Dormani Yarns

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DORMANI YARNS 318 LORD STREET HIGHGATE WA 6003 AUSTRALIA PHONE +61 8 9328 3050 FAX +61 8 9328 6696 WEB: www.dormani-yarns.com EMAIL: [email protected] YEOMAN YARNS YEOMAN YARNS ACRYLICS METALLICS LUX KALEIDOSCOPE 1 PLY 100% ACRYLIC YKAL 450gm 46.20 REXOR LUREX FILAMENT 61% POLYESTER/39% NYLON YR 50gm 15.00 SUPERSHEEN 1 PLY 100% BRIGHT ACRYLIC YSU 450gm 31.75 STARLIGHT 4 PLY 55% VISCOSE/35% POLY/10% NYL LUREX GOLD/SILVER YST 100gm 15.00 CASHMILON 4PLY 100% ACRYLIC YC 500gm 27.10 GLAMOUR 2 PLY 82% VISCOSE 7% NYLON 11% POLYESTER YG 250gm 36.90 COTTONS MANILA 2 PLY 86% VISCOSE/5% NYLON/9% POLYESTER LUREX YM 250gm 33.00 ACRYLIC COTTON 4 PLY 50% COTTON/50% ACRYLIC YAC 500gm 30.50 WOOLS/SILKS CANNELE 4 PLY 100% MERCERISED COTTON YCAN 250gm 33.00 AURORA KNITS AS FINE 4PLY 24% WOOL 20% NYLON 56% ACRYLIC YA 400gm 34.10 DK COTTON DOUBLE KNIT SOFT MATT COTTON YDK 450gm 42.75 SILK BOURETTE 4 PLY FINE UNWASHED SILK YSB 450gm 40.40 BRITTANY 2 PLY 100% MATT COTTON YBRI 350gm 31.20 TIBET 3 PLY FINE13%SILK 65% MERIONOWOOL22%NYLON YTB 450gm 48.00 PANAMA KNITS AS 4 PLY 50% COTTON/50% ACRYLIC YP 500gm 38.00 FELTING WOOL 1 PLY PURE NEW WOOL YFW 350gm 33.00 CK2 SLUB 3 PLY MATT ECRU NATURAL COTTON YCK 500gm 26.60 TWISTER 4 PLY FINE 100% PURE WOOL YT 500gm 46.20 LINCOT 3 PLY 38%COTTON/62%LINEN YLIN 450gm 34.65 SPORT 4 PLY 100% MACHINE WASHABLE MERINO WOOL YSP 500gm 55.00 COTTON CLUB ASSORT PLYS 100% SOFT COTTON/LINEN/CRAFT YCC 500gm 28.90 FIFTY FIFTY 2 PLY 50% WOOL/50% ACRYLIC YFF 350gm 32.50 SARI 3 PLY 55% COTTON/20% LINEN/25% ACRYLIC YSR 500gm 44.00 ARAN-KNIT 8 PLY 25% WOOL/75% ACRYLIC YAK 400gm 28.50 MOHAIRS ELSA 3 PLY 30% KID MOHAIR 30% NYLON 40% ACRYLIC YE 300gm 33.50 OFELIA 3 PLY 80% ACRYLIC/20% MOHAIR YO 500gm 40.40 OTHER YARNS FANCIES CASHMILON 1PLY 100% ACRYLIC INDUSTRIAL 1000gm 18.15 1000gm GRIGNA 4 PLY 65% VISCOSE/35% ACRYLIC GIMP YG1 500gm 49.50 2/25’s WOOLBLEND 1PLY WOOLBLEND 27.50 PLAY 4 PLY 23% COTTON 50% ACRYLIC 26% NYLON 1% LYCRA YPT 500gm 38.10 MISTRAL 3PLY 80% ACRYLIC/20% WOOL 400gm 20.35 POODLE 3 PLY 70% ACRYLIC/30% NYLON BOUCLE YPO 450gm 34.10 GOLD FINGERING 4 PLY 50gm 8.53 JANEIRO 3 PLY 50% VISCOSE/25% LINEN/25% ACRYLIC YJ 500gm 55.00 VICTOR 1 PLY 50% VISCOSE 50% ACRYLIC YV 500gm 35.80 SPECIALS YARNS FINE CREPE 1 PLY 92% ACRYLIC 8% NYLON YFC 400gm 34.65 NEW SMOKING 65% VISCOSE 35% POLYESTER WNS 50gm 11.00 SABLE CREPE 4 PLY 77% ACRYLIC 23% NYLON YSC 400gm 33.00 ZARA DK 100% WOOL WZR 50gm 9.90 CASTORO 4PLY 83% MICROFIBRE ACRYLIC/17% NYLON YCAS 400gm 55.00 COSMOS 45%VISCOSE 40% POLYMAIDE 15%COTTON WCO 50gm 6.60 50% VISCOSE 25% ACRYLIC 15% POLYAMIDE 5% POLIESTER 50gm CITADELLA TIAN 4 PLY 100% NYLON TAPE YCT 50gm 17.90 GALAXY 5% CUPRO WGX 9.90 PELLONIA 4 PLY “New Generation” 100% Microfibre Nylon YPEL 350gm 42.15 VENUS 95% VISCOSE 5% POLYAMIDE WVN 50gm 6.60 50gm NEW BUTTERFLY 4 PLY 100% NYLON VARIGATED YBF 250gm 49.00 RIALTO 57% POLYESTER 35% VISCOSE 6% ACYLIC 2% POLYIAMIDE WRA 6.60 FETTUCCINA 4PLY RIBBON 100% ACRYLIC YF 450gm 31.35 VARIOUS NON REPEAT YARNS ALWAYS AVAILABLE AT DISCOUNTED PRICES FANCY HAND KNIT YARNS ALSO AVAILABLE THESE PRICES INCLUDE GST AND ARE IN AUSTRALIAN DOLLARS ALL PRICES ARE SUBJECT TO CHANGE WITHOUT NOTICE. RECOMMENDED RETAIL PRICES ARE QUOTED. YARN WEIGHTS ARE NETT PACKED. ALL YARN WEIGHTS ARE APPROXIMATE ONLY AS WEIGHT CHANGES FROM TIME TO TIME DUE TO ATMOSPHERIC CONDITIONS. POSTAGE/FREIGHT EXTRA JANUARY 2012 .

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Silk Ways - Ancient Threads and Modern Networks
Silk ways - Ancient threads and modern networks By Ole Zethner and Rie Koustrup Koustrup & Co. 2007 Raw English translation of Danish text “Silkens veje – gamle tråde og nye netværk” by Ole Zethner. Numbers placed after each chapter refer to page numbers in the book. 1 Introduction Page 5 In more than 5.000 years people have found it pleasant to wear clothes of silk. Silk is cool in the summer, warm in the winter, but always comfortable. It is light, but at the same time strong, and the skin can breathe through silk. And silk is delightful for the eye – and for the fingers. Natural silk is spun by larvae of the silk moth. When the larva is going to pupate, is spins a case of silk around itself. Inside this case, the cocoon, the larva develops into a pupa and at last - if it is permitted to do it - into an adult moth. Often the larvae are called silk worms. However, zoologically the larvae have nothing to do with worms, as the moths are insects. Hence, we use the name silk larvae. Apart from a short description of wild silk butterflies, this book is about the mulberry silk moth, who’s larvae feed on leaves of the mulberry tree. The nature photographer Gerth Hansen has photographed the biological development, and the most important part-processes of silk production and the particular qualities of silk are accounted for. The WAYS OF SILK tells about the geographical silk roads, along which the silk was dispersed. Also, the importance of silk in the history of civilisation is treated.
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Identifying Textile Types and Weaves 1750-1950 DATS in Partnership with the V&A
Identifying Textile Types and Weaves 1750-1950 DATS in partnership with the V&A DATS DRESS AND TEXTILE SPECIALISTS 1 Identifying Textile Types and Weaves 1750-1950 Text copyright © DATS, 2007 Image copyrights as specified in each section. This information pack has been produced to accompany a one-day workshop of the same name taught by Sue Kerry and held at Birmingham Museum and Art Gallery Collections Centre on 29th November 2007. The workshop is one of three produced in collaboration between DATS and the V&A, funded by the Renaissance Subject Specialist Network Implementation Grant Programme, administered by the MLA. The purpose of the workshops is to enable participants to improve the documentation and interpretation of collections and make them accessible to the widest audience. Participants will have the chance to study objects at first hand to help increase their confidence in identifying textile materials and techniques. This information pack is intended as a means of sharing the knowledge communicated in the workshops with colleagues and the public. Other workshops / information packs in the series: Identifying Printed Textiles in Dress 1740 -1890 Identifying Handmade and Machine Lace Front Cover - English silk tissue, 1875, Spitalfields. T.147-1972 , Image © V&A Images / Victoria and Albert Museum 2 Identifying Textile Types and Weaves Contents Page 2. List of Illustrations 1 3. Introduction and identification checklist 3 4. Identifying Textile Types - Fibres and Yarns 4 5. Weaving and Woven Cloth Historical Framework - Looms 8 6. Identifying Basic Weave Structures – Plain Cloths 12 7. Identifying Basic Weave Structures – Figured / Ornate Cloths 17 8.
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Great Spring Exposition and Sale of Silks $139
12 -- A THE OMAHA SUNDAY BEE: FEBRUARY 22, 1914. Chicago Tuesday evening. After ANTE-ROO- street ECHOES OF THE M tho Usual business addresses were heard from upon topics of science ami several ANNUM- -' Grand Army of Republic Eesenti art and songs were sung In nuantlty. Among the classmen taking part wers Changing Flag Emblem. Kenneth Flnlayson. IU Malcolm, IIIslop. MOTOR CAR McTaggart, Watson, James Howie. Mulr Q y. o HIGHLANDERS PLAN SOCIALS Home, Hamilton, Gait. French and Llnd-sa- .SHOW Next meeting will have a special Tftllthta of Lather Will Hold LR entertainment program. Wednesday Initiation Erenln I.ndlra of the Modern Sfnorntires. t the Reirular Meet-In- ir Omaha hive No. 1K2. Indies of the Mod Place. Maccabees, will hold a regular Iern Wednesday afternoon at Myrtle hall. Date City hlvo No. 9, Ladles of ttv) At a meeting of the V. 8. Grant .post, Modern Maccabees, will glvo a card Great Spring Exposition and Sale of Silks So. 110, Department of Nebraska, Grand party Friday afternoon at Continental Army of the Itepubllc, tho following pro-amb- le halt. Fifteenth and Douglas streets. and resolutions were adopted unan Special Purchases Bring Unrivalled Values in the Wanted Weaves imously. They were prepared by a. Pnlnter' Union, B. preparations hayo been raado with the expectation of the greatest silk season in history. We have committee of three. It. P. Tuten, R. Notice Is hereby given that there will OUR our Wilcox and Joseph MaJllson. be a smoker at the lodge rooms, Nine immense stocks of the best weaves of American and foreign producers the most extensive and varied The members of tho V.
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Identifying Woven Textiles 1750-1950 Identification
Identifying Woven Textiles 1750–1950 DATS in partnership with the V&A 1 Identifying Woven Textiles 1750–1950 This information pack has been produced to accompany two one-day workshops taught by Katy Wigley (Director, School of Textiles) and Mary Schoeser (Hon. V&A Senior Research Fellow), held at the V&A Clothworkers’ Centre on 19 April and 17 May 2018. The workshops are produced in collaboration between DATS and the V&A. The purpose of the workshops is to enable participants to improve the documentation and interpretation of collections and make them accessible to the widest audience. Participants will have the chance to study objects at first hand to help increase their confidence in identifying woven textile materials and techniques. This information pack is intended as a means of sharing the knowledge communicated in the workshops with colleagues and the wider public and is also intended as a stand-alone guide for basic weave identification. Other workshops / information packs in the series: Identifying Textile Types and Weaves Identifying Printed Textiles in Dress 1740–1890 Identifying Handmade and Machine Lace Identifying Fibres and Fabrics Identifying Handmade Lace Front Cover: Lamy et Giraud, Brocaded silk cannetille (detail), 1878. This Lyonnais firm won a silver gilt medal at the Paris Exposition Universelle with a silk of this design, probably by Eugene Prelle, their chief designer. Its impact partly derives from the textures within the many-coloured brocaded areas and the markedly twilled cannetille ground. Courtesy Francesca Galloway. 2 Identifying Woven Textiles 1750–1950 Table of Contents Page 1. Introduction 4 2. Tips for Dating 4 3.
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Dressmakers Dictionary
S 1309 >py 1 'r/ce Co/r/^s- \ aOPYRIOMTEB BY J. W. GODDARD Au SONS (incohporatks) • a-S4-»« BLCCCKER ST., NEW YORK Dressmakers Dictionary PRICE TWENTY-FIVE CENTS (^, ûi'îrvw^xv O Copyrighted, 1916, by J. W. GODDARD & SONS (Incorporated) 92-94-96 BLEECKER ST., NEW YORK Acknowledging the Dress- makers' Chart in the center of this booklet, from the Jno. J. Mitchell Co., Pub- lishers, and valuable assist- ance from the Dry Goods Economist. rs/3o9 SEP 19 1916 ©CI.A437740 Compiled by HOMER S. CURTIS 1916 With Our Compliments ^^^^^HE purpose of this little m C"*\ booklet is not to bore you ^L J with things you already ^î^^ know, but rather to sup- ply you with information that may prove useful and interesting. A careful perusal cannot fail to aid you in tasteful and harmonious selection of fabrics for your suits and gowns, possibly strengthening your judgment and, perhaps, point- ing the way to more beautiful and finer wardrobes, without an increased expenditure. That you will find it helpful is the wish of the makers of Witchiex Is a Universal Linmg Fabric Terms A List, Giving the Meaning of the Terms in Everyday Use at Dress Goods and Silk Counters. Agra Gauze—Strong, transparent silk fabric of a gauzy texture. ^^ Agaric—Â cotton fabric of loop yam construction, having a surface somewhat similar to a fine Turkish toweling. Armoisine—Also spelled "Armozeen" and "Armo- zine." In the 18th century and earlier this fabric was used in both men's and women's wear. It was of a taffeta or plain silk texture.
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Strandanous Vermis Sericus - Engravings Depicting the Stages in the Manufacture of Silk
Strandanous Vermis Sericus - engravings depicting the stages in the manufacture of silk. Italian 16th C. “My Gracious Silence: Women in the 16th Century” All rights to the images and plates reserved to Benicke Rare Book & Manuscript Library Yale University. Copyright 1999. http://inky.library.yale.edu/medwomen/silk.html This book of engravings is dedicated to the Florentine nobility and inparticular, one Raphaele Mediceo. The engraver is Ioannas Stradanous. Translations of the text are approximate. The entire book is only the 6 engravings. Silk - Sabrina de la Bere - All Rights Reserved 2003 Page 8 SilkSilkandMoreSilkThread:APrimer by Sabrina de la Bere The more I played with silk thread for historical embroidery, the more I began to tent of early trade goods. get curious about the history of silk, what was used for the historic embroideries, and the modern equivalents. And of course, part of playing with different silk threads is only an excuse to add to my “stash”. SilkandItsTerminology • Boiling – the process of degumming silk threads or goods by boiling in soap and water. SilkBasics • Bourette – a yarn; usually heavier weight with bits of extraneous materials While there are a number of different types of silk moths, 2 are primarily used for occurring in it. the production of quality silk thread – the Bombyx Mori and the Tussah moth. The • Cordonnet – a “cord” made by taking several raw silk threads, doubling and Bombyx has been successfully domesticated for about 5000 years in China and has loosely twisting them in one direction. Then 3 of these are joined and tightly lost its ability to fly.
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Dictionary of Textiles by Harmuth Louis
PICTIONI\RY GIFT OF J DICTIONARY OF TEXTILES B Y LOUIS HARMUTH FASHION EDITOR OF "WOMEN'S WEAR" 1915 FAIRCHILD PUBLISHING COMPANY NEW YORK FAIRCHILD PUBIISHING CO, Copyright 1915. PREFACE The tendency in modern books of a technical character undoubtedly in- clines very strongly toward encyclopedic and dictionary forms. The cry for the saving of lime calls for books in compact form with information handy at a moment's notice. The present DICTIONARY is the result of 7'/2 years of collecting and compiling information, gained to a large extent in connection with my work on the Daily Trade Record and Women's Wear. With over 6,600 terms and definitions contained in it, this DICTIONARY is as nearly com- plete, in number of terms strictly relating to textile fibres and fabrics, as it is possible for a work of this kind to be. It was my desire to present in the DICTIONARY and within as small compass as practical the largest number of terms and definitions possible, re- lating to textiles from the fibres to the finished fabrics and everything which goes into them in the course of the manufacture. An interesting part of the DIC- TIONARY contains names of fabrics, now obsolete, with as complete a de- scription of their character as it was possible to find in various old laws, wills, lists and in the technical literature. Owing to the fact that manufacturers con- stantly have recourse to some obsolete fabric in search of new effects, details of manufacturing and finishing of such materials ought to be interesting.
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Sorry for How Rough This Is, Especially the Language and Organization
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title New Roads to Capitalism: China and Global Value Chains Permalink https://escholarship.org/uc/item/10c7r9d4 Author Dallas, Mark Peter Publication Date 2010 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California New Roads to Capitalism: China and Global Value Chains by Mark Peter Dallas A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Political Science in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Kiren Chaudhry, Chair Professor Thomas Gold Professor Kevin O’Brien Professor T.J. Pempel Professor Steven Vogel Fall 2010 New Roads to Capitalism: China and Global Value Chains © 2010 by Mark Peter Dallas Abstract New Roads to Capitalism: China and Global Value Chains by Mark Peter Dallas Doctor of Philosophy in Political Science University of California, Berkeley Professor Kiren Chaudhry, Chair The creation of markets in China has been most commonly analyzed through the lens and vocabulary of the new institutional economics in which broad, national-level institutional reforms are seen to be effective because they altered the incentive structures of farmers, local government officials, or factory managers. Drawing from literature on comparative capitalism which focuses on the processes of production, this dissertation examines markets through deconstructing production to the level of specific commodities. It utilizes a value chain framework by beginning with the cultivation of cotton, wool and silk agricultural commodities, and tracing them through China’s textile and garment industries and into domestic and foreign trade.
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Precious Knits – Look Book
PRECIOUS KNITS – LOOK BOOK REGINA MOESSMER & BC GARN #1 PRECIOUS KNITS – LOOK BOOK REGINA MOESSMER & BC GARN EDITORIAL It‘s about those short moments of happiness when we think of something that gives us joy: Having discovered this beautiful new wool. The decision for the perfect color. The smell of little sheep. Knitting the first rows. Testing whether the wool is genuinely soft on your cheek. Knitting until late … The passion for wool and design allows us to make new plans daily. It offers lifeblood, love, friends, all wrapped in one. It makes us exceedingly happy, it is real! We are free to hold our dream in our hands. With this booklet we want to add another point to the list of these moments. A little thing which is not quite that little: The right design. With numerous ideas around BC Garn and the associated instructions, the ecologically responsible production of the yarns and the carefully picked selection of colors are the heart of this booklet. With each page we want you to feel a little bit of this joy, which has accompanied us so intensively during the creation process. We sincerely thank all our loved ones and supporters, and of course you – our readers. REGINA MOESSMER & BRITTA KREMKE 3 INDEX REGINA MOESSMER for BC GARN 6 - 7 SIZOU HAMELTON TWEED 1 8 - 9 ZIANI BABY ALPACA 10 - 11 SHAI COAT LOCH LOMOND 12 - 13 MALLI SEMILLA CABLÉ 14 - 15 LIEKKI SEMILLA FLAMMÉ 16 - 17 MAINE SEMILLA GROSSO 18 - 19 NAVEEN SARAH TWEED & SEMILLA EXTRA FINO 20 - 21 AKARI HAMELTON TWEED 1 22 - 23 COCO SEMILLA CABLÉ 24 - 25 FRANCA SEMILLA CABLÉ 26
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Textile Technology
Burkhard Wulfhorst Thomas Gries Dieter Veit Textile Technology With contributions by E. Berndt, Th. Bischoff, Ch. Cherif, C. Cremer, N. Elsasser, A. Gräber, A. Itterbeck, S. Izlakar, R. Kaldenhoff, R. Knein- Linz, I. Kurz, M. Leifeld, O. Maetschke, K.-U. Moll, Ph. Moll, M. Osterloh, M. Pasuch, M. Reintjes, G. Satlow, M. Schneider, P. Sommer, M. Steffens, G. Tetzlaff, K.-P. Weber, E. de Weldige, St. Zaremba. Hanser Publishers, Munich • Hanser Gardner Publications, Cincinnati The Editors: Univ.-Prof. Dr.–Ing. Burkhard Wulfhorst, Institut für Textiltechnik der RWTH, Eilfschornsteinstr. 18, 52062 Aachen, Germany Univ.-Prof. Dr.–Ing. Dipl.-Wirt.Ing. Thomas Gries, Institut für Textiltechnik der RWTH, Eilfschornsteinstr. 18, 52062 Aachen, Germany Dr.-Ing. Dieter Veit, Institut für Textiltechnik der RWTH, Eilfschornsteinstr. 18, 52062 Aachen, Germany Distributed in the USA and in Canada by Hanser Gardner Publications, Inc. 6915 Valley Avenue, Cincinnati, Ohio 45244-3029, USA Fax: (513) 527-8801 Phone: (513) 527-8977 or 1-800-950-8977 Internet: http://www.hansergardner.com Distributed in all other countries by Carl Hanser Verlag Postfach 86 04 20, 81631 München, Germany Fax: +49 (89) 98 48 09 www.hanser.de The use of general descriptive names, trademarks, etc., in this publication, even if the former are not especially identified, is not to be taken as a sign that such names, as understood by the Trade Marks and Merchandise Marks Act, may accordingly be used freely by anyone. While the advice and information in this book are believed to be true and accurate at the date of going to press, neither the authors nor the editors nor the publisher can accept any legal responsibility for any errors or omissions that may be made.
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Yarns & Fibreswith Eco Credentials.Pages
Yarns and Fibres with Eco credentials… We are frequently asked if Handweavers stocks yarn or fibre which is; natural/organic/vegan/undyed/unbleached/local to UK or recycled? The answer is a big YES! Below is a taster of our stock to help you find yarns that are right for your needs… also see the web shop individual yarn pages. Wools Chunky Jacob singles (chunky Merino singles also available) Chunky Row, very thick singles of natural Shetland wool Natural colour Breton wools (undyed) 6/2nm undyed natural colour wool - Six shades of undyed, naturally coloured wool. The light and dark are solid colours, the others are cleverly blended and plied for a marled effect. 28/2nm ecru & black, 48/2nm ecru biodynamic Demeter wools 1/14ysk and 1/12ysk “Laura’s loom”, Blue Face Leicester wool sourced, spun and dyed in the UK Naturally dyed 18/2nm worsted wool Naturally dyed, hand-spun Peruvian wool singles 4/9nm 75% alpaca/25%wool natural shades Plants American Maid sustainably grown natural colour cottons - dark brown, light brown, dark green, light green plus natural unbleached white cotton (Cleaner Cotton™) 8/2ne Cotlin (GOTS) 2/16ne unmercerised organic cotton 2/16 and 3x2/16 gassed mercerised cotton - OEKO certified Selection of undyed, un-mercerised, textured cottons Natural handspun Nettle natural linen handspun hemp High-twist undyed linen Silk Range of undyed silks including tussah silk, bourette/noil yarns raw silk Silk strings Recycled Yarn Sari Silk yarn Sari Ribbon 12/2nm ‘Eco Jeans’ (in 3 shades of blue) 45%cotton/47% polyester/5% other fibres.
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Silk Thread for Historical Embroidery, That Is the Basis for the Silk Thread
SilkSilkandMoreSilkThread:APrimer by Sabrina de la Bere The more I played with silk thread for historical embroidery, that is the basis for the silk thread. The threads it exudes are the more I began to get curious about the history of silk, bound together with a glue called sericin. Each cocoon con- what was used for the historic embroideries, and the modern tains between 2000 and 3000 feet of silk thread. If allowed equivalents. And of course, part of playing with different to mature, a caterpillar remains in the cocoon for 22-32 days silk threads is only an excuse to add to my “stash”. and then emerges as a moth. If the cocoon is allowed to mature and the moth emerges, it SilkBasics “chews” through the cocoon and leaves behind the broken While there are a number of different types of silk moths, 2 fibers. These are then placed in warm water to release the are primarily used for the production of quality silk thread – sericin. The broken fibers are then spun into thread. the Bombyx Mori and the Tussah moth. The Bombyx has been successfully domesticated for about 5000 years in China When farmed, the caterpillar is not allowed to mature and is and has lost its ability to fly. Their natural diet is mulberry killed while inside the cocoon. The cocoons are placed in leaves. The silk they produce is the finest white silk. A num- warm water to release the sericin from the fibers (sugas). ber of other types of moths have also been adapted to do- The fiber is then reeled off in a single filament.
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