The Dartington 'Experiment'
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Family Records a D Ped Rees M
” u c n b t d t o mu s i n M A R G R E T mde e h i y co , A K t mb ro th er R B H o R ANCOC y , O E T C O A R D T U C KE R and t o ot h e rs in te re s te d in h t f l t e s epa ra e ami ie s . F F R O UD ROBERT FROUD ) , baptised zab t . e t . Wyse “ F ord A bbeyfi f r T n . P . o t M . o es Wi i m a ll Hurrell . A u th or . I I R Hu rrel f ich ard Hurrell . obert 1803 . z z rri et f . M r . a J . a a W R ev . R d ord y 0 D " 1 9. 177 . 81 f F R O UD E F A M I L Y . We find the race numerous and active and fl n settled chie y about Ki gston and Modbury , in R I C HA R D where the year of Culloden , H URRELL, Gentleman , was Married to Mistress P HI L L I S COLLIN¢S . P HI L L I S L Their daughter, H URRE L, became o f F F R O UD o f W n the wife ROBERT alkhampto , 3rd so n n of J OHN , to whom desce ded the o f E dme to n e G u tsfo rd Modbury Manors fi an d tw o f these lived at Aveton Gi fard , and are buried there in the Parish Church , where their Monuments still exist . -
Bat Monitoring Centres” in Devon 2018
“Bat Monitoring Centres” in Devon 2018 CENTRE_NAME ADDRESS CONTACT PHONE WEBSITE CONTACT EMAIL OPENING HOURS AFTER BOOKING Avon Mill Garden Centre Avon Mill Garden 01548 550338 www.avonmill.com [email protected] 9.00-17.00 - 7 days per week n/a Centre, Loddiswell, Kingsbridge, Devon, TQ7 4DD Beehive Community Complex Dowell Street, Honiton, 01404 384050 www.beehivehoniton.co.uk manager@beehivehoniton. 9.00-18.00 Mon-Fri / 9.00- Phoning ahead on 01404 EX14 1LZ co.uk 12:30 Sat 384050 is advisable to avoid (with additional hours in busy times e.g. start times of evenings depending on events) various events Braunton Countryside Centre Caen Street Car Park, 01271 817171 www.brauntoncountrysidece bcc@brauntoncountrysidec 10.00-16.00 Mon - Sat Please phone the centre on Braunton, EX33 1AA 07773085984 ntre.org entre.org April - October inclusive 01271 817171 just before [email protected] coming to check somebody is in the centre Combe Martin Museum & Cross Street, www.combe-martin- combemartinmuseum@goo 10.30–17.00 Mon–Fri Please contact the Museum, tourist information point Combe Martin , EX34 museum.org.uk glemail.com 11.00-15.30 Sat & Sun (preferably by email 0DH combemartinmuseum@google mail.com) in advance to arrange a specific time to pick up/return Chudleigh Town Hall Town Hall, 01626 853140 www.chudleigh-tc.gov.uk/ [email protected] 9.00 – 15.00 Mon-Fri (but see After booking telephone the Market Way, notes) Town Hall on 01626 853140 if Chudleigh, Devon you wish to collect after 3pm. TQ13 0HL Evenings/weekends - we can facilitate bookings (out of hours contact 07775 878 089). -
Devon Rigs Group Sites Table
DEVON RIGS GROUP SITES EAST DEVON DISTRICT and EAST DEVON AONB Site Name Parish Grid Ref Description File Code North Hill Broadhembury ST096063 Hillside track along Upper Greensand scarp ST00NE2 Tolcis Quarry Axminster ST280009 Quarry with section in Lower Lias mudstones and limestones ST20SE1 Hutchins Pit Widworthy ST212003 Chalk resting on Wilmington Sands ST20SW1 Sections in anomalously thick river gravels containing eolian ogical Railway Pit, Hawkchurch Hawkchurch ST326020 ST30SW1 artefacts Estuary cliffs of Exe Breccia. Best displayed section of Permian Breccia Estuary Cliffs, Lympstone Lympstone SX988837 SX98SE2 lithology in East Devon. A good exposure of the mudstone facies of the Exmouth Sandstone and Estuary Cliffs, Sowden Lympstone SX991834 SX98SE3 Mudstone which is seldom seen inland Lake Bridge Brampford Speke SX927978 Type area for Brampford Speke Sandstone SX99NW1 Quarry with Dawlish sandstone and an excellent display of sand dune Sandpit Clyst St.Mary Sowton SX975909 SX99SE1 cross bedding Anchoring Hill Road Cutting Otterton SY088860 Sunken-lane roadside cutting of Otter sandstone. SY08NE1 Exposed deflation surface marking the junction of Budleigh Salterton Uphams Plantation Bicton SY041866 SY0W1 Pebble Beds and Otter Sandstone, with ventifacts A good exposure of Otter Sandstone showing typical sedimentary Dark Lane Budleigh Salterton SY056823 SY08SE1 features as well as eolian sandstone at the base The Maer Exmouth SY008801 Exmouth Mudstone and Sandstone Formation SY08SW1 A good example of the junction between Budleigh -
City, University of London Institutional Repository
City Research Online City, University of London Institutional Repository Citation: Pace, I. ORCID: 0000-0002-0047-9379 (2021). New Music: Performance Institutions and Practices. In: McPherson, G and Davidson, J (Eds.), The Oxford Handbook of Music Performance. Oxford, UK: Oxford University Press. This is the accepted version of the paper. This version of the publication may differ from the final published version. Permanent repository link: https://openaccess.city.ac.uk/id/eprint/25924/ Link to published version: Copyright: City Research Online aims to make research outputs of City, University of London available to a wider audience. Copyright and Moral Rights remain with the author(s) and/or copyright holders. URLs from City Research Online may be freely distributed and linked to. Reuse: Copies of full items can be used for personal research or study, educational, or not-for-profit purposes without prior permission or charge. Provided that the authors, title and full bibliographic details are credited, a hyperlink and/or URL is given for the original metadata page and the content is not changed in any way. City Research Online: http://openaccess.city.ac.uk/ [email protected] New Music: Performance Institutions and Practices Ian Pace For publication in Gary McPherson and Jane Davidson (eds.), The Oxford Handbook of Music Performance (New York: Oxford University Press, 2021), chapter 17. Introduction At the beginning of the twentieth century concert programming had transitioned away from the mid-eighteenth century norm of varied repertoire by (mostly) living composers to become weighted more heavily towards a historical and canonical repertoire of (mostly) dead composers (Weber, 2008). -
Results 2012
2nd XI RESULTS 2012 Played 18, Won 3, Lost 12, Winning Draw 1, Abandoned 1, Cancelled 1 MAY Sat 5 Ivybridge 173 for 6 (Chris Greenhouse 38, Stuart Bendall 31) drew with Ashburton 134 for 7 (Adam Birch 4 for 33, Chris Greenhouse 1 for 13) Sat 12 Torquay 131 all out (Sijo Kopparambil 4 for 35, Chris Greenhouse 3 for 27) lost to Ivybridge 132 for 4 (Des Solomon 42, Tim Lancaster 37*) by 6 wickets Sat 19 Plymouth Civil Service & Roborough 156 all out (Chris Greenhouse 7 for 57 including a hat-trick, Tommy Newman 3 for 29) lost to Ivybridge 160 for 2 (Chris Greenhouse 50, Toby Borrow 46*) by 8 wickets Sat 26 Paignton III 129 all out (Chris Greenhouse 6 for 37, Martin Templar 2 for 21) lost to Ivybridge 135 for 4 (Neil Lancaster 43*, Pete Bird 32*) by 6 wickets JUNE Sat 2 Lewdown 250 for 6 (Dan Newman 3 for 59, Sijo Kopparambil 3 for 65) v. Ivybridge 31 for 1 (Chris Greenhouse 9*, Neil Lancaster 9*) Sat 9 Plymouth IV 93 all out (Gareth Stuckey 4 for 28, Tommy Newman 4 for 38) lost to Ivybridge 97 for 4 (Toby Borrow 45, Pete Bird 12*) by 6 wickets Sat 16 Ivybridge v. Chagford - Match Cancelled Sat 23 Dartington & Totnes 102 all out (Sijo Kopparambil 6 for 4, Tommy Newman 2 for 22) lost to Ivybridge 104 for 5 (Mike Tuckwell 33*, Chris Greenhouse 20) by 5 wickets Sat 30 Plympton III 149 for 9 (Chris Greenhouse 3 for 25, Sijo Kopparambil 2 for 26) lost to Ivybridge 150 for 8 (Des Solomon 49*, Chris Greenhouse 38) by 2 wickets JULY Sat 7 Ashburton v. -
NSF Programme Book 23/04/2019 12:31 Page 1
two weeks of world-class music newbury spring festival 11–25 may 2019 £5 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 1 A Royal Welcome HRH The Duke of Kent KG Last year was very special for the Newbury Spring Festival as we marked the fortieth anniversary of the Festival. But following this anniversary there is some sad news, with the recent passing of our President, Jeanie, Countess of Carnarvon. Her energy, commitment and enthusiasm from the outset and throughout the evolution of the Festival have been fundamental to its success. The Duchess of Kent and I have seen the Festival grow from humble beginnings to an internationally renowned arts festival, having faced and overcome many obstacles along the way. Jeanie, Countess of Carnarvon, can be justly proud of the Festival’s achievements. Her legacy must surely be a Festival that continues to flourish as we embark on the next forty years. www.newburyspringfestival.org.uk 1 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 2 Jeanie, Countess of Carnarvon MBE Founder and President 1935 - 2019 2 box office 0845 5218 218 2019-NSF book.qxp_NSF programme book 23/04/2019 12:31 Page 3 The Festival’s founder and president, Jeanie Countess of Carnarvon was a great and much loved lady who we will always remember for her inspirational support of Newbury Spring Festival and her gentle and gracious presence at so many events over the years. Her son Lord Carnarvon pays tribute to her with the following words. My darling mother’s lifelong interest in the arts and music started in her childhood in the USA. -
EFA Vzw / Asbl
EFA vzw / asbl TITLE I: NAME – REGISTERED TITRE I: NOM – SIEGE SOCIAL – BUT OFFICE - PURPOSE - TERM – DUREE Article 1: Nom, siège social Article 1: Name, registered office L'Association, dont la durée est illimitée, The Association, created for an unlimited a pour dénomination "European Festivals period of time, bears the name Association", en abrégé "EFA". "European Festivals Association", abbreviated "EFA". L'Association a son siège à 1000 Bruxelles, Rue Ravenstein 36, dans The Association has its main office in l'arrondissement judiciaire de Bruxelles. 1000 Bruxelles, Ravensteinstraat 36, judicial district of Brussels. Le siège peut être déplacé dans une autre localité du même arrondissement The main office can be moved to another judiciaire par décision de l'Assemblée location within the same judicial district Générale. Cette décision est transmise by decision of the General Meeting. Such au greffe du Tribunal de commerce et a decision is transmitted to the registry publiée dans les 30 jours aux annexes of the Commercial Court and published du Moniteur Belge. in the enclosures of the Moniteur Belge / Belgisch Staatsblad within 30 days. Tout document émanant de l'Association doit porter son nom, directement All documents emanating from the précédé ou suivi par les mots Association should mention its name, "association sans but lucratif" ou par immediately preceded or followed by the l'abréviation "asbl" ou "vzw". words “association sans but lucratif" or 'vereniging zonder winstoogmerk" or by the abbreviation “asbl" or "vzw”. Article -
Disc A: Miniaturised Concertos (Total Duration 58:48)
disc A: Miniaturised Concertos (total duration 58:48) 1 Swimming with the Stone Book (Andrew Poppy) 15:43 Kate Halsall, Fumiko Miyachii: pianos F Andrew Poppy: keyboard Joel Bell: electric guitar F Ruth Goller: electric bass F Lucy Shaw: upright bass Robert Millett & Jeremy Barnett: percussion 2 Always again (Naomi Pinnock) 13:48 Kate Halsall, Fumiko Miyachi: pianos F Delia Stevens: percussion 3 Furor (Philip Cashian) 9:14 Kate Halsall, Fumiko Miyachi: pianos Ensemble Dark Inventions, conductor Chris Leedham 4 Hanging in the Balance (Colin Riley) 19:54 I Ritual Groove II Break, Tackle and Bowl III Scent of an Ending Kate Halsall, Fumiko Miyachi: pianos James Waterworth: electronics, sound design video track not on album: Katharine Norman: Making Place 16:15 Kate Halsall (pianos) Buy the download (£2.00 or $3.50) at http://www.divineartrecords.com/CD/makingplace.htm Stream video on YouTube at https://youtu.be/RZLwjCh6j5E in case of difficulty accessing video contact [email protected] disc B: Maché (total duration 39:39) 1 Maché 1 16:20 Duncan MacLeod: Cut, Strike, Grip, Throw * Kate Halsall, Fumiko Miyachi: keyboards F Duncan MacLeod: electronics Simon Vincent: Study No. 3 * Kate Halsall, Martin Butler:pianos F Simon Vincent: electronic soundtrack Joel Bell: bell-like * Kate Halsall, Martin Butler: pianos F Joel Bell: e.guitar Ryoko Akama: an.dt.wo * Kate Halsall, Fumiko Miyachi: pianos 2 Maché 2 5:38 Dominic Murcott: Time and Place* Kate Halsall: pianos F Sounds of Chatham Historic Dockyard recorded by Chris Lewis 3 Maché 3 12:45 -
Simon Biggs Born 1957, Adelaide, Australia. [email protected]
Simon Biggs born 1957, Adelaide, Australia. [email protected], http://www.littlepig.org.uk/ grants & awards 2018 Research Themes Investment Scheme, PhD studentship, University of South Australia ($80,046), Australia 2017 Chief Investigator, Creative Embodied Movement Design Network (Swinburne), Australian Research Council ($350,000) 2015 Strategic Research Infrastructure Grant, University of South Australia ($43,500), Australia 2013 Artist in Residence, Bundanon Trust, NSW, Australia SPIRES research travel grant, University of California, Davis, USA 2012-14 Co-Investigator, Design in Action Knowledge Exchange Hub, Arts and Humanities Research Council (£5 million), UK 2010-14 Principal Investigator, Moving Targets, Scottish Funding Council, Spirit programme (£1.2 million), UK 2010-13 Principal Investigator, ELMCIP, Humanities in the European Research Area, Joint Research Programme (€1 million), EU 2010 Artist in Residence, Bundanon Trust, NSW, Australia 2007 Alt-W Research and Development bursary (with Sue Hawksley), New Media Scotland, UK 2003-04 Artist's Research Fellowship, Arts and Humanities Research Board, (£32,000) Cambridge University, UK 2003 Travel and Exhibition Grant, British Council, Sao Paulo, Brazil/UK 2002 Travel and Exhibition Grant, British Council, Sao Paulo, Brazil/UK New Technology Arts Fellowship, Arts Council of England, Cambridge University, UK 2000 Project Grant, Arts Council of England, New Audiences Fund, UK 1999 Project Grant, Arts Council of England, Combined Arts, UK 1998 Performance Grant, Arts Council -
Download Booklet
Composer’s notes Michael Finnissy Edvard Grieg: Piano Quintet in B flat major (EG 118) Completed by Michael Finnissy Grieg wrote roughly 250 bars of a Piano Quintet in his ‘Kladdebok’ (sketchbook), immediately before the revisions that he made to ‘Peer Gynt’ for performances in 1892. This quintet ‘torso’ constitutes the exposition of a virtually monothematic structure, following Sonata principles similar to those found in Brahms or Franck. He also made some use here of earlier sketches for a second Piano Concerto (1883 - 87). The manuscript, held in the Bergen Public Library, has been published in Volume 20 of the Grieg Gesamtausgabe [C.F.Peters, Frankfurt], and in Edvard Grieg: The Unfinished Chamber Music [A-R Editions, Inc. Middleton, Wisconsin], neither edition attempting to extend the work. My Southampton University colleague Paul Cox suggested that I tried to invent a completion. After some general research and experimentation with the material, I decided to fashion a one-movement Kammersymphonie, in which the central ‘development section’ following on from Grieg’s exposition, consists of a scherzo (a Hailing, with imitation of Hardanger fiddle music) and a ruminative slow movement (in the manner of the Poetic Tone-pictures’ Op.3), which then proceeds to a recapitulation- finale in which some of the material previously assigned to the strings appears in the piano part, and vice versa. This labour of love began in 2007 and produced two successive, but unsatisfactory, versions, both of which were performed in London. Final alterations and revisions were completed in the late Spring of 2012, approximately 120 years after Grieg laid down his pen, and - appropriately enough – received a definitive performance at the 2013 Bergen International Festival, by the Kreutzer String Quartet and Roderick Chadwick. -
562 Sandy Goehr Inlay
Page 1 Alexander Goehr Trio for Violin, Cello and Piano Suite for Violin and Piano Largamente from Op.18 Piano Quintet Daniel Becker - Piano Ning Kam - Violin Thomas Carroll - Cello Elias Quartet Page 2 Page 3 Alexander Goehr, composer and teacher, was born in Idées fixes, for The London Sinfonietta's 30th Season, In my Quintet, I aimed at a transparency of texture and Berlin on 10 August 1932, son of the conductor Walter received its first performance with Oliver Knussen in much of the writing both for piano alone and for piano Goehr, and was brought to England in 1933. He December 1997. Premières in 2001 included two in connection with the string instruments reflects an studied with Richard Hall at the Royal Manchester orchestral works, for the Halle Handel Festival and the interest in two-part invention, often writing in double- College of Music, where together with Harrison BBC Proms, and a Suite for Pamela Frank and Peter counterpoint. This, to be perceptible, requires a Birtwistle, Peter Maxwell Davies and John Ogdon he Serkin commissioned by the Harvard Musical Society. limited intervallic style. formed the New Music Manchester Group, and with This work is now in the repertoire of Midori, and Olivier Messiaen and Yvonne Loriod in Paris. In the featured in her groundbreaking 2005 Contemporary The Quintet divides roughly into two parts. The first early '60s he worked for the BBC and formed the Music Project. ...around Stravinsky, written for the consists of two movements: first a kind of sonata Music Theatre Ensemble, the first devoted to what has Nash Ensemble, was premièred in March 2002. -
Summer 2013 Boston Symphony Orchestra
boston symphony orchestra summer 2013 Bernard Haitink, LaCroix Family Fund Conductor Emeritus, Endowed in Perpetuity Seiji Ozawa, Music Director Laureate 132nd season, 2012–2013 Trustees of the Boston Symphony Orchestra, Inc. Edmund Kelly, Chairman • Paul Buttenwieser, Vice-Chairman • Diddy Cullinane, Vice-Chairman • Stephen B. Kay, Vice-Chairman • Robert P. O’Block, Vice-Chairman • Roger T. Servison, Vice-Chairman • Stephen R. Weber, Vice-Chairman • Theresa M. Stone, Treasurer William F. Achtmeyer • George D. Behrakis • Jan Brett • Susan Bredhoff Cohen, ex-officio • Richard F. Connolly, Jr. • Cynthia Curme • Alan J. Dworsky • William R. Elfers • Thomas E. Faust, Jr. • Nancy J. Fitzpatrick • Michael Gordon • Brent L. Henry • Charles W. Jack, ex-officio • Charles H. Jenkins, Jr. • Joyce G. Linde • John M. Loder • Nancy K. Lubin • Carmine A. Martignetti • Robert J. Mayer, M.D. • Susan W. Paine • Peter Palandjian, ex-officio • Carol Reich • Arthur I. Segel • Thomas G. Stemberg • Caroline Taylor • Stephen R. Weiner • Robert C. Winters Life Trustees Vernon R. Alden • Harlan E. Anderson • David B. Arnold, Jr. • J.P. Barger • Leo L. Beranek • Deborah Davis Berman • Peter A. Brooke • John F. Cogan, Jr. • Mrs. Edith L. Dabney • Nelson J. Darling, Jr. • Nina L. Doggett • Mrs. John H. Fitzpatrick • Thelma E. Goldberg • Mrs. Béla T. Kalman • George Krupp • Mrs. Henrietta N. Meyer • Nathan R. Miller • Richard P. Morse • David Mugar • Mary S. Newman • Vincent M. O’Reilly • William J. Poorvu • Peter C. Read • Edward I. Rudman • Richard A. Smith • Ray Stata • John Hoyt Stookey • Wilmer J. Thomas, Jr. • John L. Thorndike • Dr. Nicholas T. Zervas Other Officers of the Corporation Mark Volpe, Managing Director • Thomas D.