Peripatetics Between Ethics, Comedy and Rhetoric
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Vivariumnovum
Accademia VivariumNovum Accademia VivariumNovum Our roots The present Future plans INDEX THE ACADEMY IN BRIEF 2 1. A school for talent 5 2. An authentic Res publica litterarum 7 3. Why we speak in Latin and Greek? 9 4. Conversing with the past 11 5. Mens sana in corpore sano 13 6. Where the humanities have no price 15 OUR ROOTS 18 1. The roots of the academy 21 2. The birth of a project 23 3. A bucolic location 25 4. Major conferences and famous scholars 27 5. Major international conferences 29 Notes: International conferences 30 THE ACADEMY TODAY 36 1. The present roman campus 39 PROFUSUM 2. The principal activity of the Academy 41 3. Musical activities and classical poetry 43 SAPIENTIAE 4. Excursions and on-site lessons 45 5. Hosting schools 47 SEMEN 6. Forming teachers in a living method 49 IUSTITIAE 7. Intensive summer language courses 51 8. Our programme: research and study 53 ALERE Notes: Curriculum of studies 54 Notes: Reading list 58 FLAMMA 9. The publishing house: didactic and research 61 10. Two journals: Mercurius and Ianus 63 11. A library for the study of the humanities 65 12. Collaborations and affiliations 67 Notes: Alumni of the Academy 68 Notes: Visiting professors 72 Notes: An appeal to Unesco 76 FUTURE PROJECTS 80 1. A new campus for the humanities 83 Notes: An ideal campus 84 2. Universities and historical sites 87 3. Archeological study camps 89 4. Virtual reality and audio-visual projects 91 5. Distance learning programmes 93 6. Latin and the sciences 95 7. -
The Limits of Communication Between Mortals and Immortals in the Homeric Hymns
Body Language: The Limits of Communication between Mortals and Immortals in the Homeric Hymns. Dissertation Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Bridget Susan Buchholz, M.A. Graduate Program in Greek and Latin The Ohio State University 2009 Dissertation Committee: Sarah Iles Johnston Fritz Graf Carolina López-Ruiz Copyright by Bridget Susan Buchholz 2009 Abstract This project explores issues of communication as represented in the Homeric Hymns. Drawing on a cognitive model, which provides certain parameters and expectations for the representations of the gods, in particular, for the physical representations their bodies, I examine the anthropomorphic representation of the gods. I show how the narratives of the Homeric Hymns represent communication as based upon false assumptions between the mortals and immortals about the body. I argue that two methods are used to create and maintain the commonality between mortal bodies and immortal bodies; the allocation of skills among many gods and the transference of displays of power to tools used by the gods. However, despite these techniques, the texts represent communication based upon assumptions about the body as unsuccessful. Next, I analyze the instances in which the assumed body of the god is recognized by mortals, within a narrative. This recognition is not based upon physical attributes, but upon the spoken self identification by the god. Finally, I demonstrate how successful communication occurs, within the text, after the god has been recognized. Successful communication is represented as occurring in the presence of ritual references. -
Introduction
Cambridge University Press 978-0-521-51428-6 - Menander: Samia (The Woman From Samos) Edited by Alan H. Sommerstein Excerpt More information INTRODUCTION 1 MENANDER’S LIFE AND CAREER Menander, son of Diopeithes (of the Athenian deme of Cephisia) and his wife Hegestrate,1 was born in the Athenian year 342/1 bc;2 he was thus about three years old when Macedonian hegemony over Greece was firmly established with Philip II’s defeat of the Athenians and Thebans at Chaeronea, and came of age, at eighteen, in the year (324/3) near the end of which Alexander the Great died in Babylon. In accordance with the practice of the time ([Arist.] Ath.Pol. 42), he spent the following two years (323/2 and 322/1) living the semi-segregated life of an ‘ephebe’ (cf. 10n.) in the company of his age-mates, one of whom was destined for a fame equalling his own – the future philosopher Epicurus;3 these years witnessed the crushing of an Athenian-led anti-Macedonian revolt in the so-called Lamian War, followed by the disfranchisement of the poorer citizens (many of whom were deported to Thrace) by command of the Macedonian regent Antipater, who also ordered several leading demo- cratic politicians, including Demosthenes and Hypereides, to be executed without trial, and placed a Macedonian garrison at the Peiraeus.4 From then on, despite repeated regime changes including several restorations of democracy, Athens always remained dependent on one or another of the Macedonian dynasts who fought each other for shares of Alexander’s empire.5 Menander, it seems, had chosen the profession of a comic poet at an early age; one source claims that he attached himself to an established dramatist, Alexis of Thurii, to learn the craft.6 At any rate he was still an 1 Apollodorus FGrH 244 F 43; IG XIV 1184; Paus. -
Erasmus Opus Epistolarum Des. Erasmi Roterodami Denuo Recognitum Et Auctum Per P
The Classical Review http://journals.cambridge.org/CAR Additional services for The Classical Review: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here Terms of use : Click here Erasmus Opus Epistolarum Des. Erasmi Roterodami denuo recognitum et auctum per P. S. Allen, M.A., e Coll. Corporis Christi. Tom. I. 1484–1514. 9½×5¾. Pp. xxiv + 616. Oxonii in Typographeo Clarendoniano. Mcmvi. I8s. net. W. Rhys Roberts The Classical Review / Volume 21 / Issue 04 / June 1907, pp 108 - 113 DOI: 10.1017/S0009840X00167502, Published online: 27 October 2009 Link to this article: http://journals.cambridge.org/abstract_S0009840X00167502 How to cite this article: W. Rhys Roberts (1907). The Classical Review, 21, pp 108-113 doi:10.1017/ S0009840X00167502 Request Permissions : Click here Downloaded from http://journals.cambridge.org/CAR, IP address: 138.251.14.35 on 19 Apr 2015 io8 THE CLASSICAL REVIEW Housman in which Lucilius and his last Souter and of Renkema's Studies on Valerius editor (F. Marx) are handled with the writer's Flaccus. The Summaries of Periodicals, usual vigour. Mr. A. W. Hodgman begins a feature which the Quarterly has taken a series of studies of Verb Forms in Plautus, over from the Classical Review, occupy which will be as indispensable to Plautine eight pages of small type and include archae- students as his previous contributions on ological and numismatic as well as ' general' Plautine Grammar to the Classical Review. summaries. Dr. A. N. Jannaris throws new light on the use of the Digamma the Koppa and the Sampi A Memorial Volume is being prepared by as numerals in Greek, and Mr. -
Preliminary Studies on the Scholia to Euripides
Preliminary Studies on the Scholia to Euripides CALIFORNIA CLASSICAL STUDIES NUMBER 6 Editorial Board Chair: Donald Mastronarde Editorial Board: Alessandro Barchiesi, Todd Hickey, Emily Mackil, Richard Martin, Robert Morstein-Marx, J. Theodore Peña, Kim Shelton California Classical Studies publishes peer-reviewed long-form scholarship with online open access and print-on-demand availability. The primary aim of the series is to disseminate basic research (editing and analysis of primary materials both textual and physical), data-heavy re- search, and highly specialized research of the kind that is either hard to place with the leading publishers in Classics or extremely expensive for libraries and individuals when produced by a leading academic publisher. In addition to promoting archaeological publications, papyrologi- cal and epigraphic studies, technical textual studies, and the like, the series will also produce selected titles of a more general profile. The startup phase of this project (2013–2017) is supported by a grant from the Andrew W. Mellon Foundation. Also in the series: Number 1: Leslie Kurke, The Traffic in Praise: Pindar and the Poetics of Social Economy, 2013 Number 2: Edward Courtney, A Commentary on the Satires of Juvenal, 2013 Number 3: Mark Griffith, Greek Satyr Play: Five Studies, 2015 Number 4: Mirjam Kotwick, Alexander of Aphrodisias and the Text of Aristotle’s Metaphys- ics, 2016 Number 5: Joey Williams, The Archaeology of Roman Surveillance in the Central Alentejo, Portugal, 2017 PRELIMINARY STUDIES ON THE SCHOLIA TO EURIPIDES Donald J. Mastronarde CALIFORNIA CLASSICAL STUDIES Berkeley, California © 2017 by Donald J. Mastronarde. California Classical Studies c/o Department of Classics University of California Berkeley, California 94720–2520 USA http://calclassicalstudies.org email: [email protected] ISBN 9781939926104 Library of Congress Control Number: 2017916025 CONTENTS Preface vii Acknowledgments xi Abbreviations xiii Sigla for Manuscripts of Euripides xvii List of Plates xxix 1. -
Συναγωνίζεσθαι Studies in Honour of Guido Avezzù Vol
Συναγωνίζεσθαι Studies in Honour of Guido Avezzù Vol. 1 Edited by Silvia Bigliazzi, Francesco Lupi, Gherardo Ugolini Σ Skenè Studies I • 1 Skenè Studies I • 1 Συναγωνίζεσθαι Studies in Honour of Guido Avezzù Edited by Silvia Bigliazzi, Francesco Lupi, Gherardo Ugolini Vol. 1 Σ S K E N È Theatre and Drama Studies Executive Editor Guido Avezzù. General Editors Guido Avezzù, Silvia Bigliazzi. Editorial Board Simona Brunetti, Francesco Lupi, Nicola Pasqualicchio, Susan Payne, Gherardo Ugolini. Managing Editors Serena Marchesi, Savina Stevanato. Editorial Staff Francesco Dall’Olio, Marco Duranti, Carina Fernandes, Antonietta Provenza, Emanuel Stelzer. Layout Editor Alex Zanutto. Advisory Board Anna Maria Belardinelli, Anton Bierl, Enoch Brater, Jean-Christophe Cavallin, Rosy Colombo, Claudia Corti, Marco De Marinis, Tobias Döring, Pavel Drabek, Paul Edmondson, Keir Douglas Elam, Ewan Fernie, Patrick Finglass, Enrico Giaccherini, Mark Griffith, Daniela Guardamagna, Stephen Halliwell, Robert Henke, Pierre Judet de la Combe, Eric Nicholson, Guido Paduano, Franco Perrelli, Didier Plassard, Donna Shalev, Susanne Wofford. Copyright © 2018 S K E N È All rights reserved. ISSN 2464-9295 ISBN 978-88-6464-503-2 Published in December 2018 No part of this book may be reproduced in any form or by any means without permission from the publisher Dir. Resp. (aut. Trib. di Verona): Guido Avezzù P.O. Box 149 c/o Mail Boxes Etc. (MBE 150) – Viale Col. Galliano, 51, 37138, Verona (I) S K E N È Theatre and Drama Studies http://www.skenejournal.it [email protected] Contents Silvia Bigliazzi - Francesco Lupi - Gherardo Ugolini Πρόλογος / Prologue 9 Part 1 – Τραγῳδία / Tragedy 1. Stephen Halliwell “We were there too”: Philosophers in the Theatre 15 2. -
University of Florida Thesis Or Dissertation Formatting
SMATHERS LIBRARIES’ LATIN AND GREEK RARE BOOKS COLLECTION UNIVERSITY OF FLORIDA 2016 1 TABLE OF CONTENTS page LECTORI: TO THE READER ........................................................................................ 20 LATIN AUTHORS.......................................................................................................... 24 Ammianus ............................................................................................................... 24 Title: Rerum gestarum quae extant, libri XIV-XXXI. What exists of the Histories, books 14-31. ................................................................................. 24 Apuleius .................................................................................................................. 24 Title: Opera. Works. ......................................................................................... 24 Title: L. Apuleii Madaurensis Opera omnia quae exstant. All works of L. Apuleius of Madaurus which are extant. ....................................................... 25 See also PA6207 .A2 1825a ............................................................................ 26 Augustine ................................................................................................................ 26 Title: De Civitate Dei Libri XXII. 22 Books about the City of God. ..................... 26 Title: Commentarii in Omnes Divi Pauli Epistolas. Commentary on All the Letters of Saint Paul. .................................................................................... -
Political Comedy in Aristophanes
This is a repository copy of Political Comedy in Aristophanes. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/3588/ Book: Heath, M. (1987) Political Comedy in Aristophanes. Hypomnemata, 87 . Vandenhoeck & Ruprecht , Göttingen . ISBN 978-3525251867 Reuse Unless indicated otherwise, fulltext items are protected by copyright with all rights reserved. The copyright exception in section 29 of the Copyright, Designs and Patents Act 1988 allows the making of a single copy solely for the purpose of non-commercial research or private study within the limits of fair dealing. The publisher or other rights-holder may allow further reproduction and re-use of this version - refer to the White Rose Research Online record for this item. Where records identify the publisher as the copyright holder, users can verify any specific terms of use on the publisher’s website. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Hypomnemata 87, Göttingen: Vandenhoeck & Ruprecht 1987 © Vandenhoeck & Ruprecht (1987) and Malcolm Heath (2007) Political Comedy in Aristophanes* MALCOLM HEATH (UNIVERSITY OF LEEDS) ABSTRACT: This paper argues that Aristophanic comedy, although it takes contemporary political life as its point of departure, is not political in the sense of aiming to influence politics outside the theatre. Brief discussions of Clouds, Knights, Lysistrata and Acharnians are used to cast initial doubt on interpretations that attribute serious intent to Aristophanes. -
Understanding Calvinism: B
Introduction A. Special Terminology I. The Persons Understanding Calvinism: B. Distinctive Traits A. John Calvin 1. Governance Formative Years in France: 1509-1533 An Overview Study 2. Doctrine Ministry Years in Switzerland: 1533-1564 by 3. Worship and Sacraments Calvin’s Legacy III. Psycology and Sociology of the Movement Lorin L Cranford IV. Biblical Assessment B. Influencial Interpreters of Calvin Publication of C&L Publications. II. The Ideology All rights reserved. © Conclusion INTRODUCTION1 Understanding the movement and the ideology la- belled Calvinism is a rather challenging topic. But none- theless it is an important topic to tackle. As important as any part of such an endeavour is deciding on a “plan of attack” in getting into the topic. The movement covered by this label “Calvinism” has spread out its tentacles all over the place and in many different, sometimes in conflicting directions. The logical starting place is with the person whose name has been attached to the label, although I’m quite sure he would be most uncomfortable with most of the content bearing his name.2 After exploring the history of John Calvin, we will take a look at a few of the more influential interpreters of Calvin over the subsequent centuries into the present day. This will open the door to attempt to explain the ideology of Calvinism with some of the distinctive terms and concepts associated exclusively with it. I. The Persons From the digging into the history of Calvinism, I have discovered one clear fact: Calvinism is a religious thinking in the 1500s of Switzerland when he lived and movement that goes well beyond John Calvin, in some worked. -
The Changing Nature of the Text
University of Dayton eCommons Roesch Library Faculty Presentations Roesch Library 4-3-2013 The hC anging Nature of the Text Fred W. Jenkins University of Dayton, [email protected] Follow this and additional works at: https://ecommons.udayton.edu/roesch_fac_presentations Part of the Classical Literature and Philology Commons, Digital Humanities Commons, and the Library and Information Science Commons Recommended Citation Jenkins, Fred W., "The hC anging Nature of the Text" (2013). Roesch Library Faculty Presentations. 28. https://ecommons.udayton.edu/roesch_fac_presentations/28 This Presentation is brought to you for free and open access by the Roesch Library at eCommons. It has been accepted for inclusion in Roesch Library Faculty Presentations by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. The Changing Nature of the Text: Implications for Scholars and Libraries Penn State April 3, 2013 It is always dangerous to give speakers a free choice of topic. Today I intend to draw on my interests in classical philology, the history of classical scholarship, and libraries to examine the symbiotic relationship of philology and libraries [slide 1], to consider how the papyrus roll and codex have defined libraries for most of their history, to survey changes in text and philology over time [slide 2], and to look at some current trends and possible future directions. In some ways this combines intellectual biography with my current reading and reflection. My academic formation began in the very traditional Altertumswissenschaft program at Cincinnati in the 1970s, which integrated philology, history, and archaeology. This was followed by graduate work at Illinois, one of the most hard-core philological programs in North America, where I specialized in Later Latin and Greek papyrology. -
Christian Gottlob Heyne and the Changing Fortunes of the Commentary in the Age of Altertumswissenschaft
Christian Gottlob Heyne and the changing fortunes of the commentary in the age of Altertumswissenschaft Book or Report Section Accepted Version Harloe, K. (2015) Christian Gottlob Heyne and the changing fortunes of the commentary in the age of Altertumswissenschaft. In: Kraus, C. S. and Stray, C. (eds.) Classical Commentaries: Explorations in a scholarly genre. Oxford University Press, Oxford, pp. 435-456. ISBN 9780199688982 Available at http://centaur.reading.ac.uk/39805/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . Publisher: Oxford University Press All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online Christian Gottlob Heyne and the Changing Fortunes of the Commentary in the Age of Altertumswissenschaft Katherine Harloe This chapter seeks to explore issues raised by the major commentaries on Tibullus, Virgil and the Iliad that came from the pen of Christian Gottlob Heyne (1729–1812). For a long time Heyne was neglected within classical scholars’ understanding of their own history, yet in his own age he was something of a European intellectual celebrity, and even at the end of the nineteenth century Friedrich Paulsen could identify him as ‘indisputably the leader in the field of classical studies in Germany during the second half of the eighteenth century’ (1885: 441). -
20 Before 1820, March 2021
20 Before 1820, March 2021 [email protected] 917-974-2420 full descriptions available at www.honeyandwaxbooks.com or click on any image THE BASKERVILLE ARIOSTO, 1773 1. Lodovico Ariosto; Gian Battista Cipriani (illustrator); Jean-Michel Moreau (illustrator); Charles-Dominique-Joseph Eisen (illustrator); Charles-Nicolas Cochin (illustrator); Charles Monnet (illustrator); Jean-Baptiste Greuze (illustrator). Orlando Furioso di Lodovico Ariosto. Birmingham: Baskerville, 1773. $2200. First edition of the Baskerville Ariosto, octavo issue, with forty-six engraved plates. Set during the Saracen invasion of France, Orlando Furioso (1516-1532) follows the adventures of Charlemagne’s high-strung knight Orlando, who goes mad for love. Ariosto’s comic epic was hugely influential, going on to inspire works as various as The Faerie Queene, Much Ado About Nothing, Don Quixote, and Don Juan. Gaskell 48. Text in Italian. A very good set, in handsome contemporary bindings. Four octavo volumes: [34], lviii, 362, [2]; [2], 450, [2]; [2], 446, [2]; [2], 446 [2]. Contemporary tree calf, Greek key border and floral cornerpieces in gilt to boards, raised bands, spine compartments ruled and patterned in gilt, red and black morocco spine labels lettered in gilt, gilt dentelles, marbled endpapers. Copperplate frontispiece of Ariosto and forty-six engraved plates. Associati and Errata bound before Vita in Volume I (all present). Bookplates to pastedowns. Light shelfwear to boards, expert repair to joints and corners, some foxing to text. LES SPECTACLES INSTRUCTIFS, 1817, FRENCH POCKET GUIDE TO TRAINED ANIMALS 2. “M[ada]me B[ertin], née de V[erceil];” Jean Démosthène Dugourc (illustrator). Les Spectacles Instructifs, ou Les Serins Hollandais, Les Moineaux Francs du Palais-Royal, La Chasse au Faucon, Le Cormoran Pêcheur de la Chine, Le Lièvre Intrépide, Les Singes Militaires, Les Serpens Indiens, etc.