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Willa Cather and American Arts Communities
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, and Student Research: Department of English English, Department of 8-2004 At the Edge of the Circle: Willa Cather and American Arts Communities Andrew W. Jewell University of Nebraska - Lincoln Follow this and additional works at: https://digitalcommons.unl.edu/englishdiss Part of the English Language and Literature Commons Jewell, Andrew W., "At the Edge of the Circle: Willa Cather and American Arts Communities" (2004). Dissertations, Theses, and Student Research: Department of English. 15. https://digitalcommons.unl.edu/englishdiss/15 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, and Student Research: Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. AT THE EDGE OF THE CIRCLE: WILLA CATHER AND AMERICAN ARTS COMMUNITIES by Andrew W. Jewel1 A DISSERTATION Presented to the Faculty of The Graduate College at the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Philosophy Major: English Under the Supervision of Professor Susan J. Rosowski Lincoln, Nebraska August, 2004 DISSERTATION TITLE 1ather and Ameri.can Arts Communities Andrew W. Jewel 1 SUPERVISORY COMMITTEE: Approved Date Susan J. Rosowski Typed Name f7 Signature Kenneth M. Price Typed Name Signature Susan Be1 asco Typed Name Typed Nnme -- Signature Typed Nnme Signature Typed Name GRADUATE COLLEGE AT THE EDGE OF THE CIRCLE: WILLA CATHER AND AMERICAN ARTS COMMUNITIES Andrew Wade Jewell, Ph.D. University of Nebraska, 2004 Adviser: Susan J. -
Literary Criticism and Cultural Theory
Literary Criticism and Cultural Theory Edited by William E. Cain Professor of English Wellesley College A Routledge Series 94992-Humphries 1_24.indd 1 1/25/2006 4:42:08 PM Literary Criticism and Cultural Theory William E. Cain, General Editor Vital Contact Negotiating Copyright Downclassing Journeys in American Literature Authorship and the Discourse of from Herman Melville to Richard Wright Literary Property Rights in Patrick Chura Nineteenth-Century America Martin T. Buinicki Cosmopolitan Fictions Ethics, Politics, and Global Change in the “Foreign Bodies” Works of Kazuo Ishiguro, Michael Ondaatje, Trauma, Corporeality, and Textuality in Jamaica Kincaid, and J. M. Coetzee Contemporary American Culture Katherine Stanton Laura Di Prete Outsider Citizens Overheard Voices The Remaking of Postwar Identity in Wright, Address and Subjectivity in Postmodern Beauvoir, and Baldwin American Poetry Sarah Relyea Ann Keniston An Ethics of Becoming Museum Mediations Configurations of Feminine Subjectivity in Jane Reframing Ekphrasis in Contemporary Austen, Charlotte Brontë, and George Eliot American Poetry Sonjeong Cho Barbara K. Fischer Narrative Desire and Historical The Politics of Melancholy from Reparations Spenser to Milton A. S. Byatt, Ian McEwan, Salman Rushdie Adam H. Kitzes Tim S. Gauthier Urban Revelations Nihilism and the Sublime Postmodern Images of Ruin in the American City, The (Hi)Story of a Difficult Relationship from 1790–1860 Romanticism to Postmodernism Donald J. McNutt Will Slocombe Postmodernism and Its Others Depression Glass The Fiction of Ishmael Reed, Kathy Acker, Documentary Photography and the Medium and Don DeLillo of the Camera Eye in Charles Reznikoff, Jeffrey Ebbesen George Oppen, and William Carlos Williams Monique Claire Vescia Different Dispatches Journalism in American Modernist Prose Fatal News David T. -
Troll Garden and Selected Stories
Troll Garden and Selected Stories Willa Cather The Project Gutenberg Etext of The Troll Garden and Selected Stories, by Willa Cather. Copyright laws are changing all over the world, be sure to check the copyright laws for your country before posting these files! Please take a look at the important information in this header. We encourage you to keep this file on your own disk, keeping an electronic path open for the next readers. Do not remove this. **Welcome To The World of Free Plain Vanilla Electronic Texts** **Etexts Readable By Both Humans and By Computers, Since 1971** *These Etexts Prepared By Hundreds of Volunteers and Donations* Information on contacting Project Gutenberg to get Etexts, and further information is included below. We need your donations. The Troll Garden and Selected Stories by Willa Cather. October, 1995 [Etext #346] The Project Gutenberg Etext of The Troll Garden and Selected Stories, by Willa Cather. *****This file should be named troll10.txt or troll10.zip****** Corrected EDITIONS of our etexts get a new NUMBER, troll11.txt. VERSIONS based on separate sources get new LETTER, troll10a.txt. This etext was created by Judith Boss, Omaha, Nebraska. The equipment: an IBM-compatible 486/50, a Hewlett-Packard ScanJet IIc flatbed scanner, and Calera Recognition Systems' M/600 Series Professional OCR software and RISC accelerator board donated by Calera Recognition Systems. We are now trying to release all our books one month in advance of the official release dates, for time for better editing. Please note: neither this list nor its contents are final till midnight of the last day of the month of any such announcement. -
3122298.PDF (5.565Mb)
UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE ANTIMODERN STRATEGIES: AMBIVALENCE, ACCOMMODATION, AND PROTEST IN WILLA CATHER’S THE TROLL GARDEN A Dissertation SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the degree of Doctor of Philosophy By STEPHANIE STRINGER GROSS Norman, Oklahoma 2004 UMI Number: 3122298 INFORMATION TO USERS The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleed-through, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. UMI UMI Microform 3122298 Copyright 2004 by ProQuest Information and Learning Company. All rights reserved. This microform edition is protected against unauthorized copying under Title 17, United States Code. ProQuest Information and Learning Company 300 North Zeeb Road P.O. Box 1346 Ann Arbor, Ml 48106-1346 ©Copyright by STEPHANIE STRINGER GROSS 2004 All Rights Reserved. ANTIMODERN STRATEGIES: AMBIVALENCE, ACCOMMODATION, AND PROTEST IN WILLA CATHER’S THE TROLL GARDEN A Dissertation APPROVED FOR THE DEPARTMENT OF ENGLISH Dr. Ronald Schleifer, Director Dr. William HenrYiMcDonald )r. Francesca Savraya Dr. Melissa/I. Homestead Dr. Robert Griswold ACKNOWLEDGMENTS This project would never have been completed without the many hours of discussions with members of my committee, Professors Henry McDonald, Melissa Homestead, Francesca Sawaya, and Robert Griswold, and especially Professor Ronald Schleifer, and their patience with various interminable drafts. -
Xerox University Microfilms 300 North Zeeb Road Ann Arbor, Michigan 48106 75-6540 MOSELEY, Ann, 1947- the VOYAGE PERILOUS : WILLA CATHER' S MYTHIC QUEST
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1. The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
A Special Issue of Six Cather Essays
Breaking the Shackles: A Special Issue of Six Cather Essays Preface In a recent (8 January 2007) New Conference Symposium held in Red Cloud Yorker essay ("Die Weltliteratur"), Czech- last June. Ryder explores the implications for born novelist and essayist Milan Kundera reading O Pioneers.t of the epigraph Cather complains that literary study, unlike musical. selected fromAdam Mickiewicz’s Polish is almost universally confined to the small national epic Pan Tadeusz. Similarly, in a context, the history of its particular nation. symposium presentation on Classical allusions rather than to the large context (his italics), in The Professor’s House, Theresa Levy and "the supranational history of its art" (29). He Scan Lake claim that even in her treatment of distinguishes the provincialism of larger and the Anasazi culture in the Southwest, Cather smaller nations: in the larger, it stems from sought the larger-context of-ancient European arrogant indifference because the national and Near Eastern cultures. Catherine Morley’S literature is sufficiently rich; in the smaller, a symposium contribution is a stimt~lating call sense of inferiority because the large context to. expand Cather studiesfrom small national seems "alien, a sky above their heads, distant, or provincial concerns in order to consider inaccessible .... To set his gaze beyond a writer "profoundly influenced by the great the boundary of the homeland, to join his European tradition" as a modernist sharing colleagues in the supranational territory of company with Joyce. Pound. and Eliot. art, [the writer] is considered pretentious. The three papers on Shadows on the Rock, disdainful of his own people" (30). -
Volunteers Make the Difference!
Volunteers Make the Difference! Betty Kort, Executive Director Volunteering is a strong tradition in the Red Cloud Spring Conference banquet and are recognized for their services community. The local volunteers who support the Red Cloud at that time. The quotation placed on the wall plaque impressively Opera House are among the most acknowledges the importance of precious resources the Cather Miriam Mountford First Volunteer Award volunteers. Foundation has. From the re-opening Each year in September the of the restored Opera House in the Aside from the founders of the WCPM, Miriam Mounfford was Cather Foundation and the Red Cloud the organization’s first volunteer. With Mildred Bennett she Opera House Board of Directors spring of 2003, which boasted over devised the first guided tours of Red Cloud and Catherland; was 100 volunteers, until the present, the first editor of the Cather newsletter; and as first President of host a volunteer picnic to thank the they have made themselves available the board of Governors after Mrs. Bennett, demonstrated that volunteers. This year the volunteers seven days a week at all hours. The this home-grown endeavor could have a continuing worldwide enjoyed an indoor picnic and the Opera House now has a list of sixty influence beyond the direct influence of the founders. The Board of Governors established this award in her memory to recognize movie Calendar Girls, shown on the or more volunteers who can be called individuals whose volunteer service is deemed to be outstanding, big screen in the Red Cloud Opera upon to do a variety of tasks--one and as a perpetual tribute to all those whose selfless service is the House Auditorium. -
Doctor of Philosophy
THE IMMIGRANT WOMEN IN THE FICTION OF WILLA CATHER THESIS SUBMITTED TO GOA UNIVERSITY FOR THE AWARD OF DOCTOR OF PHILOSOPHY IN ENGLISH BY ROSY L. MENEZES Under the guidance of / e/ Dr. F. A. FERNANDES ,/ FORMER DIRECTOR )•e UGC-ACADEMIC STATE COLLEGE GOA UNIVERSITY e cys\-c- 11- e, b- z TALEIGAO PLATEAU 41/ MRRCH 2-00 8 ,3)9 (0011')' CERTIFICATE As per the Goa University Ordinance, I certify that the thesis is a record of research work done by the candidate herself during the period of study under my guidance and that it has not previously formed the basis for the award of any degree or diploma in the Goa University or elsewhere. j„,ylf-A.i..- Dr. F. A. Fernandes (Research Guide) cfs Former Director Academic Staff College Goa University. M axc k 200 g DECLARATION I, the undersigned, hereby declare that the Thesis entitled, "The Immigrant Women in the Fiction of Willa Cather" has been written exclusively by me and that no part of this thesis has been submitted earlier for any award of this University or any other University. Et' N'N 0, I M a Y c,h 2oog /Sint. Rosy L. Menezes /Department of English Goa University Taleigao Plateau ACKNOWLEDGMENT First and foremost I would like to express here my infinite gratitude to the Almighty for His blessings from above. I would like to express my deepest gratitude, first of all to my research guide, Dr. F. A. Fernandes. This thesis germinated in a conversation with him several years ago. He beacon me to the completion of this thesis patiently and consistently. -
THE FRENCH INFLUENCE on WILLA CATHER by FREDERICK M. GERVAT a Thesis Submitted to the Faculty of the Graduate School of the C
THE FRENCH INFLUENCE ON WILLA CATHER BY FREDERICK M. GERVAT■ A Thesis Submitted to the Faculty of the Graduate School of the Creighton University in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the Department of English. Omaha, 1961; Thesis Approved TABLE OF CONTENTS Chapter Page INTRODUCTION..................................................... 1 PART ONE: DIRECT EVIDENCE........................................ 3 1. THE INFLUENCE OF THE F R E N C H A R T S ...................... 3 2. THE INFLUENCE OF THE PERSONAL QUALITIES OF THE FRENCH ................................................ 19 3. THE INFLUENCE OF THE FRENCH LANGUAGE. ........ 3k U. FRENCH FOOD AND COOKING: THEIR INFLUENCE.................. 38 5. THE EVIDENCE IN THE EUROPEAN ARTICLES ..................... kk 6. INCIDENTAL EVIDENCE........................................... 53 ' PART TWO: INDIRECT EVIDENCE ........................................ 59 7. BIOGRAPHIES.............. 59 8. HARD PUNISHMENTS................... ..... .............. 61 9. CONCLUSION...................................... 6k BIBLIOGRAPHY....................................................... 66 1 INTRODUCTION All writers, great and poor, have been influenced by- forces outside themselves. This is only natural, because no man, least of all a writer, lives in a vacuum. He must be influenced to some degree by the sights, sounds and people that surround him from day to day. These influences may take the form of places or events; or they may take the form of other people, or of even another culture. So it is with Willa Cather. I propose to examine her published work in order to ascertain to what extent, if any, French cultural influences, in their various forms, entered into the spirit and the letter of her work. I propose to investigate the possibility of this influence in two ways: directly, by what she says, either in her own person, or through the mouth of one of her characters; and indirectly, by what others say about her. -
A Study of Themes and Sources in Willa Cather's the Troll Garden and My Mortal Enemy
THE GODS IN EXILE: A STUDY OF THEMES AND SOURCES IN WlLLA CATHER'S THE TROLL GARDEN AND MY MORTAL ENEMY Barbara Wild B.A., McGill University, 1950 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS in the Department of Engl ish @ Barbara Wild 1980 SIMON FRASER UNIVERSITY November 1980 All rights reserved. This thesis may not be reproduced in whole or in part, by photocopy or other means, without permission of the author. APPROVAL Name : Barbara Mary Wi 1d Degree: Master of Arts Title of Thesis: The Gods in Exile: A Study of Themes and Sources in Willa Cather's The Troll Garden and My Mortal Enemy f 4.( ,r .-._ Examining Committee: Chairperson: Professor Paul Del any , David Stouck Senior Supervisor Peter Bui tenhuis Andrea Lebowi tz Jine Rule External Exami ner Novelist and Literary Cr , , - (7(/ Date Approved: ' ILL 0 I I /-L. I PARTIAL COPYRIGHT LICENSE I hereby grant to Simon Fraser University the right to lend my thesis, project or extended essay (the title of which is shown below) to users of the Simon Fraser University Library, and to make partial or single copies only for such users or in response to a request from the library of any other university, or other educational institution, on its own behalf or for one of its users. I further agree that permission for multiple copying of this work for scholarly purposes may be granted by me or the Dean of Graduate Studies. It is understood that copying or publication of this work for financial gain shall not be allowed without my written permission. -
Sources of Inspiration in Willa Cather's Work
UNIVERZITA PARDUBICE FAKULTA FILOZOFICKÁ DIPLOMOVÁ PRÁCE Sources of Inspiration in Willa Cather’s Work 2008 Kristýna VONDRUŠKOVÁ University of Pardubice Faculty of Arts and Philosophy Sources of Inspiration in Willa Cather’s Work Kristýna Vondrušková Thesis 2008 ABSTRACT This thesis examines the sources of inspiration that were used by Willa Cather in her fiction. At the beginning, the main sources of inspiration will be established from an overall perspective. After the individual sources of inspiration are analyzed, the thesis will provide analysis of the use of these sources by comparing their importance in four novels: My Ántonia, Death Comes for the Archbishop, Shadows on the Rock and Sapphira and the Slave Girl. The paper will conclude by determining whether some of these influences have a stronger presence in Cather’s work than others and, if so, what this implies. Key words: Willa Cather, sources of inspiration, literary and non-literary influences, My Ántonia, Death Comes for the Archbishop, Shadows on the Rock, Sapphira and the Slave Girl SOUHRN Hlavním účelem této práce je prozkoumání zdrojů inspirace, které ve svých dílech používala Willa Cather. Nejprve budou z obecného hlediska určeny hlavní zdroje inspirace. Po prozkoumání jednotlivých zdrojů inspirace, následuje úplná analýza použitých zdrojů porovnáním jejich důležitosti ve čtyřech dílech: My Ántonia, Death Comes for the Archbishop, Shadows on the Rock a Sapphira and the Slave Girl. Na závěr se tato práce pokusí určit, zda je jeden z těchto vlivů silnější než ostatní a pokud ano, který je nejdůležitější v dílech Willy Cather. Klíčová slova: Willa Cather, zdroje inspirace, literární a neliterární vlivy, My Ántonia, Death Comes for the Archbishop, Shadows on the Rock, Sapphira and the Slave Girl TABLE OF CONTENTS 1. -
A Catalogue Raisonné Polly P
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Dissertations, Theses, and Student Research: English, Department of Department of English 5-1993 Paintings and Drawings in Willa Cather's Prose: A Catalogue Raisonné Polly P. Duryea University of Nebraska-Lincoln Follow this and additional works at: http://digitalcommons.unl.edu/englishdiss Part of the American Art and Architecture Commons, American Literature Commons, Illustration Commons, Interdisciplinary Arts and Media Commons, Modern Literature Commons, Other American Studies Commons, Other History of Art, Architecture, and Archaeology Commons, and the Women's Studies Commons Duryea, Polly P., "Paintings and Drawings in Willa Cather's Prose: A Catalogue Raisonné" (1993). Dissertations, Theses, and Student Research: Department of English. 93. http://digitalcommons.unl.edu/englishdiss/93 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Dissertations, Theses, and Student Research: Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. PAINTINGS AND DRAWINGS IN WILLA CATHER'S PROSE A CATALOGUE RAISONNE' by Polly P. Duryea A DISSERTATION Presented to the Faculty of The Graduate College in the University of Nebraska In Partial Fulfillment of Requirements For the Degree of Doctor of Philosophy Major: English Under the Supervision of Professor Susan J. Rosowski Lincoln, Nebraska May 1993 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. DISSERTATION TITLE PAINTINGS AND DRAWINGS IN WILLA CATHER'S PROSE A CATALOGUE RAISONNE BY Polly Patricia Duryea SUPERVISORY COMMITTEE: r\ APPROVED DATE Sig! nr iffa Susan J.