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Open Research Online Oro.Open.Ac.Uk Open Research Online The Open University’s repository of research publications and other research outputs Medical Ideas In English Poetry To The End Of The Seventeenth Century Thesis How to cite: Riddington Young, John (2000). Medical Ideas In English Poetry To The End Of The Seventeenth Century. MPhil thesis The Open University. For guidance on citations see FAQs. c 1999 John Riddington Young Version: Version of Record Link(s) to article on publisher’s website: http://dx.doi.org/doi:10.21954/ou.ro.0000f97b Copyright and Moral Rights for the articles on this site are retained by the individual authors and/or other copyright owners. For more information on Open Research Online’s data policy on reuse of materials please consult the policies page. oro.open.ac.uk U hi ft E-sre. te rre s John Riddington Young, T.D. M.B., Ch.B. (Sheffield) 1970; F.R.C.S.(England) 1976. MEDICAL IDEAS IN ENGLISH POETRY TO THE END OF THE SEVENTEENTH CENTURY A Dissertation submitted for the Degree of Master of Philosophy Department of the History of Science and Technology Open University a e r r a o f suGmt&SioN , 2.1 SEfTGrnaca. \<\<\<\ O pfTB- OF , $ CbBCEmfiE-R. XOOO ProQuest Number: 27727932 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 27727932 Published by ProQuest LLC (2019). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 ABSTRACT OF THESIS Conventional historical research by the study of prose medical texts (often in Latin) will provide an index of the depth of the professional knowledge available to the contemporary physician, but examination of lyrical and dramatic poetry provides a measure of the diffusion of this knowledge into the laity. Absolute certainty in Galenic humoral theory comes through in the verses of Chaucer and poets of the later mediaeval period: as poetry is traced through to the seventeenth century, however, scepticism grows and gives way to disbelief, culminating in the . Comedy of Humours genre which actively ridicules it. A similar trend can be traced with respect to astrological medicine: the science of iatromathematica (astrological , medicine) was a cornerstone of mediaeval medicine. Seventeenth century astronomical discoveries mentioned in poetry intended for the educated layman underline the current uncertain status of astrology. The concept of moral retribution as a cause for disease was suggested in fifteenth and sixteenth century poetry. Even by the end of the seventeenth century, the abundant poetical references to syphilis and smallpox indicate that the literate layman was very slow to accept the germ theory advanced by Fracastorius in the mid 1.6th century. Although by the late 1600s, the concept of the circulation of blood had found its way into English poetry, the study of these verses give evidence of the initial chill response to Harvey's ideas in the years immediately after 1628. Certain medical topics are mentioned in the contemporary poetry and meanings can be drawn from this, both pragmatic and allegorical: poetry gives us a clear view of current ideas about the human body and in particular its important relationship to the rest of the universe. 3 CONTENTS ABSTRACT OF THESIS 3 TABLE OF CONTENTS 5 PROLEGOMENON 9 Starting Point 11 Apologia 12 Acknowledgements 13 Abbreviations 14 References to Prolegomenon 15 INTRODUCTION i.1 Poetry as a Barometer of Lay Knowledge 17 1.2. Medical Knowledge in Society 18 1.3. Medical Practice in Society 22 i 4 Why Poetry? 24 1.5. Aim 25 1.6. Problems in Research (a) Primary Sources 25 1.7. (b) Physician-Poets 26 1.8. (c) Nature of Poetry 27 1.9. Rationale 29 1.10. References to Introduction 32 I. ON MAN, THE MICROCOSM IN THE UNIVERSAL ANALOGY 1.1. The Chain of Being 37 1.2. The Outermost Links 38 1.3. A Little World Made Cunningly 39 1.4. The Universal Analogy 41 5 1.5. Doctrine of Correspondences 42 1.6. The New Philosophy 46 1.7. The New Languages of Poetry and Science 50 1.8. Man is no Microcosm 54 1.9. References 59 II. ON HUMOURS 11.1. The Elements that do Man's House compose 63 11.2. Foure Humors Raigne 64 11.3. Temperaments or Complexions 66 11.4. Concept of Due Proportion 69 11.5. Humours and Astrology 70 11.6. Chaucer and Humours 71 |l.7. Poetic References to Humours in the 17th Century 75 11.8. Paracelsian and Helmontian Challenge 78 11.9. Poets' References to Anti-Galenism 80 11.10. Comedy of Humours 84 11.11. Increasing Scepticism 85 11.12. References 91 III. ON IATROMATHEMATICA 111.1. Basic Principles of Western Astrology 97 111.2. Chaucer and Astrology 99 111.3. Image Making 103 III.4; Astrology in the Training of Physicians 106 111.5. Iatromathematica in Elizabethan Poetry 109 111.6. Shakespeare and Astrology 112 111.7. Zodiacal Man 118 6 II.8. What if the Sun be Centre of the World? 119 III.9. The Breaking of the Circle 121 111.10. Iatromathematica Derided as Quackery 123 III.11 References 125 IV. ON CONTAGION IV. 1. Graeco-Roman Tradition of Natural Causes 129 IV.2. Wages of Sin 130 IV.3. Every Sin brings its Punishment 131 IV 4. Four Routes of the Pestylence 135 IV.5. Father of Germ Medicine and Syphilus 140 IV.6. The Great Pox in Poetry 143 IV.7. A Lifetime of Mercury for One Moment of Venus 148 IV.8. A Lesser Pox 149 IV.9. References 152 V. ON THE CIRCULATION OF THE BLOOD. V I . Three Sovereign Thrones 157 V.2. The Pneumata 158 V.3. Galen's Micropores 159 V.4. The Tidal Flow of Empedocles 160 V.5. Aristotelian "Circulation" 164 V.6. Harvey's Predecessors 167 V.7. Publication of de Motu Cordis 168 V.8. Initial Reception of de Motu Cordis 170 V.9. First Poetic References to Harvey 171 V.10. Famed Circulator of the Lesser World 173 V. 11. Beyond a Hercules Labours 175 7 V.12. Harvey, our Apollo 177 V.13. References 180 VI. ON UROSCOPY VI.1. Origins of Uroscopy 185 VI.2. Chaucer and Uroscopy 186 VI.3. 17th Century Denunciation 187 VI.4. Shakespearean Water Casters 190 VI.5. The Pisse-Pot Prophet 192 VI .6. References 194 VII. ON PHLEBOTOMY VII.1. Origins of Bloodletting 197 VII.2. Leechbooks 198 VII.3. Practical Considerations 199 VII.4. Leeches, Animal and Human 201 VII.5. Rankness 203 VII.6. Alternatives to Phlebotomy 204 VII.7. The Bloody Art Denounced 205 VII.8. References 207 CONCLUSION 209 References to Conclusion 222 BIBLIOGRAPHY B. 1. Primary Sources (Poetry) 226 B. 2. Primary Sources (Prose) 229 B. 3. Secondary Sources 231 B. 4. Bibliographic and Reference Works 237 POSTLEGOMENON 241 8 PROLEGOMENON A poet has, in all truth, but one purpose, which may be termed self-expression; but in fulfilling that he is certain, however much o f an individualist he may be, to fulfil another, namely the exposition o f the tides moving in humanity in the age in which he writes. He is, if he have any depth of vision in him - and without vision, not only do the people perish, but no poetry exists, the interpreter of his age.' Lord GORELL (1948) The Essentials o f Poetry. 9 STARTING POINT I have always had a great love of English poetry, particularly that which was written before the eighteenth century. As a medical student, I became interested in medical allusions in Poetry and published two articles on the subject2. When I was a registrar in 1974, I won the Maccabaëan Prize and Medal of the Worshipful Society of Apothecaries of London for an essay on Medicine in Poetry. I later developed an interest in health education aspects of poetry by which popular verse may be used as a vehicle to educate the laity on some particular aspect of health or hygiene, and in 1980, I wrote a short article about the occupational hazard of lead poisoning in the lead miners of Derbyshire.3 It was the irony in the poem on which that article was based - that mercury should be used as an antidote to lead poisoning - which made me aware of how a study of contemporary poetry gives an insight into the erroneous medical beliefs and practices of the time and how poetry can be used as a method of getting an important health education message to the general public. The use of mercury and the other mercuric medicines were amongst the more pernicious features of nineteenth century medicine." " Not only metallic mercury, but also mercurial "grey powder"(Hydrarg. c. Cret), Calomel, and even teething powers containing mercury for rubbing on infants' gums were used. These remedies go back to the mineral remedies of Paracelsus in the 16th century (vide infra 11.9). For a discussion of mercury in 18th century medicine, see Young (1980). „ APOLOGIA The Queen's English Society gives little practical help over the lamentable lack in English of a suitable word which does not specify the gender of the third person singular.
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