Impact Magazine December 2009
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The Walt Disney Studios Presents Upcoming Film Slate from Disney, Pixar, Marvel, and Lucasfilm at D23 Expo 2017
THE WALT DISNEY STUDIOS PRESENTS UPCOMING FILM SLATE FROM DISNEY, PIXAR, MARVEL, AND LUCASFILM AT D23 EXPO 2017 ‘Celebration of an Animated Classic: The Lion King’ Event Announced BURBANK, Calif., June 27, 2017 – The Walt Disney Studios presents an exclusive look at its unparalleled film slate at D23 Expo 2017 in Anaheim, California, taking place July 14–16. At two marquee Hall D23 presentations, the Studio will give fans a behind-the-scenes glimpse at its upcoming releases, with animated films from Walt Disney Animation Studios and Pixar Animation Studios showcased on Friday, July 14, and live-action projects from Disney, Marvel Studios, and Lucasfilm taking the stage on Saturday, July 15. Disney, Pixar, Marvel, and Lucasfilm are responsible for some of the world’s biggest movie hits, including recent blockbusters such as Disney’s Beauty and the Beast, Pirates of the Caribbean: Dead Men Tell No Tales, and The Jungle Book; Walt Disney Animation Studios’ Zootopia and Moana; Pixar Animation Studios’ Inside Out, Finding Dory, and Cars 3; Marvel Studios’ Guardians of the Galaxy Vol. 2, Doctor Strange, and Captain America: Civil War; and Lucasfilm’s Star Wars: The Force Awakens and Rogue One: A Star Wars Story. While the films to be featured in Hall D23 will remain under wraps until showtime, the Studio’s upcoming slate includes Pixar’s Coco; Marvel Studios’ Thor: Ragnarok, Black Panther, and Avengers: Infinity War; Lucasfilm’s Star Wars: The Last Jedi; Disney’s A Wrinkle in Time and Mary Poppins Returns; Walt Disney Animation Studios’ Ralph Breaks the Internet: Wreck-It Ralph 2; and more. -
Animschoolcatalog.Pdf
1 AnimSchool Classes Conducted Online in Live Web Meetings 209 W 520 N Orem, UT 84057 Phone: 801 765 7677 Fax: 801 221-4882 Contact: [email protected] Hours of Operation: 9 am – 6 pm Mountain Standard Time Publication Date: September 2017 Revision Date: Table of Contents Chapter 1 - About Us 1.1 Online School for 3D Animation Skills Chapter 5 1.2 Founder and Mission 1.3 Our Instructors 5.1 Express Classes: Take a Single Class at AnimSchool 1.4 Enrolling in AnimSchool 5.2 Requirements for Admission 5.3 Enrollment Denial Chapter 2 - Apply 5.4 Enrollment Agreement 5.5 Site Use Agreement 2.1 Registering for a Class at AnimSchool 2.2 Class Structure Chapter 6 2.3 Class Instruction 2.4 Interaction with Instructor 6.1 Withdrawal and Cancellation 2.5 Class Size 6.2 Taking a Break While Term is Underway 2.6 Instructor Surveys 6.3 Class Cancellation or Instructor Substitution 2.7 General Reviews 6.4 Class Switching 2.8 Art Classes 6.5 Instructor Absence 6.6 Unplanned Instructor Absence Chapter 3 - Programs 6.7 Instructor Withdrawal 6.8 Term Breaks 3.1 12 Month Programs 6.9 Leave of Absence 3.2 3D Animation Program Track 3.3 3D Character Program Track Chapter 7 3.4 Registration Status 3.5 What a Certificate at AnimSchool Will Offer You 7.1 Standards of Progress 3.6 Clock Hours 7.2 Standards of Conduct 3.7 Explore: Switch Programs if Needed 7.3 Probation 7.4 Termination/Dismissal Chapter 4 - Graduation 7.5 Attendance and Assignment Submission Standards 7.6 Assignments 4.1 Grading System 7.7 Use of AnimSchool Character Rigs, Tools and 4.2 Graduation -
Feature Films and Licensing & Merchandising
Vol.Vol. 33 IssueIssue 88 NovemberNovember 1998 1998 Feature Films and Licensing & Merchandising A Bug’s Life John Lasseter’s Animated Life Iron Giant Innovations The Fox and the Hound Italy’s Lanterna Magica Pro-Social Programming Plus: MIPCOM, Ottawa and Cartoon Forum TABLE OF CONTENTS NOVEMBER 1998 VOL.3 NO.8 Table of Contents November 1998 Vol. 3, No. 8 4 Editor’s Notebook Disney, Disney, Disney... 5 Letters: [email protected] 7 Dig This! Millions of Disney Videos! Feature Films 9 Toon Story: John Lasseter’s Animated Life Just how does one become an animation pioneer? Mike Lyons profiles the man of the hour, John Las- seter, on the eve of Pixar’s Toy Story follow-up, A Bug’s Life. 12 Disney’s The Fox and The Hound:The Coming of the Next Generation Tom Sito discusses the turmoil at Disney Feature Animation around the time The Fox and the Hound was made, marking the transition between the Old Men of the Classic Era and the newcomers of today’s ani- 1998 mation industry. 16 Lanterna Magica:The Story of a Seagull and a Studio Who Learnt To Fly Helming the Italian animation Renaissance, Lanterna Magica and director Enzo D’Alò are putting the fin- ishing touches on their next feature film, Lucky and Zorba. Chiara Magri takes us there. 20 Director and After Effects: Storyboarding Innovations on The Iron Giant Brad Bird, director of Warner Bros. Feature Animation’s The Iron Giant, discusses the latest in storyboard- ing techniques and how he applied them to the film. -
LIFE, ANIMATED Directed by ROGER ROSS WILLIAMS
Presents LIFE, ANIMATED Directed by ROGER ROSS WILLIAMS Produced by ROGER ROSS WILLIAMS AND JULIE GOLDMAN INSPIRED BY THE BOOK BY RON SUSKIND “LIFE, ANIMATED: A STORY OF SIDEKICKS, HEROES, AND AUTISM” Winner: Directing Award, 2016 Sundance Film Festival Official Selection: 2016 Tribeca Film Festival TRT 91 MIN | ENGLISH Rating: ? Publicity Contact: Strategy PR: Matt Mazur E: [email protected] P: 646.403.0361 Asenath NakayamaE: [email protected] P: 323.533.4748 Distribution Contact: Dan Goldberg /The Orchard / 646.256.3030 [email protected] Kalie Watch /the Orchard / 323.540.5496 [email protected] SYNOPSIS Owen Suskindis an autistic young man who could not speak for years as a child and yet slowly emerged from his isolation by immersing himself in Disney animated movies. The subject of his father Ron Suskind’s New York Timesbestseller, Owen used these films as a roadmap to reconnect with his loving family and the wider world. Life Animatedis an emotional coming-of-age story that shows the next stage of Owen’s journey as he takes his first steps towards independence. DIRECTOR’S STATEMENT: My films have alWays been about championing the outsider – this is What makes filmmaking such an exciting adventure. With LIFE, ANIMATED, I Wanted to tell an incredible story but I also Wanted to create a space that Would offer insight into OWen SusKind and other people living With autism. OWen is a unique person for many reasons, chief among them are his emotional openness and scrupulous honesty. His vision of the World is extraordinary because he is unencumbered by many of the World’s social cues Whose main purpose is to restrict behavior and curb spontaneity. -
Frid Ay Schedule Saturd Ay Schedule
DISNEY|ABC TV PAVILION WALT DISNEY WALT DISNEY SATURDAY HALL STAGE STAGE ARCHIVES CENTER AUTOGRAPH HALL STAGE STAGE CENTER AUTOGRAPH ARCHIVES 10:00 a.m. – 10:50 a.m. Photo Opportunity: Girl Meets World (Disney Channel) TIME D23 23 28 STAGE STAGE CENTRAL TIME D23 23 28 STAGE STAGE CENTRAL 11:00 a.m. – 11:50 a.m. Photo Opportunity: Descendants (Disney Channel) DISNEY ABC TV PAVILION | FRIDAY 12:00 p.m. – 12:50 p.m. Photo Opportunity: Stitchers (ABC Family) 9:00 a.m. 10:00 a.m. – 10:50 a.m. Photo Opportunity: Lab Rats: Bionic Island (Disney XD) 9:00 a.m. 1:00 p.m. – 1:50 p.m. Photo Opportunity: Baby Daddy (ABC Family) 11:00 a.m. – 11:50 a.m. Photo Opportunity: Young & Hungry (ABC Family) 2:00 p.m. – 2:50 p.m. Photo Opportunity: Liv and Maddie (Disney Channel) RADIO DISNEY RADIO DISNEY 12:00 p.m. – 12:50 p.m. Photo Opportunity: Dancing with the Stars (ABC) 9:30 a.m. WELCOMES YOU 3:00 p.m. – 3:50 p.m. Photo Opportunity: Gamer’s Guide to Pretty Much Everything (Disney XD) 9:30 a.m. WELCOMES YOU TO D23 EXPO TO D23 EXPO 1:00 p.m. – 1:50 p.m. Photo Opportunity: The Fosters (ABC Family) 4:00 p.m. – 4:50 p.m. Photo Opportunity: black-ish (ABC) 2:00 p.m. – 2:50 p.m. Photo Opportunity: I Didn’t Do It (Disney Channel) 6:00 p.m. – 6:50 p.m. Photo Opportunity: Pretty Little Liars (ABC Family) 10:00 a.m. -
The Animated Movie Guide
THE ANIMATED MOVIE GUIDE Jerry Beck Contributing Writers Martin Goodman Andrew Leal W. R. Miller Fred Patten An A Cappella Book Library of Congress Cataloging-in-Publication Data Beck, Jerry. The animated movie guide / Jerry Beck.— 1st ed. p. cm. “An A Cappella book.” Includes index. ISBN 1-55652-591-5 1. Animated films—Catalogs. I. Title. NC1765.B367 2005 016.79143’75—dc22 2005008629 Front cover design: Leslie Cabarga Interior design: Rattray Design All images courtesy of Cartoon Research Inc. Front cover images (clockwise from top left): Photograph from the motion picture Shrek ™ & © 2001 DreamWorks L.L.C. and PDI, reprinted with permission by DreamWorks Animation; Photograph from the motion picture Ghost in the Shell 2 ™ & © 2004 DreamWorks L.L.C. and PDI, reprinted with permission by DreamWorks Animation; Mutant Aliens © Bill Plympton; Gulliver’s Travels. Back cover images (left to right): Johnny the Giant Killer, Gulliver’s Travels, The Snow Queen © 2005 by Jerry Beck All rights reserved First edition Published by A Cappella Books An Imprint of Chicago Review Press, Incorporated 814 North Franklin Street Chicago, Illinois 60610 ISBN 1-55652-591-5 Printed in the United States of America 5 4 3 2 1 For Marea Contents Acknowledgments vii Introduction ix About the Author and Contributors’ Biographies xiii Chronological List of Animated Features xv Alphabetical Entries 1 Appendix 1: Limited Release Animated Features 325 Appendix 2: Top 60 Animated Features Never Theatrically Released in the United States 327 Appendix 3: Top 20 Live-Action Films Featuring Great Animation 333 Index 335 Acknowledgments his book would not be as complete, as accurate, or as fun without the help of my ded- icated friends and enthusiastic colleagues. -
Walt Disney Animation Studios Celebrates Its Upcoming
WALT DISNEY ANIMATION STUDIOS CELEBRATES ITS UPCOMING PROJECTS AND ITS LEGACY THROUGH SHOWSTOPPING PRESENTATIONS, ENGAGING PANELS AND IMMERSIVE EXPERIENCES AT D23 EXPO 2015 Walt Disney Animation Studios Returns to D23 EXPO with Three Days of Bigger and Better-Than-Ever Fan Experiences, Including Big Announcements, Film Sneak Peeks and a Frozen Sing-Along! BURBANK, Calif. – June 15, 2015 – Walt Disney Animation Studios today announced its most exciting presence at D23 EXPO yet. The event, presented by D23: The Official Disney Fan Club, will take place August 14–16 at the Anaheim Convention Center. CALENDAR OF KEY PRESENTATIONS/ PANELS/ EVENTS: Every Story Is a Journey: The Upcoming Films of Walt Disney and Pixar Animation Studios Friday, August 14, 3:00 pm - Hall D23 After meeting the Emotions inside the mind of an 11-year-old, taking a trip to San Fransokyo where a boy genius and his robot save the world, and falling in love with a queen with icy powers who wants to “let it go,” come see where Walt Disney and Pixar Animation Studios plan to take you next. In what has become a D23 EXPO must-see, host John Lasseter, chief creative officer of Walt Disney and Pixar Animation Studios, presents “Every Story is a Journey.” Filmmakers will unveil never-before-seen footage from Pixar’s upcoming The Good Dinosaur and Finding Dory and Disney Animation’s Zootopia and Moana. The event will include surprise announcements, musical performances, and appearances by the films’ star voice talent. Cell phones, cameras and all recording devices will be checked for this presentation. -
Independent Filmmakers and Commercials
Vol.Vol. 33 IssueIssue 77 October 1998 Independent Filmmakers and Commercials Balancing Commercials & Personal Work William Kentridge ItalyÕs Indy Scene U.K. Opps for Independents Max and His Special Problem Plus: The Budweiser Frogs & Lizards, Barry Purves and Glenn Vilppu TABLE OF CONTENTS OCTOBER 1998 VOL.3 NO.7 Table of Contents October 1998 Vol. 3, No. 7 4 Editor’s Notebook The inventiveness of independents... 5 Letters: [email protected] 7 Dig This! Animation World Magazine takes a jaunt into the innovative and remarkable: this month we look at fashion designer Rebecca Moses’ animated film, The Discovery of India. INDEPENDENT FILMMAKERS 8 William Kentridge: Quite the Opposite of Cartoons The amazing animation films of South African William Kentridge are discussed in depth by Philippe Moins. Available in English and French. 14 Italian Independent Animators Andrea Martignoni relates the current situation of independent animation in Italy and profiles three current indepen- dents: Ursula Ferrara, Alberto D’Amico, and Saul Saguatti. Available in English and Italian. 21 Eating and Animating: Balancing the Basics for U.K. Independents 1998 Marie Beardmore relays the main paths that U.K. animators, seeking to make their own works, use in order to obtain funding to animate...and eat! 25 Animation in Bosnia And Herzegovina:A Start and an Abrupt Stop In the shadow of Zagreb, animation in Bosnia and Herzegovina never truly developed until soon before the war...only to be abruptly halted. Rada Sesic explains. COMMERCIALS 30 Bud-Weis-Er: Computer-Generated Frogs and Lizards Give Bud a Boost As Karen Raugust explains, sometimes companies get lucky and their commercials become their own licensing phe- nomena. -
Celebrating 50 Years of Animation
NEXT GEN ANIMATED EFFECTS IN AN ANIMATED FEATURE PRODUCTION So Ishigaki, Graham Wiebe VOICE ACTING IN AN ANIMATED FEATURE PRODUCTION Charlyne Yi CHARACTER DESIGN IN AN ANIMATED FEATURE PRODUCTION Marceline Tanguay HILDA BEST ANIMATED TELEVISION/BROADCAST PRODUCTION FOR CHILDREN CHARACTER ANIMATION IN AN ANIMATED TELEVISION/BROADCAST PRODUCTION Scott Lewis WRITING IN AN ANIMATED TELEVISION/BROADCAST PRODUCTION Stephanie Simpson TALES OF ARCADIA: TROLLHUNTERS BEST ANIMATED TELEVISION/BROADCAST PRODUCTION FOR CHILDREN ANIMATED EFFECTS IN AN ANIMATED TELEVISION/BROADCAST PRODUCTION David M.V. Jones, Vincent Chou, Clare Yang TALES OF ARCADIA: 3BELOW DIRECTING IN AN ANIMATED TELEVISION/BROADCAST PRODUCTION Guillermo del Toro, Rodrigo Blaas EDITORIAL IN AN ANIMATED TELEVISION/BROADCAST PRODUCTION John Laus, Graham Fisher BIG MOUTH BEST GENERAL AUDIENCE ANIMATED TELEVISION/BROADCAST PRODUCTION WRITING IN AN ANIMATED TELEVISION/BROADCAST PRODUCTION Emily Altman BOJACK HORSEMAN BEST GENERAL AUDIENCE ANIMATED TELEVISION/ BROADCAST PRODUCTION VOICE ACTING IN AN ANIMATED TELEVISION/BROADCAST PRODUCTION Will Arnett ASK THE STORYBOTS BEST ANIMATED TELEVISION/BROADCAST PRODUCTION FOR PRESCHOOL CHILDREN DIRECTING IN AN ANIMATED TELEVISION/ BROADCAST PRODUCTION Evan Spiridellis DINOTRUX: SUPERCHARGED BEST ANIMATED TELEVISION/BROADCAST PRODUCTION FOR PRESCHOOL CHILDREN WATERSHIP DOWN ANIMATED EFFECTS IN AN ANIMATED TELEVISION/ BROADCAST PRODUCTION Philip Child, Nilesh Sardesai F IS FOR FAMILY VOICE ACTING IN AN ANIMATED TELEVISION/ BROADCAST PRODUCTION -
Press Release
1938.Story sketch. ©Disney BraveLittle Tailor, Press Release CaixaForum Seville From 16 November 2017 to 18 February 2018 At CaixaForum Seville, ”la Caixa” Foundation presents, for the first time in Spain, a thrilling journey through the fantastic world of the animated film company “The age-old kind of entertainment based on the classic fairy tale recognises no old, no young”. Through film, Walt Disney (Chicago, 1901 – Burbank, California, 1966) and his successive creative teams have brought popular and literary traditions to millions of spectators of all ages and all around the world. Since the 1930s, the American entertainment company has updated many classic stories, making them more accessible to audiences in every generation, always in the most delightful and entertaining fashion, continually interpreting the needs of a public seeking emotions and fantasy. Now, ”la Caixa” Foundation and the Walt Disney Animation Research Library join forces to present Disney. Art of Storytelling , an exhibition that explores the origins of some of the studio’s best-known films, all universal works in the art of animation. Spanning the period from Three Little Pigs (1933) to Frozen (2013), the show features 212 objects, including drawings, paintings, digital prints, screenplays and storyboards, as well as a number of film projections. Disney. Art of Storytelling . Organised and produced by : ”la Caixa” Foundation and the Walt Disney Animation Research Library. Curated by : The Walt Disney Animation Research Library curatorial team: Fox Carney, Tamara Khalaf, Kristen McCormick and Mary Walsh. Dates : From 16 November 2017 to 18 February 2018. Place : CaixaForum Seville (Camino de los Descubrimientos with Calle de Jerónimo de Aguilar). -
Animação E Quadrinhos Disney: Produção Cultural No Início Do Século XXI
UNIVERSIDADE DE SÃO PAULO ESCOLA DE COMUNICAÇÕES E ARTES PROGRAMA DE PÓS-GRADUAÇÃO EM CIÊNCIAS DA COMUNICAÇÃO Animação e quadrinhos Disney: Produção cultural no início do século XXI CELBI VAGNER MELO PEGORARO SÃO PAULO 2016 CELBI VAGNER MELO PEGORARO Animação e quadrinhos Disney: Produção cultural no início do século XXI Tese apresentada ao Programa de Pós- Graduação em Ciências da Comunicação da Escola de Comunicações e Artes da Universidade de São Paulo, como exigência parcial para obtenção do título de Doutor em Ciências da Comunicação. Versão Corrigida. Área de Concentração: Interfaces Sociais da Comunicação Orientador: Prof. Dr. Waldomiro de Castro Santos Vergueiro SÃO PAULO 2016 Autorizo a reprodução e divulgação total ou parcial deste trabalho, por qualquer meio convencional ou eletrônico, para fins de estudo e pesquisa, desde que citada a fonte. Versão Corrigida. A versão original encontra-se disponível na Biblioteca da ECA/USP e Biblioteca Digital de Teses e Dissertações da USP (BDTD). Catalogação na Publicação Serviço de Biblioteca e Documentação Escola de Comunicações e Artes da Universidade de São Paulo Dados fornecidos pelo(a) autor(a) AGRADECIMENTOS À Fundação de Amparo à Pesquisa do Estado de São Paulo (Fapesp), processo n. 2013/04103- 9, pelo apoio financeiro. À minha mãe Celina, por todo o apoio e compreensão durante a jornada desta tese; e ao meu pai João Carlos, por periodicamente ter discutido os temas da tese comigo Aos meus primos Marcos e Christina por todo o seu apoio e companheirismo nas viagens aos Estados Unidos, pelas dicas de livrarias e atividades culturais. Ao Prof. Dr. Waldomiro Vergueiro por seu apoio incondicional e por promover um ambiente rico de pesquisa em quadrinhos na USP. -
D O S S I E R D E P R E S
D OSSIER DE P RESSE Avant propos • L’histoire • Notes de production • Autour du Roi lion • Avant programme : • LE MARIAGE DE RAIPONCE Fiche artistique • Fiche technique • en Biographies • Réalisé par ROGER ALLERS et ROB MINKOFF • Produit par DON HAHN • Scénario de IRENE MECCHI, JONATHAN ROBERTS et LINDA WOOLVERTON • Chansons de TIM RICE et ELTON JOHN • Musique originale composée et arrangée par HANS ZIMMER LE 11 AVRIL 2012 AU CINÉMA Durée : 1 h 30 Le film est précédé du court-métrage LE MARIAGE DE RAIPONCE réalisé par Byron Howard et Nathan Greno Communication Distribution / presse Retrouvez LE ROI LION sur Disney.fr/leroilion Photos du film sur : Olivier MARGERIE ([email protected]) – 01 64 17 58 82 The Walt Disney Company France Et sur facebook.com/disneyfrance www.image.net Aude THOMAS ([email protected]) – 01 64 17 57 57 1, rue de la Galmy et www.disney-images.fr Web Chessy – 77776 Marne la Vallée cédex 4 Ariane Gourdin ([email protected]) – 01 64 17 21 13 Tel : 01 64 17 50 00 © 2012 Disney Avant programme : Notes de Autour du Accueil Avant propos L’histoire LE MARIAGE DE Fiche artistique Fiche technique Biographies production Roi lion RAIPONCE LE ROI LION, le plus grand succès de tous les temps pour un film d’animation Disney, revient enfin dans les salles de ciné- ma. Plébiscité aussi bien par les enfants que par les adultes, salué unanimement par la critique et récompensé par les Oscars de la Meilleure Musique et de la Meilleure Chanson (“Can You Feel the Love Tonight”), LE ROI LION, après sa ressortie triomphale dans les cinémas du monde entier à l’au- tomne dernier, sera à son tour proposé en France pour la première fois en Disney Digital 3D dans les salles équipées à partir du 11 avril 2012.