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TEXAS MUSIC SUPERSTORE Buy 5 Cds for $10 Each!
THOMAS FRASER I #79/168 AUGUST 2003 REVIEWS rQr> rÿ p rQ n œ œ œ œ (or not) Nancy Apple Big AI Downing Wayne Hancock Howard Kalish The 100 Greatest Songs Of REAL Country Music JOHN THE REVEALATOR FREEFORM AMERICAN ROOTS #48 ROOTS BIRTHS & DEATHS s_________________________________________________________ / TMRU BESTSELLER!!! SCRAPPY JUD NEWCOMB'S "TURBINADO ri TEXAS ROUND-UP YOUR INDEPENDENT TEXAS MUSIC SUPERSTORE Buy 5 CDs for $10 each! #1 TMRU BESTSELLERS!!! ■ 1 hr F .ilia C s TUP81NA0Q First solo release by the acclaimed Austin guitarist and member of ’90s. roots favorites Loose Diamonds. Scrappy Jud has performed and/or recorded with artists like the ' Resentments [w/Stephen Bruton and Jon Dee Graham), Ian McLagah, Dan Stuart, Toni Price, Bob • Schneider and Beaver Nelson. • "Wall delivers one of the best start-to-finish collections of outlaw country since Wayton Jennings' H o n k y T o n k H e r o e s " -Texas Music Magazine ■‘Super Heroes m akes Nelson's" d e b u t, T h e Last Hurrah’àhd .foltowr-up, üflfe'8ra!ftèr>'critieat "Chris Wall is Dyian in a cowboy hat and muddy successes both - tookjike.^ O boots, except that he sings better." -Twangzirtc ;w o tk s o f a m e re m o rta l.’ ^ - -Austin Chronlch : LEGENDS o»tw SUPER HEROES wvyw.chriswatlmusic.com THE NEW ALBUM FROM AUSTIN'S PREMIER COUNTRY BAND an neu mu - w™.mm GARY CLAXTON • acoustic fhytftm , »orals KEVIN SMITH - acoustic bass, vocals TON LEWIS - drums and cymbals sud Spedai td truth of Oerrifi Stout s debut CD is ContinentaUVE i! so much. -
Coming of Age in the Milky Way Has Made Its Way on Sturdy Legs
COMING OF AGE IN THE MILKY WAY TIMOTHY FERRIS For Carolyn If I could write the beauty of your eyes And in fresh numbers number all your graces, The age to come would say, “This poet lies— Such heavenly touches ne’er touched earthly faces.” —SHAKESPEARE PREFACE TO THE PERENNIAL EDITION If, as is often suggested, writing a book is like giving birth, publishing a book is like watching one’s child graduate from college. The author hopes that the book will have a healthy life of its own, going off into the world and requiring little more in the way of parental help or guidance. The longer the book fares well, the less the author matters: Such is the apt, implicit bargain struck by parents with their children, and authors with their books. This author has had occasion to feel proud of this child. During the fifteen years since its publication, Coming of Age in the Milky Way has made its way on sturdy legs. Critics have been kind to it, professors have taught it, and readers around the world have proved gratifyingly loyal to it. So why, now, is the author injecting himself back into its affairs, like a father preposterously hogging the spotlight at his daughter’s wedding? Principally because fifteen years is a long time in astronomy and cosmology, during which new and exciting things have happened. Some readers—the professors especially—have asked if a new edition might not be prepared, to update the unfolding story of humanity’s investigations into the nature of space and time. -
Songs of Prince Re-Imagined It Was a Steamy Night in South Austin, Texas
SUSAN VOELZ Songs of Prince Re-Imagined It was a steamy night in South Austin, Texas. Charlie Sexton’s Turkish cumbush on Anna Stesia; his duet vocal The tape rolling through the Tascam 688 cassette recorder began on I Wish U Heaven; a song playing in reverse bled thru the tape at to melt, giving the strings on Money Don’t Matter 2 Night a nice the perfect moment to create the end of When U Were Mine; wobbly tone. It was the first song of what unexpectedly became a Alison Chesley in her glasses and slippers rolled her green cello 20-year Prince project. We spent days recording deep in the cool case across the alley to rock 17 Days and The Beautiful Ones. dark of the legendary Austin Rehearsal Complex. In Chicago, we Prince and I did meet. Poi Dog Pondering was recording at Paisley Park. set up in an attic apartment, chilling champagne out the window Walking through the lounge one evening, I heard a rustling above and during a blizzard and later, we took over the basement to record behind me. I turned and he was slowly coming down the stairs. vocals and trumpet in the shower. We listened deeply to Prince’s We looked at each other and we each said ‘hello.’ A simple little blessing. recordings, falling in love with the essence of each song. Then we’d pull instruments down off the wall and let new sounds inspire us: To the artists who played on this record: I adore you. To Prince: Here are songs from your beautiful life played back to you— Love from the very first note. -
A University Microfilms International
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
Chadwick Papers Volume 25 (Pdf)
•J<etlon wlll '"'"' tho tiMitlOMI@ Sparkplug, repeating the story in 1 politics: 4 Letter To ! II "When the race:> ran tha~ day, ELECTING APRESIDEMT Sparkplug ran the other wa,y." : There is a growing sentiment. 18 The Editor against this lnadeqna.te, and weak representation ot the 33th Ward and I sincerely hoPe that you '\ill Dear Editor: lend the power or yow· qUill to the Allow me to tliank you for your rnd that we in the secL!on '\\ill se timely and trenchant editorial on cure what we so sorelv need. a Party one Clarence Blackl:iurn- tbe m:m representative in the Council of thP. who so prodigiously misrepresents City Fathers wllo will have a kindly the 38th Ward. and the Sixth Dls· heart. lor the children. and a sense Split trict, in Counc1l. ot responsibility toward the men I would ruith your kind oerrnfs and the women of the district he Helped sion) amend your timely word, bv represents. stating that any denial of remarks. H. J. W. Wilson used by Blackburn In Council. and reported by the newspapers, Is not ... taken seriously by t.11ooe who arc In familiar with its legislative •·ccord. For those of your readel's who are f\•Jt Ne-..~ ,/1•/•1.,7 not familiar with the Spartan prnc 1912. tice concerning children, let me state briefiy that t.he ideal o! that KENWORTHY AGAIN com1try was: the buildlnP: of a race !t'I.:.SON. of strong men and women-and In ON PARK COMMISSION th{l attainment of this aim, t.be liE Democrats with Wood· children who w·ere weak. -
Jovanotti È Un Personaggio Colorato, Vitale, Prezioso Di Spunti E Sollecitazioni Anche Per Chi Non Dovesse Immedesimarsi Del Tutto Nel Suo Linguaggio
5 Prefazione L’idea della Zanichelli di affidare un robusto Dizionario del Pop-Rock a due dei no- stri più appassionati e colti critici musicali, Enzo Gentile e Alberto Tonti, ripercor- rendo decenni e decenni di storia della musica leggera nelle sue varie forme ed evo- luzioni, è un segnale importante per diversi motivi. Primo fra tutti quello di ferma- re una memoria storica che ci aiuta a comprendere l’evoluzione della società dal do- poguerra ad oggi. Sì, perché la Musica è la colonna sonora del tempo, degli umori degli anni, degli ideali di un periodo, della malinconia, degli entusiasmi o della rab- bia della società nel suo procedere. Voglio dire che si può perfettamente compren- dere lo stato d’animo di un popolo attraverso la colonna sonora che lo sta accom- pagnando in quel preciso momento storico. La Musica, dalla metà degli anni ’50 in poi, attraverso straordinari artisti ha suggerito mode, ha capovolto comportamen- ti. È stata la bandiera, grazie a molti brani, di lotte politiche, di battaglie civili, di poesie di protesta, di confessioni dolenti ma anche di esaltazione collettiva. Blues, Soul, Pop, Rock, Techno e tanti altri stili, fino ad arrivare alle più interessanti ricer- che sonore che partono da Brian Eno fino a Sylvian, Fripp e Scott Walker, sono le spericolate mutazioni di un’arte in perenne trasformazione che ascolta le pulsazio- ni della vita che corre. Per questo credo che un dizionario serio del Pop-Rock sia stato non solo un atto culturale indispensabile, ma un risarcimento, grazie alla cul- tura dei due autori e dei loro sensibili collaboratori, per tanti artisti a torto consi- derati minori e qui finalmente rivalutati e segnalati per il loro talento non ricono- sciuto tempestivamente. -
THE INTERNATIONAL MAGAZINE of the AVEDIS ZILDJIAN COMPANY Welcome To
ZL326 THE INTERNATIONAL MAGAZINE OF THE AVEDIS ZILDJIAN COMPANY welcome to Z Time2011 edition issue 33 2011 Z Time Page two News & Events Page six Greatest Cymbal of All Time Page ten Legends Page fourteen Gen 16 Craigie Zildjian Page sixteen On the Road Page twenty Moving Forward Product Info Intro There are so many exciting new things going on here at Zildjian that I couldn’t wait to share this year’s Z-Time with you. 2011 represents our breakthrough into the digital Page twenty-one music making realm. Our new Gen16 product line is the result of our effort to bring our Cast Cymbals knowledge of cymbals and their sounds to the modern digital environment. You can learn more about this initiative on pages 14 and 15 or at our new website www.zildjian.com. Page fifty-five Sheet Cymbals Whether your music making is acoustic, digital, or both, our desire is to be there no matter where your music takes you. I sincerely hope you enjoy the journey. Page sixty-one Drumsticks Best regards, Page sixty-five Gear Page sixty-eight Scrapbook Craigie & Debbie Zildjian Contributing photographers: Sayre Berman Hadas Naoju Nakamura John Stephens cover artist: Volker Beushausen Heinz Kronberger Kacper Diana Nitschke Levi Tecofsky Dominic Howard - Joris Bulckens Kaminski Jimmy Katz Mario Pires Melissa Terry Muse Tina Korhonen Bernard Rosenberg Andreas Ulvo James Cumpsty photo: Calum Doris Scott Legato Tao Ruspoli JonVanDaal Richard Ecclestone Robert Downs Hyejin, Lee Bianca Scharroo Neil Zlozower Sergey Dudin H.J Lee Ronny Sequeira Ludwig Drums graphic designer: M.v.d. -
Cd Musicali – Rock Artisti Stranieri
CD MUSICALI – ROCK ARTISTI STRANIERI Leonard Cohen – Dear Heather R. E. M. – Around the Sun Steely Dan – Aja Yes – Close to the Edge Faiport Convention – Unhalfbricking MC 5 – Kick out the jams Black Sabbath – Paranoid The Strokers – Room on fire Jain Mitchell – Blue Bang Gang – Something wrong Jamiroquai – A fun adyssey Moby – I like to score Garky’s Zygotic Mynci – How long feel that summer in my heart Radiohead – I might be wrong live recording Bob Marley & The Wailers – Uprising Alanis Morisette – Under Rug Swept Lou Reed – NYC Man Blur – Think Tank Bill Bragg & Wilco – Mermaid Avenue Radioheah – Hai to the thief Peter Gabriel – Hit Elvis Costello – North The Rocking Chairs – Sparkes of Passion Rickie Lee Jones _ The evening of my best day The Rolling Stones – Beggars Banquet Robert Wyatt – Rock Bottom Patti Smith Group – Wave The Kills – Keep on your mean side Fairport Convention – Full house Era – Tha masy Belle e Sebastian – Dear catastrophe waitress Van Marrison – What’s wrong with this picture? Nick Drake – Tink Moon The Black Eyed Peas – Elephunk Tom Waits – Real Gone The Who – Live at Leeds Joy Division – Substance 1977 – 1980 Elliot Smith – Figure 8 Caravan – In the Land of Grey and Pink Happy Trails – Quicksilver Messenger Service The Allman Brothers Band – Eat a Peach Julian Cope – Fried Mudhoney – Superfuzz Bigmuff plus Early Singles Jane’s Addiction – Ritual de lo habitual 1 Eels – Daisies of the galaxy Mallard – In a different climate Frank Zappa – Over – nite Sensation Tom Waits – Blood Money Patty Smith – Land ( 1995 -
University of Cincinnati News Record. Wednesday, May 28, 1969. Vol. LVI
~\C~Nl'~,\ fUC\ Uniye+:9'ity of Cinoinnati h •• ' J , ,-'t N'E"W'-S ·~.RE'~C-ORD Pub lis ned Tu e sd ay s andFridays during the Ac a d em ic Year l'xcept :IS scheduled, ...1.50, , ~ .. ,~ I_OJ Cincinnati. Ohio, Wednesday, May 28, 1969 No. 51 ~19 _ '\9" Vol. 56 ~ . Painter Talks '-On Disorders, Board Petitions- Court To Eliminate Comments OnUBA Demands Names Of Individuals From Order The Board further, on the disorder marked virtually every Mark Painter- stated that he does Editor's Note: by Jim Lipovsky suggestion of the Student Senate other large university in the land. not support the United Black The following statement .uias and others, has decided to Now, therefore, in light of Association's demands that are formally approved by a recent activities, the Board of In the wake of recent disorders unanimousuote of the tic Board underscore the applicability of the on the UC' campus, Student Body concerned with teacher hiring and Order to all persons on campus by . Directors votes as follows: firing because he opposes the , of Directors at a special meeting 1) As the legal governing and President Mark Painter offered his held' last Sunday morning. May petitioning the Court to eliminate opinions on several of the issues placement of 'faculty review or individual names and groups from policy-making body of" the veto powers in the' hands of any 26. The statement was submitted University, the Board of Directors facing the University. by the Board-Administration the Or'd er , since a)' these Speaking to the News Record, student organization. -
November 1983
VOL. 7, NO. 11 CONTENTS Cover Photo by Lewis Lee FEATURES PHIL COLLINS Don't let Phil Collins' recent success as a singer fool you—he wants everyone to know that he's still as interested as ever in being a drummer. Here, he discusses the percussive side of his life, including his involvement with Genesis, his work with Robert Plant, and his dual drumming with Chester Thompson. by Susan Alexander 8 NDUGU LEON CHANCLER As a drummer, Ndugu has worked with such artists and groups as Herbie Hancock, Michael Jackson, and Weather Report. As a producer, his credits include Santana, Flora Purim, and George Duke. As articulate as he is talented, Ndugu describes his life, his drumming, and his musical philosophies. 14 by Robin Tolleson INSIDE SABIAN by Chip Stern 18 JOE LABARBERA Joe LaBarbera is a versatile drummer whose career spans a broad spectrum of experience ranging from performing with pianist Bill Evans to most recently appearing with Tony Bennett. In this interview, LaBarbera discusses his early life as a member of a musical family and the influences that have made him a "lyrical" drummer. This accomplished musician also describes the personal standards that have allowed him to maintain a stable life-style while pursuing a career as a jazz musician. 24 by Katherine Alleyne & Judith Sullivan Mclntosh STRICTLY TECHNIQUE UP AND COMING COLUMNS Double Paradiddles Around the Def Leppard's Rick Allen Drumset 56 EDUCATION by Philip Bashe by Stanley Ellis 102 ON THE MOVE ROCK PERSPECTIVES LISTENER'S GUIDE Thunder Child 60 A Beat Study by Paul T. -
2014 REVIEW from the Director
2014 REVIEW From the Director The past year has been a productive and exciting time at the fi eld is taking us in exciting directions. In August 2014, the Center for Folklife and Cultural Heritage. In April 2014, Robert Leopold joined us as deputy director. His extensive Smithsonian Folkways Recordings began releasing albums leadership and management skills will strengthen our from the vast UNESCO Collection of Traditional Music, making research and collections teams. We also hired Mary Linn, a these invaluable recordings available to the public once leader in the fi eld of cultural sustainability, to join our team again. In May, we initiated an innovation project to improve as curator of cultural and linguistic revitalization. the way we work and ensure we stay on the cutting edge Finally, the past year held several key milestones in our of developments in the fi eld. In the summer, we produced efforts to grow our resources. We received the second largest one of the most vibrant and successful Smithsonian gift in the history of the Center from the China International Folklife Festivals in years, hosting more than 230 artists, Culture Association. Additionally, by shifting how we fund our performers, and experts from China and Kenya. activities—especially the Folklife Festival—we have freed up Many of the developments at the Center in the past more resources to support other events, new projects, and year are fundamental to the way we work. I am proud to year-round research. As we become more strategic in the use announce that our new strategic plan has been fi nalized of our funding, we are able to focus more fully on fulfi lling and is already guiding our work and strengthening our all the goals in our strategic plan. -
Glenn Gould in the Style of Thuggish Lunatics, Smashing Were a Series of Uneven Releases, Long Hia
TEACHING WITH IN TUNE I C O N GREAT MUSICIANS IN HISTORY BY PETER GERSTENZANG WHO: Rock quartet from London, England WHAT: One of the essential acts of the original 1960s British Invasion; loud, lyrical, and ambitious WHEN: Formed in 1964, still active in 2017, even after losing two key members and matured into one of the towering songwriters of the time. With their 1969 “rock opera” Tommy, the Who showed they could make a conceptually uni- BY PETER GERSTENZANG ed album that brought in elements of classical music ICONOGRAPHY and told a story—a strange ICON GREAT MUSICIANS IN HISTORY BY PETER GERSTENZANG tale about a deaf, dumb, The Who and blind boy who mirac- Singer and ulously regains his senses GREAT MUSICIANS IN HISTORY WHO: OR THE FIRST 10 years of their existence, the Who and becomes a prophet—while never WHO: Classical pianist ICON electric guitar player A gospel and thrillingly stretched the boundaries of rock, becoming sounding pretentious. WHAT: A brilliant, if eccentric, WHAT: The music only improved from there musical interpreter who R&B pioneer who may one of the most important and in uential British bands redefi ned how a classical just be the mother of F with the 1971 masterpiece Who’s Next and HE ARGUMENT rock music musician could play, record, Born Mar. 20, of the ’60s, along with the Beatles and the Rolling Stones. a second rock opera, 1973’sQuadrophenia, act, and look about who was WHEN: which told stories of both the mods and BY PETER GERSTENZANG 1915, Cotton Plant, After a brief stint as the Detours, gui- WHEN: Born Sept.