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ENTRE EPÍGONOS Y AUTOINSPECCIÓN Actas Del II Congreso Andino De Estudios Sobre Dante Alighieri

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ENTRE EPÍGONOS Y AUTOINSPECCIÓN Actas Del II Congreso Andino De Estudios Sobre Dante Alighieri ENTRE EPÍGONOS Y AUTOINSPECCIÓN Actas del II Congreso Andino de Estudios sobre Dante Alighieri 22-24 de octubre de 2018 Patrizia Di Patre Editora ENTRE EPÍGONOS Y AUTOINSPECCIÓN Actas del II Congreso Andino de Estudios sobre Dante Alighieri 22-24 de octubre de 2018 © 2020 Rino Caputo, Roberto González Echevarría, Paolo Cherchi, Emilia Perassi, Vincenzo Vespri, Patrizia Di Patre, Rosario de Fátima A’Lmea Suárez, Carlos Aulestia, César Eduardo Carrión, David Chamorro Espinosa, S.J., Esteban Crespo, Ana Estrella Santos, Francesco Ferrari, Valentina Virdis. © 2020 Pontificia Universidad Católica del Ecuador Centro de Publicaciones Quito, Av. 12 de Octubre y Robles Apartado n.º 17-01-2184 Telf: (593) (02) 2991 700, ext. 1711 [email protected] Pontificia Universidad Católica del Ecuador Dr. Fernando Ponce León, S. J. Rector Dr. Fernando Barredo Heinert, S. J. Vicerrector Mtr. Paulina Barahona Directora General Académica Verónica Yépez Reyes, PhD Decana de la Facultad de Comunicación y Linguística Mtr. Santiago Vizcaíno Director del Centro de Publicaciones Comité Científico Rino Caputo (Università di Roma “Tor Vergata”) César Eduardo Carrión (PUCE) Paolo Cherchi (University of Chicago) Patrizia Di Patre (PUCE) Roberto González Echevarría (University of Yale) Giuseppe Mazzotta (University of Yale) Emilia Perassi (Università di Milano) Vincenzo Vespri (Università di Firenze). Foto portada: Interior de la Iglesia de San Francisco en Quito Diseño y portada: Rosa Calahorrano ISBN: 978-9978-77-493-9 ÍNDICE AGRADECIMIENTOS ................................................................... 9 INTRODUCCIÓN............................................................................. 11 I SECCIÓN CONFERENCIAS MAGISTRALES PURGATORIO XVII LA PACE COME CENTRO E CERCHIO Rino Caputo Università di Roma “Tor Vergata” ................................................. 35 PURGATORIO XVII LA PAZ COMO CENTRO Y CÍRCULO Rino Caputo Universidad de Roma “Tor Vergata” ............................................. 43 DANTE Y CERVANTES: PURGATORIO XXX y DON QUIJOTE II, 35 Roberto González Echevarría University of Yale .............................................................................. 49 DANTE EN RUBÉN DARÍO Y BORGES Paolo Cherchi University of Chicago ....................................................................... 71 5 APROPIACIONES DANTESCAS EN LA LITERATURA LATINOAMERICANA CONTEMPORÁNEA Emilia Perassi Università di Milano ......................................................................... 105 LA GEOMETRIA DELL’UNIVERSO DANTESCO Vincenzo Vespri Università di Firenze ......................................................................... 127 IL CURSUS NELL’EPISTOLA XIII Patrizia Di Patre Pontificia Universidad Católica del Ecuador ............................... 157 II SECCIÓN PONENCIAS LA FIGURA FEMENINA DE BEATRIZ REVIVIDA EN LA “MUJER ESTRELLA” DE JOSÉ MARTÍ Rosario de Fátima A’Lmea Suárez Pontificia Universidad Católica del Ecuador ............................... 169 INFLUENCIAS Y PARALELISMOS DEL DOLCE STIL NOVO EN LA POESÍA DE MEDARDO ÁNGEL SILVA Carlos Aulestia Pontificia Universidad Católica del Ecuador ............................... 189 UNA GLOSA DEL INFIERNO. FRANCISCO SALAZAR, EL HOMBRE DE LAS RUINAS César Eduardo Carrión Pontificia Universidad Católica del Ecuador ............................... 207 6 DANTE Y BONIFACIO VIII David Chamorro Espinosa, S.J. Pontificia Universidad Católica del Ecuador ............................... 217 ALEJO CARPENTIER RECUERDA A DANTE: HETERODOXIA E INNOVACIÓN Esteban Crespo University of Yale .............................................................................. 239 EL PROBLEMA DEL CURSUS DANTESCO (y la necesidad de un análisis funcional) Patrizia Di Patre Pontificia Universidad Católica del Ecuador ............................... 257 EL ADJETIVO ‘DANTESCO’ Ana Estrella Santos Pontificia Universidad Católica del Ecuador ............................... 269 “¡Dante es nuestro!”. DANTE Y LOS CATÓLICOS ITALIANOS DESDE EL RESURGIMIENTO HASTA EL PONTIFICADO DE PABLO VI (1870-1978) Francesco Ferrari Universidad Católica de Colombia ................................................ 289 LUGARES DE CERDEÑA EN LA DIVINA COMEDIA Valentina Virdis Pontificia Universidad Católica del Ecuador .............................. 317 7 8 AGRADECIMIENTOS El II Congreso Andino de Estudios sobre Dante Alighieri es un proyecto de la Pontificia Universidad Católica del Ecuador. Al Magnífico Rector de la Institución, Dr. Fernando Ponce León, y a su Vicerrector, Dr. Fernando Barredo, dirigimos en primer lugar un cálido agradecimiento, por su apoyo y el ambiente tan propicio a los altos estudios que, gracias a una fuerte proyec- ción internacional, han sabido crear en beneficio de la academia ecuatoriana. El más amplio reconocimiento se debe al Dr. César Eduardo Carrión, decano de la Facultad de Comunicación, Lingüística y Literatura en el período 2016-2019, por su labor poliédrica desde la formulación del proyecto hasta su cumplida realiza- ción. Agradezco la invaluable colaboración del Dr. Vicente Ro- balino y del Dr. Carlos Aulestia, subdecano de la Facultad; la participación de la Dra. Ana Estrella, directora de la Escuela de Lengua y Literatura, en cuyo ámbito se organizó el even- to, y a los docentes de la Sección de Italiano, en especial a su coordinadora Elena Galarza, por su preciada cooperación. Un especial reconocimiento también a la Lcda. Cecilia Vaca Pavón, supervisora de la logística y activísima colaboradora en las fa- ses previas a la ejecución del congreso. El evento contó con el ilustre patrocinio del Excelentísimo Sr. Embajador de Italia en el Ecuador, Dr. Marco Filippo Tornetta, 9 en cuya preciada colaboración y presencia activa no cesaremos nunca de pensar con gratitud. Agradecemos asimismo el apor- te y cooperación de los COM. IT. ES italianos en el Ecuador, en la persona de su presidente Salvatore Foti, y de la Società Dante Alighieri, sede Quito: de modo especial a su presidente Fabio Fusi. Y un agradecimiento sincero a todas las entidades que nos apo- yaron también financieramente, a la Asociación de Profesores PUCE, a las Damas Italianas, la industria piolera Ponte Selva, la Casa d’Italia Quito. Entre las colegas de la sección de Italia- no no puedo dejar de mencionar a la distinguida amiga Lorena Cobo de Giacometti, por su invaluable aporte. A los ilustres integrantes del Comité científico, a los conferen- cistas invitados y nacionales, a los estudiantes de la PUCE, con su revitalizador entusiasmo (un agradecimiento especial a Ig- nacio Alvarado, quien realizó las grabaciones), el homenaje de estas páginas, como el más alto reconocimiento a su brillante aporte. 10 INTRODUCCIÓN Acontece algo único con Dante: por más variada que se muestre la tipología de un estudio dedicado a él, e independientemente del número de aportaciones, siempre encontraremos conver- gencias significativas en alguna de sus múltiples instancias; de modo que al esfuerzo integrador sucede la hipótesis documen- tal, una mera declaración de compatibilidad, responsable tanto de la coherencia argumentativa como de la amplitud referen- cial. Cuanto más heterogéneo el estudio crítico sobre Dante, en suma, tanto más confiables serán los resultados, o mayor su poder de representatividad, de adhesión, en primer lugar, semántica. En el volumen colectivo que presentamos a continuación esta tendencia emerge de la susceptibilidad al diálogo entre los dis- tintos aportes, algo que exime de una intervención directa por parte del observador. Atendiendo a esta razón interna, estable- ceremos como único criterio ordenador la sucesión temporal de los textos que ocuparon el espacio destinado a las conferencias magistrales (I sección del volumen); mientras que las charlas de menor extensión (II sección) se colocarán en el orden alfa- bético impuesto por los apellidos autorales. “La paz como centro y círculo”: el canto XVII del Purgatorio, dedicado a este tema capital en la economía de la construc- ción dantesca, se impone a nuestra atención en las páginas de 11 la conferencia inaugural, a cargo de Rino Caputo (Universidad de Roma “Tor Vergata”). “La paz es para Dante”, según anota el estudioso, “una especie de preparación para el bienestar; y actuar la paz significa operar la canalización de las energías positivas hacia el natural desemboque de la realización humana más plena, en cuanto consecuente con la esencia y fin natural de la especie […]. Se comprende mejor ahora el hecho de que este canto se halla enmarcado entre la temática del libre al- bedrío y la voluntad de ser buen cristiano. Los que cooperan a la paz, condición necesaria para el correcto desenvolvimiento del ser humano en la tierra y el natural desarrollo de todo su potencial, llevan pura y simplemente a buen fin el ejercicio na- tural del libre albedrío; en otras palabras, la luz del buen dis- cernimiento los guía hacia la meta apropiada, que es el fin de todo amor lícito (caridad, paz, suprema realización humana y por tanto metafísica, cristiana)”. ¿En este contexto, cómo se justifica el centro? “El movimiento de la ‘luz’ (de la lumbre divina)” -explica el autor- “permite la circulación de la voluntad divina. En tal sentido, el centro y el círculo del mundo se armonizan. El cen- tro recoge el círculo y el círculo despliega el centro, como se aclarará en Paradiso XIV, 1-3: ‘Del centro al borde, y desde el borde al centro / muévese el agua en el redondo vaso, / según se impulse desde fuera o dentro’”. Dentro de esta circulación eternamente pluriprospéctica,
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