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Robert Mapplethorpe Endless Bradley Cooper th anniversary 20 WINTER - SPRING 2019 FREE COPY BRADLEY ROBERT COOPER ENDLESS MAPPLETHORPE FROM DARKNESS STREET MANHATTAN ON EMMA STONE TO TRUTH ARTIST DISPLAY THE FAVOURITE by Cristallo Resort & Spa INDICE/INDEX EDITORIAL DESIGN STYLE ARTISTS So, bullshit is... 6 Dom. eternal elegance 50 Elena Vera Stella 98 Tania Bucur 134 By Ferruccio Gard By D.M. By C.P. Pavel and Sandra Bucur 136 By Alain Chivilò COLIBRI GALLERY GLASS A book, a painting 7 Mucciaccia Gallery 52 Study of Perspective in Glass 100 IMAGES By Andrea M.Campo By Eros Rampone By Simona Larghi Rossella Pezzino De Geronimo 138 By Tobia Donà VENICE ATTITUDE EXCELLENCE Licini at the Guggenheim 10 Albano a man of honor 56 Hotel Lutetia and Poliform 102 LIFE MUSIC Tintoretto 12 By Barbara Carrer By Ilario Tancon Filippo Sugar 142 By Ferruccio Gard By C.B. CONTEMPORARY ARTPEOPLE OPENING Frabetti, inextricable beauty 58 Julian Schnabel 104 ITINERARY Imago Mundi 14 By Tobia Donà By B.C. A medieval site 144 By Barbara Liverotti By Dario Dall’Olio URBAN ART ENCOUNTERS INTERVIEW Tombolini freedom against violence 60 Bianca Guaccero 108 AGENDA Michelle Hunziker, joie de vivre 16 By Alain Chivilò By C.B. Everlasting baroque 146 By C.P. By Alessandra Quattordio EVENTS ARTROOMS PHOTO Andy Warhol superstar 62 Extended editions 110 SCULPTURE Riccardo Aichner, By Ferruccio Gard By Cristina Cellini Gustavo Velez 150 man and his reality 18 Michelangelo Galliani 152 By Alain Chivilò FESTIVAL PUBLISHERS By Richard B.Browner 75th Venice Film Festival 66 Giampaolo Prearo 112 VERNISSAGE By Ferruccio Gard By Barbara Carrer SCENERY Ennio Calabria 22 Emma Stone, the favourite 70 Franco Carletti intimate poetry 154 By Tobia Donà Cate Blanchett, hot ice 72 ARTWORKS By Alain Chivilò By Barbara Carrer Gost Stop Time! 114 CONCEPTUAL By Francesco Spinaglia AUCTION Andrea Marchesini 26 PERFORMANCE Mediartrade 158 By Alain Chivilò Cortina X Endless 76 EXHIBITIONS By Andrea M.Campo By Laura Pivetta Kaleidoscope at Farsettiarte 116 OUTDOOR By Tobia Donà LUXURY Parra in Portofino museum 28 FIGURES Bartorelli 160 By Tobia Donà The Rythm of Being Senoner 80 PERSONALITIES By Ilario Tancon By Tobia Donà Viggo Mortensen 118 CINEMA Ryan Gosling 120 ITS LIQUID Bradley Cooper 30 FOUNDATIONS By Barbara Carrer Contemporary Venice 2018 162 Lady Gaga 34 Giulio Paolini five decades 84 By Luca Curci By Barbara Carrer By Alessandra Quattordio NEODINAMISMO Muriotto philosopher of our time 122 EXHIBITIONS AND EVENTS CORTI MUSEUMS By Tobia Donà By Editorial Staff 164 Cortinametraggio 36 M9 Museum opening 88 By Ilario Tancon By Luana Gard MASTERS Robert Mapplethorpe 124 PAINTINGS ARTLIFE By Alessandra Quattordio Alessandra Mussolini 40 Negri Clementi 90 By Tobia Donà By Armin R.Mengs MEDIA Meneghetti Mono-Chrome 128 SHAPE VISIONS By Alain Chivilò Alba Gonzales 44 Enzo Esposito abstract expressionist 92 By Dante Maffia By Matteo Galbiati POP Peeta Pop Circus 132 ANDY WARHOL ALBUM TRAVEL By Mirko Rossi CAMOUFLAGE, 1987 SERIGRAFIA SU CARTA Bianca is back 48 Antico ospitale d’Ampezzo 96 SCREENPRINT ON PAPER C.B. By Dario Dall’Olio CM 96,5 X 96,5 bartorelli-210x283-vhernier.indd 1 21/11/18 11:29 22 34 102 62 138 120 72 100 146 118 84 18 12 160 Valerio Adami, Memoria del tempo di guerra, acrylic on canvas, 146 x 114 cm Galleria Croce Bianca 7 - 32043, Cortina d’Ampezzo (BL) - Italy [email protected] - www.contemporaryandco.com editoriale / editorial by Ferruccio Gard AIUTO, SO, BULLSHIT artstylemagazine.com [email protected] UNA CAGATA IS….ART? DIRETTORE RESPONSABILE/EDITOR-IN-CHIEF: È...UN’OPERA HELP, PLEASE. Ferruccio Gard e-mail: [email protected] D’ARTE? HANNO COLLABORATO/THANKS TO: Ilario Tancon, Armin R. Mengs, Eros Rampone, A.C., Francesco Ho contato sino a mille prima di scrivere I counted up to one thousand before writing this Spinaglia, Otis, Andrea Ferrazzi, Marco Rossi, Mirko Cassani, Elena Moretti, Cristina Gioacchini, Paolo Fontanesi, Lucia Majer, questo editoriale, e confesso di non sapere piece, and I must confess that I am not sure Gisella Pagano, Elena Zardini, Roberto Daolio, Sania Gukova, ancora se faccio bene o faccio male: non whether I should have written it or not. I do not Franco Salvadori, Chiara Canali, Vania Conti, Umberto Mazzoni, vorrei svolgere il ruolo del cattivo maestro want to be a bad teacher who invites artists or Paolo Levi, S. C., Monica Migliorati, Michele Beraldo, Fabio Migliorati, Luigi Abbate, Luigi Meneghelli, Elena Pontiggia, che invoglia gli artisti o aspiranti tali ad… wannabe artists to… imitate others, since I will Massimo Costa, Ivan Quaroni, Andrea M. Campo, Anna Maria imitare, visto che parlerò di una mostra che discussing an exhibition that is all about that. Barbato Ricci, Francesca Giubilei, Valentina Fogher, Stefania esalta l’imitazione. Since the co-curator of the exhibition (with Prandi, Emanuela Peruzzo, Viola Carugati, Vittorio Sgarbi, Emanuele Confortin, Luca Curci, Laura Bresolin, Valeria Pardini, Siccome il curatore è (con Alessandro Michele) Alessandro Michele) is Maurizio Cattelan, not only Paolo Buda, C.P., Serafina Leozappa, Marco Bevilacqua, Cosimo quel maestro di provocazioni che si a brilliant artist, but also a master of provocation, Mero, Luca Beatrice, Gaetano Salerno, Achille Salvagni, Dario chiama Maurizio Cattelan (artista geniale) I will try to be provocative too (I copy others, dall’Olio, Sara Speggiorin, Alessandro Zangrando, Alain Chivilò, Tobia Donà, Eva Ravazzolo, Teresa Meucci, Giulia Rossi, C.B., cercherò di buttarla anch’io in provocazione therefore I am). Louis Meisel, Richard B. Browner, Michela Zavka, Simona (imito, dunque sono). So, Cattelan, copying the title of a famous Scopelliti, Crisula Barbata, Max Willert, Daniela Bianca Dama, Dunque, Cattelan, copiando il titolo “ The performance by Marina Abramovic (another master O. Bertoloni, Anita Braghetta, Edward Lucie-Smith, Lia De Souza Sanchez, Olivia Brunt, J.K., Cristina Cellini, Alessandra artist is present” di una celebre performance, of provocation) at the MoMa in New York, "The Artist Quattordio, Giacomo Alberti, Gabriel Diego Delgado, Gabriele al Moma di New York, di Marina Abramovic is Present", invited a group of 30 artists, hopefully Simongini, B.C., Luana Gard, Barbara Liverotti, Simona Larghi, Dante Maffia, Laura Pivetta, Matteo Galbiati. (altra eccelsa provocatrice), ha invitato al copycats, to the Yuz Museum in Shanghai, from Museo Yuz di Shanghai un gruppo di 30 Armleder and Delvoye to Parreno and Danh Vo, with TRADUZIONI/TRANSLATIONS: artisti, auspicabilmente copioni, da Armleder e the aim of paying tribute to the practice of copying Elena Miraglia Delvoye a Parreno e Danh Vo, con l’obiettivo di others, seen as an inexhaustible source of art. GRAPHICS - PREPRESS - PRINT - BINDING: rendere omaggio al copiare, interpretato come And why? Well, obviously because "the copy is the Peruzzo Industrie Grafiche - Mestrino (PD) fonte inesauribile delle arti. original" and, according to Cattelan, "copying is www.graficheperuzzo.it E perché? Semplice, perché “ la copia è like blasphemy. It is disrespectful towards God, but PUBBLICITÀ/ADVERTISING: l’originale” e, sostiene Cattelan “ copiare è it is also a recognition of his existence". Euroedizioni s.r.l. come una bestemmia. Offende Dio ma è anche Which means: a copy of a work of art is a +39 0422 1626753 Via Del Santo, 133/B prova della sua esistenza”. recognition of the existence of the copycat artist; 35010 Limena (PD) - Italy Traduzione: la copia di un’opera d’arte è un therefore, copying equals making art ... .. E-mail: [email protected] riconoscimento dell’esistenza dell’artista There are no limits to the creativity of copycats. EDITORE/PUBLISHER: copione, ergo copiare è fare arte….. Worthy of mention among the many works on Euroedizioni s.r.l. Nessun limite alla fantasia copiatrice. Fra display is "Cloaca", by highly regarded Wim Delvoye Sede legale e amministrazione le tante opere esposte, ecco “Cloaca”, del (yes, the Belgian artist who came up with the idea Via Del Santo, 133/B 35010 Limena (PD) - Italy quotatissimo belga Wim Delvoye (quello of tattooing pigs), an installation that turns food Cod. fisc. e part. Iva 12209520159 che copre i maiali di tatuaggi).Trattasi di into faeces, with a lovely accompanying smell. Le opinioni degli autori impegnano soltanto la loro responsabilità un macchinario che imita la digestione, Wow, will we end up saying that bullshit is… art? e non rispecchiano necessariamente quella della direzione della dall’introduzione del cibo nello stomaco Help, considering today’s (and tomorrow’s) art rivista. Manoscritti e fotografie anche se non pubblicati, non si restituiscono. all’espulsione degli escrementi, con tanto di world, never say never.... © Proprietà artistica e letteraria riservata. È vietata odori del caso. la riproduzione anche parziale di testi pubblicati senza l’autorizzazione scritta dell’editore. Registrazione del Tribunale di Oibò, finiremo per dire che… una cagata è Milano n° 810 del 2 dicembre 1998. un’opera d’arte? Aiuto, nell’arte di oggi (e di domani) temo, fra Price: 10,00 € un olezzo e l’altro, il mai dire mai…. Hosting web: 6 WINTER - SPRING 2019 il colibrì un libro, un quadro. by Andrea M. Campo A book, A painting OSKAR KOKOSCHKA - LA SPOSA DEL VENTO, 1914 i dev’essere qualcosa di speciale “There must be something in books, things nei libri, delle cose che non we can’t imagine, to make a woman “Cpossiamo immaginare, per stay in a burning house; there must be convincere una donna a restare in una something there.” casa che brucia. È evidente!”. Thus begins Guy Montag’s emotional Così comincia il calvario emotivo di Guy torment in the dystopian-despotic society Montag nella società distopico-dispotica described in Ray Bradbury’s outstanding narrata da Ray Bradbury nel suo più novel, Fahrenheit 451. Guy is a peculiar celebre romanzo, Fahrenheit 451. Guy fireman who, together with his colleagues, è un singolare pompiere che, con i suoi attempts to extinguish the sacred fire of colleghi, prova a spegnere il sacro fuoco knowledge by burning books.
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