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Curricular Implications of Mathematical Concepts of the Preschool Child
1 This dissertation has been microfilmed exactly as received 70-6763 DICKERSCHEID, Harold, 1927- CURRICULAR IMPLICATIONS OF MATHEMATICAL CONCEPTS OF THE PRESCHOOL CHILD. The Ohio State University, Ph.D., 1969 Education, theory and practice University Microfilms, Inc,, Ann Arbor, Michigan Copyright by Harold Dickerscheid 1970 CURRICULAR implications o f mathematical CONCEPTS OF THE PRESCHOOL CHILD DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Harold Dickerscheid, B.S., M.Ed. The Ohio State University 1969 Approved by Adviser College of Education ACKNOWLEDGMENTS The writer gratefully acknowledges his adviser, Dr, Paul R, Klohr, Curriculum and Foundations Faculty, for his insightful suggestions and critical analyses throughout the planning and writing of this study. Special acknowledgment is made to Dr, Nathan Lazar who gave impetus and encouragement to the study. Appreciation is extended to Dr, James K, Duncan for his time in reading and evaluating the manuscript. Gratitude is given to the staff and student teachers of the Campbell Hall Child Development Laboratory and to the children who participated in this study. Special thanks is given to Mrs, Donna Deichert, head teacher, and Mrs, Gretchen Batra, graduate assistant, for their cooperation with testing and observations. Thanks are also due to Mrs. Arlene Flocken and the children in her Head Start classes at Windsor School for their contribution. To my wife, Jean, and children -
TALES of the FIVE TOWNS by ARNOLD BENNETT
TALES OF THE FIVE TOWNS By ARNOLD BENNETT First published January 1905 TO MARCEL SCHWOB MY LITERARY GODFATHER IN FRANCE PART I AT HOME HIS WORSHIP THE GOOSEDRIVER I It was an amiable but deceitful afternoon in the third week of December. Snow fell heavily in the windows of confectioners' shops, and Father Christmas smiled in Keats's Bazaar the fawning smile of a myth who knows himself to be exploded; but beyond these and similar efforts to remedy the forgetfulness of a careless climate, there was no sign anywhere in the Five Towns, and especially in Bursley, of the immediate approach of the season of peace, goodwill, and gluttony on earth. At the Tiger, next door to Keats's in the market-place, Mr. Josiah Topham Curtenty had put down his glass (the port was kept specially for him), and told his boon companion, Mr. Gordon, that he must be going. These two men had one powerful sentiment 004in common: they loved the same woman. Mr. Curtenty, aged twenty-six in heart, thirty-six in mind, and forty-six in looks, was fifty-six only in years. He was a rich man; he had made money as an earthenware manufacturer in the good old times before Satan was ingenious enough to invent German competition, American tariffs, and the price of coal; he was still making money with the aid of his son Harry, who now managed the works, but he never admitted that he was making it. No one has yet succeeded, and no one ever will succeed, in catching an earthenware manufacturer in the act of making money; he may confess with a sigh that he has performed the feat in the past, he may give utterance to a vague, preposterous hope that he will perform it again in the remote future, but as for surprising him in the very act, you would as easily surprise a hen laying an egg. -
Maritime Bluegrass: the Local Meaning of a Global Music
MARITIME BLUEGRASS: THE LOCAL MEANING OF A GLOBAL MUSIC by Daniel J. Andrews BA, St. Thomas University, 2007 A Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of Master's of Interdisciplinary Studies in the Graduate Academic Unit of School of Graduate Studies Supervisors: Peter G. Toner (St. Thomas University), PhD, Anthropology Daniel Downes, PhD, Information and Communication Studies Examining Board: Linda Eyre, PhD, Assistant Dean of Graduate Studies, Chair Peter Toner (St. Thomas University), PhD, Anthropology Daniel Downes, PhD, Information and Communication Studies Neil Rosenberg (Memorial University of Newfoundland), PhD, Folklore This thesis is accepted by the Dean of Graduate Studies THE UNIVERSITY OF NEW BRUNSWICK September, 2010 © Daniel J. Andrews, 2010 Library and Archives Bibliotheque et Canada Archives Canada Published Heritage Direction du 1+1 Branch Patrimoine de I'edition 395 Wellington Street 395, rue Wellington Ottawa ON K1A0N4 Ottawa ON K1A 0N4 Canada Canada Your file Votre reference ISBN: 978-0-494-87639-, Our file Notre reference ISBN: 978-0-494-87639-> NOTICE: AVIS: The author has granted a non L'auteur a accorde une licence non exclusive exclusive license allowing Library and permettant a la Bibliotheque et Archives Archives Canada to reproduce, Canada de reproduire, publier, archiver, publish, archive, preserve, conserve, sauvegarder, conserver, transmettre au public communicate to the public by par telecommunication ou par I'lnternet, preter, telecommunication or on the Internet, distribuer et vendre des theses partout dans le loan, distrbute and sell theses monde, a des fins commerciales ou autres, sur worldwide, for commercial or non support microforme, papier, electronique et/ou commercial purposes, in microform, autres formats. -
Rabbit, Run by John Updike
Rabbit, Run By John Updike The motions of Grace, the hardness of the heart; external circumstances. -Pascal, Pensée 507 Boys are playing basketball around a telephone pole with a backboard bolted to it. Legs, shouts. The scrape and snap of Keds on loose alley pebbles seems to catapult their voices high into the moist March air blue above the wires. Rabbit Angstrom, coming up the alley in a business suit, stops and watches, though he's twenty-six and six three. So tall, he seems an unlikely rabbit, but the breadth of white face, the pallor of his blue irises, and a nervous flutter under his brief nose as he stabs a cigarette into his mouth partially explain the nickname, which was given to him when he too was a boy. He stands there thinking, the kids keep coming, they keep crowding you up. His standing there makes the real boys feel strange. Eyeballs slide. They're doing this for themselves, not as a show for some adult walking around town in a double-breasted cocoa suit. It seems funny to them, an adult walking up the alley at all. Where's his car? The cigarette makes it more sinister still. Is this one of those going to offer them cigarettes or money to go out in back of the ice plant with him? They've heard of such things but are not too frightened; there are six of them and one of him. The ball, rocketing off the crotch of the rim, leaps over the heads of the six and lands at the feet of the one. -
An Investigation of Jandek's
THEMATIC INTERCONNECTIVITY AS AN INNATE MUSICAL QUALITY: AN INVESTIGATION OF JANDEK’S “EUROPEAN JEWEL” GUITAR RIFFS NICOLE A MARCHESSEAU A DISSERTATION SUBMITTED TO THE FACULTY OF GRADUATE STUDIES IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY GRADUATE PROGRAM IN MUSIC YORK UNIVERSITY TORONTO, ONTARIO MAY 2014 © NICOLE A MARCHESSEAU, 2014 Abstract This dissertation is divided into two main areas. The first of these explores Jandek-related discourse and contextualizes the project. Also discussed is the interconnectivity that runs through the project through the self-citation of various lyrical, visual, and musical themes. The second main component of this dissertation explores one of these musical themes in detail: the guitar riffs heard in the “European Jewel” song-set and the transmigration/migration of the riff material used in the song to other non-“European Jewel” tracks. Jandek is often described in related discourse as an “outsider musician.” A significant point of discussion in the first area of this dissertation is the outsider music genre as it relates to Jandek. In part, this dissertation responds to an article by Martin James and Mitzi Waltz which was printed in the periodical Popular Music where it was suggested that the marketing of a musician as an outsider risks diminishing the “innate qualities” of the so-called outsider musicians’ works.1 While the outsider label is in itself problematic—this is discussed at length in Chapter Two—the analysis which comprises the second half of this dissertation delves into self- citation and thematic interconnection as innate qualities within the project. -
Songs in the Key of Z
covers complete.qxd 7/15/08 9:02 AM Page 1 MUSIC The first book ever about a mutant strain ofZ Songs in theKey of twisted pop that’s so wrong, it’s right! “Iconoclast/upstart Irwin Chusid has written a meticulously researched and passionate cry shedding long-overdue light upon some of the guiltiest musical innocents of the twentieth century. An indispensable classic that defines the indefinable.” –John Zorn “Chusid takes us through the musical looking glass to the other side of the bizarro universe, where pop spelled back- wards is . pop? A fascinating collection of wilder cards and beyond-avant talents.” –Lenny Kaye Irwin Chusid “This book is filled with memorable characters and their preposterous-but-true stories. As a musicologist, essayist, and humorist, Irwin Chusid gives good value for your enter- tainment dollar.” –Marshall Crenshaw Outsider musicians can be the product of damaged DNA, alien abduction, drug fry, demonic possession, or simply sheer obliviousness. But, believe it or not, they’re worth listening to, often outmatching all contenders for inventiveness and originality. This book profiles dozens of outsider musicians, both prominent and obscure, and presents their strange life stories along with photographs, interviews, cartoons, and discographies. Irwin Chusid is a record producer, radio personality, journalist, and music historian. He hosts the Incorrect Music Hour on WFMU; he has produced dozens of records and concerts; and he has written for The New York Times, Pulse, New York Press, and many other publications. $18.95 (CAN $20.95) ISBN 978-1-55652-372-4 51895 9 781556 523724 SONGS IN THE KEY OF Z Songs in the Key of Z THE CURIOUS UNIVERSE OF O U T S I D E R MUSIC ¥ Irwin Chusid Library of Congress Cataloging-in-Publication Data Chusid, Irwin. -
Sons and Lovers
Sons and Lovers D. H. Lawrence This eBook was designed and published by Planet PDF. For more free eBooks visit our Web site at http://www.planetpdf.com/. To hear about our latest releases subscribe to the Planet PDF Newsletter. Sons and Lovers Part One 2 of 801 Sons and Lovers CHAPTER I THE EARLY MARRIED LIFE OF THE MORELS ‘THE BOTTOMS’ succeeded to ‘Hell Row". Hell Row was a block of thatched, bulging cottages that stood by the brookside on Greenhill Lane. There lived the colliers who worked in the little gin-pits two fields away. The brook ran under the alder trees, scarcely soiled by these small mines, whose coal was drawn to the surface by donkeys that plodded wearily in a circle round a gin. And all over the countryside were these same pits, some of which had been worked in the time of Charles II, the few colliers and the donkeys burrowing down like ants into the earth, making queer mounds and little black places among the corn-fields and the meadows. And the cottages of these coal-miners, in blocks and pairs here and there, together with odd farms and homes of the stockingers, straying over the parish, formed the village of Bestwood. Then, some sixty years ago, a sudden change took place. The gin-pits were elbowed aside by the large mines of the financiers. The coal and iron field of Nottinghamshire and Derbyshire was discovered. Carston, 3 of 801 Sons and Lovers Waite and Co. appeared. Amid tremendous excitement, Lord Palmerston formally opened the company’s first mine at Spinney Park, on the edge of Sherwood Forest. -
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<html><head></head><body><pre style="word-wrap: break-word; white-space: pre-wrap;">C A N A D A COURS UNIFIES DU QUBEC PROVINCE DE QUBEC CHAMBRE CRIMINELLE ET PNALE DISTRICT DE MONTRAL CAUSE NO.: 500-01-017372-928 TAPE: PROCES - SUITE PRSENT: L'HONORABLE JUGE MARTIN FRASER, J.C.Q. ET JURY NOM DES PARTIES: SA MAJEST LA REINE Plaignante, c. VALERY FABRIKANT Accus‚, COMPARUTIONS: Me Jean Lecours PROCUREUR DE LA PLAIGNANTE DATE DE L'AUDITION: LE 11 MAI 1993 FICHIER: 3208 P-5148 MICHEL DAIGNEAULT, S.O. TABLE DES MATIERES PAGE WITHOUT JURY 3 WITH JURY 12 EXPERT WITNESS: CLAUDE POTHEL Examined by Me Lecours 16 WITNESS: JEAN DION VOIR-DIRE Examined by Me Lecours 98 WITNESS DECLARED EXPERT Examined by Me Lecours 101 Cross-examined by Mr. Fabrikant 153 PROCES - SUITE WITHOUT JURY THE COURT : I came in alone to settle one or two small housekeeping details before we commence. The article 672.28 of the Criminal Code reads as follows: "Where the verdict on trial of the issue is that an accused is fit to stand trial..." Which is the case here: "...the trial shall continue..." I'm editing as I go: "...as if the issue of fitness of the accused had never arisen." I interpret that to mean, and it's new law, I interpret that to mean that just as a "voir-dire" in the traditional sense, the fitness hearing is a separate hearing, and that the Jury must be instructed to disregard all of the evidence which has been heard during the fitness hearing. -
Robbinswold Camp Song Book
Aardvark in the Park The Airplane Song There’s a large dark aardvark in the park Open your song book to page 13. They say he’s missing from the zoo If I had the wings of an airplane, airplane The police are looking high and low, Up in the sky I would fly, would fly They haven’t seen him, have you? If I had the wings of an airplane, airplane Oh I’ll tell you the reason, I’d fly till the day I would die, would die Because it’s aardvark mating season! When an aardvark makes a date Chorus: Ooh la la, ooh la la, ooh la la, repeat You know he slips right through that old zoo gate Ooh la la, ooh la la, ooh la la, again So if you see two aardvarks playing in the park Ooh la la, ooh la la, ooh la la, once more Don’t upset their apple cart. Ooh la la, ooh la la, la, the end Why? Close your song book You are not a spy, you’re not the FBI, And you should never break an aardvark’s heart! Alive, Awake, Alert, Enthusiastic I’m alive, awake, alert, enthusiastic (2x) I’m alive, awake, alert Adams Family Grace I’m alert, awake, alive I’m alive, awake, alert, enthusiastic *Duh-nuh-nuh-nuh (snap, snap) Duh-nuh-nuh-nuh (snap, snap) Duh-nuh-nuh-nuh, duh-nuh-nuh-nuh, Alice the Camel Duh-nuh-nuh-nuh (snap, snap)* Alice the camel has 10 humps (3x) We thank the earth for giving So go, Alice, go! This food we need for living So bless us while we eat it (Continue on down to…) Because we really need it (The Girl Scout family) * Alice the camel has no humps (3x) Cause Alice is a horse! Animal Song Alligator Animals are lots of fun *Alligator, alligator They’re big and round and hairy Can be your friend, can be your friend, can be your friend, Some have teeth and some have claws too* And some are rather scary. -
THE OCS Experience Memories of Robinson Barracks
THE OCS ExpEriEnCE Memories of Robinson Barracks Artillery Officer Candidate School Fort Sill, Oklahoma 1941-1973 Compiled by Randy and Penny Dunham The OCS Experience Memories of Robinson Barracks Artillery Officer Candidate School Fort Sill, Oklahoma 1941-1973 Compiled by Randy C. Dunham Field Artillery OCS Class 10-69 and Penny L. Dunham The Field Artillery Officer Candidate School Alumni Chapter, Inc. P.O. Box 33612 Fort Sill, OK 73503-0612 i Dedicated to the Artillery Officer Candidates who were billeted in the OCS Hutment area during the 1940’s and to those who would later pass through the Robinson Barracks archway (in its many variations) during the 1950’s, 1960’s and 1970’s on their journey to becoming Commissioned Officers in the U.S Army. They served our Nation with honor and valor 931 gave their lives in WW II 69 were lost in the Korean War 314 made the ultimate sacrifice in the Vietnam War Two were awarded the Medal of Honor 83 were awarded the Distinguished Service Cross “Let me say a word about these OCS people in case you have not had any contact with them. They are far in the way the best that I have seen in the Army, and for the job they have to do I had just as soon have them as any graduate of the Military Academy joining his first regiment. They are well grounded, interested in their job, industrious, ambitious, and on the ball twenty-four hours a day.” .......World War II, U.S. Army Regimental Commander ii During the 1940’s this arch stood for the exclusive use of graduating officer candidates and was only used on the night of their graduation party at Mess Hall # 1 iii Downstairs floor in Durham Hall - The Artillery OCS Hall of Fame Building 3025 Fort Sill (2014) Robinson Barracks during 1967 Expansion iv "Leadership" Address of General George C.