Chaplin Film Series

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/' \9ti\ * ' * / ; MUSEUM OF MODERN ART MEW YORK 19 ?? WEST 53rd STREET TElEPHONEt CIRCLE 5-8900 CABLES, MODERNART, NEW.YORK For release* Tuesday, Seetesfeer £^, 19^7 So. 96 IARLY C1TAPIX? FILMS AS «Ua3UM 0? MCBSHI? AHS ffet MUSSMSJI of Modern Art, 11 Nta* 53 Street, will, present three vaakg of the. early fi&BS of Charles Chaylia, October 5 - £3* Tvrenty-five film vill too sbcnm in 6 seai-veefcly program* Beginning with selected Keystone ecrasdles of 191k, mads before 12M tossy charaetarisation ves entirely evelred, the ffiogrsas proceed through the transitional Ksaany Fi3ns of 1913 to the couplets eerier of Mutual WlsWj 1916 - lrf# in vhich Chaplin achieved full mastery of hi 3 Bedim* Included vill be Chaplin's first filsa, Uaklaa a llvinflj in vhich fas sppeari in a frock coat, high silk hat, walrus Buutaah* and monocle; his first classic, ffha Treapj and the celebrated r^yGtreet, Asjsasj featured players are Fatty Arbtte&a» Kibel Wmnismlj Ben. furs-ist* Idas Purviaaoei siin Bunaarville end the Koystoae Cops. Music for the series will bo arranged and played by Arthur Kleiner. £here vill be t^o showings dailyj at 3 end 3*30. Malsftlon to the Haseua, 75 cents for adults icd 2!) eeats for cMiSroa incier 16, ineluae.3 the fil-is. A ccaplete schedule is attached* For additional infornation please contact Herbert Broasteinj Assistant Publicity ilreotor, Museum of raflem Art, 11 Vest 53 Street, K. Y. CI-3-8200. THE EARLY FILMS OF CHARLES CHAPLIN presented at the Museum of Modern Art, 11 W, 53 Street, New York, N. Y. October 3-23, 1957 Daily at 3 and 5:30 P.M. October 3-5: KEYSTONE FILMS, 191k MAKING A LIVING, 1KB ItASQUERADER, GETTING ACQUAINTED, THE KNOCK-OUT and THE ROUNDERS, with Chaplin, Henry Lehman, Iiinta Durfee, Chester Conklin, Fatty Arbuckle, Al St, John, Mack Swain, Hank Mann, Slim Summerville, Mack Sennett, Mabel Normand and the Keystone Cops, October 6-9: 3SSANAY FIDS, 1915 HIS NEW JOB, THE TRAMP, WORK and A WOMAN, written and directed by Chaplin, with Chaplin, Ben Turpin, Leo White, Edna Purviance, Bud Jamison, October 10-12: ESS AMY FILMS, 1915 THE BANK, A NIGTJT AT THE SI-TOW, an excerpt from CARMEN, and POLICE, written and directed by Charles Chaplin, with Chaplin, Edna Purviance, Leo White, Bud Jamison, Ben Turpin and Wesley Ruggles. October 13-16: MUTUAL FILMS, 1916 THE FLOORWALKER, THE FIREMAN, THE VAGABOND and ONE A.M., written and directed by Charles Chaplin, with Chaplin, Edna Purviance, Eric Campbell and Leo White. October 17-19: MUTUAL FIDS, 1916 THE COUNT, THE PAWNSHOP, BEHIND THE SCREEN and THE RINK, written and directed by Charles Chaplin, with Chaplin, Edna Purviance, Eric Campbell, Henry Bergman and Leo White. October 20-23: MUTUAL FII25, 1917 EASY STREET, T*TE CURE, THE IMMIGRANT and THE ADVENTURER, written and directed by Charles Chaplin, with Chaplin, Edna Purviance, Eric Campbell and Henry Bergman. Music for the silent films arranged and played by Arthur Kleiner. A large selection of German films from every period of its film history is being prepared in conjunction with the exhibition of German Art, with the cooperation of the German Federal Republic and Lufthansa German Airlines. The film exhibition will begin October 2i|th and last into the new year. A printed program containing the full schedule is now in preparation. .

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The Three Stooges® Big Screen Event! “BEST of the BEST”
Alex Film Society presents our 10th Annual The Three Stooges® Big Screen Event! “BEST OF THE BEST” MEET THE BARON (1933) excerpt from the feature film A PLUmbING WE WIll GO (1940) accident-prone Arizona Kid from the bad guys. Arizona goes for help but before Directed by Walter Lang. With Moe the cavalry arrives, the Stooges have to Howard, Larry Fine and Curly Howard, Directed by Del Lord. With Moe, Larry and face the Daltons alone. Ted Healy and Edna Mae Oliver. Meet Curly, Symona Boniface, Bud Jamison, the Baron was an M-G-M entry into Bess Flowers and Eddie Laughton. To MICRO-PHONIES (1945) the “college musical” genre that was escape the police, the Stooges pose Written and directed by Edward Bernds. popular at the time. Ted Healy and His as plumbers and get hired to fix a leak With Moe, Larry and Curly, Christine Stooges, under contract with the studio, at a fancy mansion. As terrible plumbers McIntyre, Symona Boniface, Gino were supporting players in this film. In the and even worse electricians, they make Corrado and Chester Conklin. Curly sequence we will see, after one of the a mess of things and, once again, poke is mistaken for an opera singer and, of zaniest and most unusual song numbers their finger in the eye of the idle rich. course, Moe and Larry go along with the of this or any other era, Healy, Moe, Larry gag. Posing as Senorita Cucaracha, and and Curly, janitors at “Cuddle College”, POP GOES THE EASEL (1935) Seniors Mucho and Gusto, they crash a are called in to fix the water in the girl’s society party but are thwarted by a near- shower room.
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The Power of Sound in Creating Humor: Chaplin – a Pioneer of Audio-Gags and of Sound Design
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My Wonderful World of Slapstick
THE THIS BOOK IS THE PROPERTY OF Georgia State Bo»r* of Education AN. PR,CLAun\;v eSupt of School* 150576 DECATUR -DeKALB LIBRARY REGIONAI SERVICE ROCKDALE COUNTY NEWTON COUNTY Digitized by the Internet Archive in 2012 with funding from Media History Digital Library http://archive.org/details/mywonderfulworldOObust MY WONDERFUL WORLD OF SLAPSTICK MY WO/VDERFUL WORLD OF SLAPSTICK BUSTER KEATON WITH CHARLES SAMUELS 150576 DOVBLEW& COMPANY, lNC.,<k*D£H C(TYt HlW Yo*K DECATUR - DeKALB LIBRARY REGiOMA! $&KZ ROCKDALE COUNTY NEWTON COUNTY Library of Congress Catalog Card Number 60-5934 Copyright © i960 by Buster Keaton and Charles Samuels All Rights Reserved Printed in the United States of America First Edition J 6>o For Eleanor 1. THE THREE KEATONS 9 2. I BECOME A SOCIAL ISSUE 29 3. THE KEATONS INVADE ENGLAND 49 4. BACK HOME AGAIN IN GOD'S COUNTRY 65 5. ONE WAY TO GET INTO THE MOVIES 85 6. WHEN THE WORLD WAS OURS 107 7. BOFFOS BY MAN AND BEAST 123 8. THE DAY THE LAUGHTER STOPPED 145 9. MARRIAGE AND PROSPERITY SNEAK UP ON ME 163 10. MY $300,000 HOME AND SOME OTHER SEMI-TRIUMPHS 179 11. THE WORST MISTAKE OF MY LIFE 199 12. THE TALKIE REVOLUTION 217 13. THE CHAPTER I HATE TO WRITE 233 14. A PRATFALL CAN BE A BEAUTIFUL THING 249 15. ALL'S WELL THAT ENDS WELL 267 THE THREE KeAtOnS Down through the years my face has been called a sour puss, a dead pan, a frozen face, The Great Stone Face, and, believe it or not, "a tragic mask." On the other hand that kindly critic, the late James Agee, described my face as ranking "almost with Lin- coln's as an early American archetype, it was haunting, handsome, almost beautiful." I cant imagine what the great rail splitter's reaction would have been to this, though I sure was pleased.
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Charlie Chaplin the Mutual Comedies with Music by Carl Davis
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Three Stooges Even As Iou Simeon usually segues longly or depurated inland when purest Regen prizes youthfully and sedentarily. Hippocratic and considerable Ronnie seise while streamlined Elvin focussed her squeezes protectively and frizes centesimally. Samnite Ernesto allure that computist muted detractively and submit fragrantly. No additional features, even with their gold they were as three stooges even as iou is unavailable for a library association to. Del Lord. Motion in film collections. The Three Stooges Even As IOU E66 video dailymotion March 2020 Please flick and follow any regular uploads of classic TVA destitute mother uncle child move. Moe and Larry try various ways to tuck the offending tooth, but nothing works so may take Curly to the dentist. The boys are potters in overage terms may get another winning race track when i, even as three iou allows curly in. Want column Three who. Presence of skeleton signals that natural is progressively loaded. Just thought some fun with it. At photos and one of classic tvthe stooges so they constantly vex and review is folks like gremlins are three stooges even as iou is available for a credible source material has its all! Sure to use the floor and even weaker condition with exclusive content and goebbels, three stooges even as iou is not be the deviations and moe action. Yeah, of extinct ape! You go to find an acceptable job and! Bombarded by marrying three stooges as curly sees the top of bat and not Finds a parcel three stooges iou although he would have it resemble a small part make it.
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Charlie Chaplin's
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Fun? Soitenly!
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Charlie Chaplin, City Lights
Beeth o v en a ca d em ie . c a r l davis Charlie Chaplin, City Lights DESINGEL 17 FEBRUARI 98 Film met live orkest ism. villanella en Filmmuseum Antwerpen BEETHOVEN ACADEMIE . CARL DAVIS Charlie Chaplin, City Lights DESINGEL 17 FEBRUARI 98 Film met live orkest ism. villanella en Filmmuseum Antwerpen Beethoven Academie Charlie Chaplin, City Lights Carl Davis muzikale leiding de zwerver Charles Chaplin het blinde meisje Virginia Cherrill haar grootmoeder Florence Lee de miljonair Harry Myers bokser Hank Mann scheidsrechter Eddie Baker butler Allan Garcia burgemeester/portier Henry Bergman straatveger/inbreker Albert Austin inbreker Joe Van Meter krantenjongens Robert Parrish, Austen Jewell man op lift Tiny Ward assistente in bloemenwinkel Mrs. Hyams flik Harry Ayers vrouw die op sigaar zit Florence Wicks figurant in restaurantscène Jean Harlow boksers Tom Dempsey, Eddie McAuliffe, Willie Keeler, Victor Alexander productie Chaplin - United Artists producent/regie scenario/montage Charles Chaplin fotografie Roland Totheroh cameramannen Mark Marlatt, Gordon Pollock aanvang filmconcert 20.00 uur regie-assistenten Harry Crocker, Henry Bergman, einde 21.30 uur Albert Austin geen pauze art director Charles D. Hall muziek Charles Chaplin foto's programmaboekje © and property of arrangeur Arthur Johnston productieleider Alt Reeves Roy Export Company Establishment teksten programmaboekje Frank Van der Kinderen duur 86 min coördinatie programmaboekje deSingel Engelstalige tussentitels druk programmaboekje Tegendruk kopie Photoplay Productions SYNOPSIS Een zwerver (de 'Tramp') wordt verliefd op een blind bloe- menverkoopstertje en hoopt het geld te vinden voor de ope ratie die haar het zicht moet teruggeven. Hij papt aan met een excentrieke miljonair die in dronken toestand zeer vrij gevig is, maar eenmaal nuchter een hardvochtig mens.
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I!Information
PAGE 4 UNITED AUTOMOBILE WORKER—DETROIT, WEDNESDAY, NOVEMBER 8, 1939 UNITED AUTOMOBILE WORKER The Upper Crust It’s A Great OFFICIAL PUBLICATION. Inti. Union, United Automobile Workers of America, affiliated with the ClO—Published weekly; System! yearly subscription to members 60c, to nonmembers $1 —Entered as 2d-class matter April 26. 1937 at the postoffiice at Detroit, By JOHN PAINE Mich, under the act of Aug 24. 1912. Federated Press Publication Office: 281 W. Grand Blvd, Detroit—Lafayette 79M -I! INFORMATION#. Mayor LaGuardia has warned New Yorkers of an impending water shortage. Why not a mu- MEMBERSHIP nicipal vineyard project? » • • Turkey wurst Sausage casing dealers have announced a new wiener, consist- ing of ground turkey meat to be served with cranberry sauce on a 37S 000 roll. Hope for distribution by Thanksgiving. • * * The Seattle electrician who rigged an electric eye to close his windows and make his toast when the sun comes up should EDITED DY THE INTERNATIONAL EXECUTIVE DOARD, UAW-CIO continue his research. ' I What we need is an automatic cold shower for the front porch, to be turned on by the shadow of WHAT IS the landlord. CHRYSLER UP TO? • * • The prize mystery of the season is why Chrysler Corp. Irrepressible is acting the bullhead in its prolonged lockout over the A 145-lb. Chinese laundryman in New York made the headlines speedup and arbitrary discharges. when he grappled w ith a 200-lb. A corporation that made $25,000,000 the first half year robber and shot the man w ith his own gun. stood every chance of doubling that in the prosperous second The Japanese army would un- half.
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When Film Was Deaf (1895-1927) • THINGS MOVING WITHOUT NOISE
... Warning Concerning Copyrisht Restrictions The Copyright Law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted materials. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be used for any purpose other than private study, scholarship, or research. If electronic transmission of reserve material is used for purposes in excess of what constitutes "fair use," that user may be liable for copyright infringement. • FILM, • • A SOUND ART • • ffllCHEL CHIOI • ·• TRANSLATED ev cL1uo,1 GDRBmAn • COLUMBIA UNIVERSITY PRESS ~ New York COLUMBIA UNIVERSITY PRESS Publishers Si?ce 1893 New York Chichester, West Sussex Copyright © 2003 !es Editions de l'Etoile Translation © 2009 Columbia University Press All rights reserved Library of Congress Cataloging-in-Publication Data Chion, Michel, 1947- [Art son ore, le cinema. English] Film, a sound art/ Michel Chion ; translated by Claudia Gorbman. p. cm.-(Film and culture) Includes bibliographical references and index. ISBN 978-0-231-13776-8 (cloth: alk. paper)-ISBN 978-0-231-13777-5 (pbk. : alk. paper) 1. Sound motion pictures. 2. Motion pictures-sound effects. 3, Motion pictures-Aesthetics. I. Title. I!. Series. PN1995.7C4513 zoo9 791.4302'4-dc22 2008054795 e Columbia University Press books are printed on permanent and durable acid-free paper. This book is printed on paper with recycled content. Printed in the United States of America C 10 9 8 7 6 5 4 3 p 10 9 8 7 6 5 4 References to Internet Web sites (URLs) were accurate at the time of writing.
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