BAM and Barclays Center Present Contemporary Color, Conceived by David Byrne
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2018 BAM Next Wave Festival #Bamnextwave
2018 BAM Next Wave Festival #BAMNextWave Brooklyn Academy of Music Adam E. Max, Katy Clark, Chairman of the Board President William I. Campbell, Joseph V. Melillo, Vice Chairman of the Board Executive Producer Place BAM Harvey Theater Oct 11—13 at 7:30pm; Oct 13 at 2pm Running time: approx. one hour 15 minutes, no intermission Created by Ted Hearne, Patricia McGregor, and Saul Williams Music by Ted Hearne Libretto by Saul Williams and Ted Hearne Directed by Patricia McGregor Conducted by Ted Hearne Scenic design by Tim Brown and Sanford Biggers Video design by Tim Brown Lighting design by Pablo Santiago Costume design by Rachel Myers and E.B. Brooks Sound design by Jody Elff Assistant director Jennifer Newman Co-produced by Beth Morrison Projects and LA Phil Season Sponsor: Leadership support for music programs at BAM provided by the Baisley Powell Elebash Fund Major support for Place provided by Agnes Gund Place FEATURING Steven Bradshaw Sophia Byrd Josephine Lee Isaiah Robinson Sol Ruiz Ayanna Woods INSTRUMENTAL ENSEMBLE Rachel Drehmann French Horn Diana Wade Viola Jacob Garchik Trombone Nathan Schram Viola Matt Wright Trombone Erin Wight Viola Clara Warnaar Percussion Ashley Bathgate Cello Ron Wiltrout Drum Set Melody Giron Cello Taylor Levine Electric Guitar John Popham Cello Braylon Lacy Electric Bass Eileen Mack Bass Clarinet/Clarinet RC Williams Keyboard Christa Van Alstine Bass Clarinet/Contrabass Philip White Electronics Clarinet James Johnston Rehearsal pianist Gareth Flowers Trumpet ADDITIONAL PRODUCTION CREDITS Carolina Ortiz Herrera Lighting Associate Lindsey Turteltaub Stage Manager Shayna Penn Assistant Stage Manager Co-commissioned by the Los Angeles Phil, Beth Morrison Projects, Barbican Centre, Lynn Loacker and Elizabeth & Justus Schlichting with additional commissioning support from Sue Bienkowski, Nancy & Barry Sanders, and the Francis Goelet Charitable Lead Trusts. -
A Life in Stasis: New Album Reviews
A Life In Stasis: New Album Reviews Music | Bittles’ Magazine: The music column from the end of the world With the Olympics failing to inspire, it can seem as if the only way to spend the long summer months is by playing endless rounds of tiddlywinks, or consuming copious amounts of Jammy Dodgers. But, that doesn’t have to be the case. There is a better way! For instance, you can take up ant farming, as my good friend Jeffrey has recently done, or immerse yourself in the wealth of fantastic new music which has recently come out. Personally, I would recommend the latter. By JOHN BITTLES In the following column we review some of the best new albums hitting the shelves over the coming weeks. We have the shadowy electronica of Pye Corner Audio, pop introspection by Angel Olsen, the post dubstep blues of Zomby, some sleek house from Komapkt, Kornél Kovács and Foans, the experimental genius of Gudrun Gut and Momus, and lots more. So, before someone starts chucking javelins in my direction, we had better begin… Back in 2012 Sleep Games by Pye Corner Audio quickly established itself as one of the most engaging and enthralling albums of modern times. On the record, ghostly electroncia, John Carpenter style synths, and epic, ambient soundscapes converged to create a body of work which still sounds awe-inspiringly beautiful today. After the melancholy acid of his Head Technician reissue last month, Martin Jenkins returns to his Pye Corner Audio alias late August with the haunted landscapes of the Stasis LP. -
Montclair State University Digital Commons Field
Montclair State University Montclair State University Digital Commons 2018-2019 Borders and Boundaries PEAK Performances Programming History 10-18-2018 Field Office of Arts + Cultural Programming PEAK Performances at Montclair State University Follow this and additional works at: https://digitalcommons.montclair.edu/peak-performances-2018-2019 Part of the Theatre and Performance Studies Commons World Premiere! Liz Gerring Dance Company Field Photo by Rodrigo Vazquez Photo by Rodrigo October 18-21, 2018 Alexander Kasser Theater Dr. Susan A. Cole, President Daniel Gurskis, Dean, College of the Arts Jedediah Wheeler, Executive Director, Arts + Cultural Programming World Premiere! Liz Gerring Dance Company Field Choreographed by Liz Gerring Original Music Composed by Michael J. Schumacher Production Design by Robert Wierzel Associate Lighting Designer/Company Production Manager Amith A. Chandrashakar Assistant Lighting Designer Abigail Hoke-Brady Stage Manager Stephanie Byrnes-Harrell Rehearsal Assistants Brandon Collwes, Claire Westby Company Manager Elizabeth DeMent Dancers Brandon Collwes, Joseph Giordano, Forrest Hersey, Julia Jurgilewicz, Jamie Scott, Thomas Welsh-Huggins, Claire Westby Liz Gerring Dance Company is a program of TonalMotion Inc., a 501(c)3 nonprofit corporation. lizgerringdance.org Co-produced by Peak Performances @ Montclair State (NJ). Field was developed in residence at the Alexander Kasser Theater, Montclair State University, Montclair, NJ. Additional funding provided by Kirk Radke. Duration: 1 hour, no intermission. In consideration of both audiences and performers, please turn off all electronic devices. The taking of photographs or videos and the use of recording equipment are not permitted. No food or drink is permitted in the theater. Program Notes Field is the third work by Liz Gerring in the trilogy of large-scale proscenium works commissioned by Peak Performances at Montclair State University. -
L the Charlatans UK the Charlatans UK Vs. the Chemical Brothers
These titles will be released on the dates stated below at physical record stores in the US. The RSD website does NOT sell them. Key: E = Exclusive Release L = Limited Run / Regional Focus Release F = RSD First Release THESE RELEASES WILL BE AVAILABLE AUGUST 29TH ARTIST TITLE LABEL FORMAT QTY Sounds Like A Melody (Grant & Kelly E Alphaville Rhino Atlantic 12" Vinyl 3500 Remix by Blank & Jones x Gold & Lloyd) F America Heritage II: Demos Omnivore RecordingsLP 1700 E And Also The Trees And Also The Trees Terror Vision Records2 x LP 2000 E Archers of Loaf "Raleigh Days"/"Street Fighting Man" Merge Records 7" Vinyl 1200 L August Burns Red Bones Fearless 7" Vinyl 1000 F Buju Banton Trust & Steppa Roc Nation 10" Vinyl 2500 E Bastille All This Bad Blood Capitol 2 x LP 1500 E Black Keys Let's Rock (45 RPM Edition) Nonesuch 2 x LP 5000 They's A Person Of The World (featuring L Black Lips Fire Records 7" Vinyl 750 Kesha) F Black Crowes Lions eOne Music 2 x LP 3000 F Tommy Bolin Tommy Bolin Lives! Friday Music EP 1000 F Bone Thugs-N-Harmony Creepin' On Ah Come Up Ruthless RecordsLP 3000 E David Bowie ChangesNowBowie Parlophone LP E David Bowie ChangesNowBowie Parlophone CD E David Bowie I’m Only Dancing (The Soul Tour 74) Parlophone 2 x LP E David Bowie I’m Only Dancing (The Soul Tour 74) Parlophone CD E Marion Brown Porto Novo ORG Music LP 1500 F Nicole Bus Live in NYC Roc Nation LP 2500 E Canned Heat/John Lee Hooker Hooker 'N Heat Culture Factory2 x LP 2000 F Ron Carter Foursight: Stockholm IN+OUT Records2 x LP 650 F Ted Cassidy The Lurch Jackpot Records7" Vinyl 1000 The Charlatans UK vs. -
BAM and Barclays Center Present Contemporary Color, Conceived by David Byrne
BAM and Barclays Center present Contemporary Color, Conceived by David Byrne David Byrne, Nelly Furtado, How to Dress Well, Devonté Hynes, Kelis, Nico Muhly + Ira Glass, St. Vincent, tUnE-yArDs and ten color guard teams from North America all perform LIVE Contemporary Color marks BAM’s first production partnership with Barclays Center, a historic pairing of performing arts institution and major arena June 27 & 28 at Barclays Center for BAM 2015 Winter/Spring Season June 22 & 23 at Toronto’s Air Canada Centre for Luminato Festival Bloomberg Philanthropies is the 2014/2015 Season Sponsor BAM and Barclays Center Present Contemporary Color Conceived by David Byrne Barclays Center (620 Atlantic Ave) Jun 27 & 28 at 7:30PM Tickets start at $25 On sale Jan 28 to general public (Jan 21 to Friends of BAM) Brooklyn, NY/Jan 21, 2015— BAM and Barclays Center present Contemporary Color, a performance event created by music icon David Byrne, co-commissioned by BAM and Toronto’s Luminato Festival, and inspired by the high school phenomenon of color guard, known as “the sport of the arts.” Ten 20-40 person color guard teams from the US and Canada will perform at Brooklyn’s Barclays Center and Toronto’s Air Canada Centre, alongside an extraordinary array of musical talent performing live. Contemporary Color is the artistic culmination of Byrne’s interest in color guard as a piece of Americana and a competitive art form. When Byrne agreed to lend a composition to a high school performance team back in 2008, he knew little about the color guard phenomenon, which is wildly popular in high schools across the North American continent. -
Andrew WK Lets Absurdism Flow at Largo | Pop & Hiss
Live review: Andrew W.K. lets absurdism flow at Largo | Pop ... http://latimesblogs.latimes.com/music_blog/2009/10/live-revie... Like 72K Subscribe/Manage Account Place Ad LAT Store Jobs Cars Real Estate Rentals Classifieds Custom Publishing ENTERTAINMENT LOCAL U.S. WORLD BUSINESS SPORTS ENTERTAINMENT HEALTH LIVING TRAVEL OPINION DEALS Weekly Ad MOVIES TELEVISION MUSIC CELEBRITY ARTS & CULTURE COMPANY TOWN CALENDAR THE ENVELOPE FINDLOCAL IN THE NEWS: JUSTIN BIEBER 'CELEBRITY APPRENTICE' DAVID SCHWIMMER 'GAME OF THRONES' PRINCESS BEATRICE Search Pop & Hiss L.A. Times on Facebook Like 72K THE L.A. TIMES MUSIC BLOG Supreme Court orders California to release tens of thousands of prison inmates « Previous Post | Pop & Hiss Home | Next Post » 16,402 people shared this. In Joplin, there was no time to Live review: Andrew W.K. lets absurdism flow at Largo prepare 459 people shared this. October 9, 2009 | 3:28 pm (0) (2) Comments (0) Senate votes to extend Patriot Act 313 people shared this. advertisement Stay connected: About the Bloggers The musician lets his avant-garde tendencies soar with the Calder Quartet. Chris Barton Andrew W.K. had just finished a piano-and-string-quartet version of his pop-metal hit "Party Hard" August Brown on Thursday night when a young man from the audience bum-rushed the stage at Largo at the Gerrick Kennedy Coronet. There he stood, seemingly waiting for another of W.K.'s jubilant rockers like "Party Til You Randy Lewis Puke" or "It's Time to Party." Todd Martens Ann Powers Instead, W.K. (whose given last name is Wilkes-Krier) and the renowned chamber group the Calder Randall Roberts Quartet opted to play two versions of John Cage's entirely silent composition "4:33." Margaret Wappler It made for a bit of a transcendently awkward moment for the enthusiastic fan, who rifled in his pockets and looked genuinely confused at this turn of events. -
David Byrne Love This Giant Mp3, Flac, Wma
David Byrne Love This Giant mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Rock / Funk / Soul / Pop Album: Love This Giant Country: Taiwan Released: 2012 Style: Alternative Rock, Experimental, Indie Rock MP3 version RAR size: 1187 mb FLAC version RAR size: 1716 mb WMA version RAR size: 1988 mb Rating: 4.7 Votes: 486 Other Formats: AHX DXD MMF MP1 DMF DTS MIDI Tracklist Hide Credits 1 Who 3:49 2 Weekend In The Dust 3:07 3 Dinner For Two 3:42 4 Ice Age 3:13 5 I Am An Ape 3:05 6 The Forest Awakes 4:52 7 I Should Watch T.V. 3:08 8 Lazarus 3:13 9 Optimist 3:49 10 Lightning 4:15 The One Who Broke Your Heart 11 3:46 Featuring – Antibalas, The Dap-Kings 12 Outside Of Space And Time 4:18 Companies, etc. Phonographic Copyright (p) – Todo Mundo Copyright (c) – Todo Mundo Licensed To – 4AD Credits Bass – Paul Frazier (tracks: 1, 12) Bass [Synth] – Annie Clark (tracks: 4, 5, 7, 10) Brass [Arrangements] – Kelly Pratt (tracks: 3), Ken Thompson (tracks: 6), Tony Finno (tracks: 1, 4, 5, 6, 7, 8, 9, 10, 11, 12) Brass [Arrangements], Brass [Contracted], Saxophone – Lenny Pickett (tracks: 2) Brass [Contracted] – Alex Kadvan (tracks: 11), Garo Yellin (tracks: 1, 3, 4, 5, 6, 7, 8, 9, 10, 12) Clarinet – Evan Smith (tracks: 1, 5), Jack Bashkow (tracks: 9), Steve Elson (tracks: 9), Tom Timko (tracks: 9) Co-producer, Drum Programming – John Congleton Co-producer, Mixed By, Recorded By – Patrick Dillett Cover [Back Type Design] – Philip Laslett Cover [Photo] – Richard Burbridge Cover [Type Design] – Steve Powers Drums – Anthony LaMarca (tracks: 1) Engineer [Additional] – Jon Altschuler, Yuki Takahashi Euphonium – Kenneth Finn (tracks: 3), Tom Hutchinson (tracks: 3) French Horn – Chris Komer (tracks: 1, 3, 4, 5, 7, 9, 10, 12), Eric Davis (tracks: 1, 3, 4, 5, 6, 7, 8, 9, 10, 12), Jacquelyn Adams (tracks: 1, 4, 5, 7, 10, 12), Lawrence Di Bello (tracks: 6), Patrick Milando (tracks: 6), R.J. -
The Fantastic Butterfly Collectors
This is a peer-reviewed, post-print (final draft post-refereeing) version of the following published document and is licensed under All Rights Reserved license: Gardner, Abigail S ORCID: 0000-0003-2994-741X and Moorey, Gerard (2016) Raiders of the Lost Archives. Popular Communication, 14 (3). pp. 169-177. doi:10.1080/15405702.2016.1193181 Official URL: http://www.tandfonline.com/doi/full/10.1080/15405702.2016.1193181 DOI: http://dx.doi.org/10.1080/15405702.2016.1193181 EPrint URI: http://eprints.glos.ac.uk/id/eprint/3540 Disclaimer The University of Gloucestershire has obtained warranties from all depositors as to their title in the material deposited and as to their right to deposit such material. The University of Gloucestershire makes no representation or warranties of commercial utility, title, or fitness for a particular purpose or any other warranty, express or implied in respect of any material deposited. The University of Gloucestershire makes no representation that the use of the materials will not infringe any patent, copyright, trademark or other property or proprietary rights. The University of Gloucestershire accepts no liability for any infringement of intellectual property rights in any material deposited but will remove such material from public view pending investigation in the event of an allegation of any such infringement. PLEASE SCROLL DOWN FOR TEXT. Raiders of the Lost Archives Abstract Fantastic Man (2014) and Searching for Sugar Man (2012) mobilize tropes of discovery occurring in the filmed process of collecting and curating the work and identities of two reluctant, elusive and resistive figures. They are part of a discourse of collectability which is marked by the urge to discover and to narrate a “quest” that has its precedents in record collecting as obsessive cultural practice (Straw, 1997; Shuker, 2012), and in the fetishizing of obscurity (Thornton, 1995; Hesmondhalgh, 1997). -
WAB Wisconsin Arts News
July 3, 2018 In The News | When You Go | Opportunities | Subscribe/Unsubscribe Please “like” the Arts Board on Facebook and follow us on Twitter. The Wisconsin Arts News is taking an extended Independence Day break, and will return on Monday, July 9. QUOTE(S) OF THE DAY “If the freedom of speech is taken away then dumb and silent we may be led, like sheep to the slaughter.” – George Washington “I like the dreams of the future better than the history of the past.” – Thomas Jefferson “I must study politics and war that my sons may have liberty to study mathematics and philosophy. My sons ought to study mathematics and philosophy, geography, natural history, naval architecture, navigation, commerce, and agriculture, in order to give their children a right to study painting, poetry, music, architecture, statuary, tapestry, and porcelain.” – John Adams “My dream is of a place and a time where America will once again be seen as the last best hope of earth.” – Abraham Lincoln “We are all born ignorant, but one must work hard to remain stupid.” – Benjamin Franklin VIDEO(S) OF THE DAY SOUSA The Stars and Stripes Forever "The President's Own" U.S. Marine Band Who Won the American Revolution | Crash Course US History #7 Social Studies | Video | PBS LearningMedia This Musician’s Songs Give Powerful Voice to a Language in Crisis At the Smithsonian | Smithsonian Wisconsin artists and arts organizations, do you have video that you’d like us to consider sharing as the Wisconsin Arts News Video of the Day? Send the link to [email protected]! TOP WISCONSIN NEWS FROM THE WISCONSIN ARTS BOARD NEW NCN Articles of Interest | June 29, 2018 National Creativity Network NEW Wisconsin Receives National Honor for Frank Lloyd Wright Trail The Power of Wisconsin Tourism | TravelWisconsin.com NEW Job Opportunity | ArtSpace Gallery Coordinator Racine Arts Council Until Filled Job Opening – Executive Director The Art Garage, Green Bay Until Filled Associate Academy Director/Director of Next Steps First Stage Until Filled NEW Help Us Help Others. -
BAM and Barclays Center Present Contemporary Color, Conceived by David Byrne
BAM and Barclays Center present Contemporary Color, Conceived by David Byrne David Byrne, Nelly Furtado, How to Dress Well, Devonté Hynes, Lucius, Money Mark + Ad-Rock, Nico Muhly + Ira Glass, St. Vincent, tUnE-yArDs, Zola Jesus, and ten color guard teams from North America all perform LIVE Art Direction & Design by Doyle Partners; photo by Julieta Cervantes Contemporary Color marks BAM’s first production partnership with Barclays Center, a historic pairing of performing arts institution and major arena June 27 & 28 at Barclays Center for BAM 2015 Winter/Spring Season June 22 & 23 at Toronto’s Air Canada Centre for Luminato Festival Bloomberg Philanthropies is the 2014/2015 Season Sponsor BAM and Barclays Center Present Contemporary Color Conceived by David Byrne Barclays Center (620 Atlantic Ave) Jun 27 & 28 at 7:30PM Tickets start at $25 On sale Jan 28 to general public (Jan 21 to Friends of BAM) Brooklyn, NY/updated May 14, 2015— BAM and Barclays Center present Contemporary Color, a performance event created by music icon David Byrne, co-commissioned by BAM and Toronto’s Luminato Festival, and inspired by the high school phenomenon of color guard, known as “the sport of the arts.” Ten 20-40 person color guard teams from the US and Canada will perform at Brooklyn’s Barclays Center and Toronto’s Air Canada Centre, alongside an extraordinary array of musical talent performing live. Artist and team parings can be found below. Contemporary Color is the artistic culmination of Byrne’s interest in color guard as a piece of Americana and a competitive art form. -
Of Producing Popular Music
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 6-26-2019 1:00 PM The Elements of Production: Myth, Gender, and the "Fundamental Task" of Producing Popular Music Lydia Wilton The University of Western Ontario Supervisor Coates, Norma. The University of Western Ontario Graduate Program in Popular Music and Culture A thesis submitted in partial fulfillment of the equirr ements for the degree in Master of Music © Lydia Wilton 2019 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Musicology Commons Recommended Citation Wilton, Lydia, "The Elements of Production: Myth, Gender, and the "Fundamental Task" of Producing Popular Music" (2019). Electronic Thesis and Dissertation Repository. 6350. https://ir.lib.uwo.ca/etd/6350 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. Abstract Using Antoine Hennion’s “anti-musicology”, this research project proposes a methodology for studying music production that empowers production choices as the primary analytical tool. It employs this methodology to analyze Kesha’s Rainbow, Janelle Monáe’s Dirty Computer, and St. Vincent’s Masseduction according to four, encompassing groups of production elements: musical elements, lyrical elements, personal elements, and narrative elements. All three albums were critical and commercial successes, and analyzing their respective choices offers valuable insight into the practice of successful producers that could not necessarily be captured by methodologies traditionally used for studying production, such as the interview. -
Bright Moments and the Camas High School Choir Push Musical Boundaries in Upcoming Performance
DATE: March 21, 2018 CONTACT: Ryn McCoy, [email protected] Bright Moments and the Camas High School Choir Push Musical Boundaries in Upcoming Performance Bright Moments and the Camas High School Choir Friday, April 13 Doors 6:30pm / Show 7:00pm Portland Institute for Contemporary Art (PICA) 15 NE Hancock St, Portland $10 advance, $12 at the door Tickets at http://bit.ly/2IuBu5F On Friday, April 13, join Bright Moments and the Camas High School Choir for an unforgettable concert that explores the exponential advancement of human technology and the notion of human progress. This concert is a collaboration of the Camas High School Choir under the direction of Ethan Chessin, indie-rock musician and composer Kelly Pratt, and arts education nonprofit Young Audiences of Oregon & SW Washington. Building on the success of a composer-in-residence partnership that Young Audiences fostered two years ago between experimental art-pop band AU and the Camas High School Choir, Pratt has been working with Chessin and his students this school year to create an original, hour-long performance for a rock band, horns and 200 high school singers. The choir will be performing new music composed by Bright Moments, Pratt’s solo project, specifically for this collaboration. The concert blends together a wide array of styles and genres — from afrobeat to metal to more traditional choral music — into a compelling intergenerational musical experience. In addition to Pratt, the high school singers and brass players will be joined by pillars of the local professional music community Dana Buoy, Lorna Krier and Justin Miller.