Uiednesdoy Hand with a Knife." They Also Ban Use of Flip-Top Cans Readily Discussed in Public
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Sales Flyer Volume ?2
SALES FLYER VOLUME ?2 TO OUR FRIE'l\TDS IN TllE LIBRARIES AND TIIE 16 MM Films - 1'1EDIA CENTERS: BLACK HISTORY We are pleased to announce the availability of A NATURAL-BORN GAMBLER (1916) 57 more titles from the Blackhawk Films 16mm Stars Bert Williams and is the first film to US<..' a collection. Black person as the lead Mr. Williams also starred in the Ziegficld 1-olhcs. The sound track Film Preservation Associates, owners of the contains nickelodeon piano score but the action Blackhawk Film library, have spent countless moves very fast at 24 f.p.s. so we prefer the silent hours and money in restoring many of the nega speed projection at 18 f.p.s. tives from which they print. Thus, the picture 14 min at 24 fps ... $115.00 quality is the best possible at this time. SNAPPY TUNES (1923) oblc Sissie, with Eubie These items arc printed on an "as needed" basis so Blake at the piano, sings Affectionate Sam and expect 4 to 6 weeks for delivery. Many of these old other light hearted tunes. Originally photo time movies were recorded at 18 frames per sec graphed at 21.33 f.p.s. gives a slight chipmunk ond instead of the usual 24 frames per second effect at 24 fps. The content of this film is priceless. which is the standard today. We have noted the 8 min at 24 fps ... $85.00 differences where this is a factor. Please note that YAMECRA W (1930) An all Black cast with James we have been forced to change our delivery rates P Johnson, pianist and composer, adapting effective January 1st 1990. -
Leroy Shield's Music for the Wurlitzer
Carousel Organ, Issue No. 46—January, 2011 Leroy Shield’s Music for the Wurlitzer 165 “Crossovers”—Sharing our Hobby Tracy M. Tolzmann t is obvious to any collector of automatic music— Just such an occasion arose recently with the release especially street, band and fair organs—that much of of Wurlitzer 165 roll number 6846. This newly commis- Ithe enjoyment we get out of our hobby is the sharing sioned roll is made up of 14 selections written by the lit- of our collections with the non-collector public. It is also tle-known composer Leroy Shield. I say little known, for true that only a fraction of our organization’s membership like most composers of motion picture scores, Shield’s is able to attend our numerous rallies, no matter how wide name is not remembered, but his music is unforgettable! spread their locations may be. This is one reason why Leroy Shield’s compositions are as well known as those independent events where we may perform and opening of the music from “Gone with the Wind” and “The Wizard our collections to visitors are such important parts of our of Oz,” and like their scores composers, his name is vir- hobby. tually unknown (Figure 1). When an event from another organization that is near Leroy Shield wrote most of the endearing melodies and dear to one’s heart comes along, it is especially grati- which make up the musical background on the early fying to share our COAA interests as circumstances allow. 1930s comedies of Laurel and Hardy and the Our It is fun for everyone involved, and it may even lead to Gang/Little Rascals, along with other wonderful short new COAA memberships. -
Catalog of 16Mm Films Autumn 1990
FILM ~ i PRESERVATION -- ASSOCIATES - - . 8307 San Fernando Road - -=- = Sun Valley, CA 91352 Library Voice & Fax: 818 768-5376 Catalog of 16mm Films Autumn 1990 Here are descriptions of more than two hundred 16mm fllms selected from the famous Blackhawk library: carefully-restored and beautifully-reproduced vtntage comedies, dramas, documentartes, cartoons and special-interest mov1es, many in Improved copies or new editions, some never before available. You·u find more than fifty rums announced for the first time in these pages: their titles are in bold type in lhe index on lhe inside front cover. we·re especially proud to ofTer ROOKIE OF THE YEAR. staning John Wayne, whJch Is one of only two televtslon films directed by the incomparable John Ford; a much better version of Laurel & Hardy in PACK UP YOUR TROUBLES. which restores five minutes of footage m1Ss1ng from all copies distributed since 1932; an "Our Gang· comedy. THE SPANKING AGE, which was Jong believed lost and which. now found, turns out to be enchanting; DESERT VICTORY and INSTRUMENTS OF THE ORCHESTRA. our first releases in a new series of BrUtsh classic documenlartes produced between 1929 and 1951 and printed from authentic negatives; a witty and spicy pre-code Flip the Frog cartoon, OFFICE BOY: Victor Seastrom ·s deeply-mov1ng early feature INGEBORG HOLM; rare and wonderful comedy shorts wi lh Charley Chase. Harry Langdon, Max Under, Larry Semon. Max Davidson .. and dozens of top-q uallty reprints from outstanding Blackhawk releases of the past many of them exceptional films whJch deserve your close consideration! Please contact us If you Wish further Information or would like to recetve supplemental announcements of our winter and spring Blackhawk favorites and new releases in prlnt CONTENTS AT A GLANCE Index by TI tic ................. -
The American Pit Bull Terrier Handbook
Preface The APBT will surprise you. It doesn't matter if you have years of experience with dogs or have never owned a dog before; the APBT will surprise you. Because of the many highly derogatory things that have been said and printed about this breed, the real APBT will surprise you. This book is not a piece of public relations literature about this breed. It is not designed to gloss over the negatives and accentuate the positives about the APBT. This book's goal is truth, and sometimes that truth can be revealed only when the interaction between a specific dog and a specific human being has played itself out. So, prepare to be surprised. The APBT is not the dog you may perceive it to be and owners of the APBT may not be what you imagine them to be. One thing is also certain; if you read this book and then take time to get to know this breed, you won't be who you were when you started the process. Now, that's a surprise! An old English proverb seems to fit the American Pit Bull Terrier, "Give a dog a bad name, and hang him. The virtues of the dog are his own, his vices, those of his master." This APBT would do well to look over its shoulder with all the hype and misinformation that has been put out about the breed. The Pit Bull Song By W.W. Schnipp Copyright© 1995 Quillian Publishing Company, BMI I stopped at a little roadside cafe in a new town hopin' to change my luck I heard a small boy holler at me as he climbed upon my truck He said mister, is that a Pit Bull that's riding up front with you? My mother says they're real mean dogs -
Movie Night 8
#8 silent comedy. slapstick, music hall. 1 Welcome to issue 8 of MOVIE NIGHT Many thanks to all those who have sent in articles, reviews and feedback; it really is appreciated! I’m aware this issue has taken quite a long time to reach you all; I hope it’s worth the wait! I’m cracking on with preparing issue 9 al- ready, so hopefully less of a wait next time! As always, article submissions are always welcomed warmly. The more contributions, the quicker the next issue will be ready! Get in touch at [email protected] Thanks and Happy Reading! CONTENTS NEWS……………………………………………………3 100 years of HAL ROACH STUDIOS …………4 “Never a help; always a hindrance!”: The story of CLARK AND McCULLOUGH…………………… 6 DVD news & reviews …………………………… 18 THE MARX BROTHERS SHEMP HOWARD EALING STUDIOS & MORE! The career of CHARLEY CHASE……………… … 22 Faces from the films: WALLACE LUPINO……… 33 MISSING IN ACTION: WISE GUYS (1937)… 36 Harry Langdon meets the Crazy Gang?? It happened! SCREENING NOTES ……………………………… A neglected Lloyd classic, plus some forgotten films from Lloyd Hamilton and Stan Laurel Front cover: Clark and McCullough in ‘ALIBI BYE BYE’ (1935) Above: Buster Keaton in ‘SHERLOCK JR’ (1924) 2 MARX BROTHERS REISSUED IN UK The BFI held a Marx Brothers retrospective during the month of NEWS February. BFI South Bank screened all 13 of their full length films, and ‘DUCK SOUP’ saw nationwide re-release throughout March. I've had requests from several people to receive a printed version of 'MOVIE NIGHT'. Origi- nally, I decided on making an all-digital publication MOVIE NIGHT to ensure that it could be free, and to get over the hurdles of starting a printed publication. -
Summer 1983 Supplement Ii
SUMMER 1983 SUPPLEMENT II WORLD 'S GREATEST SELECTION OF THINGS TO SHOW IQ 83 8lod1hawlr. Film1, Inc., 1235 W 5th StrHI, Do.,,enpor1, lowo 52808 Handling and Insurance United States: $3.35 per order 16mm Film S3 .50 per order Guarantee Canada: Most 16mm format film is special order. Please Other: l 0% of total order price. If after receivin!;J an item you are not allow 8 weeks for printing and delivery. (or $3.50 minimum) satisfied, return 1! to us witliin l O days. Running Time Conversion Table All orders are shipped via U.P.S. or Parcel We'll allow full credit on some otlier We have used the following per foot factors purchase or give you a full refund. Post. For video by UPS Blue Label add $1 .00 to calculate the approximate running times per cassette or disc. shown in this catalog: Payments License Notice Length per minute Charqe Orders Rights to any motion pictures are limited to Silent Sound Blackhawk gladly accepts Master Charge and home use only. All other rights and territories Super 8 15 fl. 20 fl. Visa charge orders. 27 fl. 36 fl . are specifically reserved. For information, con 16mm. Blackhawk Charge tact Blackhawk Films, Inc., Davenport, Iowa If you would like to open a Blackhawk Charge 52808. Videotape Account just write to our Customer Service We offer both the Beta-2 and VHS vid Department and they will send you all the The Blackhawk Collection eocassettes. They are noted by the name necessary details. The Blackhawk Collection is a group of "Beta" or "VHS". -
The Night Club Lame Brains & Lunatics the British Are
at the CINEMA MUSEUM. March 10-11, 2018 Presented by Kennington Bioscope, in collaboration with Kevin Brownlow. Event curated by David Wyatt. SATURDAY 10TH MARCH SUNDAY 11TH MARCH 10.00 THE NIGHT CLUB LAME BRAINS & LUNATICS 11.30 THE BRITISH ARE COMING! SEVEN YEARS BAD LUCK 13.00 LUNCH BREAK LUNCH BREAK 14.00 THE WORLD OF CHARLEY CHASE WE’RE IN THE NAVY NOW 15.35 A PERFECT GENTLEMAN SO YOU WON’T TALK 17.15 KEATON CLASSICS NOISY SILENTS! 18.45 DINNER BREAK DINNER BREAK 20.00 EXIT SMILING ROY HUDD + THE BATTLE OF THE CENTURY In addition to the lunch and dinner breaks, there will be short breaks between each programme. Many thanks go to our accompanists: John Sweeney Meg Morley Costa Fotopolous Neil Brand Cyrus Gabrysch Many thanks also to our many contributors: David Robinson, David Glass, Matthew Ross, Steve Massa, David Macleod, Polly Rose, Susan Cygan, Lisa Stein and Roy Hudd; to the BFI National Archive, Serge Bromberg at Lobster Films and of course to the Cinema Mu- seum and their team of volunteers, Dave Locke & Grant Lobban. THE NIGHT CLUB (1925) introduced by Kevin brownlow Produced by Cecil B De Mille for Famous Players-Lasky. Released through Paramount, April 27, 1925. 60 Minutes. Directed by Paul Iribe & Frank Urson. Screenplay by Walter Woods, Keene Thompson, Cecil B deMille and Walter De Mille, from William De Mille’s play ‘AFTER DARK’ Cinematography by J Peverell Marley. Starring RAYMOND GRIFFITH with Vera Reynolds, Wallace Beery, Louise Fazenda, William Austin, Leo Willis, Edythe Chapman. There was no-one quite like Raymond Griffith in silent comedy. -
ORDER at CINECON and SAVE • Pfease Print Cfear[Y '
FILM PRESERVATION ASSOCIATES 8107 San Fernando R;:,ad Sun Vallev, CA 91352 f ck phone: 818 768-'3376 ORDER AT CINECON AND SAVE • Pfease print cfear[y ' Mr./Ms . ------- - - ----------------------- Address ------- ----------- - - -------------- City _ _______ _ _______ State ______ _ Zip ______ FILM TITLE SPECIAL CINECON PRICE -···------------··----------------------.. ·--·---··--··--··------···--·--···~------------·--------· Tota l fo r Films 6.75% Sales Tax (if shipped to California dest inalion) Shipping for prepaid orders: Add $4 for orders up to S 150; $7 for onlcrs totalling h<'lw,·rn $150 and $300; free shipping for ordeni over $300. except foreign) ~••••.-,..._,_,. ......V---~---.._.-,,,. ...,._.........,._....,._.~••••--u•u••"-"> , ........... o o u,ou-~•---~uo• ___.._._..,_._._.._...._._ •. ..•• _,__ _..._,,~ , , ..... -u, , ,_ ••--•·· -- TOTAL AMOUNT DUE Payment options: Check with order for full amount of purchase; or C.O.D. provided a $25 deposit (not refun dable after initial shipment) accompanies the order. On C.O.D. shipments, pu rchaser pays all transportation charges, insurance and C.O.D fees. and money order fees. 'We appreciate your onfer an£ /iope you 're liaving a great time at Cinecon ! One year and trWre tnan two hundred re[eases fater ... 'We're Ce[e6rating ! CINECON '90 DISCOUNTS NEW PRINTS FROM THE BLACJ[{HAWK FILMS COLLECTION! 'During Cinecon, :Film Preservation Jfssociates is offering tremendous aiscounts on tfie entire catalog of 'Bfack.,fiawk., :fi{ms in print, inc{uaing 6rana new reuases! Prices ezyire 'Iiusaay, Septem6er 4tfi, 1990, ana tliere is no p{an to offer airect aiscountea safes in tft.e future. Jif.{[ are first-quality prints on 'l(paak._stock.i wliicli wi{[ 6e nuufe to order and sliippea airect{y to you ·· no California safes ta.ton out-of-state sliiprnents. -
Programme and Notes
at the CINEMA MUSEUM. March 10-11, 2018 Presented by Kennington Bioscope, in collaboration with Kevin Brownlow. Event curated by David Wyatt. SATURDAY 10TH MARCH SUNDAY 11TH MARCH 10.00 THE NIGHT CLUB LAME BRAINS & LUNATICS 11.30 THE BRITISH ARE COMING! SEVEN YEARS BAD LUCK 13.00 LUNCH BREAK LUNCH BREAK 14.00 THE WORLD OF CHARLEY CHASE WE’RE IN THE NAVY NOW 15.35 A PERFECT GENTLEMAN SO YOU WON’T TALK 17.15 KEATON CLASSICS NOISY SILENTS! 18.45 DINNER BREAK DINNER BREAK 20.00 EXIT SMILING ROY HUDD + THE BATTLE OF THE CENTURY In addition to the lunch and dinner breaks, there will be short breaks between each programme. Many thanks go to our accompanists: John Sweeney Meg Morley Costa Fotopolous Neil Brand Cyrus Gabrysch Many thanks also to our many contributors: David Robinson, David Glass, Matthew Ross, Steve Massa, David Macleod, Polly Rose, Susan Cygan, Lisa Stein and Roy Hudd; to the BFI National Archive, Serge Bromberg at Lobster Films and of course to the Cinema Mu- seum and their team of volunteers, Dave Locke & Grant Lobban. THE NIGHT CLUB (1925) introduced by Kevin brownlow Produced by Cecil B De Mille for Famous Players-Lasky. Released through Paramount, April 27, 1925. 60 Minutes. Directed by Paul Iribe & Frank Urson. Screenplay by Walter Woods, Keene Thompson, Cecil B deMille and Walter De Mille, from William De Mille’s play ‘AFTER DARK’ Cinematography by J Peverell Marley. Starring RAYMOND GRIFFITH with Vera Reynolds, Wallace Beery, Louise Fazenda, William Austin, Leo Willis, Edythe Chapman. There was no-one quite like Raymond Griffith in silent comedy.