * IF WE BELIEVED THIS, WHY WOULD WE MAKE THREE BRAND NEW CUTTING-EDGE BASS HEADS? This series brings you the same UV-coating that made drummers switch to UV1 tom and snare heads, featuring the UV1 for a wide open sound, the UV EQ4 for balance and sustain, and the UV EMAD for a more focused attack. Because we know not all drummers agree on their bass drum sound. Now you can have your bass and kick it too. FIND YOUR FIT AT UV1.EVANSDRUMHEADS.COM GUARANTEED DURABILITY. The Vater Extended Play™ Series is an extremely durable American hickory drumstick that has two distinct features; The first feature is a pearl-colored, specially formulated durable finish that protects the tip and shoulder area of the stick from early chipping and cracking. The second feature is our exclusive 3 inch “Stick Shield™“ located in the rimshot area that is highly impact resistant and 8X stronger than Steel with maximum tensile strength. The grip area of the stick has the same great-feeling finish as found on all Vater Sticks. Extended Play™ sticks offer the optimal balance and feel of a Vater hickory stick, with advanced durability and resistance to rimshot fatigue and breakage. -
UNIVERSAL MUSIC • Bobby Wills – Crazy Enough • Various Artists
Bobby Wills – Crazy Enough Various Artists – American Girl: Isabelle Dances Into The Spotlight Yes – Songs From Tsongas” 35th Anniversary Concert New Releases From Classics And Jazz Inside!!! And more… UNI14-22 UNIVERSAL MUSIC 2450 Victoria Park Ave., Suite 1, Willowdale, Ontario M2J 5H3 Phone: (416) 718.4000 Artwork shown may not be final UNIVERSAL MUSIC CANADA NEW RELEASE Artist/Title: Mariah Carey / Me. I Am Mariah... The Elusive Chanteuse ( Regular Edition) Cat. #: B001871302 Price Code: SP Order Due: ASAP Release Date: May 27, 2014 File: Pop Genre Code: 33 Box Lot: 25 Bar Code: Standard Version‐ 14 tracks, jewel case, 12 page booklet 1. Cry. 9. Supernatural w/special guest 2. Faded stars “DemBabies” a.k.a Ms. 3. Dedicated ft. Nas Monroe & Moroccan Scott 6 02537 44049 8 4. #Beautiful ft. Miguel Cannon a.k.a. Roc N’ Roe 5. Thirsty 10. Meteorite 6. Make It Look Good 11. Camouflage Super Short Sell Cycle 7. You’re Mine (Eternal) 12. Money ($ * / …) ft. Fabolous 8. You Don’t Know What To Do ft. 13. One More Try Wale 14. Heavenly (No Ways Tired/Can’t Give Up Now) Artist/Title: Mariah Carey / Me. I Am Mariah... The Elusive Chanteuse [Deluxe] Cat. #: B002073602 Price Code: AV Deluxe Edition 18 tracks, jewel case, 12 page booklet, different album cover than the standard version 1. Cry. 10. Meteorite Bar Code: 2. Faded 11. Camouflage 3. Dedicated ft. Nas 12. Money ($ * / …) ft. Fabolous 4. #Beautiful ft. Miguel 13. One More Try 5. Thirsty 14. Heavenly (No Ways 6. Make It Look Good Tired/Can’t Give Up Now) 7. -
The Cases of Grimes and Childish Gambino
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 5-25-2016 12:00 AM On the Internet by Means of Popular Music: The Cases of Grimes and Childish Gambino Kristopher R. K. Ohlendorf The University of Western Ontario Supervisor Dr. Keir Keightley The University of Western Ontario Graduate Program in Media Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Arts © Kristopher R. K. Ohlendorf 2016 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Digital Humanities Commons, Other Film and Media Studies Commons, and the Other Music Commons Recommended Citation Ohlendorf, Kristopher R. K., "On the Internet by Means of Popular Music: The Cases of Grimes and Childish Gambino" (2016). Electronic Thesis and Dissertation Repository. 3792. https://ir.lib.uwo.ca/etd/3792 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. i Abstract What is the internet? It began as a military research experiment, but the internet has since become a sweeping cultural phenomenon. One of the most prevalent areas of the internet’s cultural dominance is in popular music, and this thesis addresses how the internet is being understood and discussed by popular music artists. I study the works of Grimes and Childish Gambino, two popular music artists who grew up alongside the internet’s rise to cultural dominance and explicitly address this experience as an integral component of their lives and works.