The Cambridge Companion to Irish Poets Edited by Gerald Dawe Frontmatter More Information
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Contemporary Irish Women Poets and the National Tradition
Colby College Digital Commons @ Colby Senior Scholar Papers Student Research 1998 From Image to Image Maker: Contemporary Irish Women Poets and the National Tradition Rebecca Troeger Colby College Follow this and additional works at: https://digitalcommons.colby.edu/seniorscholars Colby College theses are protected by copyright. They may be viewed or downloaded from this site for the purposes of research and scholarship. Reproduction or distribution for commercial purposes is prohibited without written permission of the author. Recommended Citation Troeger, Rebecca, "From Image to Image Maker: Contemporary Irish Women Poets and the National Tradition" (1998). Senior Scholar Papers. Paper 548. https://digitalcommons.colby.edu/seniorscholars/548 This Senior Scholars Paper (Open Access) is brought to you for free and open access by the Student Research at Digital Commons @ Colby. It has been accepted for inclusion in Senior Scholar Papers by an authorized administrator of Digital Commons @ Colby. Rebecca Troeger From Image to Image Maker: Contemporary Irish Women Poets and the National Tradition • The Irish literary tradition has always been inextricably bound with the idea of image-making. Because of ueland's historical status as a colony, and of Irish people's status as dispossessed of their land, it has been a crucial necessity for Irish writers to establish a sense of unique national identity. Since the nationalist movement that lead to the formation of the Insh Free State in 1922 and the concurrent Celtic Literary Re\'ivaJ, in which writers like Yeats, O'Casey, and Synge shaped a nationalist consciousness based upon a mythology that was drawn only partially from actual historical documents, the image of Nation a. -
Gerald Dawe, the Wrong Country: Essays on Modern Irish Writing
Études irlandaises 45-1 | 2020 Irish Arts: New Contexts Gerald Dawe, The Wrong Country: Essays on Modern Irish Writing Florence Schneider Electronic version URL: http://journals.openedition.org/etudesirlandaises/8962 DOI: 10.4000/etudesirlandaises.8962 ISSN: 2259-8863 Publisher Presses universitaires de Caen Printed version Date of publication: 24 September 2020 Number of pages: 119-120 ISSN: 0183-973X Electronic reference Florence Schneider, « Gerald Dawe, The Wrong Country: Essays on Modern Irish Writing », Études irlandaises [Online], 45-1 | 2020, Online since 24 September 2020, connection on 01 October 2020. URL : http://journals.openedition.org/etudesirlandaises/8962 ; DOI : https://doi.org/10.4000/ etudesirlandaises.8962 Études irlandaises est mise à disposition selon les termes de la Licence Creative Commons Attribution - Pas d’Utilisation Commerciale - Partage dans les Mêmes Conditions 4.0 International. COMPTES RENDUS BOOK REVIEWS Gerald Dawe, The Wrong Country: Essays on Modern Irish Writing, Newbridge, Irish Academic Press, 2018, 294 p. The title of Gerald Dawe’s new collection of essays on modern Irish writing is taken from Hugo Hamilton’s famous novel, The Speckled People. Dawe opens his book by quoting “You can’t be afraid of saying the opposite, even if you look like a fool and everybody thinks you’re in the wrong country, speaking the wrong language” (p. vi). This opening sentence is a relevant guide to Dawe’s essays, in which the TCD professor Emeritus tries to lead a quiet combat to conjure up forgotten authors (such as Joseph Campbell, George Reavey, or Ethna Carbery) and bring a diversity of perspectives on more renowned Irish writers of the last two centuries. -
The Early Work of Austin Clarke the Early Work (1916-1938)
THE EARLY WORK OF AUSTIN CLARKE THE EARLY WORK (1916-1938) OF AUSTIN CLARKE By MAURICE RIORDAN, M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree Doctor of Philosophy McMaster University March 1981 DOCTOR OF PHILOSOPHY (1981) McMASTER UNIVERSITY (English) Hamilton, Ontario TITLE: The Early Work (1916-1938) of Austin Clarke. AUTHOR: Maurice Riordan, B.A. (Cork) M.A. (Cork) SUPERVISOR: Dr. Brian John NUMBER OF Fll.GES: vi, 275 ii ABSTRACT Austin Clarke dedicated himself to the ideal of an independent Irish literature in English. This dedication had two principal consequences for his work: he developed a poetic style appropriate to expressing the Irish imagination, and he found inspiration in the matter of Ireland, in hex mythology and folklore, in her literary, artistic and __ religious traditions, and in the daily life of modern Ireland. The basic orientation of Clarke's work determines the twofold purpose of this thesis. It seeks to provide a clarifying background for his poetry, drama and fiction up to 1938; and, in examining the texts in their prope.r context, it seeks to reveal the permanent and universal aspects of his achievement. Clarke's early development in response to the shaping influence of the Irish Revival is examined in the opening chapter. His initial interest in heroic saga is considered, but, principally, the focus is on his effort to establish stylistic links between the Anglo-Irish and the Gaelic traditions, an effort that is seen to culminate with his adoption of assonantal verse as an essential element in his poetic technique. -
Eavan Boland's Poetic Sequences
Colby Quarterly Volume 35 Issue 4 December Article 5 December 1999 "A Deliberate Collection of Cross Purposes": Eavan Boland's Poetic Sequences Michael Thurston Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Quarterly, Volume 35, no.4, December 1999, p.229-251 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Thurston: "A Deliberate Collection of Cross Purposes": Eavan Boland's Poeti 1/A Deliberate Collection of Cross Purposes": Eavan Boland's Poetic Sequences by MICHAEL THURSTON EGINNING IN THE EARLY 1980s, Eavan Boland began to work not only in Bindividual lyrics but in slightly longer poems ("The Journey") and sequences of lyrics (including the poems gathered in In Her Own Image). Indeed, since the 1990 American appearance of Outside History: Selected Poems 1980-1990, each of Boland's books has included at least one such sequence (Outside History included two, the title sequence and also "Domestic Interior," which consisted of poems originally published as free standing lyrics, first gathered into a titled sequence in this American publica tion). While they share the central concerns that have structured Boland's career, each sequence focuses its meditation through a different thematic lens. "Domestic Interior" elaborates and problematizes its titular familial spaces as a haven from history; "Outside History" develops, questions, and finally rejects the possibility of finding and inhabiting any space "outside his tory" and explores the kinds of spaces available within the history the poet ultimately chooses; "Writing in a Time of Violence" takes up language itself and the role of representation in the construction of history and the subject's response to it; and "Colony," from Boland's most recent collection, The Lost Land, meditates on such public repositories of historic residues as cityscapes and monuments. -
Voices in Ireland -- a Traveller's Literary Companion (John Murray 1994) Acknowledgements the Author and Publishers Would Like T
Voices in Ireland -- A Traveller's Literary Companion (John Murray 1994) Acknowledgements The author and publishers would like to thank all those responsible for giving per mission to reproduce copyright material. Sam Hanna Bell, December Bride , 1951. Reprinted by permission of The Blackstaff Press, Belfast. Erin's Orange Lily , 1956. Reprinted by permission of Fergus Hanna Bell, c/o Fisher & Fisher Solicitors, Newry, Co. Down. John Betjeman, 'The Return' and 'Ireland with Emily' from Collected Poems , 1958. Reprinted by permission of John Murray (Publishers) Ltd., London. Eavan Boland, 'From the Irish of Egan O'Rahilly'. Reprinted by permission of Carcanet Press Ltd, Manchester. Heinrich Boll, Irish Journal , Secker, London, 1983. Reprinted by permission of Verlag Kiepeheuer and Witsch, Koln. Elizabeth Bowen, Bowen's Court , 1942. Reprinted by permission of Curtis Brown, London. Eilean Ni Chuilleanáin, translation of 'Lay Your Arms Aside', by Pierce Ferriter. Reprinted by permission of the author. Austin Clarke, Twice Around the Black Church , 1962; 'The New Cathedral in Galway', in The Echo at Coole , 1968; A Penny in the Clouds , 1968. Reprinted by permission of R. Dardis Clarke, 21 Pleasants Street, Dublin 8. Padraic Colum, The Road Round Ireland, 1926; 'She Moved Through the Fair'. Reprinted by permission of The Estate of Padraic Colum. Daniel Corkery, The Hidden Ireland , 1925. Reprinted by permission of Gill & Macmillan, Dublin. Seamus Deane, 'Derry', from Selected Poems , 1988. Reprinted by kind permission of the author and The Gallery Press, Dublin. Robin Flower, The Irish Tradition , 1947; Western Island , 1944. Reprinted by permission of Oxford University Press. E.M. Forster, Selected Letters (ed. -
Austin Clarke Papers
Leabharlann Náisiúnta na hÉireann National Library of Ireland Collection List No. 83 Austin Clarke Papers (MSS 38,651-38,708) (Accession no. 5615) Correspondence, drafts of poetry, plays and prose, broadcast scripts, notebooks, press cuttings and miscellanea related to Austin Clarke and Joseph Campbell Compiled by Dr Mary Shine Thompson 2003 TABLE OF CONTENTS Introduction 7 Abbreviations 7 The Papers 7 Austin Clarke 8 I Correspendence 11 I.i Letters to Clarke 12 I.i.1 Names beginning with “A” 12 I.i.1.A General 12 I.i.1.B Abbey Theatre 13 I.i.1.C AE (George Russell) 13 I.i.1.D Andrew Melrose, Publishers 13 I.i.1.E American Irish Foundation 13 I.i.1.F Arena (Periodical) 13 I.i.1.G Ariel (Periodical) 13 I.i.1.H Arts Council of Ireland 14 I.i.2 Names beginning with “B” 14 I.i.2.A General 14 I.i.2.B John Betjeman 15 I.i.2.C Gordon Bottomley 16 I.i.2.D British Broadcasting Corporation 17 I.i.2.E British Council 17 I.i.2.F Hubert and Peggy Butler 17 I.i.3 Names beginning with “C” 17 I.i.3.A General 17 I.i.3.B Cahill and Company 20 I.i.3.C Joseph Campbell 20 I.i.3.D David H. Charles, solicitor 20 I.i.3.E Richard Church 20 I.i.3.F Padraic Colum 21 I.i.3.G Maurice Craig 21 I.i.3.H Curtis Brown, publisher 21 I.i.4 Names beginning with “D” 21 I.i.4.A General 21 I.i.4.B Leslie Daiken 23 I.i.4.C Aodh De Blacam 24 I.i.4.D Decca Record Company 24 I.i.4.E Alan Denson 24 I.i.4.F Dolmen Press 24 I.i.5 Names beginning with “E” 25 I.i.6 Names beginning with “F” 26 I.i.6.A General 26 I.i.6.B Padraic Fallon 28 2 I.i.6.C Robert Farren 28 I.i.6.D Frank Hollings Rare Books 29 I.i.7 Names beginning with “G” 29 I.i.7.A General 29 I.i.7.B George Allen and Unwin 31 I.i.7.C Monk Gibbon 32 I.i.8 Names beginning with “H” 32 I.i.8.A General 32 I.i.8.B Seamus Heaney 35 I.i.8.C John Hewitt 35 I.i.8.D F.R. -
ENP11011 Eavan Boland and Modern Irish Poetry
ENP11011 Eavan Boland and Modern Irish Poetry Module type Optional (approved module: MPhil in Irish Writing) Term / hours Hilary / 22 ECTS 10 Coordinator(s) Dr Rosie Lavan ([email protected]) Dr Tom Walker ([email protected]) Lecturer(s) Dr Rosie Lavan Dr Tom Walker Cap Depending on demand Module description Eavan Boland is one of the most significant Irish poets of the past century. In a career of more than 50 years, she persistently questioned, and radically expanded, the parameters of Irish poetry and the definition of the Irish poet. The course will examine a wide range of Eavan Boland’s poetry and prose. Seminars are structured around some of the poet’s major themes and modes. These will also be interspersed with seminars that seek to place Boland within the broader history of modern Irish poetry, via comparisons with the work and careers of Blanaid Salkeld, Patrick Kavanagh, Derek Mahon, Eiléan Ní Chuilleanáin and Paula Meehan. Also explored will be relevant historical and cultural contexts, and questions of poetics and ideology. Assessment The module is assessed through a 4,000-word essay. Indicative bibliography Students will need to purchase a copy of Eavan Boland, New Selected Poems (Carcanet/Norton) and Eavan Boland, Object Lessons: The Life of the Woman and the Poet in Our Time (Carcanet/Vintage/Norton) as the core course texts. Please note: it is expected that students will read Object Lessons in full before the start of the course. All other primary material needed through the term will be made available via Blackboard. This will include poems from Boland’s collections published since the appearance of New Collected Poems (Domestic Violence, A Woman Without A Country and The Historians) and the work of the other poets to be studied on the course, as well as various other relevant essays, articles and interviews. -
"The Given Note": Traditional Music and Modern Irish Poetry
Provided by the author(s) and NUI Galway in accordance with publisher policies. Please cite the published version when available. Title "The Given Note": traditional music and modern Irish poetry Author(s) Crosson, Seán Publication Date 2008 Publication Crosson, Seán. (2008). "The Given Note": Traditional Music Information and Modern Irish Poetry, by Seán Crosson. Newcastle: Cambridge Scholars Publishing. Publisher Cambridge Scholars Publishing Link to publisher's http://www.cambridgescholars.com/the-given-note-25 version Item record http://hdl.handle.net/10379/6060 Downloaded 2021-09-26T13:34:31Z Some rights reserved. For more information, please see the item record link above. "The Given Note" "The Given Note": Traditional Music and Modern Irish Poetry By Seán Crosson Cambridge Scholars Publishing "The Given Note": Traditional Music and Modern Irish Poetry, by Seán Crosson This book first published 2008 by Cambridge Scholars Publishing 15 Angerton Gardens, Newcastle, NE5 2JA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2008 by Seán Crosson All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-84718-569-X, ISBN (13): 9781847185693 Do m’Athair agus mo Mháthair TABLE OF CONTENTS Acknowledgements ................................................................................. -
Downloaded from Downloaded on 2020-06-06T01:34:25Z Ollscoil Na Héireann, Corcaigh
UCC Library and UCC researchers have made this item openly available. Please let us know how this has helped you. Thanks! Title A cultural history of The Great Book of Ireland – Leabhar Mór na hÉireann Author(s) Lawlor, James Publication date 2020-02-01 Original citation Lawlor, J. 2020. A cultural history of The Great Book of Ireland – Leabhar Mór na hÉireann. PhD Thesis, University College Cork. Type of publication Doctoral thesis Rights © 2020, James Lawlor. https://creativecommons.org/licenses/by-nc-nd/4.0/ Item downloaded http://hdl.handle.net/10468/10128 from Downloaded on 2020-06-06T01:34:25Z Ollscoil na hÉireann, Corcaigh National University of Ireland, Cork A Cultural History of The Great Book of Ireland – Leabhar Mór na hÉireann Thesis presented by James Lawlor, BA, MA Thesis submitted for the Degree of Doctor of Philosophy University College Cork The School of English Head of School: Prof. Lee Jenkins Supervisors: Prof. Claire Connolly and Prof. Alex Davis. 2020 2 Table of Contents Abstract ............................................................................................................................... 4 Declaration .......................................................................................................................... 5 Acknowledgements ............................................................................................................ 6 List of abbreviations used ................................................................................................... 7 A Note on The Great -
Boland Journey of a Poet Show Programme
BACK TO CONTENTS BOLAND: JOURNEY OF A POET WORDS BY Eavan Boland EDITED BY Colm Tóibín DIRECTED BY Garry Hynes PERFORMED BY Siobhán Cullen 1 BACK TO CONTENTS BACK TO CONTENTS BACK TO CONTENTS Contents Cast and Creatives 5 Finding a voice ... 6 When Silence Is Broken 8 Eavan Boland 12 Production Team 14 Thank You 15 Biographies 17 Druid Staff 28 Druid Supporters 29 Druid Friends 30 Become a Friend 31 Rehearsal Photograph: Emilija Jefremova 2 3 BACK TO CONTENTS BACK TO CONTENTS BACK TO CONTENTS CAST AND CREATIVES BOLAND: JOURNEY OF A POET A Druid at Home production LIVE STREAM PERFORMANCES 22 – 24 APRIL 2021 AVAILABLE ON DEMAND 27 APRIL – 2 MAY 2021 WORDS BY Eavan Boland EDITED BY Colm Tóibín DIRECTED BY Garry Hynes PERFORMED BY Siobhán Cullen DIRECTOR OF PHOTOGRAPHY Colm Hogan SET DESIGNER Francis O’Connor COSTUME DESIGNER Clíodhna Hallissey SOUND DESIGNER Sinéad Diskin COMPOSER Conor Linehan PORTRAIT ARTIST Debbie Chapman DURATION 60 minutes approximately with no interval JOIN THE CONVERSATION @DruidTheatre #BolandJourneyOfAPoet #DruidAtHome Rehearsal Photograph: Emilija Jefremova 4 5 BACK TO CONTENTS PROGRAMME NOTE PROGRAMME NOTE Much later, when I was preparing my Inaugural Address as ‘Finding a voice where President, I told Eavan I wanted to refer to women who had been outside history – a phrase we had both discussed together. She they found a vision’ gave me the lovely last line, from ‘The Singers’, which she was still working on: ‘Finding a voice where they found a vision’. I am delighted that Druid is presenting Boland: Journey of a Poet. Eavan had a great gift for friendship and I was lucky I visited Eavan several times in Stanford and came to know how enough to become a close friend when we were students loved and respected she was there. -
Beleaguered Spaces in Eavan Boland's Domestic Violence
Miranda Revue pluridisciplinaire du monde anglophone / Multidisciplinary peer-reviewed journal on the English- speaking world 18 | 2019 Guerre en poésie, poésie en guerre “This sudden Irish fury”: beleaguered spaces in Eavan Boland’s Domestic Violence Bertrand Rouby Electronic version URL: http://journals.openedition.org/miranda/16298 DOI: 10.4000/miranda.16298 ISSN: 2108-6559 Publisher Université Toulouse - Jean Jaurès Electronic reference Bertrand Rouby, ““This sudden Irish fury”: beleaguered spaces in Eavan Boland’s Domestic Violence”, Miranda [Online], 18 | 2019, Online since 15 April 2019, connection on 16 February 2021. URL: http:// journals.openedition.org/miranda/16298 ; DOI: https://doi.org/10.4000/miranda.16298 This text was automatically generated on 16 February 2021. Miranda is licensed under a Creative Commons Attribution-NonCommercial-NoDerivatives 4.0 International License. “This sudden Irish fury”: beleaguered spaces in Eavan Boland’s Domestic Violence 1 “This sudden Irish fury”: beleaguered spaces in Eavan Boland’s Domestic Violence Bertrand Rouby 1 Since the 1960s, many are the poets who have tackled the period known as The Troubles, though few with as much emphasis on domesticity as Eavan Boland. Together with Seamus Heaney, Derek Mahon and Michael Longley, she is one of a handful of Irish writers who have managed to address the issue of domestic conflicts with an equally concise and vivid style of writing, using tropes related to personal and shared experience1. Drawing on metaphors and metonymies from everyday life and her immediate surroundings, Boland eschews the pitfalls of oblique or circuitous writing, even though her use of personal imagery makes for an indirect approach. -
ACTA UNI VERSITATIS LODZIENSIS David Gilligan ONCE ALIEN HERE
ACTA UNI VERSITATIS LODZIENSIS FOLIA LITTER ARIA ANGLICA 4, 2000 David Gilligan University of Łódź ONCE ALIEN HERE: THE POETRY OF JOHN HEWITT John Hewitt, who died in 1987 at the age of 80 years, has been described as the “elder statesman” of Ulster poetry. He began writing poetry in the 1920s but did not appear in book form until 1948; his final collection appearing in 1986. However, as Frank Ormsby points out in the 1991 edition of Poets From The North of Ireland, recognition for Hewitt came late in life and he enjoyed more homage and attention in his final years than for most of his creative life. In that respect he is not unlike Poland’s latest Nobel Prize winner in literature. His status was further recognized by the founding of the John Hewitt International Summer School in 1988. It is somewhat strange that such a prominent and central figure in Northern Irish poetry should at the same time be characterised in his verse as a resident alien, isolated and marginalised by the very society he sought to encapsulate and represent in verse. But then Northern Ireland/Ulster is and was a strange place for a poet to flourish within. In relation to the rest of the United Kingdom it was always something of a fossilised region which had more than its share of outdated thought patterns, language, social and political behaviour. Though ostensibly a parliamentary democracy it was a de-facto, one-party, statelet with its own semi-colonial institutions; every member of the executive of the ruling Unionist government was a member of a semi-secret masonic movement (The Orange Order) and amongst those most strongly opposed to the state there was a similar network of semi-secret societies (from the I.R.A.