Behind Closed Doors

Total Page:16

File Type:pdf, Size:1020Kb

Behind Closed Doors Behind Closed Doors Southern Upper-Class Notions of Womanhood in the Plantation Mistress’s Intimate Sphere Master Thesis American Studies Faculty of Humanities Utrecht University Anne Marie Korfker Student no. 3447251 Coordinated by Damian Pargas Utrecht, May 13, 2011 By writing I create an identity for myself. Without it I wouldn't feel being anybody, thus a personality. - It's not as much a question of self-expression as a need of finding yourself. —Pentti Saarikoski Every wall is a door. —Ralph Waldo Emerson. ACKNOWLEDGMENTS The basis of my master’s thesis started in the class American Passages, taught by Professor Willard Pate at Furman University, S.C., in the first academic semester of 2008. In this class, I wrote my final paper about the bonds between plantation mistresses and domestic female slaves in the plantation household as represented by Harriet Jacobs’ narrative Incidents in the Life of a Slave Girl (1861). As I was thinkinG about a subject for my bachelor’s thesis in American Studies in the second semester of the same academic year, my thouGhts returned to this paper. Subsequently, I wrote my bachelor’s thesis titled “There is no slave, after all, like a wife”: Intimacy between Female Domestic Slaves and Mistresses in the Antebellum Plantation Household. Inspired by other interestinG and challenGinG classes in American Studies, I discovered what issues in American history and culture Greatly sparked my interest: How did American women—in both the North and the South, East and West, from the lower and upper class, as Caucasians or African Americans—respond to chanGinG physical environments, behave in socially controlled communities, and either conformed to or actively resisted dominant patriarchal notions of womanhood and Gender stereotype throughout the eighteenth, nineteenth, and twentieth centuries? First and foremost, I owe special thanks to my master’s thesis supervisor, Damian Alan ParGas, who Greatly inspired me as a teacher and researcher, and who supported me to believe in my academic qualities. Overall, I want to thank all professors of the American Studies Department at the Rijksuniversiteit GroninGen (BA) and the University of Utrecht (MA), the Netherlands, for providing such an interesting academic curriculum, which shaped me as an individual as well as my outlook on life. I am specifically thankful for my Professors Marian E. Strobel of Furman University, S.C., and Christina Greene and Sandra Adell of the University of Wisconsin-Madison, who passed on to me their passion for their respective fields of expertise—Women in American History, African American Women’s Resistance, and African-American Literature. I am also greatly indebted to Andrew Fearnley, visitinG professor at the Rijksuniversiteit GroninGen, who, as my bachelor’s thesis supervisor, pointed me in more suitable directions, enablinG me to think about hitherto unexplored issues. Finally, I want to thank my parents, siblinGs, and friends for supportinG me throuGhout the whole writing process. In particular, I Give thanks to my oldest sister, Anneke Korfker, who has always been deeply involved in my educational career, and has been willinG and interested to listen to me at all times—for good or for worse. CONTENTS Introduction………………………………………………………………………………………………………1 Chapter One: The Ambiguity of the Southern Belle…………………………………………………14 Reflections on Victorian Notions of Womanhood……………………….....................15 Myth or Reality?........................................................................................................................17 From MarGin to Center…………………………………………………………………………….24 Chapter Two: The Battle of the Sexes……………………………………………………………………28 The Practice of Courtship…………………………………………………………………………29 Closeness in a Segregated World………………………………………………………………34 Master of the House………………………………………………………………………………….39 Threatened Intimacy………………………………………………………………………………...41 Chapter Three: Learned Men and Cultivated Women……………………………………………..45 Southern Discipline………………………………………………………………….……………….46 Racial Ties………………………………………………………………………………………………..51 The Power of Education……………………………………………………………………...…….56 Chapter Four: The Problem of Sisterhood………………………………………………………....……64 Interracial Intimacy…………………………………………………………………………………..65 Racialization and Sexual Exploitation…………………………………………………………69 “Infrapolitics”……………………………………………………………………………………………75 Conclusion……………………………………………………………………………………………………..……82 BiblioGraphy………………………………………………………………………………………………………..92 INTRODUCTION WalkinG to their new Genteel mansion in Philadelphia late in the eveninG, the newlywed middle-class couple, Mr. and Mrs. Woodbridge, was full of expectation. Upon arrival, the couple excitedly examined every room of the house, and discussed how the interior should be organized. Tensions started to rise, however, when the young Mrs. WoodbridGe held a different view on the function of a little plain room in the back- building than her husband. Rather than her husband’s wish for a library in this space, Mrs. Woodbridge pleaded her case: ”‘I tell you once and for all, Harvey Woodbridge, that I must and will have this very apartment for an eatinG-room, or a dininG-room, or a sitting-room, or whatever you please to call it—to take our meals in without danGer of beinG cauGht at them, and to stay in when I am not drest and do not wish to be seen.’ ‘The hidinG room I think would be the best name for it’—murmered WoodbridGe.”1 Eliza Leslie (1787-1858), writer of the novel Mr. and Mrs. Woodbridge, with Other Tales (1841), evidently shows her condemnation for a woman’s need to Get away from the public Gaze. AlthouGh this story revolves around a middle-class couple from the North, nonetheless, the messaGe applied to southern elite women as well. Leslie’s aim was to convey to her readers that “a proper woman has nothinG to hide,” as Milette Shamir contends.2 In both the North and the South, conduct literature such as Miss Leslie’s Behaviour Book: A Guide and Manual for Ladies (1834), Godey’s Ladies Book (1830-1878), and The Lady’s Repository (1841-1876) proliferated in the antebellum years. In these maGazines, novels, or instructive essays, detailed advice was given on rules of propriety accordinG to Victorian notions of womanhood. Exemplary is Miss Leslie’s Behaviour Book, which gives full instruction and advice to middle- and upper-class ladies in letter writinG, receivinG presents, incorrect words, borrowinG, obliGations to Gentlemen, offences, children, decorum in church, at eveninG parties, and more. Historian C. Dallet Hemphill explains in his essay “Middle Class RisinG in Revolutionary America: The Evidence from Manners” that althouGh conduct literature does not illustrate how Americans in actuality behaved, it reveals “the preoccupations and expectations of those 1 Eliza Leslie, Mr. and Mrs. Woodbridge, with Other tales Representing Life as It Is: And Intended to Show What It Should Be. (Providence, R.I: Isaac H. Cady, 1841), 28. 2 Milette Shamir, Inexpressible Privacy: The Interior Life of Antebellum American Literature. (Philadelphia: University of Philadelphia Press, 2006), 42. who wrote and those who read them.”3 AccordinGly, conduct literature is a vital piece of information for the study of nineteenth-century Victorian notions of womanhood. Particularly interesting, in the Old South the archetype of the southern belle prevailed amonG younG elite ladies and was surely a model to strive for. Popular culture, such as reGional maGazines, novels, and newspapers of the nineteenth century, affirmed and buttressed this unattainable stereotype. Indeed, twentieth-century romanticist novels and movies such as Gone With the Wind (1939), freezes the perception of the southern belle, and portrays the mythicized younG lady as the source of all beauty, Grace, delicacy, civilization, hospitality, and maternity. AlthouGh this myth may contain a grain of truth, nevertheless, diaries, letters, and autobiographies suggest different day-to-day realities. While slaveholdinG women needed to behave accordinG to southern notions of womanhood and etiquette to uphold their status in the public realm, in the intimate sphere these elite women were preoccupied with takinG care of their children, disciplininG their slaves, and manaGinG domestic duties, now and then at the expense of antebellum standards of propriety. At larGe, patriarchal ethos, reliGion, the doctrine of the separate spheres, and rules of propriety, were the bedrock upon which the southern slaveholdinG Gentile community was built. Intense public surveillance within this close-knit community functioned to uphold the fundamentals of the antebellum cultural system. However, as the plantation mistresses and her family could rarely escape from the public Gaze, one can imaGine that the southern lady needed to have certain outlets or private spaces in which she was able to express emotions openly, release her natural passions, and move freely—in other words, in which she could let her guard down. Therefore, in this study the extent to which the plantation mistress’s intimate sphere corresponded to southern upper class notions of womanhood will be examined. In recent decades, various scholars have contributed to the gender debate by interpretinG the roles and identities of plantation mistresses throuGh a feminist revisionist lens. Prior to the 1970s, southern women’s voices were practically muted in historical publications. Historians Guion Griffis Johnson, and Arthur Link and Rembert Patricks, for instance, wrote about the southern past
Recommended publications
  • From David Walker to President Obama: Tropes of the Founding Fathers in African American Discourses of Democracy, Or the Legacy of Ishmael
    Georgia State University ScholarWorks @ Georgia State University English Faculty Publications Department of English 2012 From David Walker to President Obama: Tropes of the Founding Fathers in African American Discourses of Democracy, or The Legacy of Ishmael Elizabeth J. West Georgia State University, [email protected] Follow this and additional works at: https://scholarworks.gsu.edu/english_facpub Part of the English Language and Literature Commons Recommended Citation West, Elizabeth J., "From David Walker to President Obama: Tropes of the Founding Fathers in African American Discourses of Democracy, or The Legacy of Ishmael" (2012). English Faculty Publications. 15. https://scholarworks.gsu.edu/english_facpub/15 This Article is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Faculty Publications by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. “From David Walker to President Obama: Tropes of the Founding Fathers in African American Discourses of Democracy, or The Legacy of Ishmael” Dr. Elizabeth J. West Dept. of English—Georgia State Univ. Nov. 2010 “Call me Ishmael,” Herman Melville’s elusive narrator instructs readers. The central voice in the lengthy saga called Moby Dick, he is a crewman aboard the Pequod. This Ishmael reveals little about himself, and he does not seem altogether at home. As the narrative unfolds, this enigmatic Ishmael seems increasingly out of sorts in the world aboard the Pequod. He finds himself at sea working with and dependent on fellow seamen, who are for the most part, strange and frightening and unreadable to him.
    [Show full text]
  • Slaves of the State: Black Incarceration from the Chain Gang
    • CHAPTER 2 • “Except as Punishment for a Crime” The Thirteenth Amendment and the Rebirth of Chattel Imprisonment Slavery was both the wet nurse and bastard offspring of liberty. — Saidiya Hartman, Scenes of Subjection It is true, that slavery cannot exist without law . — Joseph Bradley, The Civil Rights Cases nyone perusing the advertisements section of local newspapers such as the Annapolis Gazette in Maryland, during December 1866, wouldA have come across the following notices: Public Sale— The undersigned will sell at the Court House Door in the city of Annapolis at 12 o’clock M., on Saturday 8th December, 1866, A Negro man named Richard Harris, for six months, convicted at the October term, 1866, of the Anne Arundel County Circuit Court for larceny and sentenced by the court to be sold as a slave. Terms of sale— cash. WM. Bryan, Sheriff Anne Arundel County. Dec. 8, 1866 Public Sale— The undersigned will offer for Sale, at the Court House Door, in the city of Annapolis, at eleven O’Clock A.M., on Saturday, 22d of December, a negro [sic] man named John Johnson, aged about Forty years. The said negro was convicted the October Term, 1866, of the Circuit Court for Anne Arundel county, for; • 57 • This content downloaded from 71.114.106.89 on Sun, 23 Aug 2020 20:24:23 UTC All use subject to https://about.jstor.org/terms Childs.indd 57 17/12/2014 12:56:10 PM 58 “EXCEPT AS PUNISHMENT FOR A CRIME” Larceny, and sentenced to be sold, in the State, for the term of one year, from the 12th of December, 1866.
    [Show full text]
  • Slave Narratives Redefine Womanhood in Nineteenth-Century America Candice E
    University of Richmond UR Scholarship Repository Honors Theses Student Research Spring 2002 Escaping the auction block and rejecting the pedestal of virtue : slave narratives redefine womanhood in nineteenth-century America Candice E. Renka Follow this and additional works at: http://scholarship.richmond.edu/honors-theses Recommended Citation Renka, Candice E., "Escaping the auction block and rejecting the pedestal of virtue : slave narratives redefine omw anhood in nineteenth-century America" (2002). Honors Theses. Paper 326. This Thesis is brought to you for free and open access by the Student Research at UR Scholarship Repository. It has been accepted for inclusion in Honors Theses by an authorized administrator of UR Scholarship Repository. For more information, please contact [email protected]. UNIVERSITY OF RICHMOND LIBRARIES I \\I \\II \\\II\\\ I\\\\\\ II 111\I \\II ~I\~\\3 3082 I\\~\\\\\\\\\\\ 00748 1921I\~ Escaping the Auction Block and Rejecting the Pedestal of Virtue: Slave Narratives Redefine Womanhood in Nineteenth-Century America Candice E. Renka Honors Thesis Department of English University of Richmond Dr Thomas Allen, Thesis Director Spring 2002 The signatures below certify that with this essay Candice Renka has satisfied the thesis requirement for Honors in English. (Dr Thomas Allen, thesis director) (Dr Robert Nelson, English honors coordinator) Black women's slave narratives bring to the forefront the paradoxes of antebellum America's political and moral ideologies. These autobiographies criticize the dichotomous gender roles that were widely accepted in the nineteenth century United States. Women's slave narratives perceive the exclusion of women of color and women of the working class from the prevailing model of womanhood as indicative of an inadequate conceptual framework for understanding female personhood.
    [Show full text]
  • Slavery Past and Present
    fact sheet Slavery past and present Right: Slaves being forced below What is Anti-Slavery International? deck. Despite the fact that many slaves were chained for the voyage it The first organised anti-slavery is estimated that a rebellion occurred societies appeared in Britain in the on one out of every eight slave ships 1780s with the objective of ending that crossed the Atlantic. the slave trade. For many people, this is the image In 1807 the British slave trade was that comes to mind when they hear abolished by Parliament and it the word slavery. We think of the became illegal to buy and sell buying and selling of people, their slaves although people could shipment from one continent to still own them. In 1833 Parliament another and the abolition of the finally abolished slavery itself, trade in the early 1800s. Even if we both in Britain and throughout know little about the slave trade, the British Empire. we think of it as part of our history rather than our present. In 1839 the British and Foreign Anti-Slavery Society was created, In fact, the slave trade continues to representing a new organisation for have an impact today. Its legacies the new chapter of the anti-slavery include racism, discrimination Mary Prince struggle. It gave inspiration to the and the development and under- abolitionist movement in the United development of communities and “Oh the horrors of slavery! - States and Brazil, and contributed countries affected by the trade. How the thought of it pains my to the drawing up of international And slavery itself is not a thing of heart! But the truth ought to standards on slavery.
    [Show full text]
  • Read Ebook {PDF EPUB} the History of Mary Prince a West Indian
    Read Ebook {PDF EPUB} The History of Mary Prince A West Indian Slave Related by Herself by Mary Prince The History of Mary Prince A West Indian Slave Related by Herself by Mary Prince. Our systems have detected unusual traffic activity from your network. Please complete this reCAPTCHA to demonstrate that it's you making the requests and not a robot. If you are having trouble seeing or completing this challenge, this page may help. If you continue to experience issues, you can contact JSTOR support. Block Reference: #5f146380-c433-11eb-9c3e-9334eb139672 VID: #(null) IP: 188.246.226.140 Date and time: Thu, 03 Jun 2021 06:17:28 GMT. The History of Mary Prince A West Indian Slave Related by Herself by Mary Prince. Our systems have detected unusual traffic activity from your network. Please complete this reCAPTCHA to demonstrate that it's you making the requests and not a robot. If you are having trouble seeing or completing this challenge, this page may help. If you continue to experience issues, you can contact JSTOR support. Block Reference: #5f16d480-c433-11eb-9dcd-f7109d6e9abc VID: #(null) IP: 188.246.226.140 Date and time: Thu, 03 Jun 2021 06:17:28 GMT. 'They bought me as a butcher would a calf or a lamb' No images survive of Mary Prince herself, but this is the photo that has often been used to illustrate her story. No images survive of Mary Prince herself, but this is the photo that has often been used to illustrate her story. Mary Prince may have been the only Caribbean woman ever to come to Britain hopeful about the weather.
    [Show full text]
  • The Reading Guide
    Abolition as a Global Enterprise Readings: Mary Prince, The History of Mary Prince, a West Indian Slave (Related by Herself). ed. Sara Salih. New York: Penguin, 2001. [first published 1831, edited by Susanna Strickland] Note: Read the narrative itself and the appendices. Elizabeth Barrett Browning, “The Runaway Slave at Pilgrim’s Point,” (Boston) Liberty Bell, 1848 http://loki.stockton.edu/~kinsellt/projects/runawayslave/storyReader$10.html or http://classiclit.about.com/library/bl-etexts/ebbrowning/bl-ebbrown-runaway-1.htm Secondary scholarship: Baumgartner, Barbara. “The Body as Evidence: Resistance, Collaboration, and Appropriation in ‘The History of Mary Prince.’” Callaloo 24.1 (Winter 2001): 253-75. Marjorie Stone, “Elizabeth Barrett Browning and the Garrisonians: ‘The Runaway Slave at Pilgrim’s Point’, the Boston Female Anti-Slavery Society, and Abolitionist Discourse in the Liberty Bell.” Victorian Women Poets. Ed. Alison Chapman. Cambridge: D. S. Brewer, 2003. 33-55. This text is available on e-college. Alan Rice, “Dramatising the Black Atlantic: Live Action Projects in Classrooms,” from Hughes and Robbins, TT Marjorie Stone, “Frederick Douglass, Maria Weston Chapman, and Harriet Martineau: Atlantic Abolitionist Networks and Transatlanticism’s Binaries,” from Hughes and Robbins, TT [Note: As of 8/29, we are still awaiting permission from Professor Stone to share her draft. We’ll keep you posted. At this point, it is not available on the workspace.] I. Guest presentation: Graduate Student Larisa Asaeli II. Elizabeth Barrett Browning, “Runaway Slave at Pilgrim’s Point” The syllabus gives two websites where you can find “Runaway Slave at Pilgrim’s Point,” but we encourage you to read the poem in the Liberty Bell itself, since this was the first, and transatlantic publication venue, for the poem.
    [Show full text]
  • Gender, Race, and Empire in Caribbean Indenture Narratives
    City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2015 The Ties that Bind: Gender, Race, and Empire in Caribbean Indenture Narratives Alison Joan Klein Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/582 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] THE TIES THAT BIND: GENDER, RACE, AND EMPIRE IN CARIBBEAN INDENTURE NARRATIVES by ALISON KLEIN A dissertation submitted to the Graduate Faculty in English in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York. 2015 © 2015 ALISON JOAN KLEIN All Rights Reserved ii This manuscript has been read and accepted for the Graduate Faculty in English in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Ashley Dawson __________________ Date Chair of Examining Committee Mario DiGangi __________________ Date Executive Officer THE CITY UNIVERSITY OF NEW YORK iii THE TIES THAT BIND: GENDER, RACE, AND EMPIRE IN CARIBBEAN INDENTURE NARRATIVES by ALISON KLEIN Adviser: Professor Ashley Dawson This dissertation traces the ways that oppressive gender roles and racial tensions in the Caribbean today developed out of the British imperial system of indentured labor. Between 1837 and 1920, after slavery was abolished in the British colonies and before most colonies achieved independence, approximately 750,000 laborers, primarily from India and China, traveled to the Caribbean under indenture.
    [Show full text]
  • The Life and Adventures of Jonathan Jefferson Whitlaw; Or Scenes on the Mississippi
    Scholars Crossing Faculty Publications and Presentations English and Modern Languages 2006 The Life and Adventures of Jonathan Jefferson Whitlaw; or Scenes on the Mississippi Brenda A. Ayres Liberty University, [email protected] Follow this and additional works at: https://digitalcommons.liberty.edu/eml_fac_pubs Recommended Citation Ayres, Brenda A., "The Life and Adventures of Jonathan Jefferson Whitlaw; or Scenes on the Mississippi" (2006). Faculty Publications and Presentations. 6. https://digitalcommons.liberty.edu/eml_fac_pubs/6 This Article is brought to you for free and open access by the English and Modern Languages at Scholars Crossing. It has been accepted for inclusion in Faculty Publications and Presentations by an authorized administrator of Scholars Crossing. For more information, please contact [email protected]. The Life and Adventures of Jonathan Jefferson Whitlaw; or Scenes on the Mississippi Domain: Literature. Genre: Novel. Country: England, Britain, Europe. Frances Trollope (1836) Article contributed by Brenda Ayres, Liberty University The Life and Adventures of Jonathan Jefferson Whitlaw is arguably the most important novel that Frances Trollope wrote, yet it has not been in print since 1857, nor is it available anywhere online. Literary and history enthusiasts alike need to know about this novel and create a market for its reprint. Richard Hildreth’s The Slave: or Memoirs of Archy Moore is often attributed as the first anti-slavery book to have been written. However, the true tribute should go to Aphra Behn for her Ooronoko (1688) in which Behn depicted blacks not only as human beings rather than animals, but as people of dignity, intelligence, and emotions. Notwithstanding the importance of her novel, one had yet to be written that clearly articulated the evils of the slave trade.
    [Show full text]
  • UCLA Electronic Theses and Dissertations
    UCLA UCLA Electronic Theses and Dissertations Title The Extraordinary Black Slave Woman in Nineteenth-Century Slave Narratives Permalink https://escholarship.org/uc/item/2wj8k34c Author Thomas, Kimber Publication Date 2014 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles The Extraordinary Black Slave Woman in Nineteenth-Century Slave Narratives A thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in Afro-American Studies by Kimber Thomas 2014 ABSTRACT OF THE THESIS The Extraordinary Black Slave Woman in Nineteenth-Century Slave Narratives by Kimber Thomas Master of Arts in Afro-American Studies University of California, Los Angeles, 2014 Professor Richard Yarborough, Chair This thesis identifies a new type of black female character present in African American literature. By extending Trudier Harris’ research on representations of the “strong” black woman backwards into the nineteenth century, this thesis argues that the earliest literary depiction of such figures is the “extraordinary black slave woman,” an image present in many nineteenth- century slave narratives. In particular, I argue that in the narratives of Harriet Jacobs, Mary Prince, Frederick Douglass, Sylvia Dubois, Zilpha Elaw and Jarena Lee, the extraordinary slave women are depicted as domestic workers, manual laborers, physical resisters, mothers, and spiritual sisters. ii The thesis of Kimber Thomas is approved. Michael Cohen Harryette Mullen Richard Yarborough, Committee Chair University of California, Los Angeles 2014 iii DEDICATION To “Mom,” Mama, Kelsey, Keisha, Fooney, Teddybear, Cat, Ann, and Niece: the most extraordinary black women I’ve ever known. iv TABLE OF CONTENTS I.
    [Show full text]
  • Narratives of Slavery
    AMST 1900C Professor Patricia Lott Spring 2014 Office: 194 Meeting St. Day and Time: Wed., 3-5:20 pm Office Hours: Tu. & W. 12-1 Location: 101 Thayer Street (VGQ 1st FL) 116E Office Phone: 401-863-7658 Email: [email protected] NARRATIVES OF SLAVERY This course examines a range of ways that the story of racial or “new world” slavery has been narrativized—that is presented as or in the form of a narrative. It approaches narrative very broadly as the re/presentation of an event, a history, a biography, an experience, etc., in which particular details are put into a written story, visual image, monument, speech, film, or other mediative and/or representational form. The main modes on which this course centers include the slave narrative, critical texts, iconography, monuments, historiography, and film. One of the seminar’s overarching questions is whether or how the form a narrative takes (e.g. written language, the spoken word, a visual image) or the “genre” that mediates its particulars (e.g. pictorial, monument, historiography, or autobiography) shapes its content and/or meaning. It also interrogates how factors such as race, gender, and geography influence narrative production regarding slavery. In evaluating the issues of form, content, and social positioning, participants will also ponder Black abolitionist, lecturer, novelist, and playwright William Wells Brown’s claim that “Slavery has never been represented, slavery never can be represented” (1847). If it is indeed the case that the atrocities of racial slavery are ultimately
    [Show full text]
  • Primary Sources from the Transatlantic Slave Trade
    Primary Sources From The Transatlantic Slave Trade The Capture The first leg of the transatlantic slave trade occurred when African raiding parties would capture other Africans and bring them to the coast where they would await purchase by European slave traders. "…I must own, to the shame of my countrymen, that I was first kidnapped and betrayed by some of my own complexion… but if there were no buyers there would be no sellers. So far as I can remember, some of the Africans in my country keep slaves, which they take in war, or for debt; but those which they keep are well fed, and good care taken of them, and treated well... But I may safely say, that all the poverty and misery that any of the inhabitants of Africa meet with among themselves, is far inferior to those inhospitable regions of misery which they meet with in the West Indies, where their hard hearted overseers have neither regard to the laws of God, nor the life of their fellow men… Some pretend that the Africans, in general, are a set of poor, ignorant, dispersed, unsociable people; and that they think it no crime to sell one another, and even their own wives and children; therefore they bring them away to a situation where many of them may arrive to a better state than ever they could obtain in their own native country. This specious pretence is without any shadow of justice or truth and if the argument was even true, it could afford no just and warrantable matter for any society of men to hold slaves.
    [Show full text]
  • Blair 4394 E Syllabus
    ENG 4394 E: CANADIAN LITERATURES OF THE BLACK ATLANTIC: TEXTS AND INFLUENCES FALL 2011 Professor: Jennifer Blair Office: Arts 346 Phone: 613-562-5800 x1153 Email: [email protected] Office hours: Thursdays 4-6, or by appointment _______________________________________________________ Course Description: This course will consider the place and concept of Canada in eighteenth- and nineteenth-century texts written by men and women who were part of the African diaspora. Many of these authors were born into slavery and fled to Canada from the United States, some as Black Loyalist soldiers who had served in the American Revolutionary War, and some as “fugitives” who were travelling on the Underground Railroad. The course will assess the particular themes and forms of this writing as a specific genre, and it will consider new critical assessments of the representations and roles of Canada in this era of slavery. We will also compare the “Canadian” texts to some of the better-known anti-slavery texts from the same period that were published in England and the United States. _______________________________________________________ COURSE MATERIALS Books: (available at Benjamin Books, 122 Osgoode St.) Mary Ann Shadd, A Plea for Emigration (Mercury) Mary Prince, The History of Mary Prince (Penguin Classics) Martin Delany, Blake, or, the Huts of America (Beacon) Harriet Jacobs, Incidents in the Life of a Slave Girl (Random House: Modern Library Edition) Fredrick Douglass, Narrative of the Life of Fredrick Douglass, An American Slave (in the
    [Show full text]