Chaplin Film Series

/' \9ti\ * ' * / ; MUSEUM OF MODERN ART MEW YORK 19 ?? WEST 53rd STREET TElEPHONEt CIRCLE 5-8900 CABLES, MODERNART, NEW.YORK For release* Tuesday, Seetesfeer £^, 19^7 So. 96 IARLY C1TAPIX? FILMS AS «Ua3UM 0? MCBSHI? AHS ffet MUSSMSJI of Modern Art, 11 Nta* 53 Street, will, present three vaakg of the. early fi&BS of Charles Chaylia, October 5 - £3* Tvrenty-five film vill too sbcnm in 6 seai-veefcly program* Beginning with selected Keystone ecrasdles of 191k, mads before 12M tossy charaetarisation ves entirely evelred, the ffiogrsas proceed through the transitional Ksaany Fi3ns of 1913 to the couplets eerier of Mutual WlsWj 1916 - lrf# in vhich Chaplin achieved full mastery of hi 3 Bedim* Included vill be Chaplin's first filsa, Uaklaa a llvinflj in vhich fas sppeari in a frock coat, high silk hat, walrus Buutaah* and monocle; his first classic, ffha Treapj and the celebrated r^yGtreet, Asjsasj featured players are Fatty Arbtte&a» Kibel Wmnismlj Ben. furs-ist* Idas Purviaaoei siin Bunaarville end the Koystoae Cops. Music for the series will bo arranged and played by Arthur Kleiner. £here vill be t^o showings dailyj at 3 end 3*30. Malsftlon to the Haseua, 75 cents for adults icd 2!) eeats for cMiSroa incier 16, ineluae.3 the fil-is. A ccaplete schedule is attached* For additional infornation please contact Herbert Broasteinj Assistant Publicity ilreotor, Museum of raflem Art, 11 Vest 53 Street, K. Y. CI-3-8200. THE EARLY FILMS OF CHARLES CHAPLIN presented at the Museum of Modern Art, 11 W, 53 Street, New York, N. Y. October 3-23, 1957 Daily at 3 and 5:30 P.M. October 3-5: KEYSTONE FILMS, 191k MAKING A LIVING, 1KB ItASQUERADER, GETTING ACQUAINTED, THE KNOCK-OUT and THE ROUNDERS, with Chaplin, Henry Lehman, Iiinta Durfee, Chester Conklin, Fatty Arbuckle, Al St, John, Mack Swain, Hank Mann, Slim Summerville, Mack Sennett, Mabel Normand and the Keystone Cops, October 6-9: 3SSANAY FIDS, 1915 HIS NEW JOB, THE TRAMP, WORK and A WOMAN, written and directed by Chaplin, with Chaplin, Ben Turpin, Leo White, Edna Purviance, Bud Jamison, October 10-12: ESS AMY FILMS, 1915 THE BANK, A NIGTJT AT THE SI-TOW, an excerpt from CARMEN, and POLICE, written and directed by Charles Chaplin, with Chaplin, Edna Purviance, Leo White, Bud Jamison, Ben Turpin and Wesley Ruggles. October 13-16: MUTUAL FILMS, 1916 THE FLOORWALKER, THE FIREMAN, THE VAGABOND and ONE A.M., written and directed by Charles Chaplin, with Chaplin, Edna Purviance, Eric Campbell and Leo White. October 17-19: MUTUAL FIDS, 1916 THE COUNT, THE PAWNSHOP, BEHIND THE SCREEN and THE RINK, written and directed by Charles Chaplin, with Chaplin, Edna Purviance, Eric Campbell, Henry Bergman and Leo White. October 20-23: MUTUAL FII25, 1917 EASY STREET, T*TE CURE, THE IMMIGRANT and THE ADVENTURER, written and directed by Charles Chaplin, with Chaplin, Edna Purviance, Eric Campbell and Henry Bergman. Music for the silent films arranged and played by Arthur Kleiner. A large selection of German films from every period of its film history is being prepared in conjunction with the exhibition of German Art, with the cooperation of the German Federal Republic and Lufthansa German Airlines. The film exhibition will begin October 2i|th and last into the new year. A printed program containing the full schedule is now in preparation. .

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The Three Stooges® Big Screen Event! “BEST of the BEST”
Alex Film Society presents our 10th Annual The Three Stooges® Big Screen Event! “BEST OF THE BEST” MEET THE BARON (1933) excerpt from the feature film A PLUmbING WE WIll GO (1940) accident-prone Arizona Kid from the bad guys. Arizona goes for help but before Directed by Walter Lang. With Moe the cavalry arrives, the Stooges have to Howard, Larry Fine and Curly Howard, Directed by Del Lord. With Moe, Larry and face the Daltons alone. Ted Healy and Edna Mae Oliver. Meet Curly, Symona Boniface, Bud Jamison, the Baron was an M-G-M entry into Bess Flowers and Eddie Laughton. To MICRO-PHONIES (1945) the “college musical” genre that was escape the police, the Stooges pose Written and directed by Edward Bernds. popular at the time. Ted Healy and His as plumbers and get hired to fix a leak With Moe, Larry and Curly, Christine Stooges, under contract with the studio, at a fancy mansion. As terrible plumbers McIntyre, Symona Boniface, Gino were supporting players in this film. In the and even worse electricians, they make Corrado and Chester Conklin. Curly sequence we will see, after one of the a mess of things and, once again, poke is mistaken for an opera singer and, of zaniest and most unusual song numbers their finger in the eye of the idle rich. course, Moe and Larry go along with the of this or any other era, Healy, Moe, Larry gag. Posing as Senorita Cucaracha, and and Curly, janitors at “Cuddle College”, POP GOES THE EASEL (1935) Seniors Mucho and Gusto, they crash a are called in to fix the water in the girl’s society party but are thwarted by a near- shower room.
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... Warning Concerning Copyrisht Restrictions The Copyright Law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted materials. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be used for any purpose other than private study, scholarship, or research. If electronic transmission of reserve material is used for purposes in excess of what constitutes "fair use," that user may be liable for copyright infringement. • FILM, • • A SOUND ART • • ffllCHEL CHIOI • ·• TRANSLATED ev cL1uo,1 GDRBmAn • COLUMBIA UNIVERSITY PRESS ~ New York COLUMBIA UNIVERSITY PRESS Publishers Si?ce 1893 New York Chichester, West Sussex Copyright © 2003 !es Editions de l'Etoile Translation © 2009 Columbia University Press All rights reserved Library of Congress Cataloging-in-Publication Data Chion, Michel, 1947- [Art son ore, le cinema. English] Film, a sound art/ Michel Chion ; translated by Claudia Gorbman. p. cm.-(Film and culture) Includes bibliographical references and index. ISBN 978-0-231-13776-8 (cloth: alk. paper)-ISBN 978-0-231-13777-5 (pbk. : alk. paper) 1. Sound motion pictures. 2. Motion pictures-sound effects. 3, Motion pictures-Aesthetics. I. Title. I!. Series. PN1995.7C4513 zoo9 791.4302'4-dc22 2008054795 e Columbia University Press books are printed on permanent and durable acid-free paper. This book is printed on paper with recycled content. Printed in the United States of America C 10 9 8 7 6 5 4 3 p 10 9 8 7 6 5 4 References to Internet Web sites (URLs) were accurate at the time of writing.
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