50Th Anniversary of Cather Foundation Marked by Spring
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Willa Cather's Spirit Lives
Willa Cather’s Spirit Lives On! October 19-20, 2018 A National Celebration of Willa Cather in Jaffrey, NH & the 100th Anniversary of My Ántonia Willa Cather, writing at the Shattuck Inn at the foot of Mt. Monadnock (left: photo taken by Edith Lewis), and standing by the tent where she wrote My Mt. Monadnock’s 3,165’ peak (above the Horsesheds in this photo of the 1775 Jaffrey Meeting- Antonia (right) house) has attracted writers and artists to Jaffrey for nearly two centuries. Come celebrate Cather in words, music, theater and food in the places and autumn mountain air she loved! First Church Melville Academy Museum Edith Lewis Jaffrey Civic Center Willa Cather’s gravestone Tickets are $75 * RESERVE EARLY * Only 140 tickets! Details at jaffreychamber.com Agenda: Friday evening, Oct. 19: Welcome Reception. The Cather My Ántonia Celebration will start in the red brick Jaffrey Civic Center. Saturday, Oct. 20: Saturday events will begin at the Meetinghouse followed by guided visits to three Ashley Olson Cather sites where young Project Shakespeare actors will enact passages from My Ántonia. • Tour sites will include the grave where Willa was buried in 1947 and where Edith Lewis was buried 25 years later; the Melville Academy Museum display on Willa and Edith; and the field where Willa wrote My Ántonia in a tent and also wrote One of Ours. • Following the tours, guests will enjoy a boxed lunch provided by the Shattuck Golf Club Grill. • After lunch, Ashley Olson and Tracy Tucker, directors of the Willa Cather Foundation, will give a presentation on My Ántonia at the 1775 Jaffrey Meetinghouse. -
SSAWW-2021-Conference-Program-11-July-2021.Docx
2021 SSAWW Conference Schedule (Draft 11 July 2021) WEDNESDAY, NOVEMBER 3 Conference Registration: 4:00-8:00 p.m., Regency THURSDAY, NOVEMBER 4 Registration: 6:30 a.m.-4:00 p.m., Regency Book exhibition: 8:15 a.m.-5:00 p.m., Brightons Mentoring Breakfast: 7:00 a.m.-8:15 a.m., Hamptons Thursday, 8:30-9:45 a.m. Session 1A, North Whitehall “Gothic Ecologies: Alcott, Her Contexts, and Contemporaries” Sponsored by the Louisa May Alcott Society Chair: Sandra Harbert Petrulionis, Pennsylvania State University, Altoona ● "Never Mind the Boys": Gothic Persuasions of Jane Goodwin Austin and Louisa May Alcott Kari Miller, Perimeter College at Georgia State University ● Wealth, Handicaps, and Jewels: Alcott's Gothic Tales of Dis-Possession Monika Elbert, Montclair State University ● Alcott in the Cadre of Scribbling Women: 'Realizing' the Female Gothic for Nineteenth Century American Periodicals Wendy Fall, Marquette University Session 1B, Guilford “Pedagogy and the Archives (Part I)” Chair: TBD ● Commonplace Book Practices and the Digital Archive Kirsten Paine, University of Pittsburgh ● Making Literary Artifacts and Exhibits as Acts of Scholarship Mollie Barnes, University of South Carolina Beaufort ● "My dearest sweet Anna": Transcribing Laura Curtis Bullard's Love Letters to Anna Dickinson and Zooming to the Library of Congress Denise Kohn, Baldwin Wallace University ● Nineteenth Century Science of Surgery as Cure for the Greatest Curse Sigrid Schönfelder, Universität Passau 1 - DRAFT: 11 July 2021 Session 1C, Westminster (Need AV) “Recovering Abolitionist Lives and Histories” Chair: Laura L. Mielke, University of Kansas ● Audubon's Black Sisters Brigitte Fielder, University of Wisconsin-Madison ● Recovery Work and the Case of Fanny Kemble's Journal of a Residence on a Georgia Plantation, 1838-39 Laura L. -
Information to Users
INFORMATION TO USERS This manuscripthas been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affectreproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sectionswith small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back ofthe book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI .. A Bell & Howell mtorrnauon Company 300 North Zeeb Road. Ann Arbor. MI48106-1346 USA 313!761-47oo 800:521-0600 Getting Back to Their Texts: A Reconsideration of the Attitudes of Willa Cather and Hamlin Garland Toward Pioneer Li fe on the Midwestern Agricultural Frontier A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAII IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHJLOSOPHY IN ENGLISH AUGUST 1995 By Neil Gustafson Dissertation Committee: Mark K. -
REVIEW Volume 60 Z No
REVIEW Volume 60 z No. 3 Winter 2018 My Ántonia at 100 Willa Cather REVIEW Volume 60 z No. 3 | Winter 2018 28 35 2 15 22 CONTENTS 1 Letters from the Executive Director, the President 20 Reading My Ántonia Gave My Life a New Roadmap and the Editor Nancy Selvaggio Picchi 2 Sharing Ántonia: A Granddaughter’s Purpose 22 My Grandmother—My Ántonia z Kent Pavelka Tracy Sanford Tucker z Daryl W. Palmer 23 Growing Up with My Ántonia z Fritz Mountford 10 Nebraska, France, Bohemia: “What a Little Circle Man’s My Ántonia, My Grandparents, and Me z Ashley Nolan Olson Experience Is” z Stéphanie Durrans 24 24 Reflection onMy Ántonia z Ann M. Ryan 10 Walking into My Ántonia . z Betty Kort 25 Red Cloud, Then and Now z Amy Springer 11 Talking Ántonia z Marilee Lindemann 26 Libby Larsen’s My Ántonia (2000) z Jane Dressler 12 Farms and Wilderness . and Family z Aisling McDermott 27 How I Met Willa Cather and Her My Ántonia z Petr Just 13 Cather in the Classroom z William Anderson 28 An Immigrant on Immigrants z Richard Norton Smith 14 Each Time, Something New to Love z Trish Schreiber 29 My Two Ántonias z Evelyn Funda 14 Our Reflections onMy Ántonia: A Family Perspective John Cather Ickis z Margaret Ickis Fernbacher 30 Pioneer Days in Webster County z Priscilla Hollingshead 15 Looking Back at My Ántonia z Sharon O’Brien 31 Growing Up in the World of Willa Cather z Kay Hunter Stahly 16 My Ántonia and the Power of Place z Jarrod McCartney 32 “Selah” z Kirsten Frazelle 17 My Ántonia, the Scholarly Edition, and Me z Kari A. -
Margins, Centers and the Nebraskan Commonwealth
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Presentations, Talks, and Seminar Papers -- Department of English English, Department of March 2003 The Politics of Cather’s Regionalism: Margins, Centers and the Nebraskan Commonwealth Guy Reynolds University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/englishtalks Part of the English Language and Literature Commons Reynolds, Guy, "The Politics of Cather’s Regionalism: Margins, Centers and the Nebraskan Commonwealth" (2003). Presentations, Talks, and Seminar Papers -- Department of English. 1. https://digitalcommons.unl.edu/englishtalks/1 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Presentations, Talks, and Seminar Papers -- Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Reynolds, The Politics of Cather’s Regionalism The Politics of Cather’s Regionalism: It features, of course, as this region often does in expatriate US writing: as everything you want to get away from. Here, the ‘dis‐ Margins, Centers and the Nebraskan quietingly cheerful horde’ represent a hideous uniformity, a col‐ Commonwealth lectivised national identity which seems both coarse and bland. This is, sadly, one of the main themes in the literary representa‐ tion of this particular region over the last century. In his useful Guy Reynolds study, The Middle West: Its Meaning in American Culture, Kansas geographer James Shortridge follows the rise and fall of the area’s Presented March 25, 2003, at the Plains Humanities Alliance Research & status in the national imagination. -
Transportation and Literature
TitleView Page metadata, - Transportation citation and and similar Literature papers at core.ac.uk brought to you by CORE provided by University of Minnesota Digital Conservancy Transportation through the Lens of Literature The Depiction of Transportation Systems in American Literature from 1800 to the Present in the Form of an Annotated Bibliography by Donald Ross, Stephanie Athey, and Capper Nichols University of Minnesota [email protected] You can examine this site by reading through the chapters, Chapters by decade beginning with the early 1800.htms, or you can use one of these indexes. The Early 1800.htms The 1830s Table of Contents (The entries in the order in The 1840s which they appear in the chapters) The 1850s The 1860s Indexes The 1870s The 1880s Subject index (Transportation systems The 1890s and the people involved) The 1900s Place index (States and major cities The 1910s mentioned in the entries) The 1920s Author index The 1930s The 1940s The Introduction is an essay which explains the rationale The 1950s for the project and gives an overview of some of the The 1960s general conclusion. The 1970s The 1980s How to read the chapters and entries The annotations are arranged chronologically, by the decade of the setting. 24 (Entry number) Author: Name, followed by birth and death dates Title: Name ("In" = a larger work, e.g., a short story or poem in a collection) Date: of first publication ("Written" = date is significantly different Systems: train, automobile, etc. Context: "Contemporary" with the publication date or specific dates, followed usually with a locale, and sometimes a comment on perspective The entry comes here. -
Troll Garden and Selected Stories
Troll Garden and Selected Stories Willa Cather The Project Gutenberg Etext of The Troll Garden and Selected Stories, by Willa Cather. Copyright laws are changing all over the world, be sure to check the copyright laws for your country before posting these files! Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Do not remove this. **Welcome To The World of Free Plain Vanilla Electronic Texts** **Etexts Readable By Both Humans and By Computers, Since 1971** *These Etexts Prepared By Hundreds of Volunteers and Donations* Information on contacting Project Gutenberg to get Etexts, and further information is included below. We need your donations. The Troll Garden and Selected Stories by Willa Cather. October, 1995 [Etext #346] The Project Gutenberg Etext of The Troll Garden and Selected Stories, by Willa Cather. *****This file should be named troll10.txt or troll10.zip****** Corrected EDITIONS of our etexts get a new NUMBER, troll11.txt. VERSIONS based on separate sources get new LETTER, troll10a.txt. This etext was created by Judith Boss, Omaha, Nebraska. The equipment: an IBM-compatible 486/50, a Hewlett-Packard ScanJet IIc flatbed scanner, and Calera Recognition Systems' M/600 Series Professional OCR software and RISC accelerator board donated by Calera Recognition Systems. We are now trying to release all our books one month in advance of the official release dates, for time for better editing. Please note: neither this list nor its contents are final till midnight of the last day of the month of any such announcement. -
An Association Copy of Note: Willa Cather's Copy of Aucassin & Nicolete
An Association Copy of Note: Willa Cather’s copy of Aucassin & Nicolete From 1896 to 1906 the renown American writer and novelist, Willa Cather, resided in Pittsburgh, Pennsylvania. Twelve novels with now more or less familiar titles like O Pioneers! (1913), The Song of the Lark (1915), and Death comes for the Archbishop (1927) thrilled American readers. Long before her novels, however, there were more modest achievements such as her first and only book of poetry, April Twilights (1903), her first collection of short story fiction, The Troll Garden (1905) and her work as editor of Home Monthly, the magazine which brought her to Pittsburgh in the first place. In 1898 she began work at the Pittsburgh Daily Leader but then in 1901 she took a job teaching high school students in Pittsburgh. Teaching would not become her mainstay and by 1906 she was ready to move on to a job at McClure’s Magazine in New York City which eventually would lead to her becoming its managing editor. McClure’s was one of America’s most successful and popular literary magazines, and it was while in New York that Cather would meet her lifelong companion, Edith Lewis. But wait, we’re getting a bit ahead of ourselves. It’s those Pittsburgh years that are of the most direct concern for this brief essay. Willa Cather often referred to Pittsburgh as the “birthplace” of her writing career, and the very reason why the essay exists at all is because of a little book found from those natal literary years. We have to go back to September 18, 2012 when I came across the notice from an upper Mid-Western book dealer advertised a little Mosher book which he said was from Willa Cather’s library: Aucassin & Nicolete. -
Front Matter
Cambridge University Press 052182110X - The Cambridge Companion to Willa Cather Edited by Marilee Lindemann Frontmatter More information The Cambridge Companion to Willa Cather The Cambridge Companion to Willa Cather offers thirteen original essays by leading scholars of a major American novelist. Willa Cather’s luminous prose is ‘easy’ to read yet surprisingly difficult to understand. The essays col- lected here are theoretically informed but accessibly written and cover the full range of Cather’s career, including most of her twelve novels and several of her short stories. The essays situate Cather’s work in a broad range of critical, cultural, and literary contexts, and the introduction explores current trends in Cather scholarship as well as the author’s place in contemporary culture. With a detailed chronology and a guide to further reading, the volume offers students and teachers a fresh and thorough sense of the author of My Antonia´ , The Professor’s House, and Death Comes for the Archbishop. © Cambridge University Press www.cambridge.org Cambridge University Press 052182110X - The Cambridge Companion to Willa Cather Edited by Marilee Lindemann Frontmatter More information THE CAMBRIDGE COMPANION TO WILLA CATHER EDITED BY MARILEE LINDEMANN © Cambridge University Press www.cambridge.org Cambridge University Press 052182110X - The Cambridge Companion to Willa Cather Edited by Marilee Lindemann Frontmatter More information cambridge university press Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, Sao˜ Paulo Cambridge University Press The Edinburgh Building, Cambridge cb2 2ru,UK Published in the United States of America by Cambridge University Press, New York www.cambridge.org Information on this title: www.cambridge.org/9780521527934 C Cambridge University Press 2005 This book is in copyright. -
Newsletter & Review
NEWSLETTER & REVIEW Volume 56, No. 2 Spring 2013 For really bad weather I wear knickerbockers Then really I like the work, grind though it is In addition to painting the bathroom and doing the house work and trying to write a novel, I have been becoming rather “famous” lately Mr. McClure tells me that he does not think I will ever be able to do much at writing stories As for me, I have cared too much, about people and places I have some white canvas shoes with red rubber soles that I got in Boston, and they are fine for rock climbing When I am old and can’t run about the desert anymore, it will always be here in this book for me Is it possible that it took one man thirty working days to make my corrections? I think daughters understand and love their mothers so much more as they grow older themselves The novel will have to be called “Claude” I tried to get over all that by a long apprenticeship to Henry James and Mrs. Wharton She is the embodiment of all my feelings about those early emigrants in the prairie country Requests like yours take a great deal of my time Everything you packed carried wonderfully— not a wrinkle Deal in this case as Father would have done I used to watch out of the front windows, hoping to see Mrs. Anderson coming down the road And then was the time when things were very hard at home in Red Cloud My nieces have outlived those things, but I will never outlive them Willa Cather NEWSLETTER & REVIEW Volume 56, No. -
Fragments from Willa Cather's Lost Work Published for the First Time
FOR IMMEDIATE RELEASE: Contact: Leslie C. Levy, Executive Director [email protected] 866-731-7304 Fragments from Willa Cather’s Lost Work Published for the First Time At her death in 1947, famed author Willa Cather was working on a story -- or perhaps a novel -- set in medieval Avignon titled "Hard Punishments." By all surviving accounts, the writing Cather had completed was destroyed upon her death, the only known exception being a short fragment owned by the University of Virginia. Two new fragments of the story have recently surfaced, in the collection given to the University of Nebraska Foundation by Cather's nephew, Charles E. Cather, who died in March 2011. In the Fall 2011 issue of the Willa Cather Newsletter & Review, the Willa Cather Foundation published complete transcriptions of all three fragments for the very first time. They are designed to give readers a clear reading text, with missing characters added in brackets and Cather's own deletions omitted. Readers who may be interested in full diplomatic transcriptions, retaining every feature which can reasonably be reproduced in print, can find them on the Willa Cather Foundation website at www.WillaCather.org. “We are proud and honored to have the permission of the Willa Cather Literary Trust to share these glimpses of Cather's last major creative work,” said Leslie C. Levy, Executive Director of the Foundation. The Fall 2011 issue of the Newsletter & Review, which also features an essay on the "Hard Punishments" fragments as well as manuscript images can be purchased from Cather Books & Gifts by calling 402-746-2653 or online at www.WillaCather.org. -
Newsletter & Review
NEWSLETTER & REVIEW Volume 58 z No. 1 Summer z Fall 2015 Cather and the Wolves Nella Larsen, Willa Cather, and Cultural Mobility Fitzgerald’s Daisy and Cather’s Rosamond Teaching “The Enchanted Bluff ” Willa Cather NEWSLETTER & REVIEW Volume 58 z No. 1 | Summer z Fall 2015 2 9 17 31 24 30 33 CONTENTS 1 Letters from the Executive Director and the President 17 More Than Beautiful Little Fools: Fitzgerald’s Daisy, Cather’s Rosamond, and Postwar Images of 2 “Never at an End”: The Search for Sources of Cather’s American Women z Mallory Boykin Wolves Story z Michela Schulthies 24 Upwardly Mobile: Teaching “The Enchanted Bluff ” 4 New Life for a Well-known Painting to Contemporary Students z Christine Hill Smith 5 Describing the Restoration z Kenneth Bé 30 New Beginnings for National Willa Cather Center 9 Meanings of Mobility in Willa Cather’s The Song of 31 In Memoriam: Charlene Hoschouer the Lark and Nella Larsen’s Quicksand Amy Doherty Mohr 33 Willa Cather and the Connection to Kyrgyzstan Max Despain On the cover: Sleigh with Trailing Wolves by Paul Powis. Photo courtesy of the Nebraska State Historical Society’s Gerald R. Ford Conservation Center. Letter from the City of Red Cloud, and the area Chamber of Commerce the Executive Director to further develop and enhance the visitor experience. Through Ashley Olson the hire of a Heritage Tourism Development Director, the partnership will increase Red Cloud’s appeal as a destination for tourists through creation of new services and amenities. Jarrod As I write this, a productive and busy summer at the Willa Cather McCartney, a scholar and Red Cloud native, has already settled Foundation is drawing to a close and we are celebrating the success of into this position comfortably.