DOCSLIB.ORG

Xerox University Microfilms 300 North Zeeb Road Ann Arbor, Michigan 48106 75-6540 MOSELEY, Ann, 1947- the VOYAGE PERILOUS : WILLA CATHER' S MYTHIC QUEST

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Xerox University Microfilms 300 North Zeeb Road Ann Arbor, Michigan 48106 75-6540 MOSELEY, Ann, 1947- the VOYAGE PERILOUS : WILLA CATHER' S MYTHIC QUEST INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. Silver prints of "photographs" may be ordered at additional charge by writing the Order Department, giving the catalog number, title, author and specific pages you wish reproduced. 5. PLEASE NOTE: Some pages may have indistinct print. Filmed as received. Xerox University Microfilms 300 North Zeeb Road Ann Arbor, Michigan 48106 75-6540 MOSELEY, Ann, 1947- THE VOYAGE PERILOUS : WILLA CATHER' S MYTHIC QUEST. The University of Oklahoma, Ph.D., 1974 Language and Literature, general Xerox University Microfilms, Ann Arbor, Michigan 4sio8 © 1974 ANN MOSELEY ALL RIGHTS RESERVED THIS DISSERTATION HAS BEEN MICROFILMED EXACTLY AS RECEIVED. THE UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE THE VOYAGE PERILOUS: WILLA GATHER'S MYTHIC QUEST A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY BY ANN MOSELEY Norman, Oklahoma 1974 THE VOYAGE PERILOUS: WILLA GATHER'S MYTHIC QUEST APPROVED- BY: DISSERTATION COMMITTEE FOREWORD In the last two or three decades there has been substantial evidence to indicate an increasing critical awareness of the importance of myth to literature. Classical mythological works by James Frazer, Thomas Bulfinch, Charles Mills Gayley, and Edith Hamilton have been re­ examined and re-evaluated, and important new works have been added by Richard Chase, Henry Nash Smith, R. W. B. Lewis, Joseph Campbell, and Northrop Frye. The investigations of these scholars have indicated that the study of myth is valuable and relevant not only to such obviously mythic works as those of T. S. Eliot and James Joyce, but also to most other literary works as well. Fitting neatly into the American romantic tradition established by Hawthorne, Melville, Whitman, and Poe, Willa Cather was herself deeply aware of the importance of myth to literature, and throughout her career she used myth, sometimes in obvious allusions, but more often as an undercurrent of structure and theme. Cather's conscious use of myths in her fiction has been pointed out by such critics as Bernice Slote, John Randall, James Woodress, and L. V. Jacks. However, no critic has made a comprehensive study either of her reliance on mythic quests and conflicts or of her use of particular mythologies— Greek, Roman, Norse, American Indian, and Christian; it is this particular void of Catherian criticism which the present study aspires to fill. Ill ACKNOWLEDGMENTS For their advice and suggestions regarding this manuscript, I wish to thank the members of my Graduate Committee, Dr. Robert M. Davis, Dr. David P. French, Dr. Bruce I. Granger, Dr. Roy Raymond Male, and especially Dr. Victor A. Elconin, my very kind and understanding advisor who has the rare ability to combine his own perceptive suggestions with a profound respect for the ideas of others'. My gratitude is also extended to Stephen L. Wolfard of the University of Oklahoma Library, who was kind enough to allow me to keep books checked out for over a year, and to my typist, Pat Bradfield, who worked long hours to perfect this manuscript. As always, my very special love and thanks are due to my husband, Fred Moseley, who is always ready to sacrifice himself to give me help and encouragement when I need them, and to my little one-year-old daughter Christie, who was never able to understand why Mommie sometimes had to work instead of playing with her! IV TABLE OF CONTENTS Page FOREWORD............................... iii ACKNOWLEDGMENTS .......................................... iv CHAPTER I. THE "VOYAGE PERILOUS": GATHER'S LIFE AND ART .......................................... 1 II.THE PURSUITOF YOUTH IN ALEXANDER'S B R I D G E .......... 43 III. ALEXANDRA'S QUEST FOR FULFILLMENT IN 0 PIONEERS!.................................... 69 IV. THE QUEST FOR ARTISTIC TRUTH IN THE SONG OF THE L A R K .................................... 98 V. JIM BURDEN'S SEARCH FOR IDENTITY IN MY ANTONIA . 127 VI. THE FAILURE OF THE AMERICAN WESTERING MYTH IN ONE OF O U R S ................................... 163 VII. THE COLLAPSE OF THE WESTERN IDEAL IN A LOST LADY ........................................ 189 VIII. THE CONFLICT OF THE ARTIST IN THE PROFESSOR'S HOUSE ........................................ 211 IX. THE QUEST FOR IMMORTALITY IN MY MORTAL ENEMY .... 245 X. THE QUEST OF THE SPIRIT IN DEATH COMES FOR THE ARCHBISHOP................................... 264 XI. THE QUEST FULFILLED IN SHADOWS ON THE R O C K ........ 312 XII. THE WINTER OF LIFE AND LOVE IN LUCY GAYHEART .... 337 XIII. THE ROLE OF THE SOUTHERN MYTH IN SAPPHIRA AND THE SLAVE GI R L ................................ 354 XIV. CONCLUSION: WILLA CATHER AND THE BRIGHT MEDUSA OF A R T ...................................... 382 BIBLIOGRAPHY............................................... 399 V CHAPTER I THE "VOYAGE PERILOUS": GATHER'S LIFE AND ART Stereotyped by many critics as a weak traditionalist, a romantic escapist, and a squeamish member of the genteel tradition,* Willa Cather is a writer who greatly deserves serious study and réévaluation. In her art as well as her life, she courageously and energetically pursues beauty and truth, believing with Keats that "Beauty is truth, truth beauty." This pursuit leads her into a mythic quest in which she delves into the recesses of her own mind and heart as well as into the very roots of civilization itself. In this search she unveils the dual nature of man— the divine and the demoniac— and she reveals his basic and eternal conflicts between order and disorder, reason and passion, Apollonian and Dionysian desires. Her fiction is permeated with such contrasting themes as past and present, flesh and spirit, pagan and Christian, East and West, and because she is such a superb and subtle artist, she is "able to give expression to . [both] the bright dream and the dark; to the brief, optimistic morning dream and the foreboding vision of the long uneasy night. *See Granville Hicks, "The Case Against Willa Cather," and Lionel Trilling, "Willa Cather," in Willa Cather and Her Critics, ed. by James Schroeter (Ithaca, New York: Cornell University Press, 1967), pp. 139- 55. ^"The Frontier Dream," Times Literary Supplement, 3152, 27 July 1962, p. 540. 2 In her early fiction Cather seems to place more importance on her "bright dreams," for here she writes primarily of contemporary society and the practice of art in Eastern America and in Europe. How­ ever, her quest eventually brings her back to the West, to the frontier, which is defined by Turner as "the meeting point between savagery and civilization" 2; it also leads her into a deeper consideration of the human spirit as found not only in the present, but also in past civili­ zations. Her ultimate metaphors are those of sunset and harvest, repre­ senting the mysteries of death and rebirth as evinced in the everlasting soil and in the eternal human soul. 1 Perhaps the first major conflict that Willa Cather felt was that between her artistic aspirations and her natural desire for a free and joyful life. No doubt it was difficult for her to "sacrifice" herself to art, for the facts of her life indicate that she was naturally a strong-willed, out-going, and fun-loving individual. Being such an energetic person, she could take neither life nor art lightly. She once ? called true artistic creation the "voyage perilous," and her oim artistic career was indeed a perilous journey— from Virginia to Nebraska, from West to East and then finally back to the West, from physical exile to artistic home. Willa Cather was born on December 7, 1873, in Frederick County 2 Frederick Jackson Turner, The Frontier in American History (1920; rpt. New York: Holt, Rinehart and Winston, 1962), p. 3. \illa Cather, The Kingdom of Art: Willa Cather*s First Principles and Critical Statements, 1895-1896, ed. by Bernice Slote (Lincoln: University of Nebraska Press, 1966), p. 417. Virginia/* the first of Charles Fectigue Cather and Mary Boak Cather's seven children. Even as a very young child, she showed a tendency toward the self-reliance and independence which characterized her adult life. For example, Lewis reports that once there were many overnight guests at the Cathers' Willowshade farm, and Willa was asked to sleep with her grandmother so that her little cousin Philip Frederic could sleep in her cradle.
Load more
Loading...
Loading...
Loading...
Loading...
Loading...

411 pages remaining, click to load more.

Recommended publications
  • Willa Cather and American Arts Communities
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, and Student Research: Department of English English, Department of 8-2004 At the Edge of the Circle: Willa Cather and American Arts Communities Andrew W. Jewell University of Nebraska - Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/englishdiss Part of the English Language and Literature Commons Jewell, Andrew W., "At the Edge of the Circle: Willa Cather and American Arts Communities" (2004). Dissertations, Theses, and Student Research: Department of English. 15. https://digitalcommons.unl.edu/englishdiss/15 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, and Student Research: Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. AT THE EDGE OF THE CIRCLE: WILLA CATHER AND AMERICAN ARTS COMMUNITIES by Andrew W. Jewel1 A DISSERTATION Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Philosophy Major: English Under the Supervision of Professor Susan J. Rosowski Lincoln, Nebraska August, 2004 DISSERTATION TITLE 1ather and Ameri.can Arts Communities Andrew W. Jewel 1 SUPERVISORY COMMITTEE: Approved Date Susan J. Rosowski Typed Name f7 Signature Kenneth M. Price Typed Name Signature Susan Be1 asco Typed Name Typed Nnme -- Signature Typed Nnme Signature Typed Name GRADUATE COLLEGE AT THE EDGE OF THE CIRCLE: WILLA CATHER AND AMERICAN ARTS COMMUNITIES Andrew Wade Jewell, Ph.D. University of Nebraska, 2004 Adviser: Susan J.
    [Show full text]
  • UNIVERSITY of $ASKATCHEWAN This Volume Is The
    UNIVERSITY OF $ASKATCHEWAN This volume is the property of the University of Saskatchewan, and the Itt.rory rights of the author and of the University must be respected. If the reader ob­ tains any assistance from this volume, he must give proper credit in his ownworkr This Thesis by . EJi n.o r • C '.B • C j-IEJ- S0 M has been used by the following persons, whose slgnature~ attest their acc;eptance of the above restri ctions . Name and Address Date , UNIVERSITY OF SASKATCHEWAN The Faculty of Graduate Studies, University of Saskatchewan. We, the undersigned members of the Committee appointed by you to examine the Thesis submitted by Elinor C. B. Chelsom, B.A., B;Ed., in partial fulfillment of the requirements for the Degree of Master of Arts, beg to report that we consider the thesis satisfactory both in form and content. Subject of Thesis: ttWilla Cather And The Search For Identity" We also report that she has successfully passed an oral examination on the general field of the subject of the thesis. 14 April, 1966 WILLA CATHER AND THE SEARCH FOR IDENTITY A Thesis Submitted to the Faculty of Graduate Studies in Partial Fulfilment of the Requirements for the Degree of Mas ter of Arts in the Department of English University of Saskatchewan by Elinor C. B. Chelsom Saskatoon, Saskatchewan April, 1966 Copyrigh t , 1966 Elinor C. B. Chelsom IY 1 s 1986 1 gratefully acknowledge the wise and encouraging counsel of Carlyle King, B.A., M.A., Ph.D. my supervisor in the preparation of this thesis.
    [Show full text]
  • Information to Users
    INFORMATION TO USERS This manuscripthas been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affectreproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sectionswith small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back ofthe book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. UMI .. A Bell & Howell mtorrnauon Company 300 North Zeeb Road. Ann Arbor. MI48106-1346 USA 313!761-47oo 800:521-0600 Getting Back to Their Texts: A Reconsideration of the Attitudes of Willa Cather and Hamlin Garland Toward Pioneer Li fe on the Midwestern Agricultural Frontier A DISSERTATION SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAII IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHJLOSOPHY IN ENGLISH AUGUST 1995 By Neil Gustafson Dissertation Committee: Mark K.
    [Show full text]
  • Literary Criticism and Cultural Theory
    Literary Criticism and Cultural Theory Edited by William E. Cain Professor of English Wellesley College A Routledge Series 94992-Humphries 1_24.indd 1 1/25/2006 4:42:08 PM Literary Criticism and Cultural Theory William E. Cain, General Editor Vital Contact Negotiating Copyright Downclassing Journeys in American Literature Authorship and the Discourse of from Herman Melville to Richard Wright Literary Property Rights in Patrick Chura Nineteenth-Century America Martin T. Buinicki Cosmopolitan Fictions Ethics, Politics, and Global Change in the “Foreign Bodies” Works of Kazuo Ishiguro, Michael Ondaatje, Trauma, Corporeality, and Textuality in Jamaica Kincaid, and J. M. Coetzee Contemporary American Culture Katherine Stanton Laura Di Prete Outsider Citizens Overheard Voices The Remaking of Postwar Identity in Wright, Address and Subjectivity in Postmodern Beauvoir, and Baldwin American Poetry Sarah Relyea Ann Keniston An Ethics of Becoming Museum Mediations Configurations of Feminine Subjectivity in Jane Reframing Ekphrasis in Contemporary Austen, Charlotte Brontë, and George Eliot American Poetry Sonjeong Cho Barbara K. Fischer Narrative Desire and Historical The Politics of Melancholy from Reparations Spenser to Milton A. S. Byatt, Ian McEwan, Salman Rushdie Adam H. Kitzes Tim S. Gauthier Urban Revelations Nihilism and the Sublime Postmodern Images of Ruin in the American City, The (Hi)Story of a Difficult Relationship from 1790–1860 Romanticism to Postmodernism Donald J. McNutt Will Slocombe Postmodernism and Its Others Depression Glass The Fiction of Ishmael Reed, Kathy Acker, Documentary Photography and the Medium and Don DeLillo of the Camera Eye in Charles Reznikoff, Jeffrey Ebbesen George Oppen, and William Carlos Williams Monique Claire Vescia Different Dispatches Journalism in American Modernist Prose Fatal News David T.
    [Show full text]
  • Transportation and Literature
    TitleView Page metadata, - Transportation citation and and similar Literature papers at core.ac.uk brought to you by CORE provided by University of Minnesota Digital Conservancy Transportation through the Lens of Literature The Depiction of Transportation Systems in American Literature from 1800 to the Present in the Form of an Annotated Bibliography by Donald Ross, Stephanie Athey, and Capper Nichols University of Minnesota rossj001@umn.edu You can examine this site by reading through the chapters, Chapters by decade beginning with the early 1800.htms, or you can use one of these indexes. The Early 1800.htms The 1830s Table of Contents (The entries in the order in The 1840s which they appear in the chapters) The 1850s The 1860s Indexes The 1870s The 1880s Subject index (Transportation systems The 1890s and the people involved) The 1900s Place index (States and major cities The 1910s mentioned in the entries) The 1920s Author index The 1930s The 1940s The Introduction is an essay which explains the rationale The 1950s for the project and gives an overview of some of the The 1960s general conclusion. The 1970s The 1980s How to read the chapters and entries The annotations are arranged chronologically, by the decade of the setting. 24 (Entry number) Author: Name, followed by birth and death dates Title: Name ("In" = a larger work, e.g., a short story or poem in a collection) Date: of first publication ("Written" = date is significantly different Systems: train, automobile, etc. Context: "Contemporary" with the publication date or specific dates, followed usually with a locale, and sometimes a comment on perspective The entry comes here.
    [Show full text]
  • Troll Garden and Selected Stories
    Troll Garden and Selected Stories Willa Cather The Project Gutenberg Etext of The Troll Garden and Selected Stories, by Willa Cather. Copyright laws are changing all over the world, be sure to check the copyright laws for your country before posting these files! Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Do not remove this. **Welcome To The World of Free Plain Vanilla Electronic Texts** **Etexts Readable By Both Humans and By Computers, Since 1971** *These Etexts Prepared By Hundreds of Volunteers and Donations* Information on contacting Project Gutenberg to get Etexts, and further information is included below. We need your donations. The Troll Garden and Selected Stories by Willa Cather. October, 1995 [Etext #346] The Project Gutenberg Etext of The Troll Garden and Selected Stories, by Willa Cather. *****This file should be named troll10.txt or troll10.zip****** Corrected EDITIONS of our etexts get a new NUMBER, troll11.txt. VERSIONS based on separate sources get new LETTER, troll10a.txt. This etext was created by Judith Boss, Omaha, Nebraska. The equipment: an IBM-compatible 486/50, a Hewlett-Packard ScanJet IIc flatbed scanner, and Calera Recognition Systems' M/600 Series Professional OCR software and RISC accelerator board donated by Calera Recognition Systems. We are now trying to release all our books one month in advance of the official release dates, for time for better editing. Please note: neither this list nor its contents are final till midnight of the last day of the month of any such announcement.
    [Show full text]
  • Front Matter
    Cambridge University Press 052182110X - The Cambridge Companion to Willa Cather Edited by Marilee Lindemann Frontmatter More information The Cambridge Companion to Willa Cather The Cambridge Companion to Willa Cather offers thirteen original essays by leading scholars of a major American novelist. Willa Cather’s luminous prose is ‘easy’ to read yet surprisingly difficult to understand. The essays col- lected here are theoretically informed but accessibly written and cover the full range of Cather’s career, including most of her twelve novels and several of her short stories. The essays situate Cather’s work in a broad range of critical, cultural, and literary contexts, and the introduction explores current trends in Cather scholarship as well as the author’s place in contemporary culture. With a detailed chronology and a guide to further reading, the volume offers students and teachers a fresh and thorough sense of the author of My Antonia´ , The Professor’s House, and Death Comes for the Archbishop. © Cambridge University Press www.cambridge.org Cambridge University Press 052182110X - The Cambridge Companion to Willa Cather Edited by Marilee Lindemann Frontmatter More information THE CAMBRIDGE COMPANION TO WILLA CATHER EDITED BY MARILEE LINDEMANN © Cambridge University Press www.cambridge.org Cambridge University Press 052182110X - The Cambridge Companion to Willa Cather Edited by Marilee Lindemann Frontmatter More information cambridge university press Cambridge, New York, Melbourne, Madrid, Cape Town, Singapore, Sao˜ Paulo Cambridge University Press The Edinburgh Building, Cambridge cb2 2ru,UK Published in the United States of America by Cambridge University Press, New York www.cambridge.org Information on this title: www.cambridge.org/9780521527934 C Cambridge University Press 2005 This book is in copyright.
    [Show full text]
  • Willa Cather Pioneer Memorial Newsletter VOLUME XXXV, No
    Copyright © 1992 by the Wills Cather Pioneer ISSN 0197-663X Memorial and.Educational Foundation Winter, 1991-92 Willa Cather Pioneer Memorial Newsletter VOLUME XXXV, No. 4 Bibliographical Issue RED CLOUD, NEBRASKA Jim Farmer’s photo of the Hanover Bank and Trust in Johnstown, Nebraska, communicates the ambience of the historic town serving as winter locale for the Hallmark Hall of Fame/Lorimar version of O Pioneers.l, starring Jessica Lange. The CBS telecast is scheduled for Sunday 2 February at 8:00 p.m. |CST). A special screening of this Craig Anderson production previewed in Red Cloud on 18 January with Mr. Anderson as special guest. Board News Works on Cather 1990-1991" A Bibliographical Essay THE WCPM BOARD OF GOVERNORS VOTED UNANIMOUSLY AT THE ANNUAL SEPTEMBER Virgil Albertini MEETING TO ACCEPT THE RED CLOUD OPERA Northwest Missouri State University HOUSE AS A GIFT FROM OWNER FRANK MOR- The outpouring of criticism and scholarship on HART OF HASTINGS, NEBRASKA. The Board ac- Willa Cather definitely continues and shows signs of cepted this gift with the intention of restoring the increasing each year. In 1989-1990, fifty-four second floor auditorium to its former condition and articles, including the first six discussed below, and the significance it enjoyed in the late 1800s and early 1900s. Among the actresses who appeared on five books were devoted to Cather. In 1990-91, the its stage was Miss Willa Cather, who starred here as number increased to sixty-five articles, including the Merchant Father in a production of Beauty and those in four collections, and eight books.
    [Show full text]
  • Review of Youth and the Bright Medusa by Willa Cather Mark A
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Great Plains Quarterly Great Plains Studies, Center for Spring 2010 Review of Youth and the Bright Medusa by Willa Cather Mark A. Robison Union College Follow this and additional works at: http://digitalcommons.unl.edu/greatplainsquarterly Part of the American Studies Commons, Cultural History Commons, and the United States History Commons Robison, Mark A., "Review of Youth and the Bright Medusa by Willa Cather" (2010). Great Plains Quarterly. 2583. http://digitalcommons.unl.edu/greatplainsquarterly/2583 This Article is brought to you for free and open access by the Great Plains Studies, Center for at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Great Plains Quarterly by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. 238 GREAT PLAINS QUARTERLY, SUMMER 2010 a Nebraska homesteader agonizingly recon­ nects with Boston's music scene; a deceased sculptor is returned to his barren Kansas hometown; a consumptive diva combats isola­ tion on Wyoming's High Plains. Cather's col­ lection, with its celebration of urban settings and unflattering portrayals of Plains life, seems almost to abandon admiration of western land­ scapes. The Willa Cather Scholary Edition of Youth and the Bright Medusa published by the University of Nebraska Press furnishes Cather's stories with a richly complex background that deepens readings of issues such as the author's geographical leanings. Mark J. Madigan's suc­ cinctly informative historical essay discusses sources and character prototypes for the eight stories and surveys original publication process and public reception. Numerous photographs and illustrations acquaint readers with places and people associated with the stories while Youth and the Bright Medusa.
    [Show full text]
  • Children's Literature
    BLACK HISTORY & LITERATURE WOMEN LITERATURE EARLY 2020 ONLINE CATALOGUE CHILDREN’S LITERATURE AMERICANA ART & ARCHITECTURE SCIENCE & MEDICINE ECONOMICS HISTORY, PHILOSOPHY & RELIGION TRAVEL & EXPLORATION PASTIMES Black History & Literature 2 ©2020 Bauman Rare Books www.baumanrarebooks.com 1-800-97-BAUMAN (1-800-972-2862) B B L “The First American Martyr To The A A Freedom Of The Press, And The Freedom U C Of The Slave” (John Quincy Adams) M K A (LOVEJOY, Elijah P.) LOVEJOY, Joseph C. and Owen. Memoir of the Rev. N H Elijah P. Lovejoy; Who Was Murdered in Defence of the Liberty of the I Press, At Alton, Illinois, Nov. 7, 1837. With an Introduction by John R S Quincy Adams. New York, 1838. Octavo, original gray cloth. $3200. A T R View on Website O E R First edition of the publisher and editor’s memoir, issued the year after his Y murder, only two years after he denounced the lynching by fire of a free B black man, as an act of “savage barbarity,” a seminal record of key event in O & America’s abolitionist battle and the history of the First Amendment. O K Elijah Lovejoy, who was born in Maine, began publishing the abolitionist Observer after L S he moved to St. Louis. When, in 1836, a mob dragged Francis McIntosh, a free black I man accused of murder, from the St. Louis jail and set him on fire, killing him, “Lovejoy’s T Observer described the lynching by fire as an ‘awful murder and savage barbarity’… [and] • E attacked Judge Luke Lawless” (St.
    [Show full text]
  • Money in the Fiction of Willa Cather Vincent A
    Loma Linda University TheScholarsRepository@LLU: Digital Archive of Research, Scholarship & Creative Works Loma Linda University Electronic Theses, Dissertations & Projects 7-1974 Money in the Fiction of Willa Cather Vincent A. Clark Follow this and additional works at: https://scholarsrepository.llu.edu/etd Part of the Fiction Commons, and the Literature in English, North America Commons Recommended Citation Clark, Vincent A., "Money in the Fiction of Willa Cather" (1974). Loma Linda University Electronic Theses, Dissertations & Projects. 554. https://scholarsrepository.llu.edu/etd/554 This Thesis is brought to you for free and open access by TheScholarsRepository@LLU: Digital Archive of Research, Scholarship & Creative Works. It has been accepted for inclusion in Loma Linda University Electronic Theses, Dissertations & Projects by an authorized administrator of TheScholarsRepository@LLU: Digital Archive of Research, Scholarship & Creative Works. For more information, please contact scholarsrepository@llu.edu. I,OMA LINDA UNIVERSITY Graduate School MONEY IN THE FICTION O'F WILL..~ CATHER by Vincent A. Clark ------·--- A Thesis in Partial Fulfillment Master of Arts in the Field of English .July 1974 Each person whose signature appears below certifies that this thesis in his opinion thesis for the degree Master of Arts. ;). ~~Delmar I. Davis, i)~cU'""""""-)~t-J.--"------Professor of _LvlJr IT". U~ -·--· -- Robert Pg Dunn 1 Associate Professor of English CONTENTS ., .L. Introduction 1 2. Money in the Life of Willa Cather 8 3. The Early Books . 16 4. The Pioneer Triumphant • . 25 5. Mammon and the Modern World 40 6. The Days That Are No More . 71 7. Conclusion: Money in the Fiction of Willa Cather .• 80 Notes ...
    [Show full text]
  • Newsletter & Review
    NEWSLETTER & REVIEW Volume 59 z No. 2 Fall z Winter 2016 “Intrigued by the Cubist” Cather in translation Paul’s Pittsburgh: Inside “Denny & Carson’s” Willa Cather NEWSLETTER & REVIEW Volume 59 z No. 2 | Fall z Winter 2016 2 9 13 20 CONTENTS 1 Letters from the Executive Director and the President 13 Religiosa, Provinciale, Modernista: The Early Reception of Willa Cather in Italy 2 “Intrigued by the Cubist”: Cather, Sergeant, and Caterina Bernardini Auguste Chabaud Diane Prenatt 20 Willa Cather and Her Works in Romania Monica Manolachi 9 News from the Pittsburgh Seminar: Inside “Denny & Carson’s” 26 “Steel of Damascus”: Iron, Steel, and Marian Forrester Timothy Bintrim and James A. Jaap Emily J. Rau On the cover: Le Laboureur (The Plowman), Auguste Chabaud, 1912. Letter from collection of Cather materials. Plans took shape for a classroom, the Executive Director library, and study center to accommodate scholarly research and Ashley Olson educational programs. We made plans for an expanded bookstore, performer greenroom, and dressing rooms to enhance our Red Cloud Opera House. Our aspirations to create an interpretive Nine years ago this month, I came home to Red Cloud and museum exhibit were brought to life. And, in the midst of it all, interviewed for a position at the Willa Cather Foundation. I supporters near and far affirmed their belief in the project by listened attentively as executive director Betty Kort addressed making investments, both large and small. plans for the future. Among many things, she spoke of a Nine years later, the National Willa Cather Center is nearly historic downtown building known as the Moon Block.
    [Show full text]