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Katalog2010.Pdf 1 3 Mestna galerija Nova Gorica Galleria Metropolitana Trg Edvarda Kardelja 5 Via dei Leoni, 7 SI 5000 Nova Gorica I 34170 Gorica / Gorizia Slovenija / Slovenia Italija / Italy T: +386 5 335 40 17 E: [email protected] W: www.mgng.net Pixxelpoint 2010 – 11. mednarodni festival novomedijske umetnosti Pixxelpoint 2010 – 11th International New Media Art Festival Nova Gorica / Gorica, 3. – 10. 12. 2010 Organizacija festivala / Festival organized by: Kulturni dom Nova Gorica Kuratorja / Curators: Heiko Daxl, Ingeborg Fülepp Vodja projekta / Festival manager: Pavla Jarc Koordinator projekta / Project coordinator: Mateja Poljšak Furlan Tehnični vodja / Technical director: Blaž Erzetič Katalog izdal / Catalogue issued by: Kulturni dom Nova Gorica Zanj / Represented by: Pavla Jarc Avtorji besedil / Texts written by: Heiko Daxl, Ingeborg Fülepp Ureditev kataloga / Catalogue edited by: Mateja Poljšak Furlan, Pavla Jarc, Heiko Daxl, Ingeborg Fülepp Lektoriranje / English language revision: Tadej Reissner Prevodi / Translated by: Tadej Reissner Oblikovanje / Design: Blaž Erzetič Tisk / Print: Tiskarna Petrič Naklada / Number of copies: 300 Nova Gorica, januar 2011 CIP - Kataložni zapis o publikaciji Narodna in univerzitetna knjižnica, Ljubljana 7:004.9(084) MEDNARODNI festival novomedijske umetnosti (11 ; 2010 ; Nova Gorica / Gorizia) Pixxelpoint / [11. mednarodni festival novomedijske umetnosti, 3.-10. 12. 2010, Nova Gorica - Gorizia ; besedila Heiko Daxl in Ingeborg Fülepp ; uredili Mateja Poljšak Furlan, Pavla Jarc ; prevodi Prevajalska pisarna]. - Nova Gorica : Kulturni dom, 2011 ISBN 978-961-6783-07-1 1. Gl. stv. nasl. 2. Poljšak Furlan, Mateja 254356480 4 Kazalo / Index Triple Conjunction – Magija, miti in mutacije 8 Triple Conjunction – Magic, Myths and Mutations 14 Projekti / Projects: Alo Allik - f(x) 22 Alen Floričić - Untitled No. 01/09 (Nenaslovljeno št. 01/09) 24 Stephen Hurrel - Beneath and Beyond (Vmes in preko) 26 Armin Wagner - The Lame Box 29 Timo Kahlen - UR 30 Umetniška skupina Videored / Art group Videored – Videored 32 Paul Magee - The Eye of God (Božje oko) 34 Yota Morimoto - bin2wav (v0.1) 36 Cécile Colle}{Ralf Nuhn - Exit-Wall (Izhodni zid) 38 Filipe Pais - The Bumblefish Effect (Efekt male ribe) 40 Andreas Sachsenmaier - Ultima Cena (Zadnja večerja) 42 Mikio Saito - Stripes too Stripes 44 Michael Saup - Cubus Niger - Incarnation cRdxXPV9GNQ (Cubus Niger – inkarnacija 46 cRdxXPV9GNQ) Michael Saup - Pyramis Niger - Incarnation Internet MMIX (Pyramis Niger – 46 inkarnacija Internet MMIX) Wolfgang Spahn - Stundenglass (Peščena ura) 48 Tina Tonagel - Planetarium (Planetarij) 50 Costantino Ciervo - Homologation (Homologacija) 52 Thorsten Fleisch - Energie! (Energija!) 54 Jino Park - Chrysanthemums (Krizanteme) 56 Videi / Videos: Melanie Beisswenger - Follow Me (Sledi mi) 64 Noam Braslavsky - Undercover – N. B. L. (Pod krinko – N. B. L.) 65 Ulu Braun, Roland Rauschmeier - Maria Theresia and their 16 Children (Marija 67 Terezija in njenih 16 otrok) Arjan Brentjes - The 21st Century (21. stoletje) 68 Boris Eldagsen - Spam the Musical 69 Mihai Grecu - Centipede Sun (Sonce – stonoga) 71 Claudia Guilino - Abgesang, kupferfarben / Swan Song, coppery 72 Muhamad Hafiz Wan Rosli - Designatum 73 John Halpern - Joseph Beuys Transformer 75 6 James Higginson - TARANTULA and other Video Abstractions (TARANTULA in druge 76 video abstrakcije) Gavin Hodge - Zygosis: John Heartfield and the Political Image (Zygosis: John 77 Heartfield in politična podoba) Joanna Hoffmann - Hidden Dimension (Skrita dimenzija) 78 Joanna Hoffmann - Secret Life (Skrivno življenje) 79 Tony Hultqvist - North to South, Space for Memories (Od severa proti jugu, prostor za 80 spomine) Thomas Kutschker - Me, Myself and I in the age of download (Jaz, jaz in jaz v dobi 81 prenosov z interneta) Marius Leneweit, Rocío Rodríguez - Field-Records: Lasse-Marc Riek (Grünrekorder) 82 Antal Lux - Hypnosis (Hipnoza) 83 Roy Menahem Markovich - Untitled (Nenaslovljeno) 84 Marianna & Daniel O’Reilly - Longbridge 85 Richard O’Sullivan - Broken Windows (Razbita okna) 87 Bjørn Palmqvist - ATR_1 – a trip to the end of the world (ATR_1 – potovanje na 88 konec sveta) Michael Saup - Paradays (Rajski dnevi) 89 Alejandro Schianchi - Untitled (Nenaslovljeno) 91 Jan-Peter E. R. Sonntag - Bowling – a cycle of 5 films (Bowling – cikel petih filmov) 92 Nick Teplov, Alex Markov - Two Highways (Avtocesti) 95 François Vautier - BLADE RUNNER revisited >3.6 gigapixels (IZTREBLJEVALEC 96 priredba >3.6 gigapikslov) François Vautier - ANTS in my scanner > a five years time-lapse! (MRAVLJE v 97 mojem skenerju > po preteku petih let) André Werner - Mannaka No Ie (Hiša na sredini) 98 Zhang Biying - Sensation Series (Niz senzacij) 99 Zhang Biying - China (Kitajska) 100 Performansi / Performances: Mia Makela, Mia Zabelka - Kaamos Trilogy (Trilogija Kaamos) 102 Heiko Daxl, Ingeborg Fülepp - Present doesn’t Equal Reality (Sedanjost ni realnost) 106 Marko Batista - Paralelne digitalne strukture 108 (Parallel Digital Structures) Cirkulacija 2 - Platforma za totalno umetnost 2010–2013 110 (Platform for Total Art 2010–2013) Predavanja / Lectures: Eva Schindling - Circuit Explorations (Raziskovanja vezij) 114 Isin Onol - Investigating the Invisible: Hidden Information within Shadows (Raziskovanje 116 nevidnega: Skrite informacije v sencah) Jan-Peter E.R. Sonntag - Borders and the Infinite (Meje in brezmejno) 2007–2010 119 7 Triple Conjunction* – Magija, miti in mutacije Ta zgodba je lahko resnična ali neresnična Heiko Daxl in Ingeborg Fülepp (mediainmotion.de), november 2010 “Droben žarek svetlobe z oddaljene Pojmi, kot so iluzija, domišljija, navideznost zvezde, ujet v oko tirana iz davnih in obstajanje izgubljajo svojo enoznačnost. časov, je morda spremenil potek Objektivnost mnenja in obrazložitev njegovega življenja, vplival na usodo sta odvisna od aksioma subjektivnega celih narodov, preoblikoval površje gledišča. sveta – tako neverjetno kompleksni so procesi v naravi.” Zajeti umetniška dela medijske umetnosti (Nikola Tesla, O svetlobi in drugih ni vedno preprosto, saj se pogosto gibljejo visokofrekvenčnih pojavih, Filadelfija, zunaj jezikovnega prostora. Tu se umetnik 1893) svojega subjekta loteva z asociacijami, s kolaži in z lomljenjem, kot s pripovedova- Kako umetniki razmišljajo o letu 2010? To je njem. Leta 1965 je Joseph Beuys v leto, o katerem govorijo napovedi o koncu Düsseldorfu predstavil svoje delo “Kako sveta, katastrofah in naravnih nesrečah. razložiti sliko mrtvemu zajcu”. Na zače- S tesnobo, humorjem ali brezbrižnostjo? tku svojega performansa je Beuys zapahnil Ekološke, socialne in gospodarske vrata od znotraj in zaprl obiskovalce ven. razmere vplivajo na naše vsakodnevno Predstavo so lahko opazovali le skozi okna. dojemanje samih sebe, našega okolja in Glavo je imel popolnoma prekrito z zlato političnih sprememb. Umetniške refleksije folijo, zlatimi lističi in medom. Mrtemu zajcu v umetnosti medijev pogosto spodbudijo je začel razlagati slike: v eni roki je imel drugačno gledanje na naš planet in življenje. mrtvo žival in se z njo pogovarjal, medtem Že v šoli smo se pri matematiki naučili, da ko je zaokrožil po razstavnem prostoru, o sta si nedeljivost in vzporednost popolnoma objekta do objekta. Po treh urah je publika nasprotna pojma, saj sta po sami definiciji lahko vstopila. Beuys je sedel obrnjen na neskladna. Po neskončno natančnem trinožniku, s hrbtom obrnjen proti publiki, in izračunu se sprašujemo, ali projekcija točke v naročju držal zajca. v neskončnost lahko postane geometrijska raven. Po Einsteinovih teorijah in korenitih “Zame je zajec simbol utelešenja, ki ga spremembah strukturnih konceptov se je zajec zares doživi – to lahko človek stori le v naše praktično zaupanje v elementarne svoji domišljiji. Zarije se globoko, si zgradi znanosti omajalo in je vsak dan šibkejše. dom in hkrati izkoplje grob. Tako postane Znanost naš ustaljeni pogled na vesolje eno z zemljo. Samo to je pomembno. Tako postopoma spreminja v kompleksen sistem se mi zdi. Med na moji glavi je seveda soodvisnosti, ki ni le onkraj splošnega povezan z mislimi. Čeprav človeku ni dana razumevanja in opisovanja, temveč zajeda moč proizvajanja medu, pa ima vseeno že v same temelje absolutne dokazljivosti dar razmišljanja in ustvarjalnih idej. Tako matematike in fizike. Naključnost, dina- postáne in morbidne misli znova oživijo. mični, nepovezani dogodki, nestabilnost Med je zagotovo živa snov – tudi človeške in razkroj reda v kaos so sinonimi za misli lahko oživijo. Po drugi strani pa je to zmedo, nekakšno Heisenbergovo pretirano modrovanje lahko usodno za “razmerje neostrega” v vzročnosti. Naš misel: v akademskem svetu in politiki svet smo spremenili v ogromni laboratorij, lahko s filozofiranjem misel zamorimo do ki je bolj nenadzorovan kot nadzorovan. konca.” 8 V komercialni kinematografiji in televiziji rahljanje spon prikazanih resničnosti od prevladujejo konvencionalne literarne običajnih kontekstov pomena in časa. pripovedne strukture, pri katerih je Tako nastanejo novi pomeni v novih vizualno sporočanje osiromašeno in služi kombinacijah. Slika je prva surovina, le kot element ilustracije dramaturgije. ki prevzame pomen nove medijske Tako domišljija kot izvorni element tega resničnosti, potem ko se jo obdeluje v medija izgubi svojo samostojnost kot osami. Tako pridobi nova zaznanja in izrazni medij, ki je neodvisen od jezika. razumevanja. Vsilijo se norme. Znaki in Pripovedni film posamezne elemente pomenski konteksti se spodkopavajo. Med poveže tako, da je bistvo dela prikazano sliko in
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