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SUE BLAINEY, ACE Editor
SUE BLAINEY, ACE Editor PROJECTS Partial List DIRECTORS STUDIOS/PRODUCERS POWER BOOK III: RAISING KANAN Various Directors STARZ / LIONSGATE TV Season 1 Tim Christenson, Bart Wenrich Shana Stein, Courtney Kemp, Sascha Penn THE WALKING DEAD: WORLD BEYOND Michael Cudlitz AMC Season 1, Episode 7 Jonathan Starch, Matt Negrete THE GOOD LORD BIRD Albert Hughes SHOWTIME / BLUMHOUSE Limited Series O’Shea Read, Olga Hamlet STRANGE ANGEL David Lowery SCOTT FREE / CBS Pilot & Season 1 - 2 David Zucker, Mark Heyman WHAT IF Various Directors WARNER BROS. / NETFLIX Series Mike Kelley 13 REASONS WHY Various Directors PARAMOUNT TV / NETFLIX Season 2 Kim Cybulski, Brian Yorkey ANIMAL KINGDOM Various Directors WARNER BROS. / TNT Season 1 Terri Murphy, Lou Wells 11/22/63 Kevin MacDonald BAD ROBOT / HULU Series Jill Risk, Bridget Carpenter THE MAGICIANS Mike Cahill SYFY / Desiree Cadena, John McNamara Pilot Michael London MOZART IN THE JUNGLE Paul Weitz AMAZON Season 1 Caroline Baron, Roman Coppola Jason Schwartzman, Paul Weitz UN-REAL Roger Kumble LIFETIME Pilot Sarah Shapiro, Marti Noxon IN PLAIN SIGHT Various Directors NBC Season 3 Dan Lerner, John McNamara Consulting Producer Karen Moore HAPPY TOWN Darnell Martin ABC Season 1 Mick Garris Paul Rabwin, Josh Appelbaum John Polson André Nemec EASY VIRTUE Stephan Elliott EALING STUDIOS Toronto Film Festival Barnaby Thompson, Alexandra Ferguson THE HILLS HAVE EYES 2 Martin Weisz FOX / ATOMIC Co-Editor Wes Craven, Marianne Maddalena SIX DEGREES David Semel BAD ROBOT / ABC Series Wendey Stanzler J.J. Abrams, Jane Raab, Bryan Burke LOST Jack Bender ABC Season 2 Finale J.J. Abrams, Ra’uf Glasgow, Bryan Burke Nomination, Best Editing – ACE Eddie Awards Nomination, Best Editing – Emmy Awards HOUSE Greg Yaitanes FOX Series Keith Gordon Katie Jacobs, David Shore SIX FEET UNDER Kathy Bates HBO Series Migel Arteta Alan Ball, Alan Poul Lisa Cholodenko THE ADVENTURES OF PRISCILLA Stephan Elliott POLYGRAM QUEEN OF THE DESERT Al Clark, Michael Hamlyn Cannes Film Festival INNOVATIVE-PRODUCTION.COM | 310.656.5151 . -
Motion Picture Posters, 1924-1996 (Bulk 1952-1996)
http://oac.cdlib.org/findaid/ark:/13030/kt187034n6 No online items Finding Aid for the Collection of Motion picture posters, 1924-1996 (bulk 1952-1996) Processed Arts Special Collections staff; machine-readable finding aid created by Elizabeth Graney and Julie Graham. UCLA Library Special Collections Performing Arts Special Collections Room A1713, Charles E. Young Research Library Box 951575 Los Angeles, CA 90095-1575 [email protected] URL: http://www2.library.ucla.edu/specialcollections/performingarts/index.cfm The Regents of the University of California. All rights reserved. Finding Aid for the Collection of 200 1 Motion picture posters, 1924-1996 (bulk 1952-1996) Descriptive Summary Title: Motion picture posters, Date (inclusive): 1924-1996 Date (bulk): (bulk 1952-1996) Collection number: 200 Extent: 58 map folders Abstract: Motion picture posters have been used to publicize movies almost since the beginning of the film industry. The collection consists of primarily American film posters for films produced by various studios including Columbia Pictures, 20th Century Fox, MGM, Paramount, Universal, United Artists, and Warner Brothers, among others. Language: Finding aid is written in English. Repository: University of California, Los Angeles. Library. Performing Arts Special Collections. Los Angeles, California 90095-1575 Physical location: Stored off-site at SRLF. Advance notice is required for access to the collection. Please contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Access COLLECTION STORED OFF-SITE AT SRLF: Open for research. Advance notice required for access. Contact the UCLA Library, Performing Arts Special Collections Reference Desk for paging information. Restrictions on Use and Reproduction Property rights to the physical object belong to the UCLA Library, Performing Arts Special Collections. -
The Polygram, April 25, 1924
CORE Metadata, citation and similar papers at core.ac.uk Provided by DigitalCommons@CalPoly v : . • ■ .. a, . -s__ _ . J / 916—Birthday Number— 1924 Tiie News School and Josh Spirit Box Is Is Poly’s Calling Best You Asset Volume IX , , SAN MMS OMISl'O, APRIL 25. PCI No. 15 ~ eFght y e a r s bu>! I' ROM FIRST POLYGRAM THE SCHOOL PLAY - - JL STAYING ROWER On Tuesday, April 2<r>t Ml HI, the Character Counts After much deliberation, the school (From the Placement Bureau) flnt- Polygram appeared on our cam- That you may develop the power to pus, It was only a small puper, being. Richard Cohden once asked h pluy was finally decided-upon. It Is to con- lie a snappy, Interesting one, entlfM stick, stick, to ydur word, stick to 8 by 11 in slzu, having four pages but ccrn from which he bought Roods, your ideals, stick to the right, stick no advertisements. However, It was "The Seven Keys to Huldpate," having "Why do you extend to me over plenty of action which cannot help but to your job. One of the most out a lively edition and the students were hold the audience's attention. It is standing characteristics which must insured that in time a real puper $2(10,000 worth of credit when you know that I urn worth only $10,000 in not a cheap production and must lie be corrected in our American boy* and would represent the school. Every girls is their desire to ehange and my own righ t?” backed by the whole student body. -
Samuelson Clinic Files Amicus Brief in Sony V. Cox
USCA4 Appeal: 21-1168 Doc: 29-1 Filed: 06/01/2021 Pg: 1 of 43 Case No. 21-01168 _____________________________________________________________ IN THE UNITED STATES COURT OF APPEALS FOR THE FOURTH CIRCUIT ____________________________________________________ SONY MUSIC ENTERTAINMENT, ET AL., Plaintiffs-Appellees, v. COX COMMUNICATION, INC. and COXCOM, LLC, Defendants-Appellants. (see full caption on inside cover) _____________________________________________________________ BRIEF OF AMICI CURIAE ELECTRONIC FRONTIER FOUNDATION, CENTER FOR DEMOCRACY AND TECHNOLOGY, AMERICAN LIBRARY ASSOCIATION, ASSOCIATION OF COLLEGE AND RESEARCH LIBRARIES, ASSOCIATION OF RESEARCH LIBRARIES, AND PUBLIC KNOWLEDGE IN SUPPORT OF DEFENDANTS- APPELLANTS AND REVERSAL ____________________________________________________ On Appeal from the U.S. District Court for the Eastern District of Virginia Case No. 1:18-cv-950-LO-JFA Hon. Liam O’Grady _____________________________________________________________ Mitchell L. Stoltz Corynne McSherry ELECTRONIC FRONTIER FOUNDATION 815 Eddy Street San Francisco, California 94109 (415) 436-9333 [email protected] Counsel for Amici Curiae (Additional counsel listed on signature page) USCA4 Appeal: 21-1168 Doc: 29-1 Filed: 06/01/2021 Pg: 2 of 43 SONY MUSIC ENTERTAINMENT; ARISTA MUSIC; ARISTA RECORDS, LLC; LAFACE RECORDS LLC; PROVIDENT LABEL GROUP, LLC; SONY MUSIC ENTERTAINMENT US LATIN LLC; VOLCANO ENTERTAINMENT III, LLC; ZOMBA RECORDINGS LLC; SONY/ATV MUSIC PUBLISHING LLC; EMI AL GALLICO MUSIC CORP.; EMI ALGEE MUSIC CORP.; EMI APRIL MUSIC INC.; EMI BLACKWOOD MUSIC INC.; COLGEMS-EMI MUSIC INC.; EMI CONSORTIUM MUSIC PUBLISHING INC., d/b/a EMI Full Keel Music; EMI,CONSORTIUM SONGS, INC., d/b/a EMI Longitude Music; EMI FEIST CATALOG INC.; EMI MILLER CATALOG INC.; EMI MILLS MUSIC, INC.; EMI UNART CATALOG INC.; EMI U CATALOG INC.; JOBETE MUSIC CO. -
Annual Financial Report and Audited Consolidated Financial Statements for the Year Ended December 31, 2007
Annual Financial Report and Audited Consolidated Financial Statements for the Year ended December 31, 2007 VIVENDI Société anonyme with a Management Board and Supervisory Board with a share capital of €6,406,087,710.00 Head Office: 42 avenue de Friedland – 75380 PARIS CEDEX 08 – FRANCE IMPORTANT NOTICE: READERS ARE STRONGLY ADVISED TO READ THE IMPORTANT DISCLAIMERS AT THE END OF THIS FINANCIAL REPORT. Annual Financial Report and Audited Consolidated Financial Statements for the Year Ended December 31, 2007 Vivendi /2 TABLE OF CONTENTS SELECTED KEY CONSOLIDATED FINANCIAL DATA........................................................................................................................................6 I – 2007 FINANCIAL REPORT ...............................................................................................................................................................................7 1 MAIN DEVELOPMENTS..............................................................................................................................................................................8 1.1 MAIN DEVELOPMENTS IN 2007......................................................................................................................................................................8 1.2 MAIN DEVELOPMENTS SINCE DECEMBER 31, 2007 ........................................................................................................................................11 1.3 TRANSACTIONS UNDERWAY AS OF DECEMBER 31, 2007 .................................................................................................................................11 -
Comcast Ex Parte of 11-4-14 in GN Docket 14-28
Comcast Corporation 300 New Jersey Avenue, NW Suite 700 Washington, DC 20001 202.379.7121 November 4, 2014 VIA ELECTRONIC FILING Marlene H. Dortch Secretary Federal Communications Commission 445 12th Street, S.W. Washington, DC 20554 Re: In the Matter of Protecting and Promoting the Open Internet, GN Docket No. 14-28; Framework for Broadband Internet Service, GN Docket No. 10-127 Dear Ms. Dortch: On October 31, 2014, Lynn Charytan, David Don, and the undersigned from Comcast, and Matthew Brill of Latham & Watkins LLP, met with Julie Veach and Matthew DelNero of the Wireline Competition Bureau and Stephanie Weiner and Claude Aiken of the Office of General Counsel regarding the above-captioned proceeding. Consistent with Comcast’s previous submissions in this docket, we explained that, in adopting new rules to protect and promote the open Internet, the Commission should follow the guidance of the D.C. Circuit in Verizon v. FCC by relying on Section 706 of the Telecommunications Act of 1996 as legal authority.1 In particular, although Comcast and other leading broadband providers have made clear that they have no plans to enter into commercial arrangements to prioritize any edge provider content within their broadband Internet access services, we emphasized that Section 706, as construed by the court, provides ample authority for the Commission to adopt a strong presumption against paid prioritization arrangements. We further noted that none of the Title II reclassification theories or hybrid Title II/Section 706 theories in the record would result in greater protections for consumers, even apart from their many other downsides. -
TIU S5E4 Transcript
The Liquid Workforce Krissy Clark: Hey it’s Krissy. This is the Uncertain Hour. If you’ve been listening to our whole season (which, if you’re not, you should), you’ll know the last few episodes have been about Jerry Vazquez, a former janitor who was not employed by the company whose name was on his uniform, or by the companies whose offices he cleaned. At one point most corporations, schools, churches - had their own in-house janitors who were their employees. Not so much anymore. And on today’s episode we’re looking at how did that come to be? Not just for janitors, but for so many people. Which is why Uncertain Hour producer Peter Balonon-Rosen and I sat down with a guy named Bryan Peña. Peter Balonon-Rosen: And Bryan told us how, decades ago, he worked beneath the bright fluorescent lights at a 7-Eleven in San Diego. BP: You wanna learn about people? You know that’s a great job to learn about people. Peter: Why do you say that? BP: Because you see people of all shapes, sizes and colors in different states. Peter: It was the early ‘90s and Bryan was paying his way through college, working the graveyard shift at 7-Eleven. He was majoring in economics, minoring in acting, so Bryan was fascinated with human behavior. And at 7-Eleven, he got to see that up close. BP: We'd have the guy who had no teeth who would buy 17 cans of easy cheese every Tuesday. Peter: OK BP: We had the guy who lived in back who would get donuts. -
Volume 50 • Number 4 • July 2009
VOLUME 50 • NUMBER 2009 4 • JULY Feedback [ [FEEDBACK ARTICLE ] ] July 2009 (Vol. 50, No. 4) Feedback is an electronic journal scheduled for posting six times a year at www.beaweb.org by the Broadcast Education Association. As an electronic journal, Feedback publishes (1) articles or essays— especially those of pedagogical value—on any aspect of electronic media: (2) responsive essays—especially industry analysis and those reacting to issues and concerns raised by previous Feedback articles and essays; (3) scholarly papers: (4) reviews of books, video, audio, film and web resources and other instructional materials; and (5) official announcements of the BEA and news from BEA Districts and Interest Divisions. Feedback is editor-reviewed journal. All communication regarding business, membership questions, information about past issues of Feedback and changes of address should be sent to the Executive Director, 1771 N. Street NW, Washington D.C. 20036. SUBMISSION GUIDELINES 1. Submit an electronic version of the complete manuscript with references and charts in Microsoft Word along with graphs, audio/video and other graphic attachments to the editor. Retain a hard copy for refer- ence. 2. Please double-space the manuscript. Use the 5th edition of the American Psychological Association (APA) style manual. 3. Articles are limited to 3,000 words or less, and essays to 1,500 words or less. 4. All authors must provide the following information: name, employer, professional rank and/or title, complete mailing address, telephone and fax numbers, email address, and whether the writing has been presented at a prior venue. 5. If editorial suggestions are made and the author(s) agree to the changes, such changes should be submitted by email as a Microsoft Word document to the editor. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room. -
CENTRE in the SQUARE, KITCHENER Proud to Support the TD 30 Under 30 Program
TUESDAY, FEBRUARY 10 @ 8PM WEDNESDAY, FEBRUARY 11 @ 8PM CENTRE IN THE SQUARE, KITCHENER Proud to support the TD 30 Under 30 Program. We’re working together with Centre In The Square to make a difference in our community. M04198 (0610) RELEVANT THEATRICALS, JOHN COSSETTE PRODUCTIONS, AMERICAN POP ANTHOLOGY, BROADWAY ACROSS AMERICA AND JAMES L. NEDERLANDER PRESENT BOOK BY COLIN ESCOTT & FLOYD MUTRUX ORIGINAL CONCEPT AND DIRECTION BY FLOYD MUTRUX INSPIRED BY ELVIS PRESLEY, JOHNNY CASH, JERRY LEE LEWIS AND CARL PERKINS FEATURING GABE BOWLING COLTE JULIAN SCOTT MOREAU JACOB ROWLEY PATRICK MORROW LAURA OBENAUF CHUCK ZAYAS AND BRYAN LANGLITZ SCENIC DESIGN COSTUME DESIGN LIGHTING DESIGN SOUND DESIGN DEREK MCLANE JANE GREENWOOD HOWELL BINKLEY KAI HARADA HAIR AND WIG DESIGN CASTING TOM WATSON TELSEY + COMPANY BETHANY KNOX, CSA TOUR DIRECTION PRESS AND MARKETING THE BOOKING GROUP TYPE A MARKETING PRODUCTION STAGE MANAGER PRODUCTION MANAGER GENERAL MANAGEMENT B.J. FORMAN JUNIPER STREET PRODUCTIONS FORESIGHT THEATRICAL ALLAN WILLIAMS LANE MARSH MUSICAL ARRANGEMENTS AND SUPERVISION CHUCK MEAD DIRECTED BY ERIC SCHAEFFER DEVELOPED AND PRODUCED AT VILLAGE THEATRE, ISSAQUAH, WASHINGTON ROBB HUNT, PRODUCER - STEVE TOMKINS, ARTISTIC DIRECTOR ORIGINALLY PRESENTED BY SEASIDE MUSIC THEATER TIPPIN DAVIDSON, PRODUCER LESTER MALIZIA, ARTISTIC DIRECTOR THE COMPANY Gabe Bowling Colte Julian Scott Moreau Jacob Rowley Bryan Langlitz Patrick Morrow Laura Obenauf Chuck Zayas Alyson Bloom Andrew Frace James Scheider Skye Scott David Sonneborn H. Bradley Waters THE COMPANY -
Sidestep-Programm - Gesamt 3 - Nach Stilistik
Sidestep-Programm - Gesamt 3 - nach Stilistik Titel Komponist (Interpret) Stil All Shook Up Otis Blackwell (Elivis Presley) Blues&Rock'n'Roll Before You Accuse Me Ellas McDaniel (Bo Diddley; Eric Clapton) Blues&Rock'n'Roll Blue Suede Shoes (1 for the money...) Carl Lee Perkins Blues&Rock'n'Roll Boom Boom John Lee Hooker Blues&Rock'n'Roll Call It Stormy Monday Aaron "T-Bone" Walker Blues&Rock'n'Roll Crazy Little Thing Called Love Freddie Mercury (Queen) Blues&Rock'n'Roll Dirty Boogie, The Brian Setzer (Brian Setzer Orchestra) Blues&Rock'n'Roll Eight Days a Week John Lennon, Paul McCartney (The Beatles) Blues&Rock'n'Roll Erzherzog Johann Jodler (Wo i geh' und Anton Schosser Blues&Rock'n'Roll steh') Everybody Needs Somebody (To Love) Bert Berns, Solomon Burke, Jerry Wexler (Solomon Burke, Blues Brothers, Rolling Stones, et al.) Blues&Rock'n'Roll Folsom Prison Blues Johnny Cash Blues&Rock'n'Roll Great Balls of Fire (bam-bam-bam-bam) Otis Blackwell, Jack Hammer (Jerry Lee Lewis) Blues&Rock'n'Roll Green Onions Booker T. Jones, Steve Cropper, Al Jackson Jr., Lewie Steinberg (Booker T. & the MG's) Blues&Rock'n'Roll Hello Josephine Fats Domino, Dave Bartholomew (Fats Domino) Blues&Rock'n'Roll Hoch vom Dachstein an (Steirische Jakob Dirnböck, Ludwig Carl Seydler Blues&Rock'n'Roll Landeshymne) Hoochie Coochie Man Willie Dixon (Muddy Waters, Eric Clapton, et al.) Blues&Rock'n'Roll Hound Dog Jerry Leiber, Mike Stoller (Big Mama Thornton, Elvis Presley, et al.) Blues&Rock'n'Roll I Just Wanna Make Love to You Willie Dixon (Etta James) Blues&Rock'n'Roll In die Berg bin i gern Trad. -
JJ Cale the Silent Master a Dreamlike Ride Through The
About this English translation: The book was written in German; my mother tongue, it is the only language I know as a writer, with all nuances. My story about J.J. Cale's music and his artistic career would of course have deserved a professional English translation - but unfortunately, as an independent musician and author, I really lack the necessary money for this. That's why I translated the book here for you with deepl.com - it is currently the best online translator worldwide. I have additionally enhanced the Deepl-translation, but my English is limited - the subtleties of my mother tongue are lost, partly also the humor, and there will be some mistakes in presentation (f.e. with some "-characters) and maybe also grammar errors here and there. So if you have the feeling that certain phrases don't make sense or sound strange - just think "the computer is inferior to humans" - or for my sake "they're crazy, these Swiss guys!" :-) I'm sure you as a J.J. Cale fan will understand and enjoy the story anyway, and maybe here and there you'll learn hitherto unknown details about the wonderful J.J. Cale and his immortal music. Sincerely: Richard Koechli Remember, this is a gift, a free supplement to the CD and the Vinyl-Double-LP "The Real Chill, Remembering J.J. Cale" ... Table of contents Prologue 6 Chapter 1 - Tim's crazy idea 10 Chapter 2 - The Strange at Home 20 Chapter 3 – Tulsa 36 Chapter 4 - Los Angeles 91 Chapter 5 - The happy pill 151 Chapter 6 – Nashville 156 Naturally (1971) 168 Really (1972 223 Okie (1974) 242 Troubadour (1976) 283 Five (1979) 290 In Session At The Paradise Studios (1979) 303 Chapter 7 – The ride goes on 305 Shades (1981) 317 Grasshopper (1982) 317 #8 (1983) 319 Travel-Log (1990) 326 Number 10 (1992) Closer To You (1994) Guitar Man (1996) J.J.