Newsletter & Review

Total Page:16

File Type:pdf, Size:1020Kb

Newsletter & Review Willa Cather NEWSLETTER & REVIEW VOLUME 54, NO. 1 SUMMER 2010 “Spirit of Place” Cather at Bowdoin, 1925 Shadows on the Rock: ’Toinette and les filles du roi Scenes from the 2010 Spring Conference Preserving Our Past, Pioneering Our Future Willa Cather NEWSLETTER & REVIEW VOLUME 54, NO. 1 SUMMER 2010 4 12 14 16 27 4 The Genius Revisited: 22 Remembrances: Willa Cather and Chuck Mignon and Linda Ross Spirit of Place Guy Reynolds and Robert Thacker Joseph C. Murphy 12 Scenes from the 55th Annual 24 Preserving Our Past, Willa Cather Spring Conference Pioneering Our Future “Miss Cather Talks on Technique” John Murphy Delivers Santa Fe 14 Fredric “Fritz” Klees 25 400th Anniversary Lecture on Cather 16 Les filles du roi 27 Family Bequest Continues and Female Destinations Cather Legacy in Shadows on the Rock Jacqueline H. Harris Prairie photographs by Barb Kudrna WILLA CATHER NEWSLETTER & REVIEW / SUMMER 2010 2 Willa Cather Letter from the President NEWSLETTER & REVIEW Jay Yost The fun at the Cather Foundation just keeps comin’. promoting the life, times, settings and After hosting in rapid succession a very successful Prairie work of Willa Cather. Writers’ Workshop (our third), an amazingly wonderful Specifically, these added funds will Spring Conference celebrating “Food, Drink and Willa be used to expand the work we are doing Cather’s Writing” (our 55th), and a thoroughly appreciated with the Foundation’s Cather Archives Elderhostel/Road Scholar week in Red Cloud (also our in Red Cloud, and to redouble our third), the Foundation’s Board and the staff decided we just efforts to get school kids in the region can’t sit on our laurels. and throughout Nebraska reading Cather and then coming So our new endeavor to move the Foundation forward is to her hometown to see those stories brought to life. There our aptly named campaign: The Willa Cather Foundation: is no greater work we can do than to act as a steward to the 12 Preserving our Past, Pioneering our Future. As noted objects entrusted to us, while also ensuring a new generation below and described on page 24, we are gathering several of readers has the opportunity to love Cather’s words and challenge grants from Foundation supporters which will works as we do. need to be matched by the end of this year. The goal is to So on we go, upward and onward, with the help of your raise our annual giving base by at least $60,000 to enable support. And with that, let me introduce the talented and us to get even more serious about fulfilling our mission of lovely Judy Keller. 27 May We Get Personal? Judy Keller It is not often I have the honor to share the President’s She reassured me that changing place, page. I especially appreciate the opportunity to let the Cather being among strangers, being “out Foundation’s friends and scholars know how much I look West,” having mixed feelings, were all forward to working with you to enhance the Foundation’s good things and that I would adjust. important work. Her wise counsel helped me select my As your development consultant, I ask you to read on first job: building a community radio page 24 about the special challenge at the heart of a new station from scratch on the central High campaign: The Willa Cather Foundation: Preserving our Plains. She certainly encouraged me to Past, Pioneering our Future. It is an opportunity that keep reading about strong characters, smart women and the can’t be missed. American rural experience. She proved to me that a good When I was in eighth grade my mother gave me a worn book is better than indifferent company and there’s nothing copy of My Ántonia. We had recently abandoned the East wrong with staying home on a Saturday night. Coast for a small town in Colorado, much to the chagrin of Recently I gave my eighth-grade daughter a copy of My fancy relatives and colleagues. Ántonia. Cather’s legacy is a wonderful gift both to receive As a teenager, I was sure my mother was wrong about and to share. most things, and her moving West was clearly one of those I thank the Foundation for keeping Cather’s gifts alive things. Young and without friends in a new, small town, I and I look forward to sharing them widely in the coming Prairie photographs by Barb Kudrna discovered the world of Willa Cather at the local library. months. WILLA CATHER NEWSLETTER & REVIEW / SUMMER 2010 www.willacather.org 3 The Genius Revisited: Willa Cather and Spirit of Place Joseph C. Murphy Fu Jen Catholic University, Taipei lexandra’s epiphanic return to the Divide from a with authorial genius, reframes some major interpretive tour of the river country in O Pioneers! (1913) problems in O Pioneers! and situates Cather’s isA widely considered the novel’s decisive passage, not Southwestern novels as avatars of the genius’s progress only for the heroine’s relationship to the prairie, but for in that region, where a community of modernists Cather’s as well. As “[h]er eyes [drink] in the breadth pursued “spirit of place” in relation to American Indian of” the land, “rich and strong and glorious,” Alexandra cultures. The development of genius loci in literary forges a reciprocal bond with place paralleling Cather’s history and in Cather’s oeuvre sharply illuminates her first novelistic embrace of Nebraska: “Then the Genius understanding of place, history, and literature itself. of the Divide, the great, free spirit which breathes The flexible genius concept that emerged in ancient across it, must have bent lower than it ever bent to a Roman culture has ramified throughout the Western tra- human will before. The history of every country begins dition. The Romans believed each person has an exter- in the heart of a man or a woman” (64). Critics have not nal soul, or genius, a second self that accompanies him fully contextualized the topos unifying these fictional through life. (To be precise, each person is guarded by and metafictional strains: the ancient Roman concept two genii—one good, one evil.) Genii were attached to of genius loci, certainly familiar to the Latinist Cather, certain places as well—the genius of a river or village, whereby a tutelary spirit presides over a particular for example—and peaceful dwelling required an alli- landscape.1 The genius loci device, which evolved ance between one’s personal genii and the genius loci. through the Western tradition toward an association The Romans also associated each paterfamilias, in his WILLA CATHER NEWSLETTER & REVIEW / SUMMER 2010 4 reproductive power, with a genius connected to the uni- role[,] . poetry renews itself by its contact with what versal Genius of generation. From early on, then, genius may seem to be archaic forces” (335). For Cather, first could be personal or supra-personal, local or universal alienated by Nebraska’s bleakness and later its materi- (Lewis 169-70). Each successive age has managed to alism, the Genius of the Divide was a bid for literary conjure the genii it needed. The Christian Middle Ages renewal—for literary genius—not an allegorical prop favored Genius as universal generative force (170). The but a typological structure, a key to her fictional design. Renaissance entertained, at turns, the universal spirit, Throughout her work Cather articulates, in modernist private spirits, and genii attached to local topography forms, the dialectical relationships among cultures, his- (Starnes). Beginning in the eighteenth century genius tories, and geographies that constitute the spirits of her loci was increasingly associated with picturesque aes- landscapes. thetics. Alexander Pope admonished landscape design- From early on Cather understood genius loci as a ers to “Consult the Genius of the Place in all” (“Epistle principle of cultural fusion reflecting the progress of to Burlington” 57), and the British Romantics persis- civilization from East to West. In “Behind the Singer tently courted the device, eyeing a marriage between Tower” (1912), a skyscraper mixing “Jewish,” “Per- the genius of poetry, typically imported from the East, sian,” and Buddhist effects “watch[es] over the city and and the spirit of the English landscape. In The Prelude the harbor like a presiding Genius. come out of Asia Wordsworth swears off genii as personified allegorical quietly in the night, no one knew just when or how” figures and seeks an enlightened consensus between the (16). To the theology student Norman Girrard in “The common English countryside and his poetic genius as Conversion of Sum Loo” (1900), the odors of a San such (Hartman 328-30). As John Dixon Hunt has ar- Francisco Chinese import store evoke “whole Orient gued, the “imaginative liaison between genius loci and landscapes, as though the ghosts of old-world cities had an artistic genius encountering it” is “as much the actu- been sealed up in the boxes, like the djin in the Ara- al subject [of romantic poetry] as the original landscape bian bottle” (4)—this last simile reflecting a common itself”; “a landscape is given voice at the same time as confusion in Western literature between the Roman ge- we learn how it possesses meaning” (238-39). nius and the proverbial Arab trickster. In “Paul’s Case” Hunt sees the Romantics’ engagement with genius (1905) Cather fuses personal genius, local genius, and culminating in the work of John Ruskin, Cather’s early Arab genie in her description of Paul’s flight of fancy intellectual hero, whose chapter “On Turnerian Topog- at Pittsburgh’s Carnegie Hall, where “the first sigh of raphy” in Modern Painters defines “spirit of place” as the instruments seemed to free some hilarious spirit the artist’s imaginative encapsulation of historical and within him, something that struggled there like the Ge- cultural experience into highly compressed landscape nius in the bottle found by the Arab fisherman” (75).
Recommended publications
  • BALOO's BUGLE Volume 14, Number 12 "Make No Small Plans
    BALOO'S BUGLE Volume 14, Number 12 "Make no small plans. They have no magic to stir men's blood and probably will not themselves be realized." D. Burnham July 2008 Cub Scout Roundtable August 2008 Cub Scout Theme S'MORE SUMMER FUN Tiger Cub Activities Webelos Forester & Naturalist The Old Colony District of Southern NJ Council, my FOCUS district has attained the Chief’s Winner Circle for Cub Scout Roundtable Leaders’ Guide having a plus one in chartered units and more than plus The summer is not over yet! Let's have "S'More" summer one percent in registered youth membership compared fun in the outdoors this month. The weather is hot, but the to the registered youth membership of June 30 of one fun is cool as the Cub Scouts do all they can before school year ago. We actually registered a 2.2 % growth in starts in the Fall. Is a picnic, softball game, or hike through membership vs. last June 30. the forest part of your pack's plans?? Last week my Webelos Resident Camp was a roaring success. We had a >50% increase in Webelos from 40 to 65. And we were the first to use the brand new pool at Pine Hill Scout Reservation. Pretty soon we will be as famous as our gold course neighbor! We had two Bears from our pack that moved to Webelos June 1st for whom this was their first time away and they did great!! And my council has a new Scout Executive as of July 1, CORE VALUES 2008.
    [Show full text]
  • Willa Cather's Spirit Lives
    Willa Cather’s Spirit Lives On! October 19-20, 2018 A National Celebration of Willa Cather in Jaffrey, NH & the 100th Anniversary of My Ántonia Willa Cather, writing at the Shattuck Inn at the foot of Mt. Monadnock (left: photo taken by Edith Lewis), and standing by the tent where she wrote My Mt. Monadnock’s 3,165’ peak (above the Horsesheds in this photo of the 1775 Jaffrey Meeting- Antonia (right) house) has attracted writers and artists to Jaffrey for nearly two centuries. Come celebrate Cather in words, music, theater and food in the places and autumn mountain air she loved! First Church Melville Academy Museum Edith Lewis Jaffrey Civic Center Willa Cather’s gravestone Tickets are $75 * RESERVE EARLY * Only 140 tickets! Details at jaffreychamber.com Agenda: Friday evening, Oct. 19: Welcome Reception. The Cather My Ántonia Celebration will start in the red brick Jaffrey Civic Center. Saturday, Oct. 20: Saturday events will begin at the Meetinghouse followed by guided visits to three Ashley Olson Cather sites where young Project Shakespeare actors will enact passages from My Ántonia. • Tour sites will include the grave where Willa was buried in 1947 and where Edith Lewis was buried 25 years later; the Melville Academy Museum display on Willa and Edith; and the field where Willa wrote My Ántonia in a tent and also wrote One of Ours. • Following the tours, guests will enjoy a boxed lunch provided by the Shattuck Golf Club Grill. • After lunch, Ashley Olson and Tracy Tucker, directors of the Willa Cather Foundation, will give a presentation on My Ántonia at the 1775 Jaffrey Meetinghouse.
    [Show full text]
  • SSAWW-2021-Conference-Program-11-July-2021.Docx
    2021 SSAWW Conference Schedule (Draft 11 July 2021) WEDNESDAY, NOVEMBER 3 Conference Registration: 4:00-8:00 p.m., Regency THURSDAY, NOVEMBER 4 Registration: 6:30 a.m.-4:00 p.m., Regency Book exhibition: 8:15 a.m.-5:00 p.m., Brightons Mentoring Breakfast: 7:00 a.m.-8:15 a.m., Hamptons Thursday, 8:30-9:45 a.m. Session 1A, North Whitehall “Gothic Ecologies: Alcott, Her Contexts, and Contemporaries” Sponsored by the Louisa May Alcott Society Chair: Sandra Harbert Petrulionis, Pennsylvania State University, Altoona ● "Never Mind the Boys": Gothic Persuasions of Jane Goodwin Austin and Louisa May Alcott Kari Miller, Perimeter College at Georgia State University ● Wealth, Handicaps, and Jewels: Alcott's Gothic Tales of Dis-Possession Monika Elbert, Montclair State University ● Alcott in the Cadre of Scribbling Women: 'Realizing' the Female Gothic for Nineteenth Century American Periodicals Wendy Fall, Marquette University Session 1B, Guilford “Pedagogy and the Archives (Part I)” Chair: TBD ● Commonplace Book Practices and the Digital Archive Kirsten Paine, University of Pittsburgh ● Making Literary Artifacts and Exhibits as Acts of Scholarship Mollie Barnes, University of South Carolina Beaufort ● "My dearest sweet Anna": Transcribing Laura Curtis Bullard's Love Letters to Anna Dickinson and Zooming to the Library of Congress Denise Kohn, Baldwin Wallace University ● Nineteenth Century Science of Surgery as Cure for the Greatest Curse Sigrid Schönfelder, Universität Passau 1 - DRAFT: 11 July 2021 Session 1C, Westminster (Need AV) “Recovering Abolitionist Lives and Histories” Chair: Laura L. Mielke, University of Kansas ● Audubon's Black Sisters Brigitte Fielder, University of Wisconsin-Madison ● Recovery Work and the Case of Fanny Kemble's Journal of a Residence on a Georgia Plantation, 1838-39 Laura L.
    [Show full text]
  • REVIEW Volume 60 Z No
    REVIEW Volume 60 z No. 3 Winter 2018 My Ántonia at 100 Willa Cather REVIEW Volume 60 z No. 3 | Winter 2018 28 35 2 15 22 CONTENTS 1 Letters from the Executive Director, the President 20 Reading My Ántonia Gave My Life a New Roadmap and the Editor Nancy Selvaggio Picchi 2 Sharing Ántonia: A Granddaughter’s Purpose 22 My Grandmother—My Ántonia z Kent Pavelka Tracy Sanford Tucker z Daryl W. Palmer 23 Growing Up with My Ántonia z Fritz Mountford 10 Nebraska, France, Bohemia: “What a Little Circle Man’s My Ántonia, My Grandparents, and Me z Ashley Nolan Olson Experience Is” z Stéphanie Durrans 24 24 Reflection onMy Ántonia z Ann M. Ryan 10 Walking into My Ántonia . z Betty Kort 25 Red Cloud, Then and Now z Amy Springer 11 Talking Ántonia z Marilee Lindemann 26 Libby Larsen’s My Ántonia (2000) z Jane Dressler 12 Farms and Wilderness . and Family z Aisling McDermott 27 How I Met Willa Cather and Her My Ántonia z Petr Just 13 Cather in the Classroom z William Anderson 28 An Immigrant on Immigrants z Richard Norton Smith 14 Each Time, Something New to Love z Trish Schreiber 29 My Two Ántonias z Evelyn Funda 14 Our Reflections onMy Ántonia: A Family Perspective John Cather Ickis z Margaret Ickis Fernbacher 30 Pioneer Days in Webster County z Priscilla Hollingshead 15 Looking Back at My Ántonia z Sharon O’Brien 31 Growing Up in the World of Willa Cather z Kay Hunter Stahly 16 My Ántonia and the Power of Place z Jarrod McCartney 32 “Selah” z Kirsten Frazelle 17 My Ántonia, the Scholarly Edition, and Me z Kari A.
    [Show full text]
  • Margins, Centers and the Nebraskan Commonwealth
    University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Presentations, Talks, and Seminar Papers -- Department of English English, Department of March 2003 The Politics of Cather’s Regionalism: Margins, Centers and the Nebraskan Commonwealth Guy Reynolds University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/englishtalks Part of the English Language and Literature Commons Reynolds, Guy, "The Politics of Cather’s Regionalism: Margins, Centers and the Nebraskan Commonwealth" (2003). Presentations, Talks, and Seminar Papers -- Department of English. 1. https://digitalcommons.unl.edu/englishtalks/1 This Article is brought to you for free and open access by the English, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Presentations, Talks, and Seminar Papers -- Department of English by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Reynolds, The Politics of Cather’s Regionalism The Politics of Cather’s Regionalism: It features, of course, as this region often does in expatriate US writing: as everything you want to get away from. Here, the ‘dis‐ Margins, Centers and the Nebraskan quietingly cheerful horde’ represent a hideous uniformity, a col‐ Commonwealth lectivised national identity which seems both coarse and bland. This is, sadly, one of the main themes in the literary representa‐ tion of this particular region over the last century. In his useful Guy Reynolds study, The Middle West: Its Meaning in American Culture, Kansas geographer James Shortridge follows the rise and fall of the area’s Presented March 25, 2003, at the Plains Humanities Alliance Research & status in the national imagination.
    [Show full text]
  • An Association Copy of Note: Willa Cather's Copy of Aucassin & Nicolete
    An Association Copy of Note: Willa Cather’s copy of Aucassin & Nicolete From 1896 to 1906 the renown American writer and novelist, Willa Cather, resided in Pittsburgh, Pennsylvania. Twelve novels with now more or less familiar titles like O Pioneers! (1913), The Song of the Lark (1915), and Death comes for the Archbishop (1927) thrilled American readers. Long before her novels, however, there were more modest achievements such as her first and only book of poetry, April Twilights (1903), her first collection of short story fiction, The Troll Garden (1905) and her work as editor of Home Monthly, the magazine which brought her to Pittsburgh in the first place. In 1898 she began work at the Pittsburgh Daily Leader but then in 1901 she took a job teaching high school students in Pittsburgh. Teaching would not become her mainstay and by 1906 she was ready to move on to a job at McClure’s Magazine in New York City which eventually would lead to her becoming its managing editor. McClure’s was one of America’s most successful and popular literary magazines, and it was while in New York that Cather would meet her lifelong companion, Edith Lewis. But wait, we’re getting a bit ahead of ourselves. It’s those Pittsburgh years that are of the most direct concern for this brief essay. Willa Cather often referred to Pittsburgh as the “birthplace” of her writing career, and the very reason why the essay exists at all is because of a little book found from those natal literary years. We have to go back to September 18, 2012 when I came across the notice from an upper Mid-Western book dealer advertised a little Mosher book which he said was from Willa Cather’s library: Aucassin & Nicolete.
    [Show full text]
  • The Rita Williams Popular Song Collection a Handlist
    The Rita Williams Popular Song Collection A Handlist A wide-ranging collection of c. 4000 individual popular songs, dating from the 1920s to the 1970s and including songs from films and musicals. Originally the personal collection of the singer Rita Williams, with later additions, it includes songs in various European languages and some in Afrikaans. Rita Williams sang with the Billy Cotton Club, among other groups, and made numerous recordings in the 1940s and 1950s. The songs are arranged alphabetically by title. The Rita Williams Popular Song Collection is a closed access collection. Please ask at the enquiry desk if you would like to use it. Please note that all items are reference only and in most cases it is necessary to obtain permission from the relevant copyright holder before they can be photocopied. Box Title Artist/ Singer/ Popularized by... Lyricist Composer/ Artist Language Publisher Date No. of copies Afrikaans, Czech, French, Italian, Swedish Songs Dans met my Various Afrikaans Carstens- De Waal 1954-57 1 Afrikaans, Czech, French, Italian, Swedish Songs Careless Love Hart Van Steen Afrikaans Dee Jay 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Ruiter In Die Nag Anton De Waal Afrikaans Impala 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Van Geluk Tot Verdriet Gideon Alberts/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs Wye, Wye Vlaktes Martin Vorster/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs My Skemer Rapsodie Duffy
    [Show full text]
  • Newsletter & Review
    NEWSLETTER & REVIEW Volume 56, No. 2 Spring 2013 For really bad weather I wear knickerbockers Then really I like the work, grind though it is In addition to painting the bathroom and doing the house work and trying to write a novel, I have been becoming rather “famous” lately Mr. McClure tells me that he does not think I will ever be able to do much at writing stories As for me, I have cared too much, about people and places I have some white canvas shoes with red rubber soles that I got in Boston, and they are fine for rock climbing When I am old and can’t run about the desert anymore, it will always be here in this book for me Is it possible that it took one man thirty working days to make my corrections? I think daughters understand and love their mothers so much more as they grow older themselves The novel will have to be called “Claude” I tried to get over all that by a long apprenticeship to Henry James and Mrs. Wharton She is the embodiment of all my feelings about those early emigrants in the prairie country Requests like yours take a great deal of my time Everything you packed carried wonderfully— not a wrinkle Deal in this case as Father would have done I used to watch out of the front windows, hoping to see Mrs. Anderson coming down the road And then was the time when things were very hard at home in Red Cloud My nieces have outlived those things, but I will never outlive them Willa Cather NEWSLETTER & REVIEW Volume 56, No.
    [Show full text]
  • Fragments from Willa Cather's Lost Work Published for the First Time
    FOR IMMEDIATE RELEASE: Contact: Leslie C. Levy, Executive Director [email protected] 866-731-7304 Fragments from Willa Cather’s Lost Work Published for the First Time At her death in 1947, famed author Willa Cather was working on a story -- or perhaps a novel -- set in medieval Avignon titled "Hard Punishments." By all surviving accounts, the writing Cather had completed was destroyed upon her death, the only known exception being a short fragment owned by the University of Virginia. Two new fragments of the story have recently surfaced, in the collection given to the University of Nebraska Foundation by Cather's nephew, Charles E. Cather, who died in March 2011. In the Fall 2011 issue of the Willa Cather Newsletter & Review, the Willa Cather Foundation published complete transcriptions of all three fragments for the very first time. They are designed to give readers a clear reading text, with missing characters added in brackets and Cather's own deletions omitted. Readers who may be interested in full diplomatic transcriptions, retaining every feature which can reasonably be reproduced in print, can find them on the Willa Cather Foundation website at www.WillaCather.org. “We are proud and honored to have the permission of the Willa Cather Literary Trust to share these glimpses of Cather's last major creative work,” said Leslie C. Levy, Executive Director of the Foundation. The Fall 2011 issue of the Newsletter & Review, which also features an essay on the "Hard Punishments" fragments as well as manuscript images can be purchased from Cather Books & Gifts by calling 402-746-2653 or online at www.WillaCather.org.
    [Show full text]
  • Newsletter & Review
    NEWSLETTER & REVIEW Volume 58 z No. 1 Summer z Fall 2015 Cather and the Wolves Nella Larsen, Willa Cather, and Cultural Mobility Fitzgerald’s Daisy and Cather’s Rosamond Teaching “The Enchanted Bluff ” Willa Cather NEWSLETTER & REVIEW Volume 58 z No. 1 | Summer z Fall 2015 2 9 17 31 24 30 33 CONTENTS 1 Letters from the Executive Director and the President 17 More Than Beautiful Little Fools: Fitzgerald’s Daisy, Cather’s Rosamond, and Postwar Images of 2 “Never at an End”: The Search for Sources of Cather’s American Women z Mallory Boykin Wolves Story z Michela Schulthies 24 Upwardly Mobile: Teaching “The Enchanted Bluff ” 4 New Life for a Well-known Painting to Contemporary Students z Christine Hill Smith 5 Describing the Restoration z Kenneth Bé 30 New Beginnings for National Willa Cather Center 9 Meanings of Mobility in Willa Cather’s The Song of 31 In Memoriam: Charlene Hoschouer the Lark and Nella Larsen’s Quicksand Amy Doherty Mohr 33 Willa Cather and the Connection to Kyrgyzstan Max Despain On the cover: Sleigh with Trailing Wolves by Paul Powis. Photo courtesy of the Nebraska State Historical Society’s Gerald R. Ford Conservation Center. Letter from the City of Red Cloud, and the area Chamber of Commerce the Executive Director to further develop and enhance the visitor experience. Through Ashley Olson the hire of a Heritage Tourism Development Director, the partnership will increase Red Cloud’s appeal as a destination for tourists through creation of new services and amenities. Jarrod As I write this, a productive and busy summer at the Willa Cather McCartney, a scholar and Red Cloud native, has already settled Foundation is drawing to a close and we are celebrating the success of into this position comfortably.
    [Show full text]
  • The Wisdom of Jesus the Son of Sirach, Ecclesiasticus
    1 THE WISDOM OF JESUS THE SON OF SIRACH, OR ECCLESIASTICUS The Wisdom of Jesus the Son of Sirach, also called Ecclesias- ticus, is recognized as Deuterocanonical Scripture by the Roman Catholic, Greek Orthodox, and Russian Orthodox Churches. The Prologue of the Wisdom of Jesus the Son of Sirach. WHEREAS many and great things have been delivered to us by the law and the prophets, and by the others that have followed in their steps, for which we must give Israel the praise for instruction and wisdom; and since not only the readers need to become skillful themselves, but also those who love learning must be able to profit those who are outside, both by speaking and writing; my grandfather Jesus, having much given himself to the reading of the law, and the prophets, and the other books of our fathers, and having gained great familiarity with them, was also drawn on himself to write somewhat pertaining to instruction and wisdom, in order that those who love learning, and are devoted to these things, might make progress much more by living according to the law. You are entreated therefore to read with favor and attention, and to pardon us, if in any parts of what we have labored to interpret, we may seem to fail in some of the phrases. For things originally spoken in Hebrew don’t have the same force in them when they are translated into another language. Not only these, but the law itself, and the prophecies, and the rest of the books, have no small difference, when they are spoken in their original Sirach 1:1 2 Sirach 1:9 language.
    [Show full text]
  • 50Th Anniversary of Cather Foundation Marked by Spring
    As David Porter moderates the Passing Show Panel, his infectious John Swift introduces the winners of the Seminar Scholarship during laugh emphatically suggests the mood of the April 2005 Spring the opening dinner at the 10th International Willa Cather International Festival and 50th Anniversary Celebration in Red Cloud. Seminar. Photographs by Barb Kudnra. 50th Anniversary of Cather Foundation Marked by Spring Conference Celebration and l Oth Willa Cather International Seminar Spring Festival Centers on My Antonia 10th International Cather Seminar In Nebraska The 50th anniversary of the Cather Foundation was Wendy K. Perriman marked by a number of extraordinary events at the annual Spring Festival held April 29-30. Highlights included the Over 140 scholars from Britain, India, Egypt, and dedication of the Mildred Bennett Wall; the Friday panel the United States gathered in Nebraska for the Willa Cather which met to discuss the history of the Foundation; the Satur- International Seminar, 2005. The first part took place from Saturday day Passing Show Panel and afternoon tour, both featuring My June 18th - Tuesday June 21st in Cather’s childhood home town of /intonia; Mary Vaughan’s delightful exhibit of prairie vistas Red Cloud. The Seminar then switched location to the campus of in the Gallery of the Opera House; and the premiere of "An the University of Lincoln-Nebraska (Tuesday June 21st - Saturday Adaptation of ’A Singer’s Romance,’" commissioned by the June 25th) where Willa Cather had been an undergraduate. The Cather Foundation in celebration of its 50th anniversary. main focus of discussion was "Violence, the Arts, and Cather." The celebration actually began in January when citi- People who arrived early in Red Cloud on Saturday were zens were invited by Nebraska Governor Mike Johanns to read able to tour the historical sites in town, which included the newly- Cather’s My ~ntonia.
    [Show full text]