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How Shock Porn Shaped American Sexual Culture A
HOW SHOCK PORN SHAPED AMERICAN SEXUAL CULTURE A Thesis submitted to the faculty of San Francisco State University In partial fulfillment of the requirements for the Degree KMS* . Master of Arts In Human Sexuality Studies by Alicia Marie Jimenez San Francisco, California May 2017 Copyright by Alicia Marie Jimenez 2017 CERTIFICATION OF APPROVAL I certify that I have read How Shock Porn Shaped American Sexual Culture by Alicia Marie Jimenez, and that in my opinion this work meets the criteria for approving a thesis submitted in partial fulfillment of the requirement for the degree Master of Arts in Sexuality Studies at San Francisco State University. Clare Sears Ph.D. Associate Professor HOW SHOCK PORN SHAPED AMERICAN SEXUAL CULTURE Alicia Marie Jimenez San Francisco, California 2017 This paper is about the lasting impact of “2 girls 1 cup” on American sexual identity. I analyze reaction videos focusing on three key themes; Fame, fear, and humor to understand how shock porn and internet culture came together in 2007. Centered around the creation of viral video, internet stardom, and a deep investment in American sexuality I focus very specific moment that allowed for viral stardom and the multitude of reaction videos recorded. The pop culture controversy surrounding “2 girls 1 cup” is part of a long history of abjection and censorship for explicit content.. I outline the widespread preoccupation and fascination with shock porn, as well as its lasting impacts on Americans’ sense of sexual self. I certify that the Abstract is a correct representation of the content of this thesis. S /W i7 Chair, Thesis Committee Date ACKNOWLEDGEMENTS Thank you to my family, who pushed me to pursue higher education and supported me and foster my deep love of learning. -
Casting Couch
The Casting Couch The ‘casting couch’ scenario: Impact of perceived employment benefit, reporting delay, complainant gender, and participant gender on juror decision-making in rape cases. Shona Mcintosh and Josh P Davis Department of Psychology, Social Work and Counselling, University of Greenwich, UK Correspondence to: Dr Josh P Davis Reader in Applied Psychology School of Human Sciences University of Greenwich London, SE10 9LS, UK [email protected] Keywords Casting couch, Jury decision making, juror decision making, rape myths, sexual assault Thanks To Bethan Burnside and Katy Weatherley for help with this project. 1 The Casting Couch Abstract Recent media reports of contemporary and historical rape and sexual assault cases have focused on the entertainment industry, particularly around the notion of the ‘casting couch’. This scenario in which a powerful figure obtains sexual acts from subordinate actors in exchange for employment was used to explore the influence of rape myths and Sexual Economic Theory on mock-juror decision-making. Participant-jurors (n = 907) viewed video and written testimony of a male or female complainant, accusing a male producer of rape. Delay before reporting the incident to the police (immediately, six months, ten years), and whether the complainant secured the acting role or not were varied. Females (79.7%) were significantly more likely than males (62.7%) to deliver a guilty verdict and to recommend longer prison sentences. When the complainant did not secure the acting role, and they delayed reporting the incident for six months, there was a trend for guilty verdict rates to be slightly higher when the complainant was male (80.5%) than female (64.5%). -
Ingeborg Bachmann's Literary Critique of the Journalistic Media
“Es ist ein unglaublicher Betrug.” Ingeborg Bachmann’s literary critique of the journalistic media by Gisela Nittel A dissertation submitted in fulfilment of the requirements for admission to the degree of Doctor of Philosophy August 2008 Department of Germanic Studies The University of Sydney Abstract Despite the consistency and regularity of Bachmann’s critique of journalists and journalistic content, there has been to date no dedicated study of her portrayal of the journalistic media in individual works or her work as a whole. This dissertation addresses this gap in Bachmann studies by undertaking a detailed and comprehensive analysis of Bachmann’s literary portrayal of the journalistic media from the time she first came into the literary spotlight in the early 1950s until her 1972 Simultan collection, the last work to be published in her lifetime. The primary focus of this dissertation is a close textual analysis of literary works in which Bachmann makes significant references to journalists and journalism, examining these references closely in the context of existing scholarly analyses. In a systematic analysis of each literary genre that Bachmann tackled—poetry, radio plays, short prose and novels—this study demonstrates that Bachmann’s critique of journalists and journalism recurs with notable frequency and consistency throughout her work from 1952 onwards. The detailed analyses show that Bachmann’s critique of the “fourth estate” ranges from the mildly critical to the vitriolic, and constantly returns to a core set of concerns about the misrepresentations perpetrated by the journalistic media. The negativity of Bachmann’s critique is, however, almost always offset (and even undercut) by evidence that the journalistic media are not always successful in their (according to Bachmann’s portrayal) deceitful and destructive practices. -
Pleasurev.1 Final
Pornography & The Law Namita Malhotra Contents Introduction ......................................................................................................................... 3 The Knowing yet Blindfolded ‘Gaze’ of Law upon the Profane ........................................ 6 Pornography the Trials and Tribulations of the Indian Courts ......................................... 19 Family Jewels and Public Secrets ..................................................................................... 33 Film, Video and Body ....................................................................................................... 47 Amateur Video Pornography ............................................................................................ 60 Downloading the State —Porn, Tech, Law ...................................................................... 76 The Technology Beast ...................................................................................................... 88 Vignettes for the ‘Next’ .................................................................................................. 102 Page | 2 Introduction “If you really want to be amazed at the total sightlessness of your blind spot, do a test outside at night when there is a full moon. Cover your left eye, looking at the full moon with your right eye. Gradually move your right eye to the left (and maybe slightly up or down). Before long, all you will be able to see is the large halo around the full moon; the entire moon itself will seem to have disappeared.” -
Alternative Pornographies, Regulatory Fantasies and Resistance Politics
Alternative Pornographies, Regulatory Fantasies and Resistance Politics Zahra Zsuzsanna Stardust Bachelor of Arts (History) (University of Sydney) Bachelor of Laws (Hons) (University of Sydney) Master of Arts (Gender and Cultural Studies) (University of Sydney) Thesis submitted to fulfil requirements of a Doctor of Philosophy in the School of Arts and Media at the University of New South Wales. March 2019. Supervised by Professor Ramaswami Harindranath, Dr Daniel Joyce and Professor Kath Albury. 1 Contents Dissertation sheet ............................................................................................................................................ 5 Originality Statement ....................................................................................................................................... 6 Inclusion of Publications Statement .................................................................................................................. 7 Copyright and Authenticity Statement .............................................................................................................. 8 Abstract ........................................................................................................................................................... 9 Acknowledgements ........................................................................................................................................ 10 Relevant Publications and Presentations Arising from this Research .............................................................. -
Linda Williams, 'Film Bodies: Gender, Genre and Excess'
Film Bodies: Gender, Genre, and Excess Author(s): Linda Williams Source: Film Quarterly, Vol. 44, No. 4 (Summer, 1991), pp. 2-13 Published by: University of California Press Stable URL: http://www.jstor.org/stable/1212758 Accessed: 21/11/2010 21:23 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=ucal. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. University of California Press is collaborating with JSTOR to digitize, preserve and extend access to Film Quarterly. http://www.jstor.org Contributors Linda Williams in this issue RichardAbel, author of two distin- Film Bodies: Gender, guished works on French film and theory, teaches at Drake University. -
Between the Gothic and Surveillance: Gay (Male) Identity, Fiction Film, and Pornography (1970-2015)
Between the Gothic and Surveillance: Gay (Male) Identity, Fiction Film, and Pornography (1970-2015) Evangelos Tziallas A Thesis In the Department of The Mel Hoppenheim School of Cinema Presented in Partial Fulfillment of the Requirements For the Degree of Doctor of Philosophy in Film and Moving Image Studies Concordia University Montreal, Quebec, Canada October 2015 © Evangelos Tziallas, 2015 CONCORDIA UNIVERSITY School of Graduate Studies This is to certify that the thesis is prepared By: Evangelos Tziallas Entitled: Between the Gothic and Surveillance: Gay (Male) Identity, Fiction Film, and Pornography (1970-2015) and submitted in partial fulfillment of the requirements for the degree of Doctorate of Philosophy (Film and Moving Image Studies) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the final Examining Committee: Chair Amy Swifen Examiner John Mercer Examiner Ara Osterweil Examiner Juliann Pidduck Supervisor Thomas Waugh Approved by Chair of Department of Graduate Program Director 2015 Dean of Faculty Abstract Between the Gothic and Surveillance: Gay (Male) Identity, Fiction Film, and Pornography (1970-2015) Evangelos Tziallas, Ph.D. Concordia University, 2015 In this thesis I make the case for rethinking fictional and explicit queer representation as a form of surveillance. I put recent research in surveillance studies, particularly work on informational doubling, in conversation with the concepts of the uncanny and the doppelgänger to reconsider the legacy of screen theory and cinematic discipline in relation to the ongoing ideological struggle between normativity and queerness. I begin my investigation in and around the Stonewall era examining the gothic roots and incarnation of gay identity. -
The Truth About Casting: an Analysis of Typecasting in the Boston Theatre Market
The Truth About Casting: An Analysis of Typecasting in the Boston Theatre Market Author: Noelle Scarlett Persistent link: http://hdl.handle.net/2345/bc-ir:107893 This work is posted on eScholarship@BC, Boston College University Libraries. Boston College Electronic Thesis or Dissertation, 2017 Copyright is held by the author, with all rights reserved, unless otherwise noted. RUNNING HEAD: THE TRUTH ABOUT CASTING BOSTON COLLEGE MORRISSEY COLLEGE OF ARTS AND SCIENCES DEPARTMENT OF COMMUNICATION THE TRUTH ABOUT CASTING: AN ANALYSIS OF TYPECASTING IN THE BOSTON THEATRE MARKET A SENIOR HONOR THESIS BY NOELLE E. SCARLETT DECEMBER 2017 THE TRUTH ABOUT CASTING 2 Abstract As a young woman who plans on pursuing acting after graduation, I have begun to learn how I must craft myself in the professional world. In theatre, the importance of accurately portraying one’s “type” is a concept that has been consistently stressed. One sees the irony of “type” if they consider the very premise of acting, to portray someone other than oneself. If acting is actually “living truthfully under imaginary circumstances” as Meisner suggests, then any actor should be able to play any role. However, actors are constantly pigeonholed into roles that objectify them to a particular type. Academic research has failed to sufficiently address casting conventions, especially in theatre. My study aims to address this gap by gaining insight on casting practices from the director’s perspective. To put it simply, it is my hope that this thesis will reveal the intricacies of casting, including the prevalence of type. Consequently, this will generate a better understanding of the process so that others and myself can learn how to breed success and simultaneously maintain our dignity whilst adhering to a field that requires one to brand themself. -
Study of the Gender Representations Within the Aliens Series
University of Rhode Island DigitalCommons@URI Open Access Master's Theses 2001 Study of the Gender Representations within the Aliens Series Whitney Anspach University of Rhode Island Follow this and additional works at: https://digitalcommons.uri.edu/theses Recommended Citation Anspach, Whitney, "Study of the Gender Representations within the Aliens Series" (2001). Open Access Master's Theses. Paper 1356. https://digitalcommons.uri.edu/theses/1356 This Thesis is brought to you for free and open access by DigitalCommons@URI. It has been accepted for inclusion in Open Access Master's Theses by an authorized administrator of DigitalCommons@URI. For more information, please contact [email protected]. STUDY OF THE GENDER REPRESENTATIONS WITHIN THE ALIEN SERIES BY WHITNEY ANSPACH A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN COMMUNICATION STUDIES UNIVERSITY OF RHODE ISLAND 2001 MASTER OF ARTS THESIS OF WHI1NEY ANSPACH APPROVED: Thesis Committee DEAN OF THE GRADUATE SCHOOL UNIVERSITY OF RHODE ISLAND 2001 Abstract This study employed a detailed examination of and comparison between and among each of the four films within the Alien series to explore and demonstrate distinct differences in gender representation in the series. This study has also determined that there exists a relationship between these differing gender representations and concurrent changes in the gender norms of films created for the primary target audience the United States with secondary international audiences. This determination was aided by a detailed examination of the gender norms in multiple genres including science fiction, action, horror, and hybrid mixtures of these three. -
Amy Schumer and Philosophy
Popular Culture and Philosophy® Series Editor: George A. Reisch VOLUME 1 Seinfeld and Philosophy: A Book about Everything and Nothing (2000) VOLUME 2 The Simpsons and Philosophy: The D’oh! of Homer (2001) VOLUME 3 The Matrix and Philosophy: Welcome to the Desert of the Real (2002) VOLUME 4 Buffy the Vampire Slayer and Philosophy: Fear and Trembling in Sunnydale (2003) VOLUME 9 Harry Potter and Philosophy: If Aristotle Ran Hogwarts (2004) VOLUME 12 Star Wars and Philosophy: More Powerful than You Can Possibly Imagine (2005) VOLUME 13 Superheroes and Philosophy: Truth, Justice, and the Socratic Way (2005) VOLUME 17 Bob Dylan and Philosophy: It’s Alright Ma (I’m Only Thinking) (2006) VOLUME 19 Monty Python and Philosophy: Nudge Nudge, Think Think! (2006) VOLUME 30 Pink Floyd and Philosophy: Careful with that Axiom, Eugene! (2007) VOLUME 35 Star Trek and Philosophy: The Wrath of Kant (2008) VOLUME 36 The Legend of Zelda and Philosophy: I Link Therefore I Am (2008) VOLUME 42 Supervillains and Philosophy: Sometimes Evil Is Its Own Reward (2009) VOLUME 49 Zombies, Vampires, and Philosophy: New Life for the Undead (2010) Edited by Richard Greene and K. Silem Mohammad VOLUME 54 The Onion and Philosophy: Fake News Story True, Alleges Indignant Area Professor (2010) Edited by Sharon M. Kaye VOLUME 55 Doctor Who and Philosophy: Bigger on the Inside (2010) Edited by Courtland Lewis and Paula Smithka VOLUME 57 Rush and Philosophy: Heart and Mind United (2010) Edited by Jim Berti and Durrell Bowman VOLUME 58 Dexter and Philosophy: Mind over Spatter (2011) Edited by Richard Greene, George A. -
How Men REALLY Feel About Being Sexually Assaulted
How Men REALLY Feel About Being Sexually Assaulted Anonymous True Accounts Told To Thom Bierdz Copyright © 2018 Thom Bierdz Inc All rights reserved. ISBN: 978-1-7327320-5-6 ii DEDICATED TO AWARENESS May these men’s unedited raw disclosures heal them and help heal and educate the reader. iii CONTENTS WHY I COMPILED THIS BOOK ................................................................... 1 AT 15, RAPED BY PASTOR JOHN WITH GUN ............................................. 4 CRAVED FATHER’S LOVE BUT SCARRED BY SECRET JACK-OFFS ............... 7 EXPOSING THE SECRETS OF THE HIGHEST PROFILE MEN ..................... 18 PHYSICALLY DISABLED, HE’S AN EASY TARGET. CUTS HIS OWN FLESH TO ALLEVIATE PAIN ...................................................................................... 23 STILL PUNISHES HIMSELF FOR GETTING GANG RAPED .......................... 29 ASS GRABBED AT DRAG SHOW .............................................................. 31 DEPRIVED, LONELY, CURIOUS HINDU CARIBBEAN CONFLICTED ABOUT DECADES OF SEX WITH COUSIN ............................................................. 32 RAPE CRISIS CENTER: “ONLY WOMEN GET RAPED” ............................... 38 REPUBLICAN SENATOR’S CHIEF OF STAFF DRUGGED AND RAPED APPRENTICE THOUGH HE WAS WILLING TO MAKE LOVE ................. Error! Bookmark not defined. AT 11, ABUSED BY THE NANNY’S SON, AND RECENTLY DRUGGED AND LEFT IN A PARKING LOT .............................. Error! Bookmark not defined. SWIM COACH ASKS TO SHOWER WITH STUDENT ... Error! Bookmark not defined. EXPELLED AFTER COLLEGE ROOMMATE RAPED HIMError! Bookmark not defined. MAKES HOLLYWOOD MANAGER BARK LIKE A DOG . Error! Bookmark not defined. CLOSETED ICE CREAM PARLOR CO-WORKERS RAPE Error! Bookmark not defined. iv FORGAVE SEXY MASSEUR FOR "NO MEANS YES" RAPE .. Error! Bookmark not defined. SWIMSUIT MODEL GETS FELT UP BY CATALOG CASTINGError! Bookmark not defined. RAPIST AND ACCOMPLICE GET JAILED ....... Error! Bookmark not defined. MY BEST FRIEND’S DAD .............................. Error! Bookmark not defined. -
Employment Issues Facing Theaters
July 31, 2017 Holland & Knight LLP Resources Updated June 13, 2018 Employment Issues Facing Theaters Presented by Lawyers for the Creative Arts and The League of Chicago Theaters Panelists Jeannil Boji Perkins Coie LLP Jan Feldman Lawyers for the Creative Arts Steven Gillman Holland & Knight LLP Sarah R. Marmor Scharf Banks Marmor LLC Research and Materials Lauren Mangurten Intern, Lawyers for the Creative Arts Lawyers for the Creative Arts is supported by generous contributions from many individuals, companies, and law firms, and by the following foundations: Alphawood Foundation Arts Work Fund for Organizational Development Chicago Bar Foundation Chicago Community Trust City of Chicago Department of Cultural Affairs and Special Events Gaylord & Dorothy Donnelley Foundation Richard H. Driehaus Foundation Illinois Arts Council, A State Agency Employment Issues Facing Theaters Table of Contents Program Summary .................................................................................................................... 4 Resources ............................................................................................................................... 11 Equity News: Combating Harassment in the Workplace ........................................................ 11 Equity News: Resources Available for Actors Subjected to Sexual Harassment .................... 16 The University of Toledo: Seven Tests of Just Cause ............................................................ 18 Not In Our House: Chicago Theatre Standards Draft ............................................................