TWENTY-FIVE BUILDINGS Every Architect Should Understand
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HEIDEGGER for ARCHITECTS Thinkers for Architects
HEIDEGGER FOR ARCHITECTS Thinkers for Architects Series Editor: Adam Sharr, Cardiff University, UK Editorial Board Jonathan A. Hale, University of Nottingham, UK Hilde Heynen, KU Leuven, Netherlands David Leatherbarrow, University of Pennsylvania, USA Architects have often looked to philosophers and theorists from beyond the discipline for design inspiration or in search of a critical framework for practice. This original series offers quick, clear introductions to key thinkers who have written about architecture and whose work can yield insights for designers. Deleuze and Guattari for Architects Andrew Ballantyne Heidegger for Architects Adam Sharr Irigaray for Architects Peg Rawes THINKERS FOR ARCHITECTS Heidegger for Architects Adam Sharr First published 2007 1 by Routledge 2 2 Park Square, Milton Park, Abingdon, Oxon OX14 4RN 3 Simultaneously published in the USA and Canada by Routledge 4 270 Madison Avenue, New York, NY 10016 5 This edition published in the Taylor & Francis e-Library, 2007. 6 “To purchase your own copy of this or any of Taylor & Francis or Routledge’s 711 collection of thousands of eBooks please go to www.eBookstore.tandf.co.uk.” 8 Routledge is an imprint of the Taylor & Francis Group, an informa business 9 © 2007 Adam Sharr 10 All rights reserved. No part of this book may be reprinted or reproduced or 1 utilised in any form or by an electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in 2 any information storage or retrieval system, without permission in writing 3 from the publishers. 4 British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library 5 Library of Congress Cataloging in Publication Data 6 Sharr, Adam. -
La Commedia a Teatro. Gli Intepreti Di Dante
UNIVERSITÀ DEGLI STUDI DI MILANO Facoltà di Studi Umanistici Corso di Laurea Magistrale in Editoria, Culture della Comunicazione e della Moda LA COMMEDIA A TEATRO: GLI INTERPRETI DI DANTE Relatore: Ch.ma Prof.ssa Giuliana NUVOLI Correlatore: Ch.mo Prof. Bruno PISCHEDDA Tesi di laurea di: Greta Maria SPOTTI Matr. 902719 Anno Accademico 2017/2018 2 INTRODUZIONE 1. DANTE IN SCENA: CONSIDERAZIONI GENERALI SULLE TRASPOSIZIONI ORALI DEL POEMA 1.1 La trasmissione orale della Commedia 1.2 La teatralità della Commedia 1.3 I generi della Commedia a teatro 1.4 Il valore didattico delle drammatizzazioni della Commedia 2. INTERPRETARE DANTE 2.1 Introduzione al personaggio di Dante nella Commedia 2.2 Dire Dante: l’esecuzione della Commedia 2.3 Impersonare Dante: la scelta del costume teatrale 2.4 Le chiavi di lettura per Dante e la sua Commedia 3. LA COMMEDIA A TEATRO NELL’OTTOCENTO: L’AVVIO DI UN NUOVO FORMAT CON GUSTAVO MODENA 3.1 Teatro e politica nelle Dantate 3.2 L’eco delle Dantate nelle performance per il sesto centenario della nascita dell’Alighieri 4. INTERPRETARE DANTE NEL XXI SECOLO 4.1 Il Dante di Benigni 4.2 Vergine madre di Lucilla Giagnoni BIBLIOGRAFIA 3 INTRODUZIONE In questa ricerca, La Commedia a teatro: gli interpreti di Dante, prendo in esame modalità e tempi con i quali viene proposta e drammatizzata a teatro la Divina Commedia di Dante Alighieri, opera letteraria alla base della nostra cultura nazionale e che vanta, inoltre, un indiscutibile successo a livello mondiale. In particolare, analizzo come sia mutata l’interpretazione e l’immagine presentata in scena di Dante, autore e, al contempo, personaggio protagonista del poema. -
Table of Contents
NAAB REPORT 2008 Department of Architecture Southern Polytechnic State University 1100 South Marietta Parkway Marietta, Georgia 30060 Phone: 678-915-7253 FAX: 678-915-7228 Ameen Farooq, PhD Department Chair <[email protected]> TABLE OF CONTENTS 1. INTRODUCTION TO THE PROGRAM ................................................................ 5 1.1 History and Description of the Institution ....................................................................5 1.2 Institutional Vision and Mission ....................................................................................6 1.2.1 SPSU Vision...............................................................................................................6 1.2.2 SPSU Vision + Values ...............................................................................................6 1.2.3 SPSU Mission Statement...........................................................................................7 1.2.4 SPSU Mission in Practice ..........................................................................................7 1.2.5: SPSU Mission in Action ............................................................................................7 1.3 Program History ..............................................................................................................9 1.4 Program Mission ...........................................................................................................13 1.4.1. Architecture Program Mission.................................................................................13 -
Analysing ARCHITECTURE the Universal Language of Place-Making FIFTH EDITION, REVISED and with NEW CHAPTERS
analysing ARCHITECTURE the universal language of place-making FIFTH EDITION, REVISED AND WITH NEW CHAPTERS ‘Probably the best introductory book on architecture.’ Andrew Higgott, Lecturer in Architecture, University of East London, UK ‘A truly amazing book on how to analyze a building. A must read for all young architects.’ Fatema, Goodreads.com Many people find it difficult learning to do architecture. Initially it can be like asking your brain to do something for which it has no frame of reference. Generally speaking, pre-university education does not prepare the creative mind for the peculiar challenges of architecture. I have known intelligent people – A-grade students in literary or science subjects, unused to academic difficulty – whose confidence has been knocked when faced with the challenges of architecture. Back in the 1990s, I wrote this book to help and, through subsequent editions, revised and expanded it to make it better. This is the fifth edition, complete with new chapters and a subtitle which is explained in the Introduction. The theory of architecture the book presents remains the same. Even so, in response to comments gleaned from a survey of users conducted by my publisher, I continue to try to express it more clearly and thoroughly. There are a few significant changes. The Case Studies at the end of previous editions have been omitted and much of the material contained in them redis- tributed amongst earlier chapters. Alternative and more thorough case studies can be found in the sister book Twenty-Five Buildings Every Architect Should Understand (2017). The Case Studies have been replaced by a completely rewritten chapter on ‘How Analysis Can Help Design’, moved from its position early in the book and placed at the end, where references can be made back to examples in earlier chapters. -
A British Reflection: the Relationship Between Dante's Comedy and The
A British Reflection: the Relationship between Dante’s Comedy and the Italian Fascist Movement and Regime during the 1920s and 1930s with references to the Risorgimento. Keon Esky A thesis submitted in fulfilment of requirements for the degree of Doctor of Philosophy, Faculty of Arts and Social Sciences. University of Sydney 2016 KEON ESKY Fig. 1 Raffaello Sanzio, ‘La Disputa’ (detail) 1510-11, Fresco - Stanza della Segnatura, Palazzi Pontifici, Vatican. KEON ESKY ii I dedicate this thesis to my late father who would have wanted me to embark on such a journey, and to my partner who with patience and love has never stopped believing that I could do it. KEON ESKY iii ACKNOWLEDGEMENTS This thesis owes a debt of gratitude to many people in many different countries, and indeed continents. They have all contributed in various measures to the completion of this endeavour. However, this study is deeply indebted first and foremost to my supervisor Dr. Francesco Borghesi. Without his assistance throughout these many years, this thesis would not have been possible. For his support, patience, motivation, and vast knowledge I shall be forever thankful. He truly was my Virgil. Besides my supervisor, I would like to thank the whole Department of Italian Studies at the University of Sydney, who have patiently worked with me and assisted me when I needed it. My sincere thanks go to Dr. Rubino and the rest of the committees that in the years have formed the panel for the Annual Reviews for their insightful comments and encouragement, but equally for their firm questioning, which helped me widening the scope of my research and accept other perspectives. -
Words of Architectural Theory
Words of Architectural Theory Volume 3 Fall 2020 ARCH 5006EL / Architectural Theory Seminar Professor Izabel Amaral, PhD. Words of Architectural Theory Volume III Copyright © 2021by Dr. Izabel Amaral (ed.) All rights reserved. ARCH 5006 EL Architectural Theory Seminar Professor Dr. Izabel Amarel McEwen School of Architecture 85 Elm St, Sudbury ON P3C 1T3 Table of Contents Introduction Izabel Amaral Diagram David Gagnon, Michael Letros, Lila Nguyen Dirt Sarah Cen, Jennie Philipow, Jozef Miguel Radvansky Element Daniel Everett, Cole MacIsaac, Max Vos Coupal Funtionalism Breana Chabot, Simao Da Silva, Riya Patel Matter Kody Ferron Alex Langlois, Devin Tyers Object Maeve Macdonald, Michelle McLaren, Evan Lavallee Participation Aidan Lucas, Alexander Scali, Pascal Rocheleau, Shiyan Pu Program Isaac Edmonds, Sarah Fox, Matt Steacy Queer Kristina Hakala, Cassidy Duff, Kelly O’Connor Standard Kristen Aleong, Muriel Barker, Miguel Veillette System Carolina Hanley, Derrick Pilon, Chad McDonald Treatise Vennice de Guzman, Rhiannon Heavens, James Walker Introduction Izabel Amaral This document gathers twelve research papers produced by the students of the course ARCH 5006 Architectural Theory Seminar during the fall semester of 2020. Together, these essays form the collective book Words of Architectural Theory Vol.3, that is self-printed and donated to the McEwen School of Architecture Library. Due to the Covid-19 pandemic, the course was offered online, and despite the fact that we only worked remotely, students have shown an incredible resilience and great commitment towards their architectural education. The essays shown here are longer than the essays produced in the previous editions of the same project, prompting new reflections on the way words carry meaning in our discipline. -
La Commedia in Palcoscenico. Appunti Su Una Ricerca Da Fare Dante E L’Arte 1, 2014 67-84
La Commedia in palcoscenico. Appunti su una ricerca da fare Dante e l’arte 1, 2014 67-84 La Commedia in palcoscenico. Appunti su una ricerca da fare Marzia Pieri Università di Siena [email protected] Riassunto Da circa due secoli la Divina Commedia è fatta oggetto, in Italia, di letture teatralizzate e di vere e proprie riduzioni drammaturgiche, che hanno raggiunto vaste masse di spet- tatori, e la cui popolarità non accenna ancora oggi ad esaurirsi. Il fenomeno delle “dan- tate” – che non conosce equivalenti in altre culture europee – accompagna l’avventura risorgimentale per la conquista dell’indipendenza, ed è legato alla tradizione italiana del grande mattatore romantico: a partire da Gustavo Modena (l’attore mazziniano che intende portare Dante al popolo come veicolo di emancipazione politica), i grandi guitti italiani romantici, naturalistici e poi novecenteschi (di avanguardia o di “tradizione”) hanno continuato a recitare il poema, costruendo, per via performativa, una peculiare ecdotica, ancora tutta da studiare. Le celebrazioni dantesche del centenario del 1865, in una Firenze appena consacrata capitale del Regno d’Italia, segnano un acme di questa fortuna festiva e teatrale. Parole chiave: Divina Commedia, Risorgimento, Recital, Gustavo Modena, Roberto Benigni, Firenze capitale, cinema muto. Abstract For the last two centuries in Italy, the Divine Comedy has been made subject of dramati- zed readings and proper dramatic reductions that have reached the bulk of the audience, and whose popularity doesn’t yet show any sign of exhaustion. The phenomenon of the ‘dantate’ – with no equivalent in other European cultures – accompanies the risorgimen- tale adventure for the sake of gaining independence. -
Nagakura.Pdf (18.08Kb)
EUROGRAPHICS ’99 / M.A.Alberti, G.Gallo, I, Jelinek Short Papers and Demos The Danteum Takehiko Nagakura Massachusetts Institute of Technology, USA [email protected] __________________________________________________________________________________________ Abstract The Danteum was a building designed for Rome in 1938 by two eminent Italian architects, Giuseppe Terragni and Pietro Lingeri. Due to the defeat of their client, Mussolini, in WW II, the project was never realized and became one of the best known unbuilt modern projects. Through the use of advanced computer graphics technology, an attempt has been made to simulate a walk-through experience of light and materials inside this unbuilt monument. This animated representation revealed two of the important spatial characters embedded in the design of this building: a constant oscillation of dark and light as well as that of closed and open. __________________________________________________________________________________________ Keywords: Danteum, Terragni, Lingeri, Radiance 3. Simulation Technology 1. History For precise light and material simulation, a global The Danteum, a building designed in 1938 for illumination software, RADIANCE [2] was used in Mussolini, was never physically realized, but its combination with a custom-made walk-through significance in the context of the European modern generator program. Evey frame of a 5 minute architecture movement has been much studied by sequence was first rendered into a 4-byte .pic image, many architectural historians such as Thomas then filtered down into a regular 24-bit color image. Schumacher [1], whose documentation is utilized as The filter, as a pupil, adjusted each frame’s exposure the main archival source for this investigation. Among and achieved appropriate transition between bright architects, the Danteum is also well known for its exterior and dark interior space. -
American Dante Bibliography for 2001.Pdf
American Dante Bibliography for 2001 Christopher Kleinhenz This bibliography is intended to include all the Dante translations published in North America in 2001 and all Dante studies and reviews published in 2001 that are in any sense North American. The latter criterion is construed to include foreign reviews of North American publications pertaining to Dante. Books Alfie, Fabian. Comedy and Culture: Cecco Angiolieri’s Poetry and Late Medieval Society. Leeds: Northern Universities Press, 2001. vi, 216 p. (Italian Perspectives, 7) Contents: Acknowledgements (vi); Introduction. The Trouble with Cecco: The ‘State of the Question’ and Difficulties Inherent in a Study of Angiolieri (1-17); I. Comedy and Culture: Cecco Angiolieri and the Comic Traditions (19-43); II. Love and Literature: Cecco Angiolieri’s Relationship with the Amorous Lyric Traditions (45-81); III. Poverty and Poetry: Cecco Angiolieri’s Position in the Evolution of a Vernacular Trope (83-113); IV. Insult and Injury: Vituperium in the Poetry of Cecco Angiolieri (115-143); V. Cecco, Simone, Dante and Guelfo: Correspondence among Angiolieri’s Poetry (145-163); VI. Fact or Fiction: Cecco Angiolieri’s Poetic Self-Presentation (165-192); Bibliography (193-209); Index of References to Angiolieri’s Sonnets (211-212); General Index (213-216). Barolini, Teodolinda. Desire and Death, or Francesca and Guido Cavalcanti: Inferno 5 in its Lyric Context. Binghamton: Center for Medieval and Renaissance Studies, State University of New York at Binghamton, 2001. 50 p. (Bernardo Lecture Series, No. 9) “Explores the lyric context of Inferno 5, paying particular attention to how Italian lyric poets like Giacomo da Lentini, Guido delle Colonne, Guittone d’Arezzo, Guido Cavalcanti, and Dante himself had framed the issue of desire insufficiently controlled by reason. -
ENTRE EPÍGONOS Y AUTOINSPECCIÓN Actas Del II Congreso Andino De Estudios Sobre Dante Alighieri
ENTRE EPÍGONOS Y AUTOINSPECCIÓN Actas del II Congreso Andino de Estudios sobre Dante Alighieri 22-24 de octubre de 2018 Patrizia Di Patre Editora ENTRE EPÍGONOS Y AUTOINSPECCIÓN Actas del II Congreso Andino de Estudios sobre Dante Alighieri 22-24 de octubre de 2018 © 2020 Rino Caputo, Roberto González Echevarría, Paolo Cherchi, Emilia Perassi, Vincenzo Vespri, Patrizia Di Patre, Rosario de Fátima A’Lmea Suárez, Carlos Aulestia, César Eduardo Carrión, David Chamorro Espinosa, S.J., Esteban Crespo, Ana Estrella Santos, Francesco Ferrari, Valentina Virdis. © 2020 Pontificia Universidad Católica del Ecuador Centro de Publicaciones Quito, Av. 12 de Octubre y Robles Apartado n.º 17-01-2184 Telf: (593) (02) 2991 700, ext. 1711 [email protected] Pontificia Universidad Católica del Ecuador Dr. Fernando Ponce León, S. J. Rector Dr. Fernando Barredo Heinert, S. J. Vicerrector Mtr. Paulina Barahona Directora General Académica Verónica Yépez Reyes, PhD Decana de la Facultad de Comunicación y Linguística Mtr. Santiago Vizcaíno Director del Centro de Publicaciones Comité Científico Rino Caputo (Università di Roma “Tor Vergata”) César Eduardo Carrión (PUCE) Paolo Cherchi (University of Chicago) Patrizia Di Patre (PUCE) Roberto González Echevarría (University of Yale) Giuseppe Mazzotta (University of Yale) Emilia Perassi (Università di Milano) Vincenzo Vespri (Università di Firenze). Foto portada: Interior de la Iglesia de San Francisco en Quito Diseño y portada: Rosa Calahorrano ISBN: 978-9978-77-493-9 ÍNDICE AGRADECIMIENTOS ................................................................... 9 INTRODUCCIÓN............................................................................. 11 I SECCIÓN CONFERENCIAS MAGISTRALES PURGATORIO XVII LA PACE COME CENTRO E CERCHIO Rino Caputo Università di Roma “Tor Vergata” ................................................. 35 PURGATORIO XVII LA PAZ COMO CENTRO Y CÍRCULO Rino Caputo Universidad de Roma “Tor Vergata” ............................................ -
Clark, Pause, Ching, Baker E Unwin
RENATA MARIA GERALDINI BELTRAMIN CARACTERIZAÇÃO E SISTEMATIZAÇÃO DE QUATRO MODELOS DE ANÁLISE GRÁFICA: CLARK, PAUSE, CHING, BAKER E UNWIN CAMPINAS 2015 i ii UNIVERSIDADE ESTADUAL DE CAMPINAS FACULDADE DE ENGENHARIA CIVIL, ARQUITETURA E URBANISMO RENATA MARIA GERALDINI BELTRAMIN CARACTERIZAÇÃO E SISTEMATIZAÇÃO DE QUATRO MODELOS DE ANÁLISE GRÁFICA: CLARK, PAUSE, CHING, BAKER E UNWIN Orientador: Prof. Dr. Daniel de Carvalho Moreira Dissertação de Mestrado apresentada à Faculdade de Engenharia Civil, Arquitetura e Urbanismo da Unicamp, para obtenção do título de Mestra em Arquitetura, Tecnologia e Cidade, na área de Arquitetura, Tecnologia e Cidade. ESTE EXEMPLAR CORRESPONDE À VERSÃO FINAL DA DISSERTAÇÃO DEFENDIDA PELA ALUNA RENATA MARIA GERALDINI BELTRAMIN E ORIENTADA PELO PROF. DR. DANIEL DE CARVALHO MOREIRA. ASSINATURA DO ORIENTADOR ______________________________________ CAMPINAS 2015 iii Ficha catalográfica Universidade Estadual de Campinas Biblioteca da Área de Engenharia e Arquitetura Luciana Pietrosanto Milla - CRB 8/8129 Beltramin, Renata Maria Geraldini, 1984- B419c BelCaracterização e sistematização de quatro modelos de análise gráfica : Clark, Pause, Ching, Baker e Unwin / Renata Maria Geraldini Beltramin. – Campinas, SP : [s.n.], 2015. BelOrientador: Daniel de Carvalho Moreira. BelDissertação (mestrado) – Universidade Estadual de Campinas, Faculdade de Engenharia Civil, Arquitetura e Urbanismo. Bel1. Arquitetura - Teoria. 2. Arquitetura - Projetos. I. Moreira, Daniel de Carvalho,1971-. II. Universidade Estadual de Campinas. Faculdade -
List of Books
SMAID LIBRARY BOOKS DATE 10/06/2020 Sr. No. Title ACC No. CALL NO. Author A / I / P 1 THE FUNDAMENTALS OF INTERIOR DESIGN 1 747 DODSWORTH. SIMON I 2 THE FUNDAMENTAL OF INTERIOR ARCHITECTURE 2 721 COLES.JOHN A 3 NEW SPACE:10:EDUCATION & CULTURE 3 727 ARCHIWORLD A 4 NEW SPACE:6 :CATE & RESTAURANT 2 4 721.006 ARCHIWORLD A 5 NEW SPACE 07: HEALTH & SPORTS 5 721 ARCHIWORLD A 6 NEW SPACE :08 :SPA &ENTERAINMENT 6 721 ARCHIWORLD A 7 NEW SPACE :09:HOTEL 7 728.5 ARCHIWORLD A 8 BASICS INTERIOR DESIGN :01:-RETAIL DESIGN 8 720.011 MESHER LYNNE I 9 BASICS ARCHITECTURE02: CONSTRACUTION + MATERIALITY 9 725 FARRELLY LORRAINE A 10 NEW SPACE 02 :RESIDENT :02 10 721.5 ARCHIWORLD A 11 NEW SPACE 04 :SHOP 11 721.2 ARCHIWORLD A 12 BASIC INTERIOR ARCHITECTURE :03: DRAWING OUT THE INTERIOR 12 747 SPANKIE R O I 13 BASICS INTERIOR DESIGN :02: EXHIBITION DESIGN 13 747 LOCKER PAM I 14 BASICS INTERIOR ARCHITECTURE :04:ELEMENTS/OBJECTS. 14 747 BROOKER G.E I 15 BASICS ARCHITECTURE:03:ARCHITECTURAL DESIGN 15 720.011 ANDERSON A 16 THE VISUAL DICTIONARY OF INTERIOR ARCHITECTURE AND DESIGN 16 721 COATES M A+I 17 NEW SPACE :05: CAFE & RESTAURANT 01 17 721.006 ARCHIWORLD A 18 NEW SPACE 01-RESIDENCE-01 18 728 ARCHIWORLD A 19 NEW SPACE 03- OFFICE 19 720 ARCHIWORLD A 20 UNDERSTANDING ARCHITECTURE THROUGH DRAWING 20 721 EDWARDS BRAIN A 21 BASICS INTERIOR ARCHITECTURE :01:FORM + STRUCTURE 21 721 BROOKER & STONE I 22 BASICS INTERIOR ARCHITECTURE :02:CONTEXT + ENVIRONMENT 22 721 BROKER & STONE I 23 BASICS ARCHITECTURE :01:REPRESENTATIORAL TECHNIQUE 23 751.02 FARRELLY L A 24 DRAWING : A CREATIVE PROCESS 24 741 CHING FRANCIS I 25 INTERIOR DESIGN : AN INTRO TO ART, CRAFT, SCIENCE, TECHNIQUES, PROFESSION OF INTERIOR DESIGN 25 747 KASU A I 26 ANALYSING ARCHITECTURE 26 729 UNWIN SIMON A 27 INTERIOR PLANNING AND DESIGN WITH CD 27 747 SCALISE C.