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Chart: Top25 VIDEO HOUSE
Chart: Top25_VIDEO_HOUSE Report Date (TW): 2012-06-17 --- Previous Report Date(LW): 2012-06-10 TW LW TITLE ARTIST GENRE RECORD LABEL 1 2 Titanium David Guetta Ft. Sia House EMI 2 1 Lick It Kaskade And Skrillex House Ultra Records 3 4 I Dont Like You Eva Simons House Interscope Records 4 5 Eternity Paul Van Dyk House Ultra Records 5 6 Shuri Shuri (lets Get Loco) Dj Denis Vs. R3hab Ft. Juan Magan, Lil Jon baby BashHouse Blanco y Negro Records 6 7 Wow Inna House Ultra Records 7 12 Chinatown Alex Gaudino House Magnificent Rec. 8 14 Naughty Girl Ida Corr House Lifted House 9 8 Cudi The Kid Steve Aoki Ft. Travis Barker House Ultra Records 10 10 I Wanna Feel It_2 (lyrics) Anayya Von Kitten- House Reign Entertainment 11 13 Que Pasa Gabry Ponte,djs From Mars,bellani & Spada House Exit 8 Media Grp. 12 15 Wind Me Up Liz Primo House 444 Records 13 16 Work That Ass (video Mix) Dj Enrie House MSD Entertainment 14 3 Eyes Wide Open Ft. Kate Elsworth Dirty South Thomas Gold House Axtone Records 15 9 Wicked Game Dj Lia Ft Nita House Kontor Records 16 11 Falling Out Of Love Edx Ft. Sarah Mcleod House Toolroom Records 17 You Should Know Ft. Donaeo Jack Beats House Deconstruction / Columbia Records 18 30 Days The Saturdays House Polydor Records 19 19 Cudi The Kid Steve Aoki Ft Kid Cudi And Travis Barker House Dim Mak Records 20 18 The Way We See The World Afrojack, Dimitri Vegas, Like Mike And Nervo House Spinnin Records 21 17 Wanna Dance Joan Reyes Ft. -
A-1 Layout 1
Deer Hunt S UBSCRIBE ONLINE AT Kids: Free Ticket ‘Til March 2 THEHERALDADVOCATE.COM To State Fair . Column 12A . Story 10A The Herald-Advocate Hardee County’s Hometown Coverage 114th Year, No. 10 3 Sections, 32 Pages 70¢ Plus 5¢ Sales Tax Thursday, February 6, 2014 Boyfriend Charged In Baby’s Murder By CYNTHIA KRAHL Wauchula, has been charged Attorney’s Office, jury members permanent disability or perma- Rivera, 22, the baby’s mother, A Hardee County Grand Jury with first-degree murder and ag- agreed there was sufficient nent disfigurement.” are currently being held in the has handed up a murder indict- gravated child abuse in the Nov. cause to charge Jaimes with cap- It further accused Jaimes of Hardee County Jail on other, but ment against the boyfriend of a 5 death of 15-month-old Joel ital-felony murder and first-de- causing such “trauma to the similar, charges. Both had been woman whose baby was pro- Jordan Chavez. gree-felony abuse. head and body” of the baby be- arrested on Nov. 6 on a felony nounced dead by an Emergency Grand jurors delivered the in- Their indictment alleges that tween Nov. 4 and Nov. 5 to count of child neglect after Room doctor. dictment on Friday. between Oct. 1 and Nov. 5, cause his death “from a premed- officers investigating Joel’s Hector Tavera Jaimes, 24, of After hearing testimony and Jaimes abused Joel to the point itated design.” death allegedly disco- 310 W. Townsend St., evidence presented by the State of causing “great bodily harm, Jaimes and Kaycha Lynn See MURDER 2A Brant BRAVE BEAUTIES Jaimes Avoids Man, 81, Prison Accused Of By CYNTHIA KRAHL Of The Herald-Advocate A former city commissioner and funeral director has avoided Attempted prison and been sentenced to a lengthy probation following charges he defrauded a number of clients. -
MUSIC NOTES: Exploring Music Listening Data As a Visual Representation of Self
MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall A thesis submitted in partial fulfillment of the requirements for the degree of: Master of Design University of Washington 2016 Committee: Kristine Matthews Karen Cheng Linda Norlen Program Authorized to Offer Degree: Art ©Copyright 2016 Chad Philip Hall University of Washington Abstract MUSIC NOTES: Exploring Music Listening Data as a Visual Representation of Self Chad Philip Hall Co-Chairs of the Supervisory Committee: Kristine Matthews, Associate Professor + Chair Division of Design, Visual Communication Design School of Art + Art History + Design Karen Cheng, Professor Division of Design, Visual Communication Design School of Art + Art History + Design Shelves of vinyl records and cassette tapes spark thoughts and mem ories at a quick glance. In the shift to digital formats, we lost physical artifacts but gained data as a rich, but often hidden artifact of our music listening. This project tracked and visualized the music listening habits of eight people over 30 days to explore how this data can serve as a visual representation of self and present new opportunities for reflection. 1 exploring music listening data as MUSIC NOTES a visual representation of self CHAD PHILIP HALL 2 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF: master of design university of washington 2016 COMMITTEE: kristine matthews karen cheng linda norlen PROGRAM AUTHORIZED TO OFFER DEGREE: school of art + art history + design, division -
Big Hits Karaoke Song Book
Big Hits Karaoke Songs by Artist Karaoke Shack Song Books Title DiscID Title DiscID 3OH!3 Angus & Julia Stone You're Gonna Love This BHK034-11 And The Boys BHK004-03 3OH!3 & Katy Perry Big Jet Plane BHKSFE02-07 Starstruck BHK001-08 Ariana Grande 3OH!3 & Kesha One Last Time BHK062-10 My First Kiss BHK010-01 Ariana Grande & Iggy Azalea 5 Seconds Of Summer Problem BHK053-02 Amnesia BHK055-06 Ariana Grande & Weeknd She Looks So Perfect BHK051-02 Love Me Harder BHK060-10 ABBA Ariana Grande & Zedd Waterloo BHKP001-04 Break Free BHK055-02 Absent Friends Armin Van Buuren I Don't Wanna Be With Nobody But You BHK000-02 This Is What It Feels Like BHK042-06 I Don't Wanna Be With Nobody But You BHKSFE01-02 Augie March AC-DC One Crowded Hour BHKSFE02-06 Long Way To The Top BHKP001-05 Avalanche City You Shook Me All Night Long BHPRC001-05 Love, Love, Love BHK018-13 Adam Lambert Avener Ghost Town BHK064-06 Fade Out Lines BHK060-09 If I Had You BHK010-04 Averil Lavinge Whataya Want From Me BHK007-06 Smile BHK018-03 Adele Avicii Hello BHK068-09 Addicted To You BHK049-06 Rolling In The Deep BHK018-07 Days, The BHK058-01 Rumour Has It BHK026-05 Hey Brother BHK047-06 Set Fire To The Rain BHK021-03 Nights, The BHK061-10 Skyfall BHK036-07 Waiting For Love BHK065-06 Someone Like You BHK017-09 Wake Me Up BHK044-02 Turning Tables BHK030-01 Avicii & Nicky Romero Afrojack & Eva Simons I Could Be The One BHK040-10 Take Over Control BHK016-08 Avril Lavigne Afrojack & Spree Wilson Alice (Underground) BHK006-04 Spark, The BHK049-11 Here's To Never Growing Up BHK042-09 -
The Nexus of Illegal Gold Mining Supply Chains Lessons from Latin America GOLD PRODUCTION Gold Is an Extremely Scarce Commodity
The Nexus of Illegal Gold Mining Supply Chains Lessons from Latin America GOLD PRODUCTION Gold is an extremely scarce commodity. The amount of gold swimming pools,1 and almost three-quarters of all of the world’s gold deposits have already been exhausted.2 Due to increasing the world now consumes more gold than ever before, leading to the production of 3,000 tons of gold per year, twice what was produced in 1970. The diminishing supply and increasing demand, combined with criminal and armed groups’ quest for new sources of illicit revenue, has contributed to a surge in illegal extraction of gold from increasingly remote and lawless regions.3 Introduction In-depth research carried out by Verité has found that Latin American countries export reputational risks for major companies with gold in their supply chains. The Global Initiative Against Transnational Organized Crime, with which Verité has been closely collaborating, recently released an in-depth report thoroughly documenting the close link between illegal gold mining and organized crime, which fuels violence, environmental damage, corruption, money Verité publications include a research report focusing on illegal gold mining in Colombia and Latin American countries, a white paper with detailed recommendations for companies and along with Canada other stakeholders to ensure that illegally mined gold does not (which is a major conduit enter into company supply chains and the vaults of central banks. for Latin American gold), constitute all top ten exporters of gold to the research carried out by Verité in Peru in 2012-2013 and in Colombia United States. in 2015, and desk research carried out across the Latin American region. -
Hard out Here: an Analysis of Sexual and Gender Minority (SGM) Status and the Odds of Participation in Risk Factors Known to Have Poor Health Outcomes Cristel Bender
Georgia State University ScholarWorks @ Georgia State University Public Health Theses School of Public Health Fall 1-20-2020 Hard Out Here: an Analysis of Sexual and Gender Minority (SGM) Status and the Odds of Participation in Risk Factors Known to Have Poor Health Outcomes Cristel Bender Follow this and additional works at: https://scholarworks.gsu.edu/iph_theses Recommended Citation Bender, Cristel, "Hard Out Here: an Analysis of Sexual and Gender Minority (SGM) Status and the Odds of Participation in Risk Factors Known to Have Poor Health Outcomes." Thesis, Georgia State University, 2020. https://scholarworks.gsu.edu/iph_theses/673 This Thesis is brought to you for free and open access by the School of Public Health at ScholarWorks @ Georgia State University. It has been accepted for inclusion in Public Health Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. i Hard Out Here: an Analysis of Sexual and Gender Minority (SGM) Status and the Odds of Participation in Risk Factors Known to Have Poor Health Outcomes by Cristel Rhiannon Bender Under the Direction of Eric Wright, PhD ABSTRACT Background: Research in the United States has found that individuals who identify as SGM have poor health outcomes when compared to their heterosexual counterparts and participate in more risk behaviors that have been linked to poor health. There are few cross-sectional studies that have included questions regarding SGM status. Using national surveillance data from the 2016 BRFSS, risk behavior participation and poor mental health identification will be compared to SGM status, with particular attention paid to women who have sex with women (WSW) in order to provide a more widespread and complete image of healthcare concerns for all SGM individuals. -
Homosexual’ from Conduct Code
SPECIAL baylorlariat com Ready for Halloween? Check out the All Hallow’s Eve special section for the Baylor Lariat Lariat’s coverage. WE’RE THERE WHEN YOU CAN’T BE Friday | October 25, 2013 StuGov: Nix ‘homosexual’ from conduct code By Shelby Leonard (2) the uniting and strengthening affect the environment for homo- Reporter of the marital bond in self-giving sexuals on campus. love. These purposed are to be Schertz senior Kimani Mitchell Student Senate passed the achieved through heterosexual re- said, in the favor of the bill, that Sexual Misconduct Code Non- lationships within marriage. Mis- the amendment clarifies the lan- Discrimination Act, a proposal to suses of God’s gift will be under- guage already present in the code reword Baylor’s Sexual Miscon- stood to include but not limit to, and removes discriminatory lan- duct Code, in the Student Senate sexual abuse, sexual harassment, guage. meeting Thursday. sexual assault, incest, adultery, for- “We are simply clarifying lan- The act proposed to remove the nication, and homosexual acts.” guage here,” Mitchell said. “In our phrase “homosexual acts” from the The vote followed an open fo- world we don’t always take words code and replace it with the phrase rum debate with alternating for semantically. They are taken with a “non-marital consensual deviate and against speakers. pragmatic view, which is the con- sexual intercourse.” Major points expressed by notation associated with the view. The most recent version of the those in favor of the bill were that This word is discriminating. Dis- Sexual Misconduct Code was es- the amendment was technical, not crimination contextually and cul- tablished on Jan. -
TUULETAR Tules, Maas, Vedes, Taivaal (Fire, Earth, Water, Sky) (Bafe's Factory)
TUULETAR Tules, Maas, Vedes, Taivaal (Fire, Earth, Water, Sky) (Bafe's Factory) Among the most promising pop vocal groups in Finland and Scandinavia today—the modern girl-group sound of Tuuletar comes alive on their much anticipated first album Tules, Maas, Vedes, Taivaal. The eight song CD was superbly recorded and produced at Liquid 5th studios based in North Carolina. Visiting and performing in New York on the way back to Finland, Tuuletar can't wait to bring their “Folk-Hop” sound — accapella vocals all sung in their native Finnish—to the attention of music fans World Wide. The skillful production by the Liquid 5th team shines a bright light on Tuuletar’s phenomenal pop vocal approach. For music listeners challenged by the unusual complexities of the Finnish language, Tuuletar’s album title translates to “Fire, Earth, Water, Sky”, with each group member representing a different element or sign. At the core of the Tuuletar sound are four accomplished singers—Sini Koskelainen, Piia Säilynoja, Johanna Kyykoski and the band’s human Beat-Boxer / singer Venla Ilona Blom. With Venla supplying the percussive beat-boxing sounds, and the impressive production of Liquid 5th putting on the sheen, Tuuletar’s vocal arrangements are fully realized on their CD debut. Commenting on the unique Tuuletar sound in the following interview, Sini Koskelainen tells mwe3.com, “Beat-boxing is a form of vocal percussion primarily involving the art of mimicking drum machines using one’s mouth, lips, tongue and voice. The folk-hop sound blends Finnish folk music with hip-hop, electronic music and world music.” The perfect showcase for their unique talents as a group, the debut Tuuletar album is filled with appealing vocal harmonies yet the music is also quite experimental sounding. -
To See the 2018 Pier Concert Preview Guide
2 TWILIGHTSANTAMONICA.ORG REASON 1 #1 in Transfers for 27 Years APPLY AT SMC.EDU SANTA MONICA COMMUNITY COLLEGE DISTRICT BOARD OF TRUSTEES Barry A. Snell, Chair; Dr. Margaret Quiñones-Perez, Vice Chair; Dr. Susan Aminoff; Dr. Nancy Greenstein; Dr. Louise Jaffe; Rob Rader; Dr. Andrew Walzer; Alexandria Boyd, Student Trustee; Dr. Kathryn E. Jeffery, Superintendent/President Santa Monica College | 1900 Pico Boulevard | Santa Monica, CA 90405 | smc.edu TWILIGHTSANTAMONICA.ORG 3 2018 TWILIGHT ON THE PIER SCHEDULE SEPT 05 LATIN WAVE ORQUESTA AKOKÁN Jarina De Marco Quitapenas Sister Mantos SEPT 12 AUSTRALIA ROCKS THE PIER BETTY WHO Touch Sensitive CXLOE TWILIGHT ON THE PIER Death Bells SEPT 19 WELCOMES THE WORLD ISLAND VIBES f you close your eyes, inhale the ocean Instagram feeds, and serves as a backdrop Because the event is limited to the land- JUDY MOWATT Ibreeze and listen, you’ll hear music in in Hollywood blockbusters. mark, police can better control crowds and Bokanté every moment on the Santa Monica Pier. By the end of last year, the concerts had for the first time check bags. Fans will still be There’s the percussion of rubber tires reached a turning point. City leaders grappled allowed to bring their own picnics and Twilight Steel Drums rolling over knotted wood slats, the plinking with an event that had become too popular for water bottles for the event. DJ Danny Holloway of plastic balls bouncing in the arcade and its own good. Police worried they couldn’t The themes include Latin Wave, Australia the song of seagulls signaling supper. -
Confessions of a Black Female Rapper: an Autoethnographic Study on Navigating Selfhood and the Music Industry
Georgia State University ScholarWorks @ Georgia State University African-American Studies Theses Department of African-American Studies 5-8-2020 Confessions Of A Black Female Rapper: An Autoethnographic Study On Navigating Selfhood And The Music Industry Chinwe Salisa Maponya-Cook Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/aas_theses Recommended Citation Maponya-Cook, Chinwe Salisa, "Confessions Of A Black Female Rapper: An Autoethnographic Study On Navigating Selfhood And The Music Industry." Thesis, Georgia State University, 2020. https://scholarworks.gsu.edu/aas_theses/66 This Thesis is brought to you for free and open access by the Department of African-American Studies at ScholarWorks @ Georgia State University. It has been accepted for inclusion in African-American Studies Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. CONFESSIONS OF A BLACK FEMALE RAPPER: AN AUTOETHNOGRAPHIC STUDY ON NAVIGATING SELFHOOD AND THE MUSIC INDUSTRY by CHINWE MAPONYA-COOK Under the DireCtion of Jonathan Gayles, PhD ABSTRACT The following research explores the ways in whiCh a BlaCk female rapper navigates her selfhood and traditional expeCtations of the musiC industry. By examining four overarching themes in the literature review - Hip-Hop, raCe, gender and agency - the author used observations of prominent BlaCk female rappers spanning over five deCades, as well as personal experiences, to detail an autoethnographiC aCCount of self-development alongside pursuing a musiC career. MethodologiCally, the author wrote journal entries to detail her experiences, as well as wrote and performed an aCCompanying original mixtape entitled The Thesis (available on all streaming platforms), as a creative addition to the research. -
Why Hip-Hop Is Queer: Using Queer Theory to Examine Identity Formation in Rap Music
Why Hip-Hop is Queer: Using Queer Theory to Examine Identity Formation in Rap Music Silvia Maria Galis-Menendez Advisor: Dr. Irene Mata Submitted in Partial Fulfillment of the Prerequisite for Honors in the Department of Women’s and Gender Studies May 2013 © Silvia Maria Galis-Menendez 2 Table of Contents Introduction 3 “These Are the Breaks:” Flow, Layering, Rupture, and the History of Hip-Hop 6 Hip-Hop Identity Interventions and My Project 12 “When Hip-Hop Lost Its Way, He Added a Fifth Element – Knowledge” 18 Chapter 1. “Baby I Ride with My Mic in My Bra:” Nicki Minaj, Azealia Banks and the Black Female Body as Resistance 23 “Super Bass:” Black Sexual Politics and Romantic Relationships in the Works of Nicki Minaj and Azealia Banks 28 “Hey, I’m the Liquorice Bitch:” Challenging Dominant Representations of the Black Female Body 39 Fierce: Affirmation and Appropriation of Queer Black and Latin@ Cultures 43 Chapter 2. “Vamo a Vence:” Las Krudas, Feminist Activism, and Hip-Hop Identities across Borders 50 El Hip-Hop Cubano 53 Las Krudas and Queer Cuban Feminist Activism 57 Chapter 3. Coming Out and Keepin’ It Real: Frank Ocean, Big Freedia, and Hip- Hop Performances 69 Big Freedia, Queen Diva: Twerking, Positionality, and Challenging the Gaze 79 Conclusion 88 Bibliography 95 3 Introduction In 1987 Onika Tanya Maraj immigrated to Queens, New York City from her native Trinidad and Tobago with her family. Maraj attended a performing arts high school in New York City and pursued an acting career. In addition to acting, Maraj had an interest in singing and rapping. -
Sandbox MUSIC MARKETING for the DIGITAL ERA Issue 98 | 4Th December 2013
Sandbox MUSIC MARKETING FOR THE DIGITAL ERA Issue 98 | 4th December 2013 Nordic lights: digital marketing in the streaming age INSIDE… Campaign Focus Sweden and Norway are bucking PAGE 5 : the trend by dramatically Interactive video special >> growing their recorded music Campaigns incomes and by doing so PAGE 6 : through streaming. In countries The latest projects from the where downloading is now a digital marketing arena >> digital niche, this has enormous implications for how music Tools will be marketed. It is no longer PAGE 7: about focusing eff orts for a few RebelMouse >> weeks either side of a release but Behind the Campaign rather playing the long game and PAGES 8 - 10: seeing promotion as something Primal Scream >> that must remain constant rather Charts than lurch in peaks and troughs. The Nordics are showing not just PAGE 11: where digital marketing has had Digital charts >> to change but also why other countries need to be paying very close attention. Issue 98 | 4th December 2013 | Page 2 continued… In 2013, alongside ABBA, black metal and OK; they still get gold- and platinum-certiied CEO of Sweden’s X5 Music latpack furniture, Sweden is now also singles and albums based on streaming Group, explains. “The known internationally for music streaming. revenues [adjusted].” marketing is substantially It’s not just that Spotify is headquartered di erent as you get paid in Stockholm; streaming has also famously Streaming is changing entirely the when people listen, not when turned around the fortunes of the Swedish marketing narrative they buy. You get as much recorded music industry.