Science & Inovasi
Total Page:16
File Type:pdf, Size:1020Kb

Load more
Recommended publications
-
Uila Supported Apps
Uila Supported Applications and Protocols updated Oct 2020 Application/Protocol Name Full Description 01net.com 01net website, a French high-tech news site. 050 plus is a Japanese embedded smartphone application dedicated to 050 plus audio-conferencing. 0zz0.com 0zz0 is an online solution to store, send and share files 10050.net China Railcom group web portal. This protocol plug-in classifies the http traffic to the host 10086.cn. It also 10086.cn classifies the ssl traffic to the Common Name 10086.cn. 104.com Web site dedicated to job research. 1111.com.tw Website dedicated to job research in Taiwan. 114la.com Chinese web portal operated by YLMF Computer Technology Co. Chinese cloud storing system of the 115 website. It is operated by YLMF 115.com Computer Technology Co. 118114.cn Chinese booking and reservation portal. 11st.co.kr Korean shopping website 11st. It is operated by SK Planet Co. 1337x.org Bittorrent tracker search engine 139mail 139mail is a chinese webmail powered by China Mobile. 15min.lt Lithuanian news portal Chinese web portal 163. It is operated by NetEase, a company which 163.com pioneered the development of Internet in China. 17173.com Website distributing Chinese games. 17u.com Chinese online travel booking website. 20 minutes is a free, daily newspaper available in France, Spain and 20minutes Switzerland. This plugin classifies websites. 24h.com.vn Vietnamese news portal 24ora.com Aruban news portal 24sata.hr Croatian news portal 24SevenOffice 24SevenOffice is a web-based Enterprise resource planning (ERP) systems. 24ur.com Slovenian news portal 2ch.net Japanese adult videos web site 2Shared 2shared is an online space for sharing and storage. -
SERGIO MARTINEZ (ARGENTINA) WON TITLE: September 15, 2012 LAST DEFENCE: April 27, 2013 LAST COMPULSORY : September 15, 2012 by Chavez
WORLD BOXING COUNCIL R A T I N G S JULY 2013 José Sulaimán Chagnon President VICEPRESITENTS EXECUTIVE DIRECTOR TREASURER KOVID BHAKDIBHUMI, THAILAND CHARLES GILES, GREAT BRITAIN HOUCINE HOUICHI, TUNISIA MAURICIO SULAIMÁN, MEXICO JUAN SANCHEZ, USA REX WALKER, USA JU HWAN KIM, KOREA BOB LOGIST, BELGIUM LEGAL COUNSELORS EXECUTIVE LIFETIME HONORARY ROBERT LENHARDT, USA VICE PRESIDENTS Special Legal Councel to the Board of Governors JOHN ALLOTEI COFIE, GHANA of the WBC NEWTON CAMPOS, BRAZIL ALBERTO LEON, USA BERNARD RESTOUT, FRANCE BOBBY LEE, HAWAII YEWKOW HAYASHI, JAPAN Special Legal Councel to the Presidency of the WBC WORLD BOXING COUNCIL 2013 RATINGS JULY 2013 HEAVYWEIGHT +200 Lbs +90.71 Kgs VITALI KLITSCHKO (UKRAINE) WON TITLE: October 11, 2008 LAST DEFENCE: September 8, 2012 LAST COMPULSORY : September 10, 2011 WBA CHAMPION: Wladimir Klitschko Ukraine IBF CHAMPION: Wladimir Klitschko Ukraine WBO CHAMPION: Wladimir Klitschko Ukraine Contenders: WBC SILVER CHAMPION: Bermane Stiverne Canada WBC INT. CHAMPION: Seth Mitchell US 1 Bermane Stiverne (Canada) SILVER 2 Seth Mitchell (US) INTL 3 Chris Arreola (US) 4 Magomed Abdusalamov (Russia) USNBC 5 Tyson Fury (GB) 6 David Haye (GB) 7 Manuel Charr (Lebanon/Syria) INTL SILVER / MEDITERRANEAN/BALTIC 8 Kubrat Pulev (Bulgaria) EBU 9 Tomasz Adamek (Poland) 10 Johnathon Banks (US) 11 Fres Oquendo (P. Rico) 12 Franklin Lawrence (US) 13 Odlanier Solis (Cuba) 14 Eric Molina (US) NABF 15 Mark De Mori (Australia) 16 Luis Ortiz (Cuba) FECARBOX 17 Juan Carlos Gomez (Cuba) 18 Vyacheslav Glazkov (Ukraine) -
Design of a Distributed Architecture for Enriching Media Experience in Home Theaters
Design of a distributed architecture for enriching media experience in home theaters Citation for published version (APA): Hu, J. (2006). Design of a distributed architecture for enriching media experience in home theaters. Technische Universiteit Eindhoven. https://doi.org/10.6100/IR611954 DOI: 10.6100/IR611954 Document status and date: Published: 01/01/2006 Document Version: Publisher’s PDF, also known as Version of Record (includes final page, issue and volume numbers) Please check the document version of this publication: • A submitted manuscript is the version of the article upon submission and before peer-review. There can be important differences between the submitted version and the official published version of record. People interested in the research are advised to contact the author for the final version of the publication, or visit the DOI to the publisher's website. • The final author version and the galley proof are versions of the publication after peer review. • The final published version features the final layout of the paper including the volume, issue and page numbers. Link to publication General rights Copyright and moral rights for the publications made accessible in the public portal are retained by the authors and/or other copyright owners and it is a condition of accessing publications that users recognise and abide by the legal requirements associated with these rights. • Users may download and print one copy of any publication from the public portal for the purpose of private study or research. • You may not further distribute the material or use it for any profit-making activity or commercial gain • You may freely distribute the URL identifying the publication in the public portal. -
“PRESENCE” of JAPAN in KOREA's POPULAR MUSIC CULTURE by Eun-Young Ju
TRANSNATIONAL CULTURAL TRAFFIC IN NORTHEAST ASIA: THE “PRESENCE” OF JAPAN IN KOREA’S POPULAR MUSIC CULTURE by Eun-Young Jung M.A. in Ethnomusicology, Arizona State University, 2001 Submitted to the Graduate Faculty of School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2007 UNIVERSITY OF PITTSBURGH SCHOOL OF ARTS AND SCIENCES This dissertation was presented by Eun-Young Jung It was defended on April 30, 2007 and approved by Richard Smethurst, Professor, Department of History Mathew Rosenblum, Professor, Department of Music Andrew Weintraub, Associate Professor, Department of Music Dissertation Advisor: Bell Yung, Professor, Department of Music ii Copyright © by Eun-Young Jung 2007 iii TRANSNATIONAL CULTURAL TRAFFIC IN NORTHEAST ASIA: THE “PRESENCE” OF JAPAN IN KOREA’S POPULAR MUSIC CULTURE Eun-Young Jung, PhD University of Pittsburgh, 2007 Korea’s nationalistic antagonism towards Japan and “things Japanese” has mostly been a response to the colonial annexation by Japan (1910-1945). Despite their close economic relationship since 1965, their conflicting historic and political relationships and deep-seated prejudice against each other have continued. The Korean government’s official ban on the direct import of Japanese cultural products existed until 1997, but various kinds of Japanese cultural products, including popular music, found their way into Korea through various legal and illegal routes and influenced contemporary Korean popular culture. Since 1998, under Korea’s Open- Door Policy, legally available Japanese popular cultural products became widely consumed, especially among young Koreans fascinated by Japan’s quintessentially postmodern popular culture, despite lingering resentments towards Japan. -
WHAT IS a "FREE CHURCH"?* There Are Two Misunderstandings of the Church Which Are Very Widely Encountered Today
1 * WHAT IS A "FREE CHURCH"?* There are two misunderstandings of the church which are very widely encountered today, misunderstandings which confuse almost ©very discussion of the church, her discipline and Indiscipline. Indeed, to raise the very question of church discipline in some circles Is to invite the charge that one represents the "sect-type" or favors the "sectarian Protestant" view of the alternatives, Hear the way in which Professor Max Weber defined the alternative church t$?pe8i "The church is an institution, a sort of establishment of faith ... for the saving of the soul of the individual. The individual is born into it, and is dependent upon it because of the dispensing power of Its office and position. In contrast, a sect is a voluntary association of individuals qualified solely by religious traits, in which the individual freely decides to become a member and the group freely de cides whether to accept him or not."* We are reminded immediately of the typology which Weber*s colleague, Professor Ernst Tree Its eh t popularized in The Social Teaching.of the. Christian Churches. *The first of five addresses on this general theme» delivered as the H#ff Lectures at Bethany Theologies! Seminary, Lombard, Illinois , October 15-17, 196 3, by Dr. Franklin H. Littell, Professor at Chicago Theological Seminary. —2 The "church type" represents a kind of continuum of Christ and culture, in which "the church" and "the world" speak the same language. There is no discontinuity of social and educational and religious and polit ical values. In effect, the church has consecrated the high places and now serves as one of the mainstays of society. -
The New Playlist Powerplays 2
ISSUE 367 | 27 MAY 2015 Contents thereport 06 Beyond music: Music’s future focus – it’s in the game 07 Pinboard: Stats, deals, startups and more 09 Country profile: Taiwan Play-ola The new playlist powerplays 2 ISSUE 367 27.05.15 COVER FEATURE laylists are becoming one of the important currencies of the streaming music world, bringing with them big opportunities for labels of all sizes, Pbut also plenty of potential for shenanigans – including payola. Spotify is at the centre of this trend: it has the most playlists (whether created by users, labels or its own in-house team), and the most popular ones, with plenty of individual playlists accumulating hundreds of thousands of followers. The famous (and over-familiar) story of Sean Parker’s Hipster International playlist (pictured left) helping to break Lorde globally was just the start. Spotify’s recent launch of its “Now” homescreen put playlists even more front and centre on the streaming service. Remember the days when the big streaming services could be accused of being little more than “search boxes” stuck on top of a sprawling catalogue of music? In 2015, Spotify’s emphasis is fast becoming a programmed, radio-style music service, driven by its in-house-curated playlists and (to a lesser extent) by the popular playlists created by labels and individual users. “As we get more mainstream, and as people start changing their user behaviours with Spotify, I think we’ll see programmed playlists becoming more and more influential,” Play-ola said Spotify’s director of label relations, Will The new playlist powerplays Hope, at The Great Escape conference in Brighton (UK) earlier this month. -
WORLD BOXING ASSOCIATION GILBERTO JESUS MENDOZA PRESIDENT OFFICIAL RATINGS AS of FEBRUARY Based on Results Held from 01St to February 28Th, 2019
2019 Ocean Business Plaza Building, Av. Aquilino de la Guardia and 47 St., 14th Floor, Office 1405 Panama City, Panama Phone: +507 203-7681 www.wbaboxing.com WORLD BOXING ASSOCIATION GILBERTO JESUS MENDOZA PRESIDENT OFFICIAL RATINGS AS OF FEBRUARY Based on results held from 01st to February 28th, 2019 CHAIRMAN VICE CHAIRMAN MIGUEL PRADO SANCHEZ - PANAMA GUSTAVO PADILLA - PANAMA [email protected] [email protected] The WBA President Gilberto Jesus Mendoza has been acting as interim MEMBERS ranking director for the compilation of this ranking. The current GEORGE MARTINEZ - CANADA director Miguel Prado is on a leave of absence for medical reasons. JOSE EMILIO GRAGLIA - ARGENTINA MARIANA BORISOVA - BULGARIA Over 200 Lbs / 200 Lbs / 175 Lbs / HEAVYWEIGHT CRUISERWEIGHT LIGHT HEAVYWEIGHT Over 90.71 Kgs 90.71 Kgs 79.38 Kgs WBA SUPER CHAMPION: ANTHONY JOSHUA GBR WBA SUPER CHAMPION: OLEKSANDR USYK UKR WORLD CHAMPION: MANUEL CHARR LIB WORLD CHAMPION: BEIBUT SHUMENOV KAZ WORLD CHAMPION: DMITRY BIVOL RUS WBA GOLD CHAMPION: JOE JOYCE GBR WBA GOLD CHAMPION: ARSEN GOULAMIRIAN ARM WBC: DEONTAY WILDER WBC: OLEKSANDR USYK WBC: OLEKSANDR GVOZDYK IBF: ANTHONY JOSHUA WBO: ANTHONY JOSHUA IBF: OLEKSANDR USYK WBO: OLEKSANDR USYK IBF: ARTUR BETERBIEV WBO: SERGEY KOVALEV 1. TREVOR BRYAN INTERIM CHAMP USA 1. YUNIEL DORTICOS CUB 1. MARCUS BROWNE INTERIM CHAMP USA 2. JARRELL MILLER USA 2. ANDREW TABITI USA 2. SULLIVAN BARRERA CUB 3. FRES OQUENDO PUR 3. RYAD MERHY INT CIV 3. FELIX VALERA LAC DOM 4. DILLIAN WHYTE JAM 4. YURY KASHINSKY RUS 4. SVEN FORNLING SWE 5. OTTO WALLIN SWE 5. MURAT GASSIEV RUS 5. JOSHUA BUATSI INT GHA 6. -
Marketing Plan
ALLIED ARTISTS MUSIC GROUP An Allied Artists Int'l Company MARKETING & PROMOTION MARKETING PLAN: ROCKY KRAMER "FIRESTORM" Global Release Germany & Rest of Europe Digital: 3/5/2019 / Street 3/5/2019 North America & Rest of World Digital: 3/19/2019 / Street 3/19/2019 MASTER PROJECT AND MARKETING STRATEGY 1. PROJECT GOAL(S): The main goal is to establish "Firestorm" as an international release and to likewise establish Rocky Kramer's reputation in the USA and throughout the World as a force to be reckoned with in multiple genres, e.g. Heavy Metal, Rock 'n' Roll, Progressive Rock & Neo-Classical Metal, in particular. Servicing and exposure to this product should be geared toward social media, all major radio stations, college radio, university campuses, American and International music cable networks, big box retailers, etc. A Germany based advance release strategy is being employed to establish the Rocky Kramer name and bona fides within the "metal" market, prior to full international release.1 2. OBJECTIVES: Allied Artists Music Group ("AAMG"), in association with Rocky Kramer, will collaborate in an innovative and versatile marketing campaign introducing Rocky and The Rocky Kramer Band (Rocky, Alejandro Mercado, Michael Dwyer & 1 Rocky will begin the European promotional campaign / tour on March 5, 2019 with public appearances, interviews & live performances in Germany, branching out to the rest of Europe, before returning to the U.S. to kick off the global release on March 19, 2019. ALLIED ARTISTS INTERNATIONAL, INC. ALLIED ARTISTS MUSIC GROUP 655 N. Central Ave 17th Floor Glendale California 91203 455 Park Ave 9th Floor New York New York 10022 L.A. -
Exinda Applications List
Application List Exinda ExOS Version 6.4 © 2014 Exinda Networks, Inc. 2 Copyright © 2014 Exinda Networks, Inc. All rights reserved. No parts of this work may be reproduced in any form or by any means - graphic, electronic, or mechanical, including photocopying, recording, taping, or information storage and retrieval systems - without the written permission of the publisher. Products that are referred to in this document may be either trademarks and/or registered trademarks of the respective owners. The publisher and the author make no claim to these trademarks. While every precaution has been taken in the preparation of this document, the publisher and the author assume no responsibility for errors or omissions, or for damages resulting from the use of information contained in this document or from the use of programs and source code that may accompany it. In no event shall the publisher and the author be liable for any loss of profit or any other commercial damage caused or alleged to have been caused directly or indirectly by this document. Document Built on Tuesday, October 14, 2014 at 5:10 PM Documentation conventions n bold - Interface element such as buttons or menus. For example: Select the Enable checkbox. n italics - Reference to other documents. For example: Refer to the Exinda Application List. n > - Separates navigation elements. For example: Select File > Save. n monospace text - Command line text. n <variable> - Command line arguments. n [x] - An optional CLI keyword or argument. n {x} - A required CLI element. n | - Separates choices within an optional or required element. © 2014 Exinda Networks, Inc. -
Leksykon Polskiej I Światowej Muzyki Elektronicznej
Piotr Mulawka Leksykon polskiej i światowej muzyki elektronicznej „Zrealizowano w ramach programu stypendialnego Ministra Kultury i Dziedzictwa Narodowego-Kultura w sieci” Wydawca: Piotr Mulawka [email protected] © 2020 Wszelkie prawa zastrzeżone ISBN 978-83-943331-4-0 2 Przedmowa Muzyka elektroniczna narodziła się w latach 50-tych XX wieku, a do jej powstania przyczyniły się zdobycze techniki z końca XIX wieku m.in. telefon- pierwsze urządzenie służące do przesyłania dźwięków na odległość (Aleksander Graham Bell), fonograf- pierwsze urządzenie zapisujące dźwięk (Thomas Alv Edison 1877), gramofon (Emile Berliner 1887). Jak podają źródła, w 1948 roku francuski badacz, kompozytor, akustyk Pierre Schaeffer (1910-1995) nagrał za pomocą mikrofonu dźwięki naturalne m.in. (śpiew ptaków, hałas uliczny, rozmowy) i próbował je przekształcać. Tak powstała muzyka nazwana konkretną (fr. musigue concrete). W tym samym roku wyemitował w radiu „Koncert szumów”. Jego najważniejszą kompozycją okazał się utwór pt. „Symphonie pour un homme seul” z 1950 roku. W kolejnych latach muzykę konkretną łączono z muzyką tradycyjną. Oto pionierzy tego eksperymentu: John Cage i Yannis Xenakis. Muzyka konkretna pojawiła się w kompozycji Rogera Watersa. Utwór ten trafił na ścieżkę dźwiękową do filmu „The Body” (1970). Grupa Beaver and Krause wprowadziła muzykę konkretną do utworu „Walking Green Algae Blues” z albumu „In A Wild Sanctuary” (1970), a zespół Pink Floyd w „Animals” (1977). Pierwsze próby tworzenia muzyki elektronicznej miały miejsce w Darmstadt (w Niemczech) na Międzynarodowych Kursach Nowej Muzyki w 1950 roku. W 1951 roku powstało pierwsze studio muzyki elektronicznej przy Rozgłośni Radia Zachodnioniemieckiego w Kolonii (NWDR- Nordwestdeutscher Rundfunk). Tu tworzyli: H. Eimert (Glockenspiel 1953), K. Stockhausen (Elektronische Studie I, II-1951-1954), H. -
Seminole in Alaska
Inside This Issue . Reflections . 2 Community News. 3 Brighton News . 6 Big Cypress News . 7 Cartoon . 8 Sports . 9 Suzanne Davis Tommy Benn Tommy Benny Secody Health . 11 Classifieds/Announcements . 15 Judy Jim The Bowers: Paul Jr. and Sr., Graduation Day Raymond Mora’s crew. Diabetic Fun Day, page 11. 2001, Vanguard School, Lake Wales, page 8. Gone Fishin’, page 9. Presort Standard U.S. Postage Paid Lake Placid FL Permit No. 128 TheSEMINOLE TRIBUNE “Voice of the Unconquered” $1.00 www.seminoletribe.com Volume XXII Number 9 July 6, 2001 Florida Cattleman’s Convention By Tommy Benn Association (FCA) membership. Resources Director Don Robertson, cattle MARCO ISLAND - Cattlemen In conjunction with the FCA meetings, foremen Cotton Baxley and Joey Henry, from all over Florida converged on the similar events were held by the Florida herdsmen Bubba Johns and Mike Henry, Marco Island Marriott Resort Hotel, site Cattlewomen’s Association, the Junior Stanlo Johns, Billy Joe Johns, Richard of the annual Cattlemen’s Convention and Florida Cattlemen’s Association, and the Bowers, Rudy Osceola, and many other Trade Show, for a full agenda of meetings Florida Beef Council. Tribal citizens. and seminars about issues affecting the The Seminole Tribe of Florida, Events held during the three and beef animal industry. the 12th -ranked beef producer in the 1/2 day convention included committee State, Federal and local policies nation, sent a sizable delegation to the and directors’ meetings, seminars, a quiz affecting the beef industry and the elec- island resort. bowl, sporting events, and a ladies’ fash- tion of state officers and committee Attending were Brighton Board ion show, sponsored by Eli’s Western appointment were among the topics dis- Representative Alex Johns, B.C. -
Media Drive Bulletin 宏將週報
Media Drive Bulletin 宏將週報 Vol.1933 08.12-08.18 http://ppt.cc/R5bpJ 本期摘要 媒體放大鏡 全球流量人氣最高的10大網站最新榜單出爐 國際視野 語音助理使用進入主流 科技瞭望 3D列印器官技術向前邁步 專案介紹 大廚拜託了-產品置入專案 收視調查 藝人動態 2019/07~2019/08 Media news 媒體放大鏡 http://ppt.cc/wFOS4 3 全球流量人氣最高的10大網站最新榜單出爐 媒體放大鏡 市調機構《Visual Capitalist》近日發佈了一項「全球100大流量網站排行榜」的最新調查報告,據數據統計顯示,要搶進全 球百大網站榜單,單月使用者的造訪次數總計至少需達3.5億次的規模。目前全球網路用戶造訪人數流量最高的前十大網站之 中,尤以搜尋引擎龍頭 Google 的每月造訪人數最高,達約604.9億,躍居冠軍寶座。排名第二為線上影音龍頭 YouTube,每 月造訪人數達 243.1億;社群平台龍頭臉書,則以每月造訪人數達199.8億次,位居第三。 全球網站流量排名第四至第十名,依序為:來自中國以搜尋引擎起家的百度、維基百科、社群平台的推特、入口網站的 Yahoo、來自加拿大的色情影片網站 PornHub、照片社群平台Instagram、與來自捷克的色情影片網站 XVidoes。 此次榜單公布全球前十大流量最高的網站,就網站類別來說,最受全球網友歡迎的主要有三大類 型,包括:社群平台(佔有三席)、搜尋引擎(佔有兩席)、與色情影片(佔有兩席)。《Visual Capitalist》分析指出,高居全球網路用戶造訪流量第一名的搜尋引擎龍頭Google,在全球各國家地 區幾乎都是名列榜首,唯獨僅有在中國與俄羅斯這兩個國家例外。 值得注意的是,近來熱夯的線上影音類型網站,也是推動全球網路流量增長的來源之一;除了排名 第二的YouTube與排名第九的 Instagram 之外;另一頗受全球網友歡迎的影音串流平台Netflix,目 前每月流量達18.1億,排名第十七名。 此外,專注於提供遊戲實況為主的影音平台Twitch,全球排名則是來到第三十名。令人比較意外的 是,以提供成人色情影片的影音網站 PornHub與 XVidoes,網站流量分別名列全球第八、第十名, 成為近來影音內容崛起的趨勢之一。 【2019/08/14, 自由時報】 MOBA正夯 席捲手遊市場 手遊市場龐大,而屬於MOBA類型的手遊,獲得不少玩家青睞,甚至產生實況主、職業賽事等其他商機。實況主們認為, MOBA有輸有贏,每場都不一樣,是最大賣點,也成為時下年輕人最愛的手遊之一。 實況主提克指出,MOBA就是多人在線戰鬥競技場遊戲(multiplayer online battle arena)的縮寫,最常見的打法就是5名 對5名玩家,搶攻對方主堡獲得勝利。因遊戲內變數非常多,衍生出非常多可能性,需要彼此合作,才能拿下勝利,每場對戰 都有著不同於其他場次的體驗,成功席捲遊戲市場,最有名就是「英雄聯盟」。也因手遊市場大,不少遊戲公司投入手遊 MOBA製作,優點是一場只須15至20分鐘,節奏明快。 「讓人欲罷不能,又氣又愛玩!」實況主沈沈則說,雖然自己有時候很雷,不過玩MOBA有贏有輸,相當有趣。最喜歡和隊 友並肩作戰贏得勝利,不過輸的時候也會常常「氣到想摔手機」,但還是想繼續開啟遊戲,直到勝利為止。 Youtube遊戲頻道「MOBA數據姬」營運者王世輔指出,目前在台灣的MOBA手遊市場中,仍是以「傳說對決」最熱門,主 因就是最早站穩腳步,加上行銷、職業賽,成功製造玩家黏著度。他也說,未來國人熟悉的「漫威」超級英雄也要開拓手遊