Recollections of the Table-Talk of Samuel
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Durham E-Theses
Durham E-Theses A history of Richmond school, Yorkshire Wenham, Leslie P. How to cite: Wenham, Leslie P. (1946) A history of Richmond school, Yorkshire, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/9632/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk HISTORY OP RICHMOND SCHOOL, YORKSHIREc i. To all those scholars, teachers, henefactors and governors who, by their loyalty, patiemce, generosity and care, have fostered the learning, promoted the welfare and built up the traditions of R. S. Y. this work is dedicated. iio A HISTORY OF RICHMOND SCHOOL, YORKSHIRE Leslie Po Wenham, M.A., MoLitt„ (late Scholar of University College, Durham) Ill, SCHOOL PRAYER. We give Thee most hiomble and hearty thanks, 0 most merciful Father, for our Founders, Governors and Benefactors, by whose benefit this school is brought up to Godliness and good learning: humbly beseeching Thee that we may answer the good intent of our Founders, "become profitable members of the Church and Commonwealth, and at last be partakers of the Glories of the Resurrection, through Jesus Christ our Lord. -
Poems About Poets
1 BYRON’S POEMS ABOUT POETS Some of the funniest of Byron’s poems spring with seeming spontaneity from his pen in the middle of his letters. Much of this section comes from correspondence, though there is some formal verse. Several pieces are parodies, some one-off squibs, some full-length. Byron’s distaste for most of the poets of his day shines through, with the recurrent and well-worn traditional joke that their books will end either as stuffing in hatshops, wrapped around pastries, or as toilet-tissue. Byron admired the English poets of the past – the Augustans especially – much more than he did any of his contemporaries. Of “the Romantic Movement” he knew no more than did any of the other writers supposed now to have been members of it. Southey he loathed, as a dreadful doppelgänger – see below. Of Wordsworth he also had a low opinion, based largely on The Excursion – to the ambitions of which Don Juan can be regarded as a riposte (there are as many negative comments about Wordsworth in Don Juan as there are about Southey). He was as abusive of Keats as it’s possible to be, and only relented (as he said), when Shelley showed him Hyperion. Of the poetry of his friend Shelley he was very guarded indeed, and compensated by defending Shelley’s moral reputation. Blake he seems not to have known (“Blake” was him the name of a well-known Fleet Street barber). The only poet of whom his judgement and modern estimate coincide is Coleridge: he was strong in his admiration for The Ancient Mariner, Kubla Khan, and Christabel; about the conversational poems he seems blank, and he feigns total incomprehension of the Biographia Literaria (see below). -
Peripatetics Between Ethics, Comedy and Rhetoric
DISSERTATIONES STUDIORUM GRAECORUM ET LATINORUM UNIVERSITATIS TARTUENSIS 4 DISSERTATIONES STUDIORUM GRAECORUM ET LATINORUM UNIVERSITATIS TARTUENSIS 4 CHARACTER DESCRIPTION AND INVECTIVE: PERIPATETICS BETWEEN ETHICS, COMEDY AND RHETORIC IVO VOLT Department of Classical Philology, Institute of Germanic, Romance and Slavonic Languages and Literatures, Faculty of Philosophy, University of Tartu, Estonia The Council of the Institute of Germanic, Romance and Slavonic Lan- guages and Literatures has, on 31 August 2007, accepted this disser- tation to be defended for the degree of Doctor of Philosophy in Classical Philology. Supervisor: Professor Anne Lill, University of Tartu Reviewer: Professor Karin Blomqvist, University of Lund The dissertation will be defended in Room 209, Ülikooli 17, on 21 De- cember 2007. The publication of the dissertation was funded by the Institute of Ger- manic, Romance and Slavonic Languages and Literatures, University of Tartu. ISSN 1406–8192 ISBN 978–9949–11–793–2 (trükis) ISBN 978–9949–11–794–9 (PDF) Autoriõigus Ivo Volt, 2007 Tartu Ülikooli Kirjastus www.tyk.ee Tellimus nr. 528 PREFACE This thesis has originated from my interest in the Characters of Theophras- tos, a remarkable piece of writing from the Greek antiquity and a true aureolus libellus.1 I first read the Characters, in Russian, for a Russian class during my first year of study at the University of Tartu in 1993, and since then have come across this work several times, including a course on the Characters by Anne Lill in 1996, my B.A. and M.A. theses (1997 and 2000), a course on the Characters by myself (1999), and the Estonian translation and commentary of the work (Lill & Volt 2000). -
Early Methodism in and Around Chester, 1749-1812
EARIvY METHODISM IN AND AROUND CHESTER — Among the many ancient cities in England which interest the traveller, and delight the antiquary, few, if any, can surpass Chester. Its walls, its bridges, its ruined priory, its many churches, its old houses, its almost unique " rows," all arrest and repay attention. The cathedral, though not one of the largest or most magnificent, recalls many names which deserve to be remembered The name of Matthew Henry sheds lustre on the city in which he spent fifteen years of his fruitful ministry ; and a monument has been most properly erected to his honour in one of the public thoroughfares, Methodists, too, equally with Churchmen and Dissenters, have reason to regard Chester with interest, and associate with it some of the most blessed names in their briefer history. ... By John Wesley made the head of a Circuit which reached from Warrington to Shrewsbury, it has the unique distinction of being the only Circuit which John Fletcher was ever appointed to superintend, with his curate and two other preachers to assist him. Probably no other Circuit in the Connexion has produced four preachers who have filled the chair of the Conference. But from Chester came Richard Reece, and John Gaulter, and the late Rev. John Bowers ; and a still greater orator than either, if not the most effective of all who have been raised up among us, Samuel Bradburn. (George Osborn, D.D. ; Mag., April, 1870.J Digitized by tine Internet Arciiive in 2007 with funding from IVIicrosoft Corporation littp://www.archive.org/details/earlymethodisminOObretiala Rev. -
STEPHEN TAYLOR the Clergy at the Courts of George I and George II
STEPHEN TAYLOR The Clergy at the Courts of George I and George II in MICHAEL SCHAICH (ed.), Monarchy and Religion: The Transformation of Royal Culture in Eighteenth-Century Europe (Oxford: Oxford University Press, 2007) pp. 129–151 ISBN: 978 0 19 921472 3 The following PDF is published under a Creative Commons CC BY-NC-ND licence. Anyone may freely read, download, distribute, and make the work available to the public in printed or electronic form provided that appropriate credit is given. However, no commercial use is allowed and the work may not be altered or transformed, or serve as the basis for a derivative work. The publication rights for this volume have formally reverted from Oxford University Press to the German Historical Institute London. All reasonable effort has been made to contact any further copyright holders in this volume. Any objections to this material being published online under open access should be addressed to the German Historical Institute London. DOI: 5 The Clergy at the Courts of George I and George II STEPHEN TAYLOR In the years between the Reformation and the revolution of 1688 the court lay at the very heart of English religious life. Court bishops played an important role as royal councillors in matters concerning both church and commonwealth. 1 Royal chaplaincies were sought after, both as important steps on the road of prefer- ment and as positions from which to influence religious policy.2 Printed court sermons were a prominent literary genre, providing not least an important forum for debate about the nature and character of the English Reformation. -
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An “imperfect” Model of Authorship in Dorothy Wordsworth’s Grasmere Journal HEATHER MEEK Abstract: This essay explores Dorothy Wordsworth’s collaborative, “pluralist” model of selfhood and authorship as it is elaborated in her Grasmere journal (1800-03). Nature and community, for her, are extensions of the self rather than (as they often are for her brother William) external forces to be subsumed by the self of the solitary artist. This model, however, is the site of ambivalence and conflict, and is therefore “imperfect” – a word Wordsworth herself uses to qualify the “summary” she believes her journal as a whole provides. It is “imperfect” not because it is inferior, weak, or deficient in some way, but because it is riddled with tension and inconsistency. Wordsworth embraces processes of collaborative creativity, but she also expresses – largely through her narrations of illness – dissatisfaction with such processes, and she sometimes finds relief in her solitary, melancholic musings. In these ways, she at once subverts, reworks, and reinforces conventional, ‘solitary genius’ paradigms of authorship. Contributor Biography: Heather Meek is Assistant Professor of English in the Department of Literatures and Languages of the World, Université de Montréal. Her research and teaching interests include eighteenth-century women’s writing, medical treatises, mental illness, and the intersections of literature and medicine. Dorothy Wordsworth’s well-known claim in an 1810 letter to her friend Catherine Clarkson – “I should detest the idea of setting myself up as an Author” (Letters 454) – has by now been interrogated at length. A survey of Dorothy Wordsworth scholarship of the past thirty years reveals that understandings of her as William’s self-effacing, silenced sister, one who was “constantly denigrat[ing] herself and her talent” (Levin, Romanticism 4), and who, despite poet Samuel Rogers’ urging, never viewed herself as a writer (Hamilton xix), have been largely dismissed. -
Art and Samuel Rogers's Italy
Reverse Pygmalionism Art and Samuel Rogers’s Italy ANGOR UNIVERSITY McCue, M. Romantic Textualities: Literature and Print Culture, 1780–1840 PRIFYSGOL BANGOR / B Published: 01/01/2013 Publisher's PDF, also known as Version of record Cyswllt i'r cyhoeddiad / Link to publication Dyfyniad o'r fersiwn a gyhoeddwyd / Citation for published version (APA): McCue, M. (2013). Reverse Pygmalionism Art and Samuel Rogers’s Italy. Romantic Textualities: Literature and Print Culture, 1780–1840, 21. Hawliau Cyffredinol / General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal ? Take down policy If you believe that this document breaches copyright please contact us providing details, and we will remove access to the work immediately and investigate your claim. 26. Sep. 2021 ROMANTICT EXTUALITIES LITERATURE AND PRINT CULTURE, 1780–1840 • Issue 21 (Winter 2013) Centre for Editorial and Intertextual Research Cardiff University RT21.indb 1 16/07/2014 04:53:34 Romantic Textualities is available on the web at www.romtext.org.uk, and on Twitter @romtext ISSN 1748-0116 Romantic Textualities: Literature and Print Culture, 1780–1840, 21 (Winter 2013). -
Erasmus Opus Epistolarum Des. Erasmi Roterodami Denuo Recognitum Et Auctum Per P
The Classical Review http://journals.cambridge.org/CAR Additional services for The Classical Review: Email alerts: Click here Subscriptions: Click here Commercial reprints: Click here Terms of use : Click here Erasmus Opus Epistolarum Des. Erasmi Roterodami denuo recognitum et auctum per P. S. Allen, M.A., e Coll. Corporis Christi. Tom. I. 1484–1514. 9½×5¾. Pp. xxiv + 616. Oxonii in Typographeo Clarendoniano. Mcmvi. I8s. net. W. Rhys Roberts The Classical Review / Volume 21 / Issue 04 / June 1907, pp 108 - 113 DOI: 10.1017/S0009840X00167502, Published online: 27 October 2009 Link to this article: http://journals.cambridge.org/abstract_S0009840X00167502 How to cite this article: W. Rhys Roberts (1907). The Classical Review, 21, pp 108-113 doi:10.1017/ S0009840X00167502 Request Permissions : Click here Downloaded from http://journals.cambridge.org/CAR, IP address: 138.251.14.35 on 19 Apr 2015 io8 THE CLASSICAL REVIEW Housman in which Lucilius and his last Souter and of Renkema's Studies on Valerius editor (F. Marx) are handled with the writer's Flaccus. The Summaries of Periodicals, usual vigour. Mr. A. W. Hodgman begins a feature which the Quarterly has taken a series of studies of Verb Forms in Plautus, over from the Classical Review, occupy which will be as indispensable to Plautine eight pages of small type and include archae- students as his previous contributions on ological and numismatic as well as ' general' Plautine Grammar to the Classical Review. summaries. Dr. A. N. Jannaris throws new light on the use of the Digamma the Koppa and the Sampi A Memorial Volume is being prepared by as numerals in Greek, and Mr. -
Συναγωνίζεσθαι Studies in Honour of Guido Avezzù Vol
Συναγωνίζεσθαι Studies in Honour of Guido Avezzù Vol. 1 Edited by Silvia Bigliazzi, Francesco Lupi, Gherardo Ugolini Σ Skenè Studies I • 1 Skenè Studies I • 1 Συναγωνίζεσθαι Studies in Honour of Guido Avezzù Edited by Silvia Bigliazzi, Francesco Lupi, Gherardo Ugolini Vol. 1 Σ S K E N È Theatre and Drama Studies Executive Editor Guido Avezzù. General Editors Guido Avezzù, Silvia Bigliazzi. Editorial Board Simona Brunetti, Francesco Lupi, Nicola Pasqualicchio, Susan Payne, Gherardo Ugolini. Managing Editors Serena Marchesi, Savina Stevanato. Editorial Staff Francesco Dall’Olio, Marco Duranti, Carina Fernandes, Antonietta Provenza, Emanuel Stelzer. Layout Editor Alex Zanutto. Advisory Board Anna Maria Belardinelli, Anton Bierl, Enoch Brater, Jean-Christophe Cavallin, Rosy Colombo, Claudia Corti, Marco De Marinis, Tobias Döring, Pavel Drabek, Paul Edmondson, Keir Douglas Elam, Ewan Fernie, Patrick Finglass, Enrico Giaccherini, Mark Griffith, Daniela Guardamagna, Stephen Halliwell, Robert Henke, Pierre Judet de la Combe, Eric Nicholson, Guido Paduano, Franco Perrelli, Didier Plassard, Donna Shalev, Susanne Wofford. Copyright © 2018 S K E N È All rights reserved. ISSN 2464-9295 ISBN 978-88-6464-503-2 Published in December 2018 No part of this book may be reproduced in any form or by any means without permission from the publisher Dir. Resp. (aut. Trib. di Verona): Guido Avezzù P.O. Box 149 c/o Mail Boxes Etc. (MBE 150) – Viale Col. Galliano, 51, 37138, Verona (I) S K E N È Theatre and Drama Studies http://www.skenejournal.it [email protected] Contents Silvia Bigliazzi - Francesco Lupi - Gherardo Ugolini Πρόλογος / Prologue 9 Part 1 – Τραγῳδία / Tragedy 1. Stephen Halliwell “We were there too”: Philosophers in the Theatre 15 2. -
Romantic Medicine and the Poetics of Palliation
Romantic Medicine and the Poetics of Palliation by Brittany Pladek A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of English University of Toronto © Copyright by Brittany Pladek (2013) Romantic Medicine and the Poetics of Palliation Brittany Pladek Doctor of Philosophy Department of English University of Toronto 2013 Abstract This study uses the interdisciplinary lens of Romantic medical ethics to reconsider received ideas about the therapeutic power of Romantic poetry. Studies of literature and medicine in the long nineteenth century have generally considered disease the era’s main medical symbol; they have likewise considered holistic “healing” its major model for poetry’s therapeutic effect, following Geoffrey Hartman’s description of Wordsworth’s ability to “heal the wound of self.” Without denying the importance of these paradigms, my work explores alternate foci: pain instead of disease, and palliation instead of healing. In Britain, professional medical ethics were first codified during the Romantic period in response to a variety of medical and social advances. But because of Romantic medicine’s curative uncertainty and utilitarian intolerance for pain, its ethicists turned from cure to palliation to describe a doctor’s primary duty toward his patients. My study argues that this palliative ethic was taken up by Romantic literary writers to describe their own work. By engaging with contemporary medical ethics treatises such as John Gregory’s 1770 Lectures on the Duties and Qualifications of a Physician and Thomas Percival’s 1803 Medical Ethics, I explore four Romantic authors’ struggle to find an appropriate medical model for their work’s therapeutic benefits. -
Letters of Marque: Declarations Against America (HCA26/60-70; ADM7/317-218): 1777-1783
Letters of Marque: Declarations Against America (HCA26/60-70; ADM7/317-218): 1777-1783 MIC-Loyalist FC LMR .G7A3L4A4 Index of Ships and Commanders HCA 26/68 (8 Nov. 1780- 17 Jan. 1781), HCA 26/69 (17 Jan. -7 Nov. 1781), HCA 26/70 (10 Nov. 1781- 20 Jan. 1783) NOTE: “Folio Number” matches written numeral, not stamped numeral. () variation of name in documents [] editor’s guess Reel 1 Index A (Volume 60) A Ship Name Commander Folio Number Aurora Robert Callow 31 Ann Susanna William Johnson 53 Augustus Casar John Deffell 62 Alexander Thomas Clubley 63 Alfred John Bolton 74 Alexander John Bain 78 Andrew Andrew Stephens 86 Ancona Pacquet John Hall 90 Adventure John Muir 91 Anglicana John Hughes 99 Aston Hall John Austen 130 Ann John Barkley 138 Ambuscade John Munns 167 Adamant George Jenkins 172 Anna Henry Williams 172 Antigua Planter James Johnson 174 B Ship Name Commander Folio Number Betsey James Leitch 25 British Queen James Hodge 48 British Queen Joseph Judge 105 Brilliant John Lewis 134 Bess Richard Perry 135 British King Richard Purvis 141 Bessborough Alexander Montgomerie 149 Britannia John Wheatley 157 Barbara Pacquet Alexander Forfar 158 Britannia James Furze 169 Brilliant William Priestman 171 C Ship Name Commander Folio Number Ceres Archibald Greig 18 Charming Sally William Wheatley 59 Charming Nancy John Bell 68 Christopher James Deas 81 Camden James Bonner 110 Caesar William Miller 165 Commerce Alexander Fraser 166 Clarendon John Amery 167 Catherine Thomas Boog 182 D Ship Name Commander Folio Number Dorothy John White 54 Derby -
The Changing Nature of the Text
University of Dayton eCommons Roesch Library Faculty Presentations Roesch Library 4-3-2013 The hC anging Nature of the Text Fred W. Jenkins University of Dayton, [email protected] Follow this and additional works at: https://ecommons.udayton.edu/roesch_fac_presentations Part of the Classical Literature and Philology Commons, Digital Humanities Commons, and the Library and Information Science Commons Recommended Citation Jenkins, Fred W., "The hC anging Nature of the Text" (2013). Roesch Library Faculty Presentations. 28. https://ecommons.udayton.edu/roesch_fac_presentations/28 This Presentation is brought to you for free and open access by the Roesch Library at eCommons. It has been accepted for inclusion in Roesch Library Faculty Presentations by an authorized administrator of eCommons. For more information, please contact [email protected], [email protected]. The Changing Nature of the Text: Implications for Scholars and Libraries Penn State April 3, 2013 It is always dangerous to give speakers a free choice of topic. Today I intend to draw on my interests in classical philology, the history of classical scholarship, and libraries to examine the symbiotic relationship of philology and libraries [slide 1], to consider how the papyrus roll and codex have defined libraries for most of their history, to survey changes in text and philology over time [slide 2], and to look at some current trends and possible future directions. In some ways this combines intellectual biography with my current reading and reflection. My academic formation began in the very traditional Altertumswissenschaft program at Cincinnati in the 1970s, which integrated philology, history, and archaeology. This was followed by graduate work at Illinois, one of the most hard-core philological programs in North America, where I specialized in Later Latin and Greek papyrology.