TALES of the FIVE TOWNS by ARNOLD BENNETT
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BALOO's BUGLE Volume 14, Number 12 "Make No Small Plans
BALOO'S BUGLE Volume 14, Number 12 "Make no small plans. They have no magic to stir men's blood and probably will not themselves be realized." D. Burnham July 2008 Cub Scout Roundtable August 2008 Cub Scout Theme S'MORE SUMMER FUN Tiger Cub Activities Webelos Forester & Naturalist The Old Colony District of Southern NJ Council, my FOCUS district has attained the Chief’s Winner Circle for Cub Scout Roundtable Leaders’ Guide having a plus one in chartered units and more than plus The summer is not over yet! Let's have "S'More" summer one percent in registered youth membership compared fun in the outdoors this month. The weather is hot, but the to the registered youth membership of June 30 of one fun is cool as the Cub Scouts do all they can before school year ago. We actually registered a 2.2 % growth in starts in the Fall. Is a picnic, softball game, or hike through membership vs. last June 30. the forest part of your pack's plans?? Last week my Webelos Resident Camp was a roaring success. We had a >50% increase in Webelos from 40 to 65. And we were the first to use the brand new pool at Pine Hill Scout Reservation. Pretty soon we will be as famous as our gold course neighbor! We had two Bears from our pack that moved to Webelos June 1st for whom this was their first time away and they did great!! And my council has a new Scout Executive as of July 1, CORE VALUES 2008. -
Civilian Conservation Corps
Sandy Hook, Gateway NRA, National Park Service An Oral History Interview with Civilian Conservation Corps members, Joseph “Pappy” Whalen, Joe Czarnecki, Mike Lakomie, Hazel Feil, Peter Feil, and Andy Daino Interviewed by Elaine Harmon and Tom Hoffman, NPS June 16, 1981 Transcribed by Mary Rasa, 2012 Colorized image of CCC Camp 288, Fort Hancock, Camp Lowe, New Jersey All images courtesy NPS/Gateway NRA Editor’s notes in parenthesis ( ) (Six people were interviewed at once on audio tape. There were many times that individuals were inaudible because several conversations were taking place. Sometimes it was difficult to determine which man was speaking. If the editor could not determine the person speaking, it is written as CCC member.) EH: We have a special event today at Park Headquarters and that is the grouping together of CCC members who in fact saw the beginning of the CCC at Camp Lowe, Horseshoe Cove. Three of the seven people here with us can actually recall the early founding of the CCC. I would like to, actually our gathering today was inspired by one of the members, Mr. Joseph Whalen who came from Silver Springs, Maryland to be with us today. The remaining six people are mostly local people but who have also traveled quite a distance to be with us. Let’s introduce ourselves before we get really started. JW: I would be Joseph Whalen, Silver Springs, Maryland. That’s about it. EH: And you were known as “Pappy” Whalen. 1 JW: That was my nickname. Gee, I was so young looking. That’s why they gave it to me. -
The Rita Williams Popular Song Collection a Handlist
The Rita Williams Popular Song Collection A Handlist A wide-ranging collection of c. 4000 individual popular songs, dating from the 1920s to the 1970s and including songs from films and musicals. Originally the personal collection of the singer Rita Williams, with later additions, it includes songs in various European languages and some in Afrikaans. Rita Williams sang with the Billy Cotton Club, among other groups, and made numerous recordings in the 1940s and 1950s. The songs are arranged alphabetically by title. The Rita Williams Popular Song Collection is a closed access collection. Please ask at the enquiry desk if you would like to use it. Please note that all items are reference only and in most cases it is necessary to obtain permission from the relevant copyright holder before they can be photocopied. Box Title Artist/ Singer/ Popularized by... Lyricist Composer/ Artist Language Publisher Date No. of copies Afrikaans, Czech, French, Italian, Swedish Songs Dans met my Various Afrikaans Carstens- De Waal 1954-57 1 Afrikaans, Czech, French, Italian, Swedish Songs Careless Love Hart Van Steen Afrikaans Dee Jay 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Ruiter In Die Nag Anton De Waal Afrikaans Impala 1963 1 Afrikaans, Czech, French, Italian, Swedish Songs Van Geluk Tot Verdriet Gideon Alberts/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs Wye, Wye Vlaktes Martin Vorster/ Anton De Waal Afrikaans Impala 1970 1 Afrikaans, Czech, French, Italian, Swedish Songs My Skemer Rapsodie Duffy -
The Wisdom of Jesus the Son of Sirach, Ecclesiasticus
1 THE WISDOM OF JESUS THE SON OF SIRACH, OR ECCLESIASTICUS The Wisdom of Jesus the Son of Sirach, also called Ecclesias- ticus, is recognized as Deuterocanonical Scripture by the Roman Catholic, Greek Orthodox, and Russian Orthodox Churches. The Prologue of the Wisdom of Jesus the Son of Sirach. WHEREAS many and great things have been delivered to us by the law and the prophets, and by the others that have followed in their steps, for which we must give Israel the praise for instruction and wisdom; and since not only the readers need to become skillful themselves, but also those who love learning must be able to profit those who are outside, both by speaking and writing; my grandfather Jesus, having much given himself to the reading of the law, and the prophets, and the other books of our fathers, and having gained great familiarity with them, was also drawn on himself to write somewhat pertaining to instruction and wisdom, in order that those who love learning, and are devoted to these things, might make progress much more by living according to the law. You are entreated therefore to read with favor and attention, and to pardon us, if in any parts of what we have labored to interpret, we may seem to fail in some of the phrases. For things originally spoken in Hebrew don’t have the same force in them when they are translated into another language. Not only these, but the law itself, and the prophecies, and the rest of the books, have no small difference, when they are spoken in their original Sirach 1:1 2 Sirach 1:9 language. -
Curricular Implications of Mathematical Concepts of the Preschool Child
1 This dissertation has been microfilmed exactly as received 70-6763 DICKERSCHEID, Harold, 1927- CURRICULAR IMPLICATIONS OF MATHEMATICAL CONCEPTS OF THE PRESCHOOL CHILD. The Ohio State University, Ph.D., 1969 Education, theory and practice University Microfilms, Inc,, Ann Arbor, Michigan Copyright by Harold Dickerscheid 1970 CURRICULAR implications o f mathematical CONCEPTS OF THE PRESCHOOL CHILD DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Harold Dickerscheid, B.S., M.Ed. The Ohio State University 1969 Approved by Adviser College of Education ACKNOWLEDGMENTS The writer gratefully acknowledges his adviser, Dr, Paul R, Klohr, Curriculum and Foundations Faculty, for his insightful suggestions and critical analyses throughout the planning and writing of this study. Special acknowledgment is made to Dr, Nathan Lazar who gave impetus and encouragement to the study. Appreciation is extended to Dr, James K, Duncan for his time in reading and evaluating the manuscript. Gratitude is given to the staff and student teachers of the Campbell Hall Child Development Laboratory and to the children who participated in this study. Special thanks is given to Mrs, Donna Deichert, head teacher, and Mrs, Gretchen Batra, graduate assistant, for their cooperation with testing and observations. Thanks are also due to Mrs. Arlene Flocken and the children in her Head Start classes at Windsor School for their contribution. To my wife, Jean, and children -
Direction Viii.—Second General Part
DIRECTION VIII.—SECOND GENERAL PART. [ARGUMENT PRESSING THE EXHORTATION.] ‘Whereby ye shall be able to quench all the fiery darts of the wicked’ (Eph. 6:16) We have done with the exhortation, and now come to the second general part of the verse, viz. a powerful argument pressing this exhortation, contained in these words—‘Whereby ye shall be able to quench all the fiery darts of the wicked.’ ‘Ye shall be able.’ Not an uncertain ‘may be ye shall;’ but he is peremptory and absolute—‘ye shall be able.’ But what to do? ‘able to quench’—not only to resist and repel, but ‘to quench.’ But what shall they ‘quench?’ Not ordinary temptations only, but the worst arrows the devil hath in his quiver—‘fiery darts;’ and not some few of them, but ‘all the fiery darts of the wicked.’ In this second general there are two particulars. FIRST. The saint’s enemy described—‘The wicked.’ SECOND. The power and puissance of faith over the enemy—‘Ye shall be able to quench all the fiery darts of the wicked.’ DIVISION FIRST.—THE SAINT’S ENEMY DESCRIBED. ‘The Wicked.’ Here we have the saint’s enemy described in stomachs into a loathing of sin above all things in the three particulars. FIRST. In their nature—‘wicked.’ world, and provoke their pure souls as to hatred and SECOND. In their unity—‘wicked,’ or ‘wicked one,’ detestation of all sin, so [to] a vigorous resistance of J@Ø B@<ZD@Ø, in the singular number. THIRD. In the devil and his instruments, as such, who are their warlike furniture and provision, with which they wicked; which is a name that makes him detestable take the field against the saints—‘darts,’ and they are above any other. -
Ballad Opera in England: Its Songs, Contributors, and Influence
BALLAD OPERA IN ENGLAND: ITS SONGS, CONTRIBUTORS, AND INFLUENCE Julie Bumpus A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF MUSIC August 7, 2010 Committee: Vincent Corrigan, Advisor Mary Natvig ii ABSTRACT Vincent Corrigan, Advisor The ballad opera was a popular genre of stage entertainment in England that flourished roughly from 1728 (beginning with John Gay's The Beggar's Opera) to 1760. Gay's original intention for the genre was to satirize not only the upper crust of British society, but also to mock the “excesses” of Italian opera, which had slowly been infiltrating the concert life of Britain. The Beggar's Opera and its successors were to be the answer to foreign opera on British soil: a truly nationalistic genre that essentially was a play (building on a long-standing tradition of English drama) with popular music interspersed throughout. My thesis explores the ways in which ballad operas were constructed, what meanings the songs may have held for playwrights and audiences, and what influence the genre had in England and abroad. The thesis begins with a general survey of the origins of ballad opera, covering theater music during the Commonwealth, Restoration theatre, the influence of Italian Opera in England, and The Beggar’s Opera. Next is a section on the playwrights and composers of ballad opera. The playwrights discussed are John Gay, Henry Fielding, and Colley Cibber. Purcell and Handel are used as examples of composers of source material and Mr. Seedo and Pepusch as composers and arrangers of ballad opera music. -
Maritime Bluegrass: the Local Meaning of a Global Music
MARITIME BLUEGRASS: THE LOCAL MEANING OF A GLOBAL MUSIC by Daniel J. Andrews BA, St. Thomas University, 2007 A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master's of Interdisciplinary Studies in the Graduate Academic Unit of School of Graduate Studies Supervisors: Peter G. Toner (St. Thomas University), PhD, Anthropology Daniel Downes, PhD, Information and Communication Studies Examining Board: Linda Eyre, PhD, Assistant Dean of Graduate Studies, Chair Peter Toner (St. Thomas University), PhD, Anthropology Daniel Downes, PhD, Information and Communication Studies Neil Rosenberg (Memorial University of Newfoundland), PhD, Folklore This thesis is accepted by the Dean of Graduate Studies THE UNIVERSITY OF NEW BRUNSWICK September, 2010 © Daniel J. Andrews, 2010 Library and Archives Bibliotheque et Canada Archives Canada Published Heritage Direction du 1+1 Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-87639-, Our file Notre reference ISBN: 978-0-494-87639-> NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distrbute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. -
The Richest Man in Babylon by George S. Clason
TheThe RichestRichest ManMan inin BabylonBabylon byby GeorgeGeorge S.S. ClasonClason 1 The Richest Man in Babylon by George S. Clason TABLE OF CONTENTS First Published in 1926. Table of Contents About the author ..................................................................................................................................3 Foreword ..............................................................................................................................................5 An Historical Sketch of Babylon ...........................................................................................................6 The Man Who Desired Gold .................................................................................................................9 The Richest Man in Babylon ...............................................................................................................12 Seven Cures For a Lean Purse..............................................................................................................17 THE FIRST CURE..........................................................................................................................18 Start thy purse to fattening .........................................................................................................18 THE SECOND CURE ....................................................................................................................19 Control thy expenditures.............................................................................................................19 -
Rabbit, Run by John Updike
Rabbit, Run By John Updike The motions of Grace, the hardness of the heart; external circumstances. -Pascal, Pensée 507 Boys are playing basketball around a telephone pole with a backboard bolted to it. Legs, shouts. The scrape and snap of Keds on loose alley pebbles seems to catapult their voices high into the moist March air blue above the wires. Rabbit Angstrom, coming up the alley in a business suit, stops and watches, though he's twenty-six and six three. So tall, he seems an unlikely rabbit, but the breadth of white face, the pallor of his blue irises, and a nervous flutter under his brief nose as he stabs a cigarette into his mouth partially explain the nickname, which was given to him when he too was a boy. He stands there thinking, the kids keep coming, they keep crowding you up. His standing there makes the real boys feel strange. Eyeballs slide. They're doing this for themselves, not as a show for some adult walking around town in a double-breasted cocoa suit. It seems funny to them, an adult walking up the alley at all. Where's his car? The cigarette makes it more sinister still. Is this one of those going to offer them cigarettes or money to go out in back of the ice plant with him? They've heard of such things but are not too frightened; there are six of them and one of him. The ball, rocketing off the crotch of the rim, leaps over the heads of the six and lands at the feet of the one. -
Newsletter & Review
Willa Cather NEWSLETTER & REVIEW VOLUME 54, NO. 1 SUMMER 2010 “Spirit of Place” Cather at Bowdoin, 1925 Shadows on the Rock: ’Toinette and les filles du roi Scenes from the 2010 Spring Conference Preserving Our Past, Pioneering Our Future Willa Cather NEWSLETTER & REVIEW VOLUME 54, NO. 1 SUMMER 2010 4 12 14 16 27 4 The Genius Revisited: 22 Remembrances: Willa Cather and Chuck Mignon and Linda Ross Spirit of Place Guy Reynolds and Robert Thacker Joseph C. Murphy 12 Scenes from the 55th Annual 24 Preserving Our Past, Willa Cather Spring Conference Pioneering Our Future “Miss Cather Talks on Technique” John Murphy Delivers Santa Fe 14 Fredric “Fritz” Klees 25 400th Anniversary Lecture on Cather 16 Les filles du roi 27 Family Bequest Continues and Female Destinations Cather Legacy in Shadows on the Rock Jacqueline H. Harris Prairie photographs by Barb Kudrna WILLA CATHER NEWSLETTER & REVIEW / SUMMER 2010 2 Willa Cather Letter from the President NEWSLETTER & REVIEW Jay Yost The fun at the Cather Foundation just keeps comin’. promoting the life, times, settings and After hosting in rapid succession a very successful Prairie work of Willa Cather. Writers’ Workshop (our third), an amazingly wonderful Specifically, these added funds will Spring Conference celebrating “Food, Drink and Willa be used to expand the work we are doing Cather’s Writing” (our 55th), and a thoroughly appreciated with the Foundation’s Cather Archives Elderhostel/Road Scholar week in Red Cloud (also our in Red Cloud, and to redouble our third), the Foundation’s Board and the staff decided we just efforts to get school kids in the region can’t sit on our laurels. -
Enlightenment Allegory: Adapting The
ENLIGHTENMENT ALLEGORY: ADAPTING THE ALLEGORICAL FORM IN BRITISH LITERATURE, 1660-1750 By JASON GULYA A dissertation submitted to the Graduate School-New Brunswick Rutgers, The State University of New Jersey In partial fulfillment of the requirements For the degree of Doctor of Philosophy Graduate Program in Literatures in English Written under the direction of Michael McKeon and approved by _______________________________________ _______________________________________ _______________________________________ _______________________________________ New Brunswick, New Jersey October, 2016 ABSTRACT OF THE DISSERTATION Enlightenment Allegory: Adapting the Allegorical Form in British Literature, 1660-1750 By JASON GULYA Dissertation Director: Michael McKeon Allegory is a literary form that teaches through misdirection, telling its readers it is about one thing while actually being about another. It encourages readers to interpret figuratively for religious, political, or moral meanings rather then look only at the narrative’s literal meaning. Enlightenment Allegory argues that the period from about 1660 to about 1750 is especially important for the history of allegory. During this period, allegory adapted to many of the historical and cultural changes accompanying the British Enlightenment—including the increasing authority of empirical epistemology, the gradual spread of secular thinking, and the growing expectation for semiotic transparency. The project’s main argument is that eighteenth-century writers responded to these changes by modalizing the allegorical genre, meaning that they separated the previously indivisible literary form into its components and used those components apart from their original overarching structure. This process of modalization resulted in the coexistence of generic and modal allegory, with some writers approaching it as a self- ii contained, continuous genre and others as a mode that could be used selectively and discontinuously.