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LOUISIANA on LOCKDOWN Groundbreaking New Report by Solitary Watch, ACLU of LA, and JSRI Exposes Impact of Solitary Confnement in Louisiana Prisons
JESUIT SOCIAL RESEARCH INSTITUTE QUARTERLY JustSouth SUMMER 2019 LOUISIANA ON LOCKDOWN Groundbreaking New Report by Solitary WatCh, ACLU of LA, and JSRI Exposes ImpaCt of Solitary Confnement in Louisiana Prisons BY SUE WEISHAR, PH.D. Across the United States, 80,000 to 100,000 incarcerated The Vera Institute for Justice found in 2016 that 17.4 percent people are locked in prison or jail cells without any of people in Louisiana prisons were in solitary—almost four meaningful human interaction for 22 to 24 hours a day times the national average.3 Over the past two years, JSRI for weeks, years, and even decades straight.1 Prolonged worked4 with Solitary Watch and the ACLU of Louisiana to social isolation can infict permanent psychological and produce a major report on the use of extreme isolation neurological damage and can literally cause people to in Louisiana. It was released June 25. The report is based lose their minds. Instead of being a “last resort” measure on surveys mailed to 2,902 people in solitary confnement used temporarily for safety reasons, often incarcerated in nine Louisiana prisons in 2017. A total of 709 persons persons are placed in solitary confnement for possessing completed the survey, making it one of the largest response contraband, testing positive for drugs, or using profanity. cohorts ever for a study on solitary confnement. The survey Although it has become common practice in U.S. asked several open-ended questions about prisoners’ correctional systems, the use of solitary confnement, experiences in solitary, which many responded to in rich also known as segregation or restricted housing, has detail—painting a harrowing picture of solitary confnement never been shown to reduce violence in prison. -
Slaves of the State: Black Incarceration from the Chain Gang
• CHAPTER 2 • “Except as Punishment for a Crime” The Thirteenth Amendment and the Rebirth of Chattel Imprisonment Slavery was both the wet nurse and bastard offspring of liberty. — Saidiya Hartman, Scenes of Subjection It is true, that slavery cannot exist without law . — Joseph Bradley, The Civil Rights Cases nyone perusing the advertisements section of local newspapers such as the Annapolis Gazette in Maryland, during December 1866, wouldA have come across the following notices: Public Sale— The undersigned will sell at the Court House Door in the city of Annapolis at 12 o’clock M., on Saturday 8th December, 1866, A Negro man named Richard Harris, for six months, convicted at the October term, 1866, of the Anne Arundel County Circuit Court for larceny and sentenced by the court to be sold as a slave. Terms of sale— cash. WM. Bryan, Sheriff Anne Arundel County. Dec. 8, 1866 Public Sale— The undersigned will offer for Sale, at the Court House Door, in the city of Annapolis, at eleven O’Clock A.M., on Saturday, 22d of December, a negro [sic] man named John Johnson, aged about Forty years. The said negro was convicted the October Term, 1866, of the Circuit Court for Anne Arundel county, for; • 57 • This content downloaded from 71.114.106.89 on Sun, 23 Aug 2020 20:24:23 UTC All use subject to https://about.jstor.org/terms Childs.indd 57 17/12/2014 12:56:10 PM 58 “EXCEPT AS PUNISHMENT FOR A CRIME” Larceny, and sentenced to be sold, in the State, for the term of one year, from the 12th of December, 1866. -
Copyrighted Material
PART ON E F IS FOR FORTUNE COPYRIGHTED MATERIAL CCH001.inddH001.indd 7 99/18/10/18/10 77:13:28:13:28 AAMM CCH001.inddH001.indd 8 99/18/10/18/10 77:13:28:13:28 AAMM LOST IN LOST ’ S TIMES Richard Davies Lost and Losties have a pretty bad reputation: they seem to get too much fun out of telling and talking about stories that everyone else fi nds just irritating. Even the Onion treats us like a bunch of fanatics. Is this fair? I want to argue that it isn ’ t. Even if there are serious problems with some of the plot devices that Lost makes use of, these needn ’ t spoil the enjoyment of anyone who fi nds the series fascinating. Losing the Plot After airing only a few episodes of the third season of Lost in late 2007, the Italian TV channel Rai Due canceled the show. Apparently, ratings were falling because viewers were having diffi culty following the plot. Rai Due eventually resumed broadcasting, but only after airing The Lost Survivor Guide , which recounts the key moments of the fi rst two seasons and gives a bit of background on the making of the series. Even though I was an enthusiastic Lostie from the start, I was grateful for the Guide , if only because it reassured me 9 CCH001.inddH001.indd 9 99/18/10/18/10 77:13:28:13:28 AAMM 10 RICHARD DAVIES that I wasn’ t the only one having trouble keeping track of who was who and who had done what. -
Davis, Angela Y
Freedom Is a Constant Struggle Ferguson, Palestine, and the Foundations of a Movement Angela Y~ Davis Edited by Frank Barat (!) Haymarket Books Chicago, Illinois 90 ANGELA Y. DAVIS to grasp the global reach of our struggles. Palestinian-Americans' involvement in the Ferguson protests was complemented by ex pressions of solidarity with Ferguson from Palestinian activists in the West Bank and Gaza. The Ferguson struggle has taught us that local issues have global ramifications. The militarization of the Fer guson police and the advice tweeted by Palestinian activists helped EIGHT to recognize our political kinship with the boycott, divestment, and sanctions movement and with the larger struggle for justice in Palestine. Moreover, we have come to understand the central role Feminism and Abolition: Islamophobia has played in the emergence of new forms of racism Theories and Practices in the aftermath of September 11, 2001. Deep understandings of racist violence arm us against decep for the Twenty-First Century tive solutions. When we are told that we simply need better police and better prisons, we counter with what we really need. We need to reimagine security, which will involve the abolition of policing Speech delivered as the Center for the Study of Race, Politics, and Culture Annual Public Lecture, in collaboration with the Center for the Study of and imprisonment as we know them. We will say demilitarize the Gender and Sexuality at the University of Chicago (May 4, 2013) police, disarm the police, abolish the institution of the police as we know it, and abolish imprisonment as the dominant mode of Let me say, this is the first time in many years that I have spent an punishment. -
The Complete Stories
The Complete Stories by Franz Kafka a.b.e-book v3.0 / Notes at the end Back Cover : "An important book, valuable in itself and absolutely fascinating. The stories are dreamlike, allegorical, symbolic, parabolic, grotesque, ritualistic, nasty, lucent, extremely personal, ghoulishly detached, exquisitely comic. numinous and prophetic." -- New York Times "The Complete Stories is an encyclopedia of our insecurities and our brave attempts to oppose them." -- Anatole Broyard Franz Kafka wrote continuously and furiously throughout his short and intensely lived life, but only allowed a fraction of his work to be published during his lifetime. Shortly before his death at the age of forty, he instructed Max Brod, his friend and literary executor, to burn all his remaining works of fiction. Fortunately, Brod disobeyed. Page 1 The Complete Stories brings together all of Kafka's stories, from the classic tales such as "The Metamorphosis," "In the Penal Colony" and "The Hunger Artist" to less-known, shorter pieces and fragments Brod released after Kafka's death; with the exception of his three novels, the whole of Kafka's narrative work is included in this volume. The remarkable depth and breadth of his brilliant and probing imagination become even more evident when these stories are seen as a whole. This edition also features a fascinating introduction by John Updike, a chronology of Kafka's life, and a selected bibliography of critical writings about Kafka. Copyright © 1971 by Schocken Books Inc. All rights reserved under International and Pan-American Copyright Conventions. Published in the United States by Schocken Books Inc., New York. Distributed by Pantheon Books, a division of Random House, Inc., New York. -
The Angolan Revolution, Vol.2, Exile Politics and Guerrilla Warfare (1962-1976)
The Angolan revolution, Vol.2, Exile Politics and Guerrilla Warfare (1962-1976) http://www.aluka.org/action/showMetadata?doi=10.5555/AL.SFF.DOCUMENT.crp2b20034 Use of the Aluka digital library is subject to Aluka’s Terms and Conditions, available at http://www.aluka.org/page/about/termsConditions.jsp. By using Aluka, you agree that you have read and will abide by the Terms and Conditions. Among other things, the Terms and Conditions provide that the content in the Aluka digital library is only for personal, non-commercial use by authorized users of Aluka in connection with research, scholarship, and education. The content in the Aluka digital library is subject to copyright, with the exception of certain governmental works and very old materials that may be in the public domain under applicable law. Permission must be sought from Aluka and/or the applicable copyright holder in connection with any duplication or distribution of these materials where required by applicable law. Aluka is a not-for-profit initiative dedicated to creating and preserving a digital archive of materials about and from the developing world. For more information about Aluka, please see http://www.aluka.org The Angolan revolution, Vol.2, Exile Politics and Guerrilla Warfare (1962-1976) Author/Creator Marcum, John Publisher Massachusetts Institute of Technology Press (Cambridge) Date 1978 Resource type Books Language English Subject Coverage (spatial) Angola, Portugal, Congo, Zambia, Congo, the Democratic Republic of the, North Africa (region), Cuba, South Africa, United States, U.S.S.R. Coverage (temporal) 1962 - 1976 Source Northwestern University Libraries, Melville J. Herskovits Library of African Studies, 967.3 M322a, v. -
Angola Prison: Collecting and Interpreting the Afterlives of Slavery in a National Museum
ForumJournal SPRING 2017 | VOL. 31, NO. 3 Preserving Difficult Histories PUBLISHED IN PARTNERSHIP WITH Angola Prison: Collecting and Interpreting the Afterlives of Slavery in a National Museum PAUL GARDULLO merican History is longer, larger, more various, more beautiful and more terrible than anything anyone has “A ever said about it,” James Baldwin wrote in 1963. That quote, penned the same year as the March on Washington for Jobs and Freedom and the bombing of the 16th Street Baptist Church in Birmingham—and not long after multiple Freedom Riders were imprisoned in Parchman Farm, a Mississippi state prison that was born as a penal plantation in the aftermath of slavery—has served as my compass point for the nearly decade-long process of helping collect for and conceptualize the exhibitions that now make up the Smithsonian’s National Museum of African American History and Culture (NMAAHC). Chartered 40 years after Baldwin wrote those words, the NMAAHC began without a collection, a building, or a set of exhibition plans. Founding Director Lonnie Bunch’s vision called for the museum to articulate the American story for all people through the lens of African American history and culture. But what does it mean to create a national narrative from the experience of people whose equal rights within the nation have so often been deferred or denied? That challenge necessitated a level of truth-telling about issues of race, slavery, and oppression that has rarely, if ever, been found in our national institutions—despite those issues being central to the foundation and mainsprings of our nation’s economic, social, and political life for centuries. -
America's War in Angola, 1961-1976 Alexander Joseph Marino University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 5-2015 America's War in Angola, 1961-1976 Alexander Joseph Marino University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the African History Commons, and the United States History Commons Recommended Citation Marino, Alexander Joseph, "America's War in Angola, 1961-1976" (2015). Theses and Dissertations. 1167. http://scholarworks.uark.edu/etd/1167 This Thesis is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. America’s War in Angola, 1961-1976 America’s War in Angola, 1961-1976 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in History by Alexander J. Marino University of California, Santa Barbara Bachelor of Arts in History, 2008 May 2015 University of Arkansas This thesis is approved for recommendation to the Graduate Council ______________________________________ Dr. Randall B. Woods Thesis Director ______________________________________ Dr. Andrea Arrington Committee Member ______________________________________ Dr. Alessandro Brogi Committee Member ABSTRACT A study of the role played by the United States in Angola’s War of Independence and the Angolan Civil War up to 1976. DEDICATION To Lisa. TABLE OF CONTENTS INTRODUCTION ........................................................................................................................ -
PS20 No Small Acts: Spatial Histories of Imprisonment and Resistance
PS20 No Small Acts: Spatial Histories of Imprisonment and Resistance 12:30 - 2:40pm Thursday, 15th April, 2021 Category Paper Session - Track 5 Session Chair(s) Sophie Hochhäusl, Ana María León 12:35 - 12:55pm Prison Writing and the Production of Colonial Indian Prison Space Mira Waits Appalachian State University, USA Abstract From Boethius to Angela Davis, a global literary tradition exists wherein prisoners challenge their confinement, reclaiming the terms of their persecution through prose and verse. In India prison writing is a celebrated tradition. Letters and memoirs written by political prisoners, including those from Mahatma Gandhi, Jawaharlal Nehru, Subhas Chandra Bose, and Bhagat Singh, functioned as a form of protest legible to the British colonial state. While these prison writings have been extensively studied as artifacts of anti-colonial resistance, their importance to the production of prison space is far less discussed. In this paper I examine prison writing in relation to space. When it came to housing such high profile political prisoners, the colonial state, fearful of prisoners’ power to inspire both violent and non-violent resistance, placed them in cells away from the general prison population. Within those cells—spatial units built to exercise disciplinary power only when filled by bodies to impress upon—prisoners were paradoxically provided with implements for writing. Through writing they transformed cellular space by supplanting its disciplinary potential with the construction of texts. These prison writings touch on what Rivkah Zim has described as the “paradox of freedom in confinement,” or the notion that the mind is autonomous from the body and its ties to physical space, so that writing is an escape from spatial reality. -
SILENT INJUSTICE: SOLITARY CONFINEMENT in VIRGINIA Acknowledgement
SILENT INJUSTICE: SOLITARY CONFINEMENT IN VIRGINIA Acknowledgement The American Civil Liberties Union (ACLU) of Virginia is a private, non-profit organization that promotes civil liberties and civil rights for everyone in the Commonwealth through public education, litigation and advocacy with the goal of securing freedom and equality for all. In addition to the litigation for which the ACLU has been known, we also educate the public, inform the media, lobby legislators, organize grassroots activists, and disseminate information about our constitutional freedoms through our membership and volunteer chapters. This report was researched and written by Hope Amezquita, staff attorney at the ACLU of Virginia. Mateo Gasparotto, investigator for the ACLU of Virginia; Leslie Mehta, former legal director for the ACLU of Virginia, Madeline Allen and Christina Brow, legal interns, and Amanda Hales, public policy intern, provided invaluable assistance. The report was reviewed and edited by the ACLU’s National Prison Project Deputy Director Amy Fettig and National Campaign Strategist Jessica Sandoval; as well as the ACLU of Virginia Development Associate Erin Kreischer, Director of Strategic Communications Bill Farrar, and Executive Director Claire Guthrie Gastañaga. It was designed by ACLU of Virginia Communications Associate Phuong Tran. The ACLU of Virginia would like to recognize and thank members of the Virginia Coalition on Solitary Confinement for their on- going support and advocacy. These include: Interfaith Action for Human Rights (IAHR) Virginia, the National Alliance on Mental Illness (NAMI) Virginia, Social Action Linking Together (SALT), Virginia Citizens United for the Rehabilitation of Errants (CURE), and the Virginia Council of Churches. 2 ACLU of Virginia: Solitary Report SILENT INJUSTICE: SOLITARY CONFINEMENT IN VIRGINIA PHOTO : RED ONOIN STATE PRISON, COURTESY OF SOLITARY WATCH SOLITARY OF COURTESY PRISON, STATE ONOIN RED : PHOTO Copyright© 2018 by the American Civil Liberties Union Foundation of Virginia Inc. -
An Analysis of Past and Current Uses of Solitary Confinement and Recommendations for Best Practices Moving Forward Approved
An Analysis of Past and Current Uses of Solitary Confinement and Recommendations for Best Practices Moving Forward Approved by: Dr. Mike Klemp-North, PhD Date: May 13, 2021 2 An Analysis of Past and Current Uses of Solitary Confinement and Recommendations for Best Practices Moving Forward A Seminar Paper Presented to The Graduate Faculty University of Wisconsin-Platteville In Partial Fulfillment Of the Requirements for the Degree Master of Science in Criminal Justice By James A. Cairns 2021 3 Acknowledgments I would like to acknowledge my family for their ever present patience in dealing with me while I have pursued this endeavor. My mother for inspiring by simply being the smartest person I’ve ever known, and raising me to question and explore, letting me fail, and helping pick me up when I fall. My children for being a constant reminder that the world and the life we live does not always have to be as serious as I can make it out to be and my fiancé for believing in me far more than I have believed in myself. I would like to acknowledge my friends whom are too many to list who have simply lead by example in their excellence. I’ve been blessed to have spent a life surrounded by those who achieve excellence in their respective fields and lives. I would finally like to acknowledge the staff and faculty at Gateway Technical College, the University and Wisconsin-Milwaukee and the University of Wisconsin-Platteville. Particularly Joseph Whiten and Richard Stein and Chief Raymond Clark for displaying leadership in the law enforcement field that the world could use more of, and Dr. -
LOST the Official Show Auction Catalog
LOST | The Auction 70 1-310-859-7701 Profiles in History | August 21 & 22, 2010 221. JACK’S SEASON TWO COSTUME. Jack’s blue jeans, blue t-shirt and shoes worn in Season Two. $200 – $300 219. JACK’S SEASON TWO COSTUME. Jack’s blue jeans and green t-shirt worn in Season Two. $200 – $300 220. JACK’S SEASON TWO COS- TUME. Jack’s blue jeans and gray t-shirt worn in Season Two. $200 – $300 222. JACK’S MEDICAL BAG. Dark brown leather shoulder bag used by Jack in Season Two to carry medical supplies. $200 – $300 71 www.liveauctioneers.com LOST | The Auction 225. KATE’S COSTUME FROM THE EPISODE, “WHAT KATE DID.” Kate’s brown corduroy pants, brown print t-shirt, and jean jacket worn in the episode, “What Kate Did.” $200 – $300 223. KATE’S SEASON TWO ISLAND COS- TUME. Kate’s white tank top, beige long- sleeve shirt and brown corduroy cargo pants worn in Season Two. $200 – $300 224. KATE’S COSTUME FROM THE EPISODE, “WHAT KATE DID.” Kate’s jeans, jean jacket and Janis Joplin print shirt worn in the episode, “What Kate Did.” $200 – $300 226. HURLEY’S SEASON TWO COSTUMES. Hurley’s olive green shorts and red t- shirt worn on the Island in the episode, “S.O.S..” Includes Hurley’s black jeans, gray t-shirt and black hoodie worn in Season Two. $200 – $300 72 1-310-859-7701 Profiles in History | August 21 & 22, 2010 227. HURLEY’S MR. CLUCK’S CHICKEN SHACK COSTUME. Hurley’s black pants, green Mr.