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Uiednesdoy Hand with a Knife." They Also Ban Use of Flip-Top Cans Readily Discussed in Public
2 0 - EVENING HERALD. Tues.. Nov. 27, 1979 257 Dead In Crash Of DC-10 Vot. XCIX, No, SO — ManchMter, Conn., Wadnasday, November 28,1979 • Since 1S81 • 20tt Single Copy • 18< Home Delivered CHRISTCHURCH, New Zealand The search for the tourist plane (UPI) — An Air New Zealand DC-10 began early today when the aircraft tourist airliner crashed on the cloud- was overdue on its return flight by Official shrouded slopes of Mt. Erebus in the several hours. frozen Anatarctia today, killing all A Navy Hercules plane searching 2S7 pMpIe on board, including eight the frozen Antartic sighted the Corrects Americans, officials said. wreckage of the plane 2,500 feet up It was the third fatal crash of a DC- the slopes of an active volcano, Mt. 10 this year and the fifth since the Erebus, on Ross Island, one of the Tax Bill aircraft first came off the assembly peaks in the Antarctic viewed during line on July 23, 1970. tourist flights. By LAUREN DAVIS SHEA New Zealand's Search and Rescue The Auckland rescue headquarters Hrrald Reporter Headquarters said a U S. rescue said two helicopters from the U.S. MANCHESTER — A South Adams helicopter was unable to land at the base at McMurdo immediately flew 4 y * Street resident, fed up with the to the scene after the Navy plane crash site because of strong wind repeated botching of his tax bill, Well p<w your currents whipping over Antarctica’s found the wreckage. brought his problem to The Herald If all aboard the aircraft are con only active volcano. -
THE ANIMATED TRAMP Charlie Chaplin's Influence on American
THE ANIMATED TRAMP Charlie Chaplin’s Influence on American Animation By Nancy Beiman SLIDE 1: Joe Grant trading card of Chaplin and Mickey Mouse Charles Chaplin became an international star concurrently with the birth and development of the animated cartoon. His influence on the animation medium was immense and continues to this day. I will discuss how American character animators, past and present, have been inspired by Chaplin’s work. HISTORICAL BACKGROUND (SLIDE 2) Jeffrey Vance described Chaplin as “the pioneer subject of today’s modern multimedia marketing and merchandising tactics”, 1 “(SLIDE 3). Charlie Chaplin” comic strips began in 1915 and it was a short step from comic strips to animation. (SLIDE 4) One of two animated Chaplin series was produced by Otto Messmer and Pat Sullivan Studios in 1918-19. 2 Immediately after completing the Chaplin cartoons, (SLIDE 5) Otto Messmer created Felix the Cat who was, by 1925, the most popular animated character in America. Messmer, by his own admission, based Felix’s timing and distinctive pantomime acting on Chaplin’s. 3 But no other animators of the time followed Messmer’s lead. (SLIDE 6) Animator Shamus Culhane wrote that “Right through the transition from silent films to sound cartoons none of the producers of animation paid the slightest attention to… improvements in the quality of live action comedy. Trapped by the belief that animated cartoons should be a kind of moving comic strip, all the producers, (including Walt Disney) continued to turn out films that consisted of a loose story line that supported a group of slapstick gags which were often only vaguely related to the plot….The most astonishing thing is that Walt Disney took so long to decide to break the narrow confines of slapstick, because for several decades Chaplin, Lloyd and Keaton had demonstrated the superiority of good pantomime.” 4 1 Jeffrey Vance, CHAPLIN: GENIUS OF THE CINEMA, p. -
Best Picture of the Yeari Best. Rice of the Ear
SUMMER 1984 SUP~LEMENT I WORLD'S GREATEST SELECTION OF THINGS TO SHOW Best picture of the yeari Best. rice of the ear. TERMS OF ENDEARMENT (1983) SHIRLEY MacLAINE, DEBRA WINGER Story of a mother and daughter and their evolving relationship. Winner of 5 Academy Awards! 30B-837650-Beta 30H-837650-VHS .............. $39.95 JUNE CATALOG SPECIAL! Buy any 3 videocassette non-sale titles on the same order with "Terms" and pay ONLY $30 for "Terms". Limit 1 per family. OFFER EXPIRES JUNE 30, 1984. Blackhawk&;, SUMMER 1984 Vol. 374 © 1984 Blackhawk Films, Inc., One Old Eagle Brewery, Davenport, Iowa 52802 Regular Prices good thru June 30, 1984 VIDEOCASSETTE Kew ReleMe WORLDS GREATEST SHE Cl ION Of THINGS TO SHOW TUMBLEWEEDS ( 1925) WILLIAMS. HART William S. Hart came to the movies in 1914 from a long line of theatrical ex perience, mostly Shakespearean and while to many he is the strong, silent Western hero of film he is also the peer of John Ford as a major force in shaping and developing this genre we enjoy, the Western. In 1889 in what is to become Oklahoma Territory the Cherokee Strip is just a graz ing area owned by Indians and worked day and night be the itinerant cowboys called 'tumbleweeds'. Alas, it is the end of the old West as the homesteaders are moving in . Hart becomes involved with a homesteader's daughter and her evil brother who has a scheme to jump the line as "sooners". The scenes of the gigantic land rush is one of the most noted action sequences in film history. -
Hands Up! by Steve Massa
Hands Up! By Steve Massa Raymond Griffith is one of silent come- dy’s unjustly forgotten masters, whose onscreen persona was that of a calm, cool, world-weary bon vivant – some- thing like Max Linder on Prozac. After a childhood spent on stage touring in stock companies and melodramas, he ended up in films at Vitagraph in 1914 and went on to stints at Sennett,- L Ko, and Fox as a comedy juvenile. Not mak- ing much of an impression due to a lack of a distinctive character, he went be- hind the camera to become a gagman, working at Sennett and for other comics like Douglas MacLean. In 1922 he re- turned to acting and became the ele- gant, unflappable ladies’ man. Stealing comedies such as “Changing Husbands,” “Open All Night,” and “Miss Bluebeard” (all 1924) away ing very popular with his character of “Ambrose,” a put- their respective stars Paramount decided to give him his upon everyman with dark-circled eyes and a brush mous- own series, and he smarmed his way through ten starring tache. Leaving Sennett in 1917 he continued playing Am- features starting with “The Night Club” (1925). brose for L-Ko, Fox, and the independent Poppy Come- dies and Perry Comedies. His career stalled in the early “Hands Up!” (1926) soon followed, and is the perfect 1920s when he was blacklisted by an influential produc- showcase for Griffith’s deft comic touch and sly sense of er, but his old screen mate Charlie Chaplin came to the the absurd. The expert direction is by Clarence Badger, rescue and made Mack part of his stock company in films who started in the teens with shorts for Joker and Sen- such as “The Idle Class” (1921) and “The Pilgrim” (1923). -
Send in the Clones
Send in the Clones Chaplin Imitators from Stage to Screen, from Circus to Cartoon Ulrich Ruedel The Chaplin craze of the teens is often cited as one of the main indicators of the unprecedented popularity of Chaplin's little tramp. Chaplin imitators, cartoons, songs were abound. While Chaplin may indeed qualify as the most imitated character in film history, this "sincerest form of flattery" was not limited to him. Indeed, one of the historically most remarkable Chaplin imitations, that of former Chaplin understudy Stan Laurel, was part of a Keystone Trio stage act, which also included likenesses of Mabel Normand and Chester Conklin. Nor does the phenomenon of comic clones end there. Throughout film history, we find carbon copies of then- popular film clowns, sometimes unidentified today, often though probably quite justly forgotten.1 1 The Museum of Modern Art, for example, holds footage of an unidentified Snub Pollard imitator; imitations of Harold Lloyd's glasses character have been reported, and Wolfram Tichy's 1979 Harold Lloyd bioography presents an unidentified photo of what might have been such an imitator. Europe had their own, unique comedy success in the 20s and 30s, in the Danish comedy tramp duo of Fy og Bi / Long and Short / Pat & Patachon, and this author's research into this team (easily rivaling in popularity Chaplin, Keaton and Lloyd in countries like Germany and Russia) has so far confirmed at east four imitators, or "parodists," asppearing well into the 1950s. The Three Stooges are unique in this regard as their likenesses can claim a certain degree of legitimacy, either having gone through the same school as the original trio, Stooge inventor Ted Healy's act, that is, or in a couple instances even having the privilege of featuring former original Stooges. -
Sennett Creative Campus, Echo Park's Newest Modern
SENNETT CREATIVE CAMPUS, ECHO PARK’S NEWEST MODERN/CREATIVE OFFICE ENVIRONMENT 1745- 1759 GLENDALE BOULEVARD, ECHO PARK, CALIFORNIA David Aschkenasy Executive Vice President Phone 310.272.7381 email [email protected] The Sennett Creative Campus is greater Los Angeles’ most unique creative office destination. The Spaces: +/- 6,500 - 14,000 sq ft Campus offers one of the largest and architecturally significant, contiguous office spaces available. Rate: $1.95 psf, Modified Gross Originally built in 1946, and fully modernized and renovated in 2015, 1745-1759 N Glendale Blvd is a Parking: In rear of building, free of charge 30,000 Square Foot +/- campus environment that brings the glory of old Hollywood to life in the 21st Century. Comprised of 4 buildings, outdoor patios and surface parking lots, 1745-1759 N Glendale Features: • Exposed Ceilings Blvd is equipped with dramatic exposed wood truss ceilings, new HVAC & electric, polished concrete • Loading Dock and hardwood floors, brand new restrooms, reclaimed wood kitchens, multiple skylights and ample • Concrete & Hardwood Flooring parking. Greater Los Angeles is very limited with regard to true creative office space of this scale and • Exposed HVAC Ducting caliber. While there is availability in Silicon Beach (Venice and Santa Monica), Hollywood, and the • High Ceilings Arts District, the Sennett Creative Campus offers the same Creative Office Build outs at a fraction of the price. The Campus is priced at least 50% below these other creative office locations, and offers • Private Exterior Patios free parking for an additional savings. There is also the opportunity to have the exclusive use of the • Skylights rooftop billboard. -
Mabel Normand
Mabel Normand Also Known As: Mabel Fortescue Lived: November 9, 1892 - February 23, 1930 Worked as: co-director, comedienne, director, film actress, producer, scenario writer Worked In: United States by Simon Joyce, Jennifer Putzi Mabel Normand starred in at least one hundred and sixty-seven film shorts and twenty-three full- length features, mainly for Mack Sennett’s Keystone Film Company, and was one of the earliest silent actors to function as her own director. She was also one of the first leading performers to appear on film without a previous background in the theatre (having begun her career in modeling), to be named in the title of her films (beginning with 1912’s Mabel’s Lovers), and to have her own studio (the ill-fated Mabel Normand Feature Film Company). That her contributions to early film history are not better known is attributable in part to her involvement in the Hollywood scandals of the 1920s, and in part to our reliance on the self-interested memoirs of her better-known colleagues (especially Sennett and Charlie Chaplin) following her death at age thirty-eight. It is hard to get an accurate picture from such questionable and contradictory recollections, or from interviews with Normand herself, filtered as they often were through a sophisticated publicity operation at Keystone. Film scholars who have worked with these same sources have often proved just as discrepant and unreliable, especially in their accounts of her directorial contributions. Normand’s early career included stints at the Biograph Company, working with D. W. Griffith, and at the Vitagraph Company, yet it was her work at Keystone that solidified her image as slapstick comedienne. -
Spiel Jan15.Pub
The Organ Spiel Newsletter for the Sierra Chapter of the American Theatre Organ Society Silent Movie Night January, 2015 Fair Oaks Park & Rec Presents: Doors open at 6:00 PM Event starts at 7:00PM 4 Short Comedy Silents $5/Presale, With Dave Moreno at the Wurlitzer $8/General Fair Oaks Community Clubhouse (if not sold out) Friday, January 30 Dave Moreno has had an extensive background in taurants like the Pizza and Pipes in Sacramento. As playing the theatre organ, beginning when he was unique as his style is, so is his fashionable appear- just 13. He's equally comfortable with silent movie ance. Moreno is an avid collector of vintage platform accompaniment, solo music of the 1920's -1950's and shoes, most from the 1970's, and his collection is cur- jazz organ. rently over 600 pairs! You'll likely see his favorite Over the past 30 years Dave has played in many of pair of the day, busy on the organ's pedal board dur- the great remaining vintage theatres and organ res- ing his performance! He’s quite the showman! Crazy House Two Wagons: (1928) - Both Covered Our Gang (1924) - Little heiress Jean Darling is look- Will Rogers ing for someone to spend time Satire on the epic Western with her when she sees the gang outside her window and invites The Covered Wagon (1923) them in for a party. The Playhouse Double Whoopee (1921) - (1929) - Buster Keaton Laurel & Hardy Twenty-five of the world's Stanley and Oliver, in their greatest minstrels are appear- new jobs as footman and door- ing at the opera house, so Kea- man at a ritzy hotel, wreak ton unfolds his voluminous their usual havoc on the wallet, produces a ticket, and guests. -
Leroy Shield's Music for the Wurlitzer
Carousel Organ, Issue No. 46—January, 2011 Leroy Shield’s Music for the Wurlitzer 165 “Crossovers”—Sharing our Hobby Tracy M. Tolzmann t is obvious to any collector of automatic music— Just such an occasion arose recently with the release especially street, band and fair organs—that much of of Wurlitzer 165 roll number 6846. This newly commis- Ithe enjoyment we get out of our hobby is the sharing sioned roll is made up of 14 selections written by the lit- of our collections with the non-collector public. It is also tle-known composer Leroy Shield. I say little known, for true that only a fraction of our organization’s membership like most composers of motion picture scores, Shield’s is able to attend our numerous rallies, no matter how wide name is not remembered, but his music is unforgettable! spread their locations may be. This is one reason why Leroy Shield’s compositions are as well known as those independent events where we may perform and opening of the music from “Gone with the Wind” and “The Wizard our collections to visitors are such important parts of our of Oz,” and like their scores composers, his name is vir- hobby. tually unknown (Figure 1). When an event from another organization that is near Leroy Shield wrote most of the endearing melodies and dear to one’s heart comes along, it is especially grati- which make up the musical background on the early fying to share our COAA interests as circumstances allow. 1930s comedies of Laurel and Hardy and the Our It is fun for everyone involved, and it may even lead to Gang/Little Rascals, along with other wonderful short new COAA memberships. -
Films for C Lfistmas
~~------ UI • • Gt C • u ..:, • ..u • z ·-a. •0 • I: • -u, -11111 • ·-..UI ... • a • I ~ -0 • ...0 a. • f ;:! t: z • 0 Ill • UI • ' • ·- > • ·-> C • ~ :; A a • I • I • ...I • - ..... • C Gt • ~ • in a series of twelve 16mm. sound :a: ..a • E • TWO REEL COMEDIES ~ These Famous Kids Comedies are the 2-reelers which were so well-known as "Our Gang'' .. • Comedies when originally released to the theatres by M-C-M. All of the famous "Our Cang'' Gt u • characters of the period in which this group of subjects was produced appear in these 2-reelers a. - Spanky McFarland, Farina, Jean Darling, Alfalfa, Stymie arc all there. These 2-reelers are :, • not only collector's items today - they're just as satisfactory entertainment as ever! UI Cl • And, typicol of Blackhawk's ability to bring you BIG bargains, is our acquisition of some UI hundreds of prints of these twelve titles. These sell regularly at $42.50. Blackhawk's selling ..I .. • price is not only a bargain - it is far below regular wholesale. Of course, prints are brand new C: • and first quality in every way. Gt • SPRUCIN' UP - Wha t a pretty young girl can do lo FLY MY KITE - Grandma d oes anything !he kids can Gt the kids( Sho can mako them g o so far a s to shine do, from boxing to fl ying a kite. When a heartleu • their shoes .. , comb their hair . o• even wash nephew forecloses a mortgage on grandma' s homo, • .. their ears. But even such solf-sacrifico cannot always you can bet the gang starts ac!lng. -
New on Video &
New On Video & DVD The Little Rascals: The Complete Collection The hunt for those seemingly countless Little Rascals releases is over. For the first time ever, all 80 of Hal Roach's original 1929-1938 classic shorts featuring Buckwheat, Spanky, Alphalpha, and the rest of Our Gang--from the era before Roach sold the rights to MGM--are available here in one package. Included among this complete collection of uncut, remastered, and restored episodes are numerous contributions of various types from noted film historians, an addi- tional 10 silent shorts from Hal Roach's personal library, several documentaries including a look at racism as it pertains to the show, a special "where are they now" update featuring some of the surviving cast members, and much more. Disc1 includes the following episodes: "Small Talk," "Railroadin'," "Lazy Days," "Boxing Gloves," "Bouncing Babies," "Moan and Groan, Inc.," "Shivering Shakespeare," "The First Seven Years," "When the Wind Blows" and "Bear Shooters." Disc 2 includes the following episodes: "A Tough Winter," "Pups is Pups," "Teacher's Pet," "School's Out," "Helping Grandma," "Love Business," "Little Daddy," "Bargain Days," "Fly My Kite" and "Big Ears." Disc 3 includes the following episodes: "Shiver My Timbers," "Dog is Dogs," "Readin' and Writin'," "Free Eats," "Choo Choo," "Spanky," "The Pooch," "Hook and Ladder," "Free Wheeling" and "Birthday Blues." Disc 4 includes the following episodes: "Lad an' a Lamp," "Fish Hooky," "Forgotten Babies," "The Kid from Borneo," "Mush and Milk," "Bedtime Worries," -
WINTER 1980-81 SUPPLEMENT I WINTER 1980-81 Vol
aw WINTER 1980-81 SUPPLEMENT I WINTER 1980-81 Vol. 330 ,._ 1910 Blackhowk F Iim•. Inc., 12JS W . 5th Street, OovenPOrt, Iowa S'llOI Dear Friends, Guarantee Other: 10% of total order price. Indian summer has about run its If ofter receiving on item you ore not satis (or $3.50 minimum) course for 1980 at this writing. Our fam fied, return it to us within 10 days. We'll All orders ore shipped via U.P.S. or Parcel ily is busy planning some fun, we think, allow full credit on some other purchase or Post. For videocassettes by UPS Blue Lobel give you a full refund. odd 7~ per cassette. movie parties as the holiday season comes. Sharing movies with family and Footnote Key 1 . Sole restricted to the United States. Orders By Phone friends is one of the happiest pastimes 2 . Sole restricted to the United States and To place on order on your credit cord coll we know. Canada. 319-323-9736. We ore open Mon., Tue., During the bustle of everyday activi Thurs. and Fri., 8:30 o.m. to 4:00 p.m. ties we constantly strive to give the best Abbreviations B/ W Block and white. (If no note the service we know how. We are personally Questions and Other Information subject is in color.) upset when things don't go just right, For questions or other information dial Dia. Sound is primarily dialogue. and we're thrilled when someone tells us 319-323-9736. Our staff is happy to help Mm.