Media Drive Bulletin 宏將週報
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Uila Supported Apps
Uila Supported Applications and Protocols updated Oct 2020 Application/Protocol Name Full Description 01net.com 01net website, a French high-tech news site. 050 plus is a Japanese embedded smartphone application dedicated to 050 plus audio-conferencing. 0zz0.com 0zz0 is an online solution to store, send and share files 10050.net China Railcom group web portal. This protocol plug-in classifies the http traffic to the host 10086.cn. It also 10086.cn classifies the ssl traffic to the Common Name 10086.cn. 104.com Web site dedicated to job research. 1111.com.tw Website dedicated to job research in Taiwan. 114la.com Chinese web portal operated by YLMF Computer Technology Co. Chinese cloud storing system of the 115 website. It is operated by YLMF 115.com Computer Technology Co. 118114.cn Chinese booking and reservation portal. 11st.co.kr Korean shopping website 11st. It is operated by SK Planet Co. 1337x.org Bittorrent tracker search engine 139mail 139mail is a chinese webmail powered by China Mobile. 15min.lt Lithuanian news portal Chinese web portal 163. It is operated by NetEase, a company which 163.com pioneered the development of Internet in China. 17173.com Website distributing Chinese games. 17u.com Chinese online travel booking website. 20 minutes is a free, daily newspaper available in France, Spain and 20minutes Switzerland. This plugin classifies websites. 24h.com.vn Vietnamese news portal 24ora.com Aruban news portal 24sata.hr Croatian news portal 24SevenOffice 24SevenOffice is a web-based Enterprise resource planning (ERP) systems. 24ur.com Slovenian news portal 2ch.net Japanese adult videos web site 2Shared 2shared is an online space for sharing and storage. -
Design of a Distributed Architecture for Enriching Media Experience in Home Theaters
Design of a distributed architecture for enriching media experience in home theaters Citation for published version (APA): Hu, J. (2006). Design of a distributed architecture for enriching media experience in home theaters. Technische Universiteit Eindhoven. https://doi.org/10.6100/IR611954 DOI: 10.6100/IR611954 Document status and date: Published: 01/01/2006 Document Version: Publisher’s PDF, also known as Version of Record (includes final page, issue and volume numbers) Please check the document version of this publication: • A submitted manuscript is the version of the article upon submission and before peer-review. There can be important differences between the submitted version and the official published version of record. People interested in the research are advised to contact the author for the final version of the publication, or visit the DOI to the publisher's website. • The final author version and the galley proof are versions of the publication after peer review. • The final published version features the final layout of the paper including the volume, issue and page numbers. Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal. -
“PRESENCE” of JAPAN in KOREA's POPULAR MUSIC CULTURE by Eun-Young Ju
TRANSNATIONAL CULTURAL TRAFFIC IN NORTHEAST ASIA: THE “PRESENCE” OF JAPAN IN KOREA’S POPULAR MUSIC CULTURE by Eun-Young Jung M.A. in Ethnomusicology, Arizona State University, 2001 Submitted to the Graduate Faculty of School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2007 UNIVERSITY OF PITTSBURGH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Eun-Young Jung It was defended on April 30, 2007 and approved by Richard Smethurst, Professor, Department of History Mathew Rosenblum, Professor, Department of Music Andrew Weintraub, Associate Professor, Department of Music Dissertation Advisor: Bell Yung, Professor, Department of Music ii Copyright © by Eun-Young Jung 2007 iii TRANSNATIONAL CULTURAL TRAFFIC IN NORTHEAST ASIA: THE “PRESENCE” OF JAPAN IN KOREA’S POPULAR MUSIC CULTURE Eun-Young Jung, PhD University of Pittsburgh, 2007 Korea’s nationalistic antagonism towards Japan and “things Japanese” has mostly been a response to the colonial annexation by Japan (1910-1945). Despite their close economic relationship since 1965, their conflicting historic and political relationships and deep-seated prejudice against each other have continued. The Korean government’s official ban on the direct import of Japanese cultural products existed until 1997, but various kinds of Japanese cultural products, including popular music, found their way into Korea through various legal and illegal routes and influenced contemporary Korean popular culture. Since 1998, under Korea’s Open- Door Policy, legally available Japanese popular cultural products became widely consumed, especially among young Koreans fascinated by Japan’s quintessentially postmodern popular culture, despite lingering resentments towards Japan. -
The New Playlist Powerplays 2
ISSUE 367 | 27 MAY 2015 Contents thereport 06 Beyond music: Music’s future focus – it’s in the game 07 Pinboard: Stats, deals, startups and more 09 Country profile: Taiwan Play-ola The new playlist powerplays 2 ISSUE 367 27.05.15 COVER FEATURE laylists are becoming one of the important currencies of the streaming music world, bringing with them big opportunities for labels of all sizes, Pbut also plenty of potential for shenanigans – including payola. Spotify is at the centre of this trend: it has the most playlists (whether created by users, labels or its own in-house team), and the most popular ones, with plenty of individual playlists accumulating hundreds of thousands of followers. The famous (and over-familiar) story of Sean Parker’s Hipster International playlist (pictured left) helping to break Lorde globally was just the start. Spotify’s recent launch of its “Now” homescreen put playlists even more front and centre on the streaming service. Remember the days when the big streaming services could be accused of being little more than “search boxes” stuck on top of a sprawling catalogue of music? In 2015, Spotify’s emphasis is fast becoming a programmed, radio-style music service, driven by its in-house-curated playlists and (to a lesser extent) by the popular playlists created by labels and individual users. “As we get more mainstream, and as people start changing their user behaviours with Spotify, I think we’ll see programmed playlists becoming more and more influential,” Play-ola said Spotify’s director of label relations, Will The new playlist powerplays Hope, at The Great Escape conference in Brighton (UK) earlier this month. -
Marketing Plan
ALLIED ARTISTS MUSIC GROUP An Allied Artists Int'l Company MARKETING & PROMOTION MARKETING PLAN: ROCKY KRAMER "FIRESTORM" Global Release Germany & Rest of Europe Digital: 3/5/2019 / Street 3/5/2019 North America & Rest of World Digital: 3/19/2019 / Street 3/19/2019 MASTER PROJECT AND MARKETING STRATEGY 1. PROJECT GOAL(S): The main goal is to establish "Firestorm" as an international release and to likewise establish Rocky Kramer's reputation in the USA and throughout the World as a force to be reckoned with in multiple genres, e.g. Heavy Metal, Rock 'n' Roll, Progressive Rock & Neo-Classical Metal, in particular. Servicing and exposure to this product should be geared toward social media, all major radio stations, college radio, university campuses, American and International music cable networks, big box retailers, etc. A Germany based advance release strategy is being employed to establish the Rocky Kramer name and bona fides within the "metal" market, prior to full international release.1 2. OBJECTIVES: Allied Artists Music Group ("AAMG"), in association with Rocky Kramer, will collaborate in an innovative and versatile marketing campaign introducing Rocky and The Rocky Kramer Band (Rocky, Alejandro Mercado, Michael Dwyer & 1 Rocky will begin the European promotional campaign / tour on March 5, 2019 with public appearances, interviews & live performances in Germany, branching out to the rest of Europe, before returning to the U.S. to kick off the global release on March 19, 2019. ALLIED ARTISTS INTERNATIONAL, INC. ALLIED ARTISTS MUSIC GROUP 655 N. Central Ave 17th Floor Glendale California 91203 455 Park Ave 9th Floor New York New York 10022 L.A. -
Exinda Applications List
Application List Exinda ExOS Version 6.4 © 2014 Exinda Networks, Inc. 2 Copyright © 2014 Exinda Networks, Inc. All rights reserved. No parts of this work may be reproduced in any form or by any means - graphic, electronic, or mechanical, including photocopying, recording, taping, or information storage and retrieval systems - without the written permission of the publisher. Products that are referred to in this document may be either trademarks and/or registered trademarks of the respective owners. The publisher and the author make no claim to these trademarks. While every precaution has been taken in the preparation of this document, the publisher and the author assume no responsibility for errors or omissions, or for damages resulting from the use of information contained in this document or from the use of programs and source code that may accompany it. In no event shall the publisher and the author be liable for any loss of profit or any other commercial damage caused or alleged to have been caused directly or indirectly by this document. Document Built on Tuesday, October 14, 2014 at 5:10 PM Documentation conventions n bold - Interface element such as buttons or menus. For example: Select the Enable checkbox. n italics - Reference to other documents. For example: Refer to the Exinda Application List. n > - Separates navigation elements. For example: Select File > Save. n monospace text - Command line text. n <variable> - Command line arguments. n [x] - An optional CLI keyword or argument. n {x} - A required CLI element. n | - Separates choices within an optional or required element. © 2014 Exinda Networks, Inc. -
Le Videocassette? Un Esilarante Test Con I Bambini Per Capire La Rivoluzione Digitale
Le videocassette? Un esilarante test con i bambini per capire la rivoluzione digitale Su You Tube è “virale” un video divertente e intelligente dei fratelli Fine su come i bambini reagiscono di fronte a un videoregistratore, di quelli in voga negli anni Ottanta e primi Novanta. DETROIT. Non è passato chissà quanto tempo da quando si armeggiava con i videoregistratori, VCR (Video Cassette Recorder), e con le videocassette per registrare programmi tv o per vedere film in affitto, le VHS (Video Home System). Poi fu il tempo dei DVD, (Digital Versatile Disc) poi ancora delle diavolerie che di anno in anno sono state e sono sfornate sul mercato e che ci offrono modi nuovi e sempre più facili e diretti per vedere e ascoltare, rivedere e riascoltare, quel che più ci aggrada, senza troppe manovre, senza ingombranti marchingegni. E altre tecnologie sono in arrivo per il nostro sollazzo ottico e acustico ovunque ci troviamo. Quando capita di scovare in cantina qualche videocassette sotto una coltre di polvere, ci viene un moto di tenerezza, quando ne vediamo qualcuna in un mercato delle pulci ci verrebbe voglia di acquistarne una. Non sono solo ricordi di una fruizione, ma sono anche ricordi di un tempo. Quando Walter Veltroni, allora direttore dell’Unità, s’inventò lo stratagemma di distribuire con il quotidiano fondato da Antonio Gramsci, figurine di calciatori, libri e poi videocassette di film, sembrò una mossa audace e anticonformista. O al contrario suonò come scandalo, il giornale comunista che tira su le vendite con operazioni di consumo. E già perché c’era anche chi comprava l’Unità solo per tenersi la videocassetta, e immediatamente si sbarazzava del giornale di carta. -
Cyber Security
1 February 2017 Synopsis Scroll to read full summaries with links to news articles. Following a cyber attack on senior politicians in the Czech Republic, the government has made public their suspicion of Nation-state involvement in the hack. The complex malware is believed to have affected the country for several months, with Foreign Minister Lubomír Zaorálek hinting at Russia’s possible involvement. Donald Trump has this week issued an executive order reducing the data privacy protections of foreigners. The move has raised concern for the EU-US data privacy agreement, as the EU may look to abandon the agreement if equal protection is not guaranteed for its citizens. The Belgian telecommunications regulator BIPT has this week cleared operator Proximus of breaching EU net neutrality regulations, finding that the use of favourite apps to give limited charge free use of social media did not breach zero rating restrictions. In the United States this week the biggest digital issue has been the series of executive orders yet to be signed on cyber security. A much vaunted order for Cabinet appointees to be responsible for the cyber security of their departments has been postponed, along with an order calling for a 60 day report on the nation’s cyber security. Elsewhere Ajit Pai the new chair of the FCC has stated his intention to repeal regulations adopted during the Obama administration. Amongst these regulations will be net neutrality, which Mr Pai wants to repeal, though he has been less forthcoming on whether the FCC will continue to enforce the regulations until their repeal. -
Digital-Music-Report-2015
CONTENTS 4 25 Introduction Moving to a global release day in 2015 Plácido Domingo, chairman, IFPI Frances Moore, chief executive, IFPI 27 Country case studies 6 Brazil: a top performing market Market overview China: moving towards paid services An evolving portfolio business Germany: streams grow, CDs resilient Regional picture 32 10 Music and the wider economy Most popular artists and global bestsellers of 2014 The broader effect of investment in artists IFPI Global Recording Artist of the Year 2014 Music helps drive social media Top selling global albums & singles of 2014 Music and economic growth How streaming is changing the charts Tomorrow’s world 14 34 Key recording industry trends in 2014 Labels working with artists: four case studies Subscription drives the music portfolio David Guetta: using data intelligently New global services, more reach Lucas Lucco: artist and digital native Smartphones and partnerships drive growth Sam Smith: innovative promotion Getting subscription to the mass market Wakin Chau: interactive digital promotion Streaming revenue models Streaming services compete on curation 38 Payment options diversify Tackling digital piracy Downloads decline Consumer attitudes towards piracy Video streaming surges Website blocking Search engines 20 Advertising and payment providers New IFPI data shows artist payments Piracy and apps as share of revenues are up IFPI’s content protection work 22 41 Fixing the ‘value gap’ in digital music Digital music services worldwide Cover Taylor Swift photo by Sarah Barlow + Stephen Schofield Robin Schulz photo by Geturshot.com Wakin Chau photo courtesy of Rock Group One Direction photo by RJ Shaughnessy Lucas Lucco photo by Guto Costa Ed Sheeran photo by Ben Watts Katy Perry photo by Cass Bird This report includes new findings from a consumer study carried out by IPSOS in January 2015 across 13 of the world’s leading music markets (Australia, Brazil, Canada, France, Germany, Great Britain, Italy, Japan, Mexico, South Korea, Spain, Sweden, United States), www.ifpi.org commissioned by IFPI. -
Music Ally Report on Startups and Licensing in September 2019
thereport ISSUE 424 | 02 SEPTEMBER 2019 Fresh start Rightsholders want to nurture the next generation of inventive music/tech startups – so how well are they doing? 1 After bumpy times in the past, ISSUE 424 30.08.19 STARTUPS REPORT 2019 is a good time to be a music/ tech startup… isn’t it? ver since music:)ally was founded in famous line about Hollywood – ”Nobody 2002, one of the key pillars in our knows anything” – applies just as well to editorial coverage has been our the task of spotting successful music/tech curiosity about new tech startups startups. But what music:)ally does know is Eoperating in and around music. that whenever we’ve been curious about One of those startups is now a $26bn+ startups in the present, it’s given us useful public company, but in the run-up to its insights into the future of this industry. launch in 2008 it was still an under-the- Countless features that are core to radar Swedish startup happy to give its today’s music-streaming and social- CEO’s mobile number to music:)ally when media platforms, for example, were first we emailed to find out what the company dreamt up by startups whose names was up to. “If tomorrow at 3 UK time if are long forgotten now, or developed by good for you please call Dan on +46…” people who’d honed their ideas in the It’s not just the likes of SoundCloud, music/tech sector. Plus, talking to those Deezer and Kickstarter who we first founders and developers has always given covered as fledgling startups with us a useful, external perspective on the big ideas: in our lifetime, Facebook music industry’s responses to the last two (founded: 2004), YouTube (2005), Twitter decades worth of digital disruption. -
Writing the Web Series ARONIVES
Byte-Sized TV: Writing the Web Series ARONIVES MASACHUSETTS INSTME By OF TECHNOLOGY Katherine Edgerton MAY 1 4 2013 B.A. Theatre and History, Williams College, 2008 LIBRARIES SUBMITTED TO THE PROGRAM IN COMPARATIVE MEDIA STUDIES/WRITING IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF SCIENCE IN COMPARATIVE MEDIA STUDIES AT THE MASSACHUSETTS INSTITUTE OF TECHNOLOGY JUNE 2013 © Katherine Edgerton, All Rights Reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of Author: / /I - -11-11 Program in Comparative Media Studies/Writing May 10,2013 Certified by: Heather Hendershot Professor of Comparative Media Studies Thesis Supervisor Accepted by: Heather Hendershot Professor of Comparative Media Studies Director of Comparative Media Studies Graduate Program Byte-Sized TV: Writing the Web Series By Katherine Edgerton Submitted to the Program in Comparative Media Studies/Writing on May 10, 2013 in Partial Fulfillment of the Requirements for the Degree of Master of Science in Comparative Media Studies ABSTRACT Web series or "webisodes" are a transitional storytelling form bridging the production practices of broadcast television and Internet video. Shorter than most television episodes and distributed on online platforms like YouTube, web series both draw on and deviate from traditional TV storytelling strategies. In this thesis, I compare the production and storytelling strategies of "derivative" web series based on broadcast television shows with "original" web series created for the Internet, focusing on the evolution of scripted entertainment content online. -
Porsche Connect
nect Con Porsche 20 21 50 971 Porsche Connect WKD Good to know – Owner’s Manual 06/2020 Possible moderate or optional or vary depending on the country in which CAUTION the vehicle is sold. For information on retrofitting minor injury Dr. Ing. h.c. F. Porsche AG is the owner of numerous options, please contact an authorized Porsche deal- trademarks, both registered and unregistered, in- er. Owing to the different legal requirements in indi- Failure to observe warnings in the "Caution" cate- cluding without limitation the Porsche Crest®, vidual countries, the equipment in your vehicle may gory can result in moderate or minor injuries. Porsche®, Boxster®, Macan®, Taycan®, Carrera®, vary from that described in this Owner’s Manual. If Possible vehicle damage Cayenne®, Cayman®, Panamera®, Speedster®, your Porsche is fitted with any equipment not de- NOTICE Tiptronic®, Tequipment®, VarioCam®, PCM™, PDK®, scribed in these instructions, your authorized Por- ® ® ® ® 911 , 718 , 4S , RS and the model numbers and the sche dealer will be glad to provide information Failure to observe warnings in the "Notice" category distinctive shapes of the Porsche automobiles such regarding correct operation and care of the items can result in damage to the vehicle. as, the federally registered 911 and Boxster auto- concerned. mobiles in the US. The third party trademarks con- tained herein are the properties of their respective Further information on the services Information owners. Detailed information about the services is available Additional information is indicated using the word Porsche Cars North America, Inc. and its affiliates at porsche.com/connect. "Information". believe the specifications to be correct at the time of printing.