French Colonial Counter-Insurgency
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Settler Soldiers, Colonial Categories and the Centenary of the First World War
This is a repository copy of “The Forgotten of This Tribute”: Settler Soldiers, Colonial Categories and the Centenary of the First World War. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/142187/ Version: Accepted Version Article: Eldridge, C orcid.org/0000-0002-9159-3547 (2019) “The Forgotten of This Tribute”: Settler Soldiers, Colonial Categories and the Centenary of the First World War. History and Memory, 31 (2). pp. 3-44. ISSN 0935-560X https://doi.org/10.2979/histmemo.31.2.0003 © 2019, Indiana University Press. This is an author produced version of an article published in History and Memory. Uploaded in accordance with the publisher's self- archiving policy. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ “The forgotten of this tribute”: Settler Soldiers, Colonial Categories, and the Centenary of the First World War 1 Abstract: This article uses the Centenary of the First World War to explore how colonial Frenchcategories Algeria, have beenit argues mobilized that inthe memory Centenary projects. -
The Ideological Origins of the French Mediterranean Empire, 1789-1870
The Civilizing Sea: The Ideological Origins of the French Mediterranean Empire, 1789-1870 The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Dzanic, Dzavid. 2016. The Civilizing Sea: The Ideological Origins of the French Mediterranean Empire, 1789-1870. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:33840734 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA The Civilizing Sea: The Ideological Origins of the French Mediterranean Empire, 1789-1870 A dissertation presented by Dzavid Dzanic to The Department of History in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of History Harvard University Cambridge, Massachusetts August 2016 © 2016 - Dzavid Dzanic All rights reserved. Advisor: David Armitage Author: Dzavid Dzanic The Civilizing Sea: The Ideological Origins of the French Mediterranean Empire, 1789-1870 Abstract This dissertation examines the religious, diplomatic, legal, and intellectual history of French imperialism in Italy, Egypt, and Algeria between the 1789 French Revolution and the beginning of the French Third Republic in 1870. In examining the wider logic of French imperial expansion around the Mediterranean, this dissertation bridges the Revolutionary, Napoleonic, Restoration (1815-30), July Monarchy (1830-48), Second Republic (1848-52), and Second Empire (1852-70) periods. Moreover, this study represents the first comprehensive study of interactions between imperial officers and local actors around the Mediterranean. -
The Most Talked About Man in the Country
The most Talked About Man in the Country On Friday, May 24, 1861 as the country was rushing into the quagmire that would be the Civil War, President Lincoln received two visitors: a Senator and a New York Herald reporter. Years later the reporter gave this account of the occasion. .. as we “ entered the library we observed Mr. Lincoln before a window, looking out across the Potomac .. He did not move until we … approached very closely, when he turned round abruptly, and advanced toward us, extending his hand: Excuse me, he said, “ ” ” but I cannot talk. Then to our surprise the President burst ” … into tears, and concealed his face in his handkerchief. After …… composing himself somewhat, Mr. Lincoln sat down and invited us to him. I will make no apology, gentlemen, he said, for my “ ” “ weakness; but I knew poor Ellsworth well, and held him in great regard. ” 1 The man Lincoln mourned that day was born Ephraim Elmer Ellsworth, Jr. on April 11, 1837 in Malta, N.Y. to Ephraim Ellsworth and Phoebe Denton Ellsworth. At age 15, he changed the order to Elmer Ephraim, thus sparing countless numbers of post Civil War boys being named Ephraim. Elmer s paternal ’ grandfather, George Ellsworth a Halfmoon resident joined the Continental Army at age 15, in response to Burgoyne s invasion ’ and was present at the surrender after the Battle of Saratoga. His mother Phoebe came from an early Stillwater and Malta family whose descendents still live in our area. Elmer was born in the Rogers Hotel which stood for many years on the southwest corner of Rts. -
The Forgotten Ubiquity of the Zouaves
Office of Historic Alexandria City of Alexandria, Virginia Out of the Attic The forgotten ubiquity of the Zouaves Alexandria Times, April 8, 2021 Image: Children’s Zouave-inspired spelling game, late 1800s. Fort Ward Museum collection. Photo, Melanie Gonzalez, Fort Ward Museum. ith the160th anniversary of the Marshall House incident this year, many will reflect on the first Union and Confederate casualties of W the Civil War. While Colonel Ellsworth and James Jackson center the story, less focus is placed on the makeup of Colonel Ellsworth’s regiment, the 11th New York Infantry, known as the Fire Zouaves. Though Zouave units were used by both sides during the Civil War, they were not American in origin. Starting in the 1830s, the French Army created a class of infantry regiments based on the dress and fighting style of North African cultures, like the Zouaoua tribe in Algeria. Unmistakable in a uniform of baggy trousers, short open-front jacket, sash and fez, the Zouaves distinguished themselves with a fast, agile, almost theatrical fighting style that earned them many accolades. Zouave units were used sporadically in Britain, Poland, Spain and Brazil, fighting in local disputes as well as the first and second World Wars. The last Zouave unit was disbanded from the French Army after the Algerian War in 1962. The “Blue and Gray” has become synonymous with the Civil War and led to the marginalization of Zouaves in American culture. The Zouaves found prominence during the war after the death of Colonel Ellsworth, when commemorative objects such as pins, envelopes, poetry and ceramicware, exploded onto the market. -
Burning the Veil: the Algerian War and the 'Emancipation' of Muslim
3 Unveiling: the ‘revolutionary journées’ of 13 May 1958 Throughout the period from early 1956 to early 1958 putschist forces had been gathering strength both within the army and among right- wing settler organisations and these eventually coalesced on 13 May 1958 when crowds gathered in the Forum and stormed the General Government buildings. The military rapidly used the crisis to effect a bloodless coup and to install a temporary ‘revolutionary’ authority headed by a Committee of Public Safety (Comité de salut public or CSP) under Generals Massu and Salan. There then followed a tense stand- off between the army in Algeria and the new Paris government headed by Pierre Pfl imlin, a three-week period during which civil war was a real possibility, until de Gaulle agreed to assume, once again, the role of ‘saviour of the nation’, and was voted into power by the National Assembly on 1 June.1 ‘13 May’ was one of the great turning points in modern French history, not only because it marked a key stage in the Algerian War, but more signifi cantly the collapse of the Fourth Republic, de Gaulle’s return to power, and the beginnings of the new constitutional regime of the Fifth Republic. The planning of the coup and its implementation was extraordi- narily complex – the Bromberger brothers in Les 13 Complots du 13 mai counted thirteen strands2 – but basically two antagonistic politi- cal formations reached agreement to rally to the call for de Gaulle’s return to power. On the one hand there was a secret plot by Gaullists, most notably Michel Debré (soon to become Prime Minister), Jacques Soustelle, Léon Delbecque and Jacques Chaban-Delmas (acting Minister of Defence), to engineer the return of the General so as to resolve the political crisis of the ‘system’, the dead hand of the party system of the Fourth Republic, which they viewed as destroying the grandeur of France. -
Jean-Paul Sartre and the Algerian Revolution: 1954-1962
https://theses.gla.ac.uk/ Theses Digitisation: https://www.gla.ac.uk/myglasgow/research/enlighten/theses/digitisation/ This is a digitised version of the original print thesis. Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] JEAN-PAUL SARTRE AND THE ALGERIAN REVOLUTION: 1954-1962 BY ABDELMADJID AMRANI B.A. ALGIERS UNIVERSITY, (1981) M. LiTT. GLASGOW UNIVERSITY, (1985) A THESIS SUBMITTED IN FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY, PH.D. DEPARTMENT OF MODERN HISTORY FACULTY OF ARTS UNIVERSITY OF GLASGOW FEBRUARY 1990 i ProQuest Number: 10970983 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10970983 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. -
Biographical Appendix
BIOGRAPHICAL APPENDIX Aberdeen George Hamilton-Gordon, earl of (1784–1860), was the Foreign Secretary under Robert Peel 1841–46 and a close friend of Guizot and of Princess Lieven. He acted as go- between for Louis-Philippe and the comte de Chambord in 1849–50. He was the Prime Minister of Great Britain in 1852–55. Affre Denis-Auguste (1793–1848) was the archbishop of Paris from 1840. He rallied to the Republic quickly in 1848 but was mortally wounded when he tried to parlay with insur- gents during the June Days. d’Agoult Marie (1805–76) published her Histoire de la Révolution de 1848 under the name of Daniel Stern. Arago François (1786–1853) was an astronomer and member of the Provisional Government and Executive Commission. Barante Prosper de (1782–1866) was a member of the Doctrinaires in the Restoration and prefect during the July Monarchy as well as ambassador in Turin and Saint Petersburg. Baroche Jules (1802–70) was the Minister of the Interior from March 1850, actively supported the electoral reform law of 31 May 1850. He resigned when Changarnier was dis- missed but was made Minister of Foreign Affairs in April 1851, only to resign in October in protest against the President’s attempt to revoke the law of 31 May. After the coup he became President of the Council of State. Barrot Odilon (1791–1873) was prefect of the Seine after the 1830 Revolution. He was leader of the Dynastic Opposition © The Editor(s) (if applicable) and The Author(s) 2016 299 C. Guyver, The Second French Republic 1848–1852, DOI 10.1057/978-1-137-59740-3 300 BIOGRAPHICAL APPENDIX during the July Monarchy, and his banquet campaign for reform of the electoral system helped trigger the February Revolution of 1848. -
La Plaine Du Chellif En Textes
INTRODUCTION L’intitulé de notre étude La plaine du Chélif en textes : mémoire et didactique : 1840-2006 , peut s’interpréter comme l’expression d’une volonté d’illustrer la mémoire d’une région spécifique de l’Algérie à partir de textes qu’elle a pu susciter au cours de plus de cent cinquante ans, depuis la conquête et la colonisation françaises jusqu’à nos jours. Cette dimension historique nous semble inséparable de la dimension géographique. En effet, le fil directeur de cette réalisation est le lieu géographique, son histoire et ses différentes représentations sur le plan de l’écriture et de l’imaginaire. Le recueil de textes que nous proposons n’est pas à proprement parler une anthologie d’extraits exclusivement littéraires mais s’en inspire pour présenter un choix de textes divers qui ont pour thème commun l’histoire et la représentation d’une région d’Algérie qui reste assez méconnue : la plaine du Chélif. Elle porte sur la conquête d’un espace géographique précis, sur la création de villes ou leur reconstruction et de leur évolution à travers l’écriture et ce en sollicitant tous les types de textes. Il s’agit de montrer comment la géographie investit l’espace littéraire, et inversement de voir comment cette plaine du Chélif s’inscrit, au fil de ce recueil, dans l’espace de l’écriture en tentant de dégager la spécificité et l’apport de chacun des textes à la construction d’un imaginaire sur un lieu donné, à défaut de parler d’une littérature régionale. Le discours d’accompagnement critique de ce recueil est certes, enrichi par une connaissance du terrain. -
Coppens Zouaves
CONFEDERATE HISTORICAL ASSOCIATION OF BELGIUM Photo and arrangement © S. Noirsain and G. Hawkins By Gerald Hawkins and Serge Noirsain In 1982, the CHAB co-produced with Michael J. McAfee, Curator of the West Point Museum, a publication entitled “The Civil War Zouaves”, which has been out of print since many years. Given that the current article describes in much detail one of those units, it seems fitting to introduce it by a text written by M. McAfee for his booklet “Zouaves ... the First and the Bravest”, published by the West Point Museum Bulletin in 1979, and reproduced with his kind permission. INTRODUCTION by Michael J. McAfee Curator of the West Point Museum The Birth of the French Zouaves The Zouaves of the French Army were originally recruited from native North African troops. Early in 1830, France launched an expedition into Algeria and in July of that year, the city of Algiers was captured by a French Army. In August, a number of Algerians (mainly Berber Kabyles) of the Zouaoua tribe offered their services to the occupying army. The French general staff, feeling it could be useful in maintaining order and protecting the city, accepted them and on October 1, the Zouaoua were organized into two battalions under French officers. A few French volunteers joined the native contingent at that time, setting CONFEDERATE HISTORICAL ASSOCIATION OF BELGIUM the precedent for further European enlistments. It was not until March 1831, however, that these troops were officially sanctioned by King Louis-Philippe. By 1835, the Zouave corps consisted of two battalions of six companies (two French and four Arabs), which could be increased in size to ten companies.1 Rapidly however, more and more Frenchmen joined the Zouave battalions. -
The Battle of Williamsburg
W&M ScholarWorks Dissertations, Theses, and Masters Projects Theses, Dissertations, & Master Projects 1980 The Battle of Williamsburg Carol Kettenburg Dubbs College of William & Mary - Arts & Sciences Follow this and additional works at: https://scholarworks.wm.edu/etd Part of the United States History Commons Recommended Citation Dubbs, Carol Kettenburg, "The Battle of Williamsburg" (1980). Dissertations, Theses, and Masters Projects. Paper 1539625106. https://dx.doi.org/doi:10.21220/s2-bjb5-9e76 This Thesis is brought to you for free and open access by the Theses, Dissertations, & Master Projects at W&M ScholarWorks. It has been accepted for inclusion in Dissertations, Theses, and Masters Projects by an authorized administrator of W&M ScholarWorks. For more information, please contact [email protected]. THE BATTLE OF WILLIAMSBURG tf A Thesis Presented to The Faculty of the Department of History The College of William and Mary in Virginia In Partial Fulfillment Of the Requirements for the Degree of Master of Arts by Carol Ann Kettenburg 1980 APPROVAL SHEET This thesis is submitted in partial fulfillment the requirements for the degree of Master of Arts Author Approved, May 1980 LudweXl H. 'John^Vn JLJJLA Mi Royer luoyne Edward' M. Riley DEDICATION To my mother and father iii TABLE OP CONTENTS Page ACKNOWLEDGMENTS ......................................... v LIST OP MAPS................................................ vi ABSTRACT................................................... vii CHAPTER I ............................................... -
19Th and 20Th Century French Exoticism
Louisiana State University LSU Digital Commons LSU Doctoral Dissertations Graduate School 2004 19th and 20th century French exoticism: Pierre Loti, Louis-Ferdinand Céliné , Michel Leiris, and Simone Schwarz-Bart Robin Anita White Louisiana State University and Agricultural and Mechanical College, [email protected] Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_dissertations Part of the French and Francophone Language and Literature Commons Recommended Citation White, Robin Anita, "19th and 20th century French exoticism: Pierre Loti, Louis-Ferdinand Céĺ ine, Michel Leiris, and Simone Schwarz-Bart" (2004). LSU Doctoral Dissertations. 2593. https://digitalcommons.lsu.edu/gradschool_dissertations/2593 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Doctoral Dissertations by an authorized graduate school editor of LSU Digital Commons. For more information, please [email protected]. 19TH CENTURY AND 20TH CENTURY FRENCH EXOTICISM: PIERRE LOTI, LOUIS-FERDINAND CÉLINE, MICHEL LEIRIS, AND SIMONE SCHWARZ-BART A Dissertation Submitted to the Graduate Faculty of the Louisiana State University and Agricultural and Mechanical College in partial fulfillment of the requirement for the degree of Doctor of Philosophy in The Department of French Studies by Robin Anita White B.A. The Evergreen State College, 1991 Master of Arts Louisiana State University, 1999 August 2004 ACKNOWLEDGEMENTS This work is dedicated to my family and friends who lent me encouragement during my studies. They include my parents, Joe and Delsa, my brother and sister-in-law, and many others. I would like to express gratitude for the help I received from the Department of French Studies at LSU, in particular, Dr. -
Identity and Positioning in Algerian and Franco-Algerian Contemporary Art
Identity and Positioning in Algerian and Franco-Algerian Contemporary Art Martin Elms A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy Department of French Faculty of Arts and Humanities School of Languages and Cultures The University of Sheffield 13 December 2019 1 Abstract Identity and belonging increasingly feature as themes in the work of contemporary artists, a focus that seems particularly felt by those artists who either personally or through their families have experienced dispersal and migration. The thesis explores how fourteen Algerian and Franco-Algerian artists position themselves and are positioned by others to identity and community. The difficult intertwined histories of Algeria and France fraught with the consequences of colonisation, the impact of migration, and, in Algeria, civil war, provides a rich terrain for the exploration of identity formation. Positionality theory is used to analyse the process of identity formation in the artists and how this developed over the course of their careers and in their art. An important part of the analysis is concerned with how the artists positioned themselves consciously or inadvertently to fixed or fluid conceptions of identity and how this was reflected in their artworks. The thesis examines the complex politics of identity and belonging that extends beyond nationality and diaspora and implicates a range of other identifications including that of class, ethnicity, gender, sexuality and career choice. The research addresses a gap in contemporary art scholarship by targeting a specific group of artists and their work and examining how they negotiate, in an increasingly globalised world, their relationship to identity including nationality and diaspora.