Simon Biggs Born 1957, Adelaide, Australia. [email protected]
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Strictly Berlin”
folio DOSJE BERLIN_ Pilot za intermedijsko umetnost, kulturo in veselje do življenja / Guide to intermedia art, culture and the joy Aleksandra Kostič: of life Berlinartpedia Letnik 1 (2009), Maribor / Volume 1 (2009), Maribor, Slovenia Heiko Daxl: “Strictly Berlin” Folio izhaja sezonsko – štiri številke letno. / Folio is Barbara Caveng, Berlin published quaterly – four issues per year. Folio izhaja v slovenskem in angleškem jeziku. / Folio Don Ritter, Berlin is published in Slovenian and English language. Časopis Folio je vpisan v razvid medijev pod zaporedno številko 1455. / Folio magazine is entered in the mass media register under order No 1455. Urednica / Editor: Snežana Štabi Uredništvo / Editorial staff: Peter Tomaž Dobrila, Aleksandra Kostič, Dejan Pestotnik Maja Vuksanovič Prevodi / Translation: Alenka Ropret Sodelavci / Contributors: Nika Logar, Lidija Pačnik, Mirjana Predojevič, Srdžan Trifunović Fotografije / Photographs: arhiv Kibla / Kibla archives Prelom / Layout: Luka Cimolini Svetovanje / Support: Dejan Štampar Tisk / Printing: Naklada / Print run: 15.000 izvodov / 15,000 copies Tiskano v Sloveniji. / Printed in Slovenia. Izdajatelj časopisa / Publisher: Kulturno izobraževalno društvo Kibla / Asssociation for Culture and Education Kibla Zanjo / Represented by: Aleksandra Kostič, predsednica KID Kibla / President of ACE Kibla Copyright © 2009 ACE Kibla Photographs Copyright © Authors and ACE Kibla Vse pravice pridržane. / All rights reserved. Finančna podpora / Supported by: Ministrstvo RS za kulturo Mestna občina Maribor Folio, nov časopis! Folio, a new magazine! Snežana Štabi Etymologically, Folio originates in the Latin singular form of “folium” – leaf. Folio is leaf of a manuscript Folio izvira etimološko iz edninske oblike latinskega or book, and a standard size sheet of paper once “folium” in pomeni list. Folio je list rokopisa ali knjige folded – like the folded newspaper sheet. -
City, University of London Institutional Repository
City Research Online City, University of London Institutional Repository Citation: Pace, I. ORCID: 0000-0002-0047-9379 (2021). New Music: Performance Institutions and Practices. In: McPherson, G and Davidson, J (Eds.), The Oxford Handbook of Music Performance. Oxford, UK: Oxford University Press. This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/25924/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] New Music: Performance Institutions and Practices Ian Pace For publication in Gary McPherson and Jane Davidson (eds.), The Oxford Handbook of Music Performance (New York: Oxford University Press, 2021), chapter 17. Introduction At the beginning of the twentieth century concert programming had transitioned away from the mid-eighteenth century norm of varied repertoire by (mostly) living composers to become weighted more heavily towards a historical and canonical repertoire of (mostly) dead composers (Weber, 2008). -
Drawing the Intersections of Exhibition, Media, Performance and Architecture Lawrence Paul Wallen University of Wollongong
University of Wollongong Research Online University of Wollongong Thesis Collection University of Wollongong Thesis Collections 2012 A grammar of space - drawing the intersections of exhibition, media, performance and architecture Lawrence Paul Wallen University of Wollongong Recommended Citation Wallen, Lawrence Paul, A grammar of space - drawing the intersections of exhibition, media, performance and architecture, Doctor of Creative Arts thesis, Faculty of Creative Arts, University of Wollongong, 2012. http://ro.uow.edu.au/theses/3689 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Faculty of Creative Arts A GRAMMAR OF SPACE Drawing the Intersections of Exhibition, Media, Performance and Architecture Lawrence Paul Wallen Bachelor of Architecture (1st Class Honours) RMIT Master of Architecture (Research) RMIT This thesis is presented as part of the requirements for the Award of the Degree of Doctor of Creative Arts of the University of Wollongong March 2012 i ABSTRACT ‘A Grammar of Space’ refers to the search for the first memory of space, and to the construction of a framework that explains artistic approaches to space, through the process of reflecting on a spatial practice. The research asks what is the interstitial space between image and text? It is this junction, potent in contemporary practice, that I argue underpins my artistic research. This is both an artistic and scholarly investigation, and it engages with my search for the origin of (cultural) memory as manifested in works from a range of media: architecture, installation, scenography, drawing, and time-based media. The study is distinctive in its exploration of a contemporary global trajectory as it traces geographic, psychological and cultural landscapes as it revisits central works created in Europe, Australia, Asia and New Zealand since 1992. -
NSF Programme Book 23/04/2019 12:31 Page 1
two weeks of world-class music newbury spring festival 11–25 may 2019 £5 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 1 A Royal Welcome HRH The Duke of Kent KG Last year was very special for the Newbury Spring Festival as we marked the fortieth anniversary of the Festival. But following this anniversary there is some sad news, with the recent passing of our President, Jeanie, Countess of Carnarvon. Her energy, commitment and enthusiasm from the outset and throughout the evolution of the Festival have been fundamental to its success. The Duchess of Kent and I have seen the Festival grow from humble beginnings to an internationally renowned arts festival, having faced and overcome many obstacles along the way. Jeanie, Countess of Carnarvon, can be justly proud of the Festival’s achievements. Her legacy must surely be a Festival that continues to flourish as we embark on the next forty years. www.newburyspringfestival.org.uk 1 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 2 Jeanie, Countess of Carnarvon MBE Founder and President 1935 - 2019 2 box office 0845 5218 218 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 3 The Festival’s founder and president, Jeanie Countess of Carnarvon was a great and much loved lady who we will always remember for her inspirational support of Newbury Spring Festival and her gentle and gracious presence at so many events over the years. Her son Lord Carnarvon pays tribute to her with the following words. My darling mother’s lifelong interest in the arts and music started in her childhood in the USA. -
HEIKO DAXL 1957 Born in Oldenburg, Germany; from 1994
HEIKO DAXL Ostenderstr. 3A • D-13353 Berlin Tel/Fax +49-(0)30 39034800 [email protected] • www.mediainmotion.de Links: Wikipedia (English Deutsch) Short CV I Fields of Work I Work Experoiences I Memberships I Films, Videos and Multimedia I Exhibitions and Festivals I Work as Curator I Published Works I TV Broatcast I Collections and Archieves I Awards and Fundings _1957 Born in Oldenburg, Germany; From 1994 until his death in 2012 lived and worked in Berlin and Zagreb 1978 – 1985 Studied architecture at the Technical University ,Berlin; media science and art history in Braunschweig, Zürich and Osnabrück. M.A. in communication aesthetics._ 1980 - 1992 founder, organizer and curator of European Media Art Festivals, Osnabrück (International Experimentalfilm Workshop 1980-87, European Media Art Festival 1988-1992) _1990/91 curator, editor and producer of INFERMENTAL 10, international video art-magazine (Osnabrück-Skopje-Budapest)_ 1993 - 1999 curator and art-director of Media-Scape, International Symposium and Exhibition for Media Art in Zagreb, Croatia._1995 - 1999 Chair of VideoKunstMultiMedia Berlin (VKMM e.V.)_ 1996 - 2002 collaboration with the Studio for Electro-Acoustic Music of the Akademie der Künste, Berlin._ Since 1980 Organizer and curator for various media festivals. Curator in different museums and galleries for film and video art in America, Asia, Australia and Europe (for Goethe Institute in more than 20 countries) _Since 1983 lectures and seminars at universities and film schools in Euroa and Asia, (among others Hochschule für Film and Fernsehen, Potsdam-Babelsberg and University of Applied Technology and Business, Berlin) _Since 1978 work on various film and video productions, photo- and computer graphics, installations, CD- ROM and DVD projects. -
EFA Vzw / Asbl
EFA vzw / asbl TITLE I: NAME – REGISTERED TITRE I: NOM – SIEGE SOCIAL – BUT OFFICE - PURPOSE - TERM – DUREE Article 1: Nom, siège social Article 1: Name, registered office L'Association, dont la durée est illimitée, The Association, created for an unlimited a pour dénomination "European Festivals period of time, bears the name Association", en abrégé "EFA". "European Festivals Association", abbreviated "EFA". L'Association a son siège à 1000 Bruxelles, Rue Ravenstein 36, dans The Association has its main office in l'arrondissement judiciaire de Bruxelles. 1000 Bruxelles, Ravensteinstraat 36, judicial district of Brussels. Le siège peut être déplacé dans une autre localité du même arrondissement The main office can be moved to another judiciaire par décision de l'Assemblée location within the same judicial district Générale. Cette décision est transmise by decision of the General Meeting. Such au greffe du Tribunal de commerce et a decision is transmitted to the registry publiée dans les 30 jours aux annexes of the Commercial Court and published du Moniteur Belge. in the enclosures of the Moniteur Belge / Belgisch Staatsblad within 30 days. Tout document émanant de l'Association doit porter son nom, directement All documents emanating from the précédé ou suivi par les mots Association should mention its name, "association sans but lucratif" ou par immediately preceded or followed by the l'abréviation "asbl" ou "vzw". words “association sans but lucratif" or 'vereniging zonder winstoogmerk" or by the abbreviation “asbl" or "vzw”. Article -
Disc A: Miniaturised Concertos (Total Duration 58:48)
disc A: Miniaturised Concertos (total duration 58:48) 1 Swimming with the Stone Book (Andrew Poppy) 15:43 Kate Halsall, Fumiko Miyachii: pianos F Andrew Poppy: keyboard Joel Bell: electric guitar F Ruth Goller: electric bass F Lucy Shaw: upright bass Robert Millett & Jeremy Barnett: percussion 2 Always again (Naomi Pinnock) 13:48 Kate Halsall, Fumiko Miyachi: pianos F Delia Stevens: percussion 3 Furor (Philip Cashian) 9:14 Kate Halsall, Fumiko Miyachi: pianos Ensemble Dark Inventions, conductor Chris Leedham 4 Hanging in the Balance (Colin Riley) 19:54 I Ritual Groove II Break, Tackle and Bowl III Scent of an Ending Kate Halsall, Fumiko Miyachi: pianos James Waterworth: electronics, sound design video track not on album: Katharine Norman: Making Place 16:15 Kate Halsall (pianos) Buy the download (£2.00 or $3.50) at http://www.divineartrecords.com/CD/makingplace.htm Stream video on YouTube at https://youtu.be/RZLwjCh6j5E in case of difficulty accessing video contact [email protected] disc B: Maché (total duration 39:39) 1 Maché 1 16:20 Duncan MacLeod: Cut, Strike, Grip, Throw * Kate Halsall, Fumiko Miyachi: keyboards F Duncan MacLeod: electronics Simon Vincent: Study No. 3 * Kate Halsall, Martin Butler:pianos F Simon Vincent: electronic soundtrack Joel Bell: bell-like * Kate Halsall, Martin Butler: pianos F Joel Bell: e.guitar Ryoko Akama: an.dt.wo * Kate Halsall, Fumiko Miyachi: pianos 2 Maché 2 5:38 Dominic Murcott: Time and Place* Kate Halsall: pianos F Sounds of Chatham Historic Dockyard recorded by Chris Lewis 3 Maché 3 12:45 -
The Year We Make Contact
The Year We Make Contact 20 Years of Media-Scape Dedicated to Pierre Schaeffer Exhibition of video, computer and sound installations, photography and holography, performances, screenings, concerts Zagreb, 8–29 October 2010 CURATORS AND ORGANIZERS Media- Scape exhibition (8–29 October 2010) and performances (8 and 9 October 2010): Ingeborg Fülepp and Heiko Daxl Curatorial and technical assistance: Iva Kovač and Martina Vrbanić Press: Iva Kovač Technical assistance: Mihael Pavlović Concerts and film programs (8 and 9O ctober 2010): Nikša Gligo, Seadeta Midžić, Daniel Teruggi, Dalibor Davidović (Jocelyne Tournet) Press: Bruno Bahunek Media facade screenings: Tihomir Milovac Special thanks to Ana Vuzdarić (guided tour), Luka Kedžo and Daniela Bušić (video documentation), and all the artists and friends who have contributed to the successful realization of the Media-Scape 2010 exhibition, performances and screenings I LN COL ABORATION WITH Croatian Association of Visual Artists, Zagreb / Hrvatsko društvo likovnih umjetnika (HDLU), Zagreb. Director: Gaella Gottwald Museum of Contemporary Art / Muzej suvremene umjetnost (MSU), Zagreb. Director: Snježana Pintarić PARTN ER EVENT I nternational conference: “Pierre Schaeffer: MediArt”, 6–7 October 2010, Museum of Modern and Contemporary Art / Muzej moderne i suvremene umjetnosti (MMSU), Rijeka. Director: Jerica Ziherl. Assistant: Vima Bartolić CONE F RENC INITIATORS AND COORDINATORS N ikša Gligo, Seadeta Midžić, Daniel Teruggi, Dalibor Davidović, Jerica Ziherl PULSE B I H RS Croatian Association -
THEATRES University of W.A Ephemera PR8065/THE
THEATRES University of W.A Ephemera PR8065/THE To view items in the Ephemera collection, contact the State Library of Western Australia CALL NO. DESCRIPTION PR8065/THE/1 A review of the inaugural production at the New Fortune. Nation an Independent Journal of Opinion. Issue No 137. 8 February 1964 PR8065/THE/2 Telegrams received for the New Fortune to 28 January 1964. PR8065/THE/3 The deliciously irreverent Nola Rae. Octagon Theatre. 1-4 September 1979 PR8065/THE/4 Visiting English Clairvoyants/Mediums. Leaflet. The Octagon Theatre. May 1982 D PR8065/THE/5 Women beware women. Thomas Middleton's Great Jacobean Tragedy. Octagon Theatre. April 1982 PR8065/THE/6 Grand Variety Concert arranged by Toc-H. Octagon Theatre. August 1982 D PR8065/THE/7 The Kodaly Hungarian Folkloric Ensemble. Octagon Theatre. January 1983 PR8065/THE/8 John and Bernadette Taylor Ballet School presents 'The Magic of Alice in Wonderland'. Octagon Theatre. June 1983 PR8065/THE/9 The San Quentin Drama Workshop. Octagon Theatre. July c1986 PR8065/THE/10 'Armide', an opera by Jean Baptiste Lully. Octagon Theatre. September c1986 PR8065/THE/11 'The Taming of the Shrew' by Will Shakespeare. Octagon Theatre. June c1986 PR8065/THE/12 Especially for Mother's Day. Singers of note. Octagon Theatre. June c1986 PR8065/THE/13 'The measures taken'. Brecht. Octagon Theatre. September c1986 PR8065/THE/14 A Noel Coward Gala. Octagon Theatre. October c1987 PR8065/THE/15 The 1980 Dolly Awards. Dolphin Theatre. June c1987 PR8065/THE/16 Auditions for 'A Midsummer Night's Dream'. Dolphin Theatre. June c1987 PR8065/THE/17 'Let's talk backwards'. -
Australian Broadcasting Tribunal Annual Report 1981-82 Annual Report Australian Broadcasting Tribunal 1981-82
AUSTRALIAN BROADCASTING TRIBUNAL ANNUAL REPORT 1981-82 ANNUAL REPORT AUSTRALIAN BROADCASTING TRIBUNAL 1981-82 Australian Government Publishing Service Canberra 1982 © Commonwealth of Australia 1982 ISSN 0728-606X Printed by Canberra Publishing & Printing Co .. Fyshwick. A.C.T. 2609 The Honourable the Minister for Communications In conformity with the provisions of section 28 of the Broadcasting and Television Act 1942, as amended, I have pleasure in presenting the Annual Report of the Australian Broadcasting Tribunal for the period l July 1981 to 30 June 1982. David Jones Chairman iii CONTENTS PART/ INTRODUCTION Page Legislation 1 Functions of the Tribunal 1 Membership of the Tribunal 1 Meetings of the Tribunal 2 Addresses given by Tribunal Members and Staff 2 Organisation and Staff of the Tribunal 4 Location of the Tribunal's Offices 4 Overseas Visits 5 Financial Accounts of the Tribunal 5 PART II GENERAL Broadcasting and Television Services in operation since 1953 6 Financial results - commercial broadcasting and television stations 7 Fees for licences for commercial broadcasting and television stations 10 Broadcasting and Televising of political matter 13 Political advertising 15 Administration of Section 116(4) of the Act 16 Complaints about programs and advertising 18 Appeals or reviews of Tribunal Decisions and actions by Commonwealth 20 Ombudsman, AdministrativeReview Council and Administrative Appeals Tribunal Reference of questions of law to the Federal Court of Australia pursuant 21 to Section 22B of the Act PART III PUBLIC INQUIRIES -
Summer 2013 Boston Symphony Orchestra
boston symphony orchestra summer 2013 Bernard Haitink, LaCroix Family Fund Conductor Emeritus, Endowed in Perpetuity Seiji Ozawa, Music Director Laureate 132nd season, 2012–2013 Trustees of the Boston Symphony Orchestra, Inc. Edmund Kelly, Chairman • Paul Buttenwieser, Vice-Chairman • Diddy Cullinane, Vice-Chairman • Stephen B. Kay, Vice-Chairman • Robert P. O’Block, Vice-Chairman • Roger T. Servison, Vice-Chairman • Stephen R. Weber, Vice-Chairman • Theresa M. Stone, Treasurer William F. Achtmeyer • George D. Behrakis • Jan Brett • Susan Bredhoff Cohen, ex-officio • Richard F. Connolly, Jr. • Cynthia Curme • Alan J. Dworsky • William R. Elfers • Thomas E. Faust, Jr. • Nancy J. Fitzpatrick • Michael Gordon • Brent L. Henry • Charles W. Jack, ex-officio • Charles H. Jenkins, Jr. • Joyce G. Linde • John M. Loder • Nancy K. Lubin • Carmine A. Martignetti • Robert J. Mayer, M.D. • Susan W. Paine • Peter Palandjian, ex-officio • Carol Reich • Arthur I. Segel • Thomas G. Stemberg • Caroline Taylor • Stephen R. Weiner • Robert C. Winters Life Trustees Vernon R. Alden • Harlan E. Anderson • David B. Arnold, Jr. • J.P. Barger • Leo L. Beranek • Deborah Davis Berman • Peter A. Brooke • John F. Cogan, Jr. • Mrs. Edith L. Dabney • Nelson J. Darling, Jr. • Nina L. Doggett • Mrs. John H. Fitzpatrick • Thelma E. Goldberg • Mrs. Béla T. Kalman • George Krupp • Mrs. Henrietta N. Meyer • Nathan R. Miller • Richard P. Morse • David Mugar • Mary S. Newman • Vincent M. O’Reilly • William J. Poorvu • Peter C. Read • Edward I. Rudman • Richard A. Smith • Ray Stata • John Hoyt Stookey • Wilmer J. Thomas, Jr. • John L. Thorndike • Dr. Nicholas T. Zervas Other Officers of the Corporation Mark Volpe, Managing Director • Thomas D. -
Curriculum Vitae Dr Andrew Sutherland Phd, M.Ed. B.Mus.Ed
Curriculum Vitae Dr Andrew Sutherland PhD, M.Ed. B.Mus.Ed.(hons). Dip.ABRSM. 2019 1 | P a g e Name Andrew Sutherland Email [email protected] Education 2014 – 2017 Monash University (Melbourne) PhD in Education Thesis - School and community ensembles: Implications for collaborative musical performances 2017 Diploma in Singing (Associated Boards of the Royal School of Music) Distinction 2010 – 2013 Edith Cowan University (Mt Lawley) Master of Education (by research) Thesis – Principles for designing an effective, post-compulsory Music curriculum suitable for Western Australia 1994 – 1997 University of Western Australia Bachelor of Music Education (hons.) Thesis – The Praxial Manifestations of Philosophical Stances held by Secondary School Choral Directors in Western Australia 1988 – 1993 Secondary School Education Wesley College, South Perth 2 | P a g e Employment 2019 - Present Hong Kong Baptist University Music Lecturer 2016 – 2019 London Oratory School Music Teacher, Choral Director, Jazz Band, Primary and Secondary classes. 2015 Edith Cowan University Lecturer and Course Coordinator of Music Education 2007 – 2015 John Septimus Roe Anglican Community School Head of Music 2012 – 2015 Western Australian Academy of Performing Arts Sessional Lecturer in Music and Music Education 2013 University of Western Australia School of Music Sessional Lecturer in Music Education 2003 – 2006 Freman College (Hertfordshire, UK) Music Teacher, GCSE and A levels, Choral Director, Musical Director 2003 The College High School (Birmingham, UK) Music