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New Writing from Ireland
New Writing from Ireland Promoting Irish Literature Abroad Fiction | 1 NEW WRITING FROM ireLAND 2013 This is a year of new beginnings – Ireland first published 2013 Impac Award-winner Literature Exchange has moved offices Kevin Barry’s collection, There Are Little and entered into an exciting partnership Kingdoms in 2007, offers us stories from with the Centre for Literary Translation at Colin Barrett. Trinity College, Dublin. ILE will now have more space to host literary translators from In the children and young adult section we around the world and greater opportunities have debut novels by Katherine Farmar and to organise literary and translation events Natasha Mac a’Bháird and great new novels in co-operation with our partners. by Oisín McGann and Siobhán Parkinson. Writing in Irish is also well represented and Regular readers of New Writing from Ireland includes Raic/Wreck by Máire Uí Dhufaigh, will have noticed our new look. We hope a thrilling novel set on an island on the these changes make our snapshot of Atlantic coast. contemporary Irish writing more attractive and even easier to read! Poetry and non-fiction are included too. A new illustrated book of The Song of Contemporary Irish writing also appears Wandering Aengus by WB Yeats is an exciting to be undergoing a renaissance – a whole departure for the Futa Fata publishing house. 300 pp range of intriguing debut novels appear Leabhar Mór na nAmhrán/The Big Book of this year by writers such as Ciarán Song is an important compendium published Collins, Niamh Boyce, Paul Lynch, Frank by Cló Iar-Chonnacht. -
Aesthetics, Taste, and the Mind-Body Problem in American Independent Comics
PAPER TOWER: AESTHETICS, TASTE, AND THE MIND-BODY PROBLEM IN AMERICAN INDEPENDENT COMICS William Timothy Jones A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2014 Committee: Jeremy Wallach, Advisor Esther Clinton © 2014 William Timothy Jones All Rights Reserved iii ABSTRACT Jeremy Wallach, Advisor Comics studies, as a relatively new field, is still building a canon. However, its criteria for canon-building has been modeled largely after modernist ideas about formal complexity and criteria for disinterested, detached, “objective” aesthetic judgment derived from one of the major philosophical debates in Western thought: the mind-body problem. This thesis analyzes two American independent comics in order to dissect the aspects of a comic work that allow it to be categorized as “art” in the canonical sense. Chris Ware’s Building Stories is a sprawling, Byzantine comic that exhibits characteristically modernist ideas about the subordination of the body to the mind and art’s relationship to mass culture. Rob Schrab’s Scud: The Disposable Assassin provides a counterpoint to Building Stories in its action-heavy stylistic approach, developing ideas about the merging of the mind and the body and the artistic and the commercial. Ultimately, this thesis advocates for a re -evaluation of comics criticism that values the subjective, emotional, and the popular as much as the “objective” areas of formal complexity and logic. iv ACKNOWLEDGMENTS To Anna O’Brien, for the original germ of this idea and hours of enlightening conversation and companionship. To Jeremy Wallach and Esther Clinton, whose emphatic response to the paper that eventually became this thesis was instrumental to my belief in the quality of my work. -
My Bloody Valentine's Loveless David R
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2006 My Bloody Valentine's Loveless David R. Fisher Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF MUSIC MY BLOODY VALENTINE’S LOVELESS By David R. Fisher A thesis submitted to the College of Music In partial fulfillment of the requirements for the degree of Master of Music Degree Awarded: Spring Semester, 2006 The members of the Committee approve the thesis of David Fisher on March 29, 2006. ______________________________ Charles E. Brewer Professor Directing Thesis ______________________________ Frank Gunderson Committee Member ______________________________ Evan Jones Outside Committee M ember The Office of Graduate Studies has verified and approved the above named committee members. ii TABLE OF CONTENTS List of Tables......................................................................................................................iv Abstract................................................................................................................................v 1. THE ORIGINS OF THE SHOEGAZER.........................................................................1 2. A BIOGRAPHICAL ACCOUNT OF MY BLOODY VALENTINE.………..………17 3. AN ANALYSIS OF MY BLOODY VALENTINE’S LOVELESS...............................28 4. LOVELESS AND ITS LEGACY...................................................................................50 BIBLIOGRAPHY..............................................................................................................63 -
Andy Higgins, BA
Andy Higgins, B.A. (Hons), M.A. (Hons) Music, Politics and Liquid Modernity How Rock-Stars became politicians and why Politicians became Rock-Stars Thesis submitted for the degree of Ph.D. in Politics and International Relations The Department of Politics, Philosophy and Religion University of Lancaster September 2010 Declaration I certify that this thesis is my own work and has not been submitted in substantially the same form for the award of a higher degree elsewhere 1 ProQuest Number: 11003507 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 11003507 Published by ProQuest LLC(2018). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract As popular music eclipsed Hollywood as the most powerful mode of seduction of Western youth, rock-stars erupted through the counter-culture as potent political figures. Following its sensational arrival, the politics of popular musical culture has however moved from the shared experience of protest movements and picket lines and to an individualised and celebrified consumerist experience. As a consequence what emerged, as a controversial and subversive phenomenon, has been de-fanged and transformed into a mechanism of establishment support. -
Unveiling the Middle Eastern Memoir: Reconfiguring Images of Iranian
Unveiling the Middle Eastern Memoir: Reconfiguring Images of Iranian Women Through Post-9/11 Memoirs by Kristyn Acho A thesis presented for the B. A. degree with Honors in The Department of English University of Michigan Winter 2013 © Kristyn M. Acho 2013 All Rights Reserved For my sister. Acknowledgments This thesis represents the composite of my three foremost academic interests: literature, women’s rights and advocacy, and the Middle East. In the summer of 2011, just before beginning my junior year of college, I spent two months studying and researching the graphic memoir Persepolis as a participant in the Summer Social Sciences and Humanities Fellowship through the Undergraduate Research Opportunity Program (UROP). This experience not only helped me to hone my skills as a writer and researcher, but also allowed me to explore my interest in the ways in which Iranian women’s memoirs have been shaped by politics both in their native land and within the United States. I am forever grateful to the UROP program for this unique opportunity to delve further into my studies and discover the questions that I most wanted to answer in this thesis. More specifically, I owe a great deal of thanks to Jennifer Peacock for advising me throughout this process and for serving as a mentor throughout my college career. I am grateful to Juan Cole, the unparalleled lecturer and teacher, whose Middle Eastern studies courses provided me with the knowledge and expertise I needed in order to create a project of this scope. Thanks are also due to Jennifer Wenzel for offering countless helpful comments on my preliminary drafts of this thesis. -
The Devil I Know Online
lHnUo (Read free ebook) The Devil I Know Online [lHnUo.ebook] The Devil I Know Pdf Free Claire Kilroy *Download PDF | ePub | DOC | audiobook | ebooks Download Now Free Download Here Download eBook #1218158 in Books 2014-01-28Original language:EnglishPDF # 1 8.25 x 5.50 x 1.00l, .90 #File Name: 080212237X272 pages | File size: 26.Mb Claire Kilroy : The Devil I Know before purchasing it in order to gage whether or not it would be worth my time, and all praised The Devil I Know: 1 of 1 people found the following review helpful. a tour de force from a writer of astute intelligence and delectable prose.By barking HannaIf you've come into this parlour, it's an unnerving place to be. Ireland, the peninsula of Howth, overlooking Dublin bay, and the wonderful Claire Kilroy - a mistress of the curved observation, that makes fun and tragedy of the open =ended thinking that created the monstrous bubble. He who borrows from the piper finds the tune is all too suddenly out of sorts, with crashing egos running for cover. A great book. If this woman was called C.Tobin ( over-rated and self blown male writer of pedestrian prose) the fawning critics would be searching for their licking tongues. Go Claire Kilroy. This woman has what it takes.1 of 1 people found the following review helpful. Claire Kilroy is my favorite author, but this is my least favorite of ...By JamClaire Kilroy is my favorite author, but this is my least favorite of her books. You should go try All Summer or Tenderwire instead!1 of 2 people found the following review helpful. -
Irish Copyright Licensing Agency CLG Mandated Author Rightholders
Irish Copyright Licensing Agency CLG Mandated Author Rightholders Author Rightholder Name Ann Sheppard Adrian White Anna Donovan Adrienne Neiland Anna Heffernan Aidan Dundon Anna McPartlin The Estate of Aidan Higgins Anne Boyle Aidan O'Sullivan Anne Chambers Aidan P. Moran Anne Deegan Aidan Seery Anne Enright Aileen Pierce Anne Fogarty Áine Dillon Anne Gormley Áine Francis- Stack Anne Haverty Áine Ní Charthaigh Anne Holland Áine Uí Eadhra Anne Jones Aiveen McCarthy Anne Marie Herron Alan Dillon Anne Potts Alan Kramer Anne Purcell Alan Monaghan The Estate of Anne Schulman Alan O'Day Annetta Stack Alannah Hopkin Annie West Alexandra O'Dwyer Annmarie McCarthy Alice Coghlan Anthea Sullivan Alice Taylor Anthony Cronin Alison Mac Mahon Anthony J Leddin Alison Ospina Anthony Summers Allen Foster Antoinette Walker Allyson Prizeman Aodán Mac Suibhne Amanda Clarke Arlene Douglas Amanda Hearty Arnaud Bongrand Andrew B. Lyall Art Cosgrove Andrew Breeze Art J Hughes Andrew Carpenter Art Ó Súilleabháin Andrew Loxley Arthur McKeown Andrew Purcell Arthur Mitchell Andy Bielenberg Astrid Longhurst Angela Bourke Aubrey Dillon Malone Angela Doyle Aubrey Flegg Angela Griffin The Estate of Augustine Martin Angela Marie Burt Austin Currie Angela Rickard Avril O'Reilly Angela Wright Barry Brunt The Estate of Angus McBride Barry McGettigan The Estate of Anita Notaro Bart D. Daly Ann Harrow The Estate of Basil Chubb Ann O Riordan Ber O'Sullivan 1 Irish Copyright Licensing Agency CLG Mandated Author Rightholders Bernadette Andresso Brian Lennon Bernadette Bohan Brian Leonard Bernadette Cosgrove Brian McGilloway Bernadette Cunningham The Estate of Brian O'Nolan Bernadette Matthews Brian Priestley Bernadette McDonald Brianóg Brady Dawson Bernard Horgan Bríd Nic an Fhailigh Bernard MacLaverty Bried Bonner Bernard Mulchrone The Estate of Brigid Brophy Bernie McDonald Brigid Laffan Bernie Murray-Ryan Brigid Mayes Bernie Ruane Brigitte Le Juez Betty Stoutt Bronwen Braun Bill Rolston Bryan M.E. -
IASIL Book of Abstracts
IASIL 2012 – BOOK OF ABSTRACTS 1A THE FRACTURED FAMILY, FATHERHOOD, AND MASCULINITY IN IRISH LITERATURE AND CULTURE CHAIR: JANE MCGAUGHEY SHEILA MCAVEY (Becker College) Fractured Irish Masculinity Britain’s Matrimonial Causes Act of 1857, which allowed for divorce actions to proceed in civil rather than canon courts, broke open the cultural monument of the staid Victorian marriage. Yet, the public recognition of unhappy marriages did not remove the element of scandal that attached to the standing of those who sought or were a party to divorce, or to an Irish husband whose masculinity might be put to question in publicity about a divorce. This paper looks at Lever’s depiction of various forms of uneasy masculinity in Davenport Dunn, Sir Brook Fossbrooke, and The Bramleighs of Bishop’s Folly, novels written in the decade following the Matrimonial Causes Act. In these works, this threat to the once-solid male bastion of marriage seemed to heighten anxiety about masculinity, and Lever’s portraits of corrupt Anglo- Irish marital unions, alongside the absurd posturings of aging males in Sir Brooke Fossbrooke and The Bramleighs of Bishop's Folly offer a sharply realistic assessment of the fractured surface of urban Irish life at a particularly unsettling moment. Sheila McAvey has taught literature and related courses in the Humanities Department at Becker since fall 1992. Prior to Becker, she was an editor at the American Antiquarian Society, in Worcester, MA. Her research interests include issues of female desire, divorce, and Irish masculinity in the works of the Anglo-Irish novelist Charles Lever. She has also been active in her college’s strategic plans for incorporating sensitivity to global issues and social responsibility at Becker College, and has recently attended conferences at the Aspen Institute and the American Association of Colleges and Universities. -
Press Galleries* Rules Governing Press Galleries
PRESS GALLERIES* SENATE PRESS GALLERY The Capitol, Room S±316, phone 224±0241 Director.ÐRobert E. Petersen, Jr. Deputy Director.ÐS. Joseph Keenan Media Coordinators: Merri I. Baker Wendy A. Oscarson James D. Saris Laura E. Lytle HOUSE PRESS GALLERY The Capitol, Room H±315, phone 225±3945, 225±6722 Superintendent.ÐJerry L. Gallegos Deputy Superintendent.ÐJustin J. Supon Assistant Superintendents: Emily A. Taylor Charles S. Fuqua Cris S. McAllister Diane M. Davidson STANDING COMMITTEE OF CORRESPONDENTS Tabassum Zakaria, Reuters, Chairwoman Craig Gilbert, Milwaukee Journal Sentinel, Secretary John M. Diamond, The Associated Press Elizabeth Palmer, Congressional Quarterly Kathy Kiely, USA Today RULES GOVERNING PRESS GALLERIES 1. Administration of the press galleries shall be vested in a Standing Committee of Cor- respondents elected by accredited members of the galleries. The Committee shall consist of five persons elected to serve for terms of two years. Provided, however, that at the election in January 1951, the three candidates receiving the highest number of votes shall serve for two years and the remaining two for one year. Thereafter, three members shall be elected in odd-numbered years and two in even-numbered years. Elections shall be held in January. The Committee shall elect its own chairman and secretary. Vacancies on the Committee shall be filled by special election to be called by the Standing Committee. 2. Persons desiring admission to the press galleries of Congress shall make application in accordance with Rule 34 of the House of Representatives, subject to the direction and control of the Speaker and Rule 33 of the Senate, which rules shall be interpreted and administered by the Standing Committee of Correspondents, subject to the review and an approval by the Senate Committee on Rules and Administration. -
Margarita Estévez-Saá
Round table: The Lost Female Tradition: Predecessors, Contemporaries and Successors of James Joyce in Irish Writing Chair: Margarita Estévez Saá (Universidad de Santiago de Compostela, [email protected]). Participants: María Jesús Lorenzo Modia (Universidad de A Coruña, [email protected]), José María Tejedor Cabrera (Universidad de Sevilla, [email protected]), José Manuel Estévez Saá (Universidad da Coruña, [email protected]) To study the connections between a series of Irish women writers and Joyce implies doing justice to those among them who were ahead of their time on a formal level or as regards the content of their works, in spite of the fact that critics have not always recognised this, due to some prejudices and critical stances which are erroneous in our opinion, namely the unfounded consideration that Irish women writers have opted for conservative non-experimental forms and have dealt with the private sphere of experience (O’Faolain 1885; Patten 1990). In the case of those Irish women writers who came after Joyce, little has been done with regards to a fair assessment of their formal and thematic contribution to the history of Irish literature, and comparisons with the Irish genius have been avoided, probably due to the late critical appraisal of their contribution to Irish literature (basically from the 1990s onwards) and, above all, because of the still on-going debate that separates critics who see Joyce as a misogynistic author from others who signal his interest for gender studies and go as far as to interpret his aesthetics as representative of “écriture feminine”. -
Will Touch Many Lives the Ripple of My
The Report on Philanthropy 2009–2010 The ripple of my will touch many lives Philanthropy Report | 1 World A Spelman education goes beyond the student to everyone that she touches. 2 | Philanthropy Report Parent donors and student donors also did their part to make this a banner fundraising year at Spelman. Parents gave in record numbers, as did current undergraduates. Some 60 percent of seniors participated in the The Senior World Legacy Gift program in honor of their graduation year, Letter from the President receiving a Spelman blue commemorative tassel that they proudly displayed during the Founders Day convocation. Faculty and staff added to the year’s fundraising successes by increasing their number of donors almost 7 percent and Greetings, increasing the number of dollars by almost 21 percent. I am happy to share that including alumnae employees, this group Spelman women are making an impact can boast an overall participation of 50 percent in 2009–2010. in many ways every day. Our alumnae are running national corporations, making All of these gifts allow Spelman College to offer more global scientific research contributions, and engagement opportunities, enhanced research experiences, founding nonprofit organizations. Our and additional career-related internships to our students. faculty are bringing real-world experiences from government, They expand service learning and community engagement philanthropy, and corporate America to teach and inspire the for the women on our campus with the world nearby and next generation of national and local leaders. Our students across oceans. are engaged in mitigating large-scale disasters, from raising money for housing in Haiti to detoxifying oil spills. -
Études Irlandaises, 37-2
Études irlandaises 37-2 | 2012 Enjeux féministes et féminins dans la société irlandaise contemporaine Feminist and women's issues in contemporary Irish society Fiona McCann et Nathalie Sebbane (dir.) Édition électronique URL : http://journals.openedition.org/etudesirlandaises/3108 DOI : 10.4000/etudesirlandaises.3108 ISSN : 2259-8863 Éditeur Presses universitaires de Caen Édition imprimée Date de publication : 30 octobre 2012 ISBN : 978-7535-2158-2 ISSN : 0183-973X Référence électronique Fiona McCann et Nathalie Sebbane (dir.), Études irlandaises, 37-2 | 2012, « Enjeux féministes et féminins dans la société irlandaise contemporaine » [En ligne], mis en ligne le 30 octobre 2014, consulté le 16 mars 2020. URL : http://journals.openedition.org/etudesirlandaises/3108 ; DOI : https:// doi.org/10.4000/etudesirlandaises.3108 Ce document a été généré automatiquement le 16 mars 2020. Études irlandaises est mise à disposition selon les termes de la Licence Creative Commons Attribution - Pas d’Utilisation Commerciale - Partage dans les Mêmes Conditions 4.0 International. 1 SOMMAIRE Hommage Catherine Maignant Introduction Fiona McCann et Nathalie Sebbane Études d'histoire et de civilisation Women of Ireland, from economic prosperity to austere times: who cares? Marie-Jeanne Da Col Richert Gender and Electoral Representation in Ireland Claire McGing et Timothy J. White The condition of female laundry workers in Ireland 1922-1996: A case of labour camps on trial Eva Urban Ireland’s criminal conversations Diane Urquhart Art et image Women’s art in Ireland