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The Fan/Creator Alliance: Social Media, Audience Mandates, and the Rebalancing of Power in Studio–Showrunner Disputes
Media Industries 5.2 (2018) The Fan/Creator Alliance: Social Media, Audience Mandates, and the Rebalancing of Power in Studio–Showrunner Disputes Annemarie Navar-Gill1 UNIVERSITY OF MICHIGAN amngill [AT] umich.edu Abstract Because companies, not writer-producers, are the legally protected “authors” of television shows, when production disputes between series creators and studio/ network suits arise, executives have every right to separate creators from their intellectual property creations. However, legally disempowered series creators can leverage an audience mandate to gain the upper hand in production disputes. Examining two case studies where an audience mandate was involved in overturning a corporate production decision—Rob Thomas’s seven-year quest to make a Veronica Mars movie and Dan Harmon’s firing from and subsequent rehiring to his position as the showrunner of Community—this article explores how the social media ecosystem around television rebalances power in disputes between creators and the corporate entities that produce and distribute their work. Keywords: Audiences, Authorship, Management, Production, Social Media, Television Scripted television shows have always had writers. For the most part, however, until the post-network era, those writers were not “authors.” As Catherine Fisk and Miranda Banks have shown in their respective historical accounts of the WGA (Writers Guild of America), television writers have a long history of negotiating the terms of what “authorship” meant in the context of their work, but for most of the medium’s history, the cultural validation afforded to an “author” eluded them.2 This began to change, however, in the 1990s, when the term “showrunner” began to appear in television trade press.3 “Showrunner” is an unofficial title referring to the executive producer and head writer of a television series, who acts in effect as the show’s CEO, overseeing the program’s story development and having final authority in essentially all production decisions. -
Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
'Nothing but the Truth': Genre, Gender and Knowledge in the US
‘Nothing but the Truth’: Genre, Gender and Knowledge in the US Television Crime Drama 2005-2010 Hannah Ellison Submitted for the degree of Doctor of Philosophy (PhD) University of East Anglia School of Film, Television and Media Studies Submitted January 2014 ©This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that no quotation from the thesis, nor any information derived therefrom, may be published without the author's prior, written consent. 2 | Page Hannah Ellison Abstract Over the five year period 2005-2010 the crime drama became one of the most produced genres on American prime-time television and also one of the most routinely ignored academically. This particular cyclical genre influx was notable for the resurgence and reformulating of the amateur sleuth; this time remerging as the gifted police consultant, a figure capable of insights that the police could not manage. I term these new shows ‘consultant procedurals’. Consequently, the genre moved away from dealing with the ills of society and instead focused on the mystery of crime. Refocusing the genre gave rise to new issues. Questions are raised about how knowledge is gained and who has the right to it. With the individual consultant spearheading criminal investigation, without official standing, the genre is re-inflected with issues around legitimacy and power. The genre also reengages with age-old questions about the role gender plays in the performance of investigation. With the aim of answering these questions one of the jobs of this thesis is to find a way of analysing genre that accounts for both its larger cyclical, shifting nature and its simultaneously rigid construction of particular conventions. -
ANNUAL REPORT 2015 16 A70 TV Acad Ad.Qxp Layout 1 7/8/16 11:43 AM Page 1
ANNUAL REPORT 2015 16_A70_TV_Acad_Ad.qxp_Layout 1 7/8/16 11:43 AM Page 1 PROUD MEMBER OF »CBS THE TELEVISION ACADEMY 2 ©2016 CBS Broadcasting Inc. MESSAGE FROM THE CHAIRMAN AND CHIEF EXECUTIVE OFFICER AS THE QUANTITY AND QUALITY OF CONTENT HAVE INCREASED in what is widely regarded as television’s second Golden Age, so have employment opportunities for the talented men and women who create that programming. And as our industry, and the content we produce, have become more relevant, so has the relevance of the Television Academy increased as an essential resource for television professionals. In 2015, this was reflected in the steady rise in our membership — surpassing 20,000 for the first time in our history — as well as the expanding slate of Academy-sponsored activities and the heightened attention paid to such high-profile events as the Television Academy Honors and, of course, the Creative Arts Awards and the Emmy Awards. Navigating an industry in the midst of such profound change is both exciting and, at times, a bit daunting. Reimagined models of production and distribution — along with technological innovations and the emergence of new over-the-top platforms — have led to a seemingly endless surge of creativity, and an array of viewing options. As the leading membership organization for television professionals and home to the industry’s most prestigious award, the Academy is committed to remaining at the vanguard of all aspects of television. Toward that end, we are always evaluating our own practices in order to stay ahead of industry changes, and we are proud to guide the conversation for television’s future generations. -
SUE BLAINEY, ACE Editor
SUE BLAINEY, ACE Editor PROJECTS Partial List DIRECTORS STUDIOS/PRODUCERS POWER BOOK III: RAISING KANAN Various Directors STARZ / LIONSGATE TV Season 1 Tim Christenson, Bart Wenrich Shana Stein, Courtney Kemp, Sascha Penn THE WALKING DEAD: WORLD BEYOND Michael Cudlitz AMC Season 1, Episode 7 Jonathan Starch, Matt Negrete THE GOOD LORD BIRD Albert Hughes SHOWTIME / BLUMHOUSE Limited Series O’Shea Read, Olga Hamlet STRANGE ANGEL David Lowery SCOTT FREE / CBS Pilot & Season 1 - 2 David Zucker, Mark Heyman WHAT IF Various Directors WARNER BROS. / NETFLIX Series Mike Kelley 13 REASONS WHY Various Directors PARAMOUNT TV / NETFLIX Season 2 Kim Cybulski, Brian Yorkey ANIMAL KINGDOM Various Directors WARNER BROS. / TNT Season 1 Terri Murphy, Lou Wells 11/22/63 Kevin MacDonald BAD ROBOT / HULU Series Jill Risk, Bridget Carpenter THE MAGICIANS Mike Cahill SYFY / Desiree Cadena, John McNamara Pilot Michael London MOZART IN THE JUNGLE Paul Weitz AMAZON Season 1 Caroline Baron, Roman Coppola Jason Schwartzman, Paul Weitz UN-REAL Roger Kumble LIFETIME Pilot Sarah Shapiro, Marti Noxon IN PLAIN SIGHT Various Directors NBC Season 3 Dan Lerner, John McNamara Consulting Producer Karen Moore HAPPY TOWN Darnell Martin ABC Season 1 Mick Garris Paul Rabwin, Josh Appelbaum John Polson André Nemec EASY VIRTUE Stephan Elliott EALING STUDIOS Toronto Film Festival Barnaby Thompson, Alexandra Ferguson THE HILLS HAVE EYES 2 Martin Weisz FOX / ATOMIC Co-Editor Wes Craven, Marianne Maddalena SIX DEGREES David Semel BAD ROBOT / ABC Series Wendey Stanzler J.J. Abrams, Jane Raab, Bryan Burke LOST Jack Bender ABC Season 2 Finale J.J. Abrams, Ra’uf Glasgow, Bryan Burke Nomination, Best Editing – ACE Eddie Awards Nomination, Best Editing – Emmy Awards HOUSE Greg Yaitanes FOX Series Keith Gordon Katie Jacobs, David Shore SIX FEET UNDER Kathy Bates HBO Series Migel Arteta Alan Ball, Alan Poul Lisa Cholodenko THE ADVENTURES OF PRISCILLA Stephan Elliott POLYGRAM QUEEN OF THE DESERT Al Clark, Michael Hamlyn Cannes Film Festival INNOVATIVE-PRODUCTION.COM | 310.656.5151 . -
Download-To-Own and Online Rental) and Then to Subscription Television And, Finally, a Screening on Broadcast Television
Exporting Canadian Feature Films in Global Markets TRENDS, OPPORTUNITIES AND FUTURE DIRECTIONS MARIA DE ROSA | MARILYN BURGESS COMMUNICATIONS MDR (A DIVISION OF NORIBCO INC.) APRIL 2017 PRODUCED WITH THE ASSISTANCE OF 1 EXPORTING CANADIAN FEATURE FILMS IN GLOBAL MARKETS Acknowledgements This study was commissioned by the Canadian Media Producers Association (CMPA), in partnership with the Association québécoise de la production médiatique (AQPM), the Cana- da Media Fund (CMF), and Telefilm Canada. The following report solely reflects the views of the authors. Findings, conclusions or recom- mendations expressed in this report are those of the authors and do not necessarily reflect the views of the funders of this report, who are in no way bound by any recommendations con- tained herein. 2 EXPORTING CANADIAN FEATURE FILMS IN GLOBAL MARKETS Executive Summary Goals of the Study The goals of this study were three-fold: 1. To identify key trends in international sales of feature films generally and Canadian independent feature films specifically; 2. To provide intelligence on challenges and opportunities to increase foreign sales; 3. To identify policies, programs and initiatives to support foreign sales in other jurisdic- tions and make recommendations to ensure that Canadian initiatives are competitive. For the purpose of this study, Canadian film exports were defined as sales of rights. These included pre-sales, sold in advance of the completion of films and often used to finance pro- duction, and sales of rights to completed feature films. In other jurisdictions foreign sales are being measured in a number of ways, including the number of box office admissions, box of- fice revenues, and sales of rights. -
"Isaac Larian (President / CEO)" <Lariani1
From: "Isaac Larian (President / CEO)" <[email protected]> Date: June 3, 2019 at 9:40:16 AM PDT To: "Normile, Bob" <[email protected]> Cc: "[email protected]" <[email protected]>, "Capaldo, Mary" <[email protected]> Subject: Re: Follow-up re: Your Letter of 5/21/19 Bob Thanks. Can you please tell me what date is “the relatively near future”? I don’t find that on my calendar. Time is of the essence here. Mattel shares dropped further to $9.67 today as of 9:40 am. Thank you. Best regards Isaac Larian MGA Entertainment 818-894-3150 " Fortune favors the bold" Twitter :@isaaclarian On Jun 3, 2019, at 9:12 AM, Normile, Bob <[email protected]> wrote: CAUTION: This email originated from outside of the MGAE organization. Do not click links or open attachments unless you recognize the sender and know the content is safe. Isaac: As we previously indicated, we will respond to you when the Mattel Board has completed its consideration of your letter. We expect that will be in the relatively near future but it will not be by June 4. Bob On May 31, 2019, at 1:03 PM, Isaac Larian (President / CEO) <[email protected]> wrote: ** This email was sent from an external source ** Ynon and Bob Its been 10 days since my letter. Since then Matte’s stock price and negative press ( for example the latest Washington Post article on killing of 30 babies by a fisher price product) have deteriorated further ( $9.81). You said you will come back to me in “ due course”. -
2013 Movie Catalog © Warner Bros
1-800-876-5577 www.swank.com Swank Motion Pictures,Inc. Swank Motion 2013 Movie Catalog 2013 Movie © Warner Bros. © 2013 Disney © TriStar Pictures © Warner Bros. © NBC Universal © Columbia Pictures Industries, ©Inc. Summit Entertainment 2013 Movie Catalog Movie 2013 Inc. Pictures, Motion Swank 1-800-876-5577 www.swank.com MOVIES Swank Motion Pictures,Inc. Swank Motion 2013 Movie Catalog 2013 Movie © New Line Cinema © 2013 Disney © Columbia Pictures Industries, Inc. © Warner Bros. © 2013 Disney/Pixar © Summit Entertainment Promote Your movie event! Ask about FREE promotional materials to help make your next movie event a success! 2013 Movie Catalog 2013 Movie Catalog TABLE OF CONTENTS New Releases ......................................................... 1-34 Swank has rights to the largest collection of movies from the top Coming Soon .............................................................35 Hollywood & independent studios. Whether it’s blockbuster movies, All Time Favorites .............................................36-39 action and suspense, comedies or classic films,Swank has them all! Event Calendar .........................................................40 Sat., June 16th - 8:00pm Classics ...................................................................41-42 Disney 2012 © Date Night ........................................................... 43-44 TABLE TENT Sat., June 16th - 8:00pm TM & © Marvel & Subs 1-800-876-5577 | www.swank.com Environmental Films .............................................. 45 FLYER Faith-Based -
For Immediate Release
FOR IMMEDIATE RELEASE: MGA Entertainment Announces 2017 Hot Holiday Toys & Top 5 “Gifts to Get Before They’re Gone” Best-Selling Brands ’L.O.L. Surprise!, Num Noms, Project Mc2, and Little Tikes Make Retailers’ Most Wanted Gifts of the Season Van Nuys, Calif., October 5, 2017 – MGA Entertainment, Inc (MGAE), one of the world’s leading privately held toy and family entertainment companies, boasts the most-wanted toys for holiday 2017. The company’s innovative, interactive products top the nation’s major retailers hot holiday toys lists and include something for everyone, from preschoolers to tweens, in several trending categories – Collectibles 2.0, STEAM, Retro Redux, and Classics Reimagined. Driven by its best-selling brands, MGAE is anticipating its most successful holiday season in the history of the company. “The incredible growth of our company is fueled by our product innovation and unique brands,” said Isaac Larian, CEO of MGA Entertainment. “We are excited about our 2017 holiday toys and the joy they will bring to kids and families this season.” MGA Entertainment’s 2017 hot holiday toys list includes top gifts selected by Toys“R”Us, Walmart, Target and Amazon, and high demand toys that may sell out before the holiday season. MGA Entertainment’s Top 5 “Gifts to Get Before They’re Gone” 1. L.O.L. Surprise!™ Big Surprise (Age: 6+, MSRP: $69.99)--Toys“R”Us 2017 Holiday Hot Toy List and Target’s 2017 Top Toys List 2. Project Mc2™ Smart Pixel Purse (Age: 6+, MSRP: $59.99)--Toys“R”Us 2017 Holiday Hot Toy List 3. -
Mogul Studios | White Paper V0.9 Mogul Studios | White Paper V0.9
mogul Mogul Studios | White Paper V0.9 Mogul Studios | White Paper V0.9 MOGUL STUDIOS Liquid Film Financing White Paper v0.9 [email protected] mogul mogulstudios.com | 2 Mogul Studios | White Paper V0.9 Disclaimer The introduction and description of the basic condition of the project in this document is an invitation to the general public. It is not and cannot be regarded as an investment or declaration of commitment to any specific or unspecified subject. It is neither nor can it be considered as a specific team’s project. It’s not a commitment nor a guarantee. The Mogul team reserves all rights to modify, delete, add, abrogate, and interpret related behaviors of this document. Those who have the intention to participate, invest, and cooperate in this project must clearly understand the full risks of this project. Participants shall enter into a written cooperation agreement for participation in this project. The cooperation agreement shall clearly and completely indicate the cooperation, participation or investment. Participants should indicate in written or verbal form that they have fully understood and accepted all the risks that the project has generated or may have, and take corresponding responsibility. mogul mogulstudios.com | 3 Mogul Studios | White Paper V0.9 Mogul will also help optimize the film funding and production process Executive by enhancing financial transparency at every level. No longer will it be possible for filmmakers to hide exorbitant expenses behind the black Summary box of “Hollywood accounting.” Now, investors can ensure things are The movie business has always been done right, with their interests as about making dreams come true -- investors and film fans are always not just the dreams of viewers in considered first. -
Honorsthesis-Wiecedeborahlynn
ACCOUNTING FOR MOTION PICTURES: AN EXAMINATION OF THE QUALITY OF TWO ACCOUNTING STANDARDS An Undergraduate Distinction Project Presented in Partial Fulfillment of the Requirements for Graduation with Distinction in the College of Business at The Ohio State University By Deborah Lynn Wiece * * * * * The Ohio State University 2000 Distinction Examination Committee: Dr. Richard Murdock, Adviser Approved by Dr. Daniel Jensen Dr. Raymond Krasniewski ~~Department of Accounting and MIS ABSTRACT FAS 53, Financial Reporting by Producers and Distributors of Motion Picture Films, was issued in 1981 and set the requirements for external financial reporting in the motion picture industry. However, due primarily to changes in the industry since then, there have been many criticisms regarding the statement. In an attempt to address these criticisms, a proposed Statement of Position (PSOP) was written. This PSOP addresses some of the more controversial accounting methods allowed under FAS 53, and it requires more conservative income recognition policies. The goal of this distinction project was to determine which of these two accounting standards—FAS 53 or the PSOP—is of higher quality, with my hypothesis being that the PSOP was a higher-quality standard. To determine the quality of a standard, one can look at the characteristics, primarily the relevance and reliability, of the information it provides. In order to assess the quality of the information, I asked users of financial statements for their opinions through the use of a survey. 150 surveys were sent out to entertainment industry professionals, public accountants, and university accounting professors, and a response rate of 11.33% was achieved. Despite the low response rate, respondents indicated a preference for the PSOP in most areas. -
TELEVISION NOMINEES DRAMA SERIES Breaking Bad, Written By
TELEVISION NOMINEES DRAMA SERIES Breaking Bad, Written by Sam Catlin, Vince Gilligan, Peter Gould, Gennifer Hutchison, George Mastras, Thomas Schnauz, Moira Walley-Beckett; AMC The Good Wife, Written by Meredith Averill, Leonard Dick, Keith Eisner, Jacqueline Hoyt, Ted Humphrey, Michelle King, Robert King, Erica Shelton Kodish, Matthew Montoya, J.C. Nolan, Luke Schelhaas, Nichelle Tramble Spellman, Craig Turk, Julie Wolfe; CBS Homeland, Written by Henry Bromell, William E. Bromell, Alexander Cary, Alex Gansa, Howard Gordon, Barbara Hall, Patrick Harbinson, Chip Johannessen, Meredith Stiehm, Charlotte Stoudt, James Yoshimura; Showtime House Of Cards, Written by Kate Barnow, Rick Cleveland, Sam R. Forman, Gina Gionfriddo, Keith Huff, Sarah Treem, Beau Willimon; Netflix Mad Men, Written by Lisa Albert, Semi Chellas, Jason Grote, Jonathan Igla, Andre Jacquemetton, Maria Jacquemetton, Janet Leahy, Erin Levy, Michael Saltzman, Tom Smuts, Matthew Weiner, Carly Wray; AMC COMEDY SERIES 30 Rock, Written by Jack Burditt, Robert Carlock, Tom Ceraulo, Luke Del Tredici, Tina Fey, Lang Fisher, Matt Hubbard, Colleen McGuinness, Sam Means, Dylan Morgan, Nina Pedrad, Josh Siegal, Tracey Wigfield; NBC Modern Family, Written by Paul Corrigan, Bianca Douglas, Megan Ganz, Abraham Higginbotham, Ben Karlin, Elaine Ko, Steven Levitan, Christopher Lloyd, Dan O’Shannon, Jeffrey Richman, Audra Sielaff, Emily Spivey, Brad Walsh, Bill Wrubel, Danny Zuker; ABC Parks And Recreation, Written by Megan Amram, Donick Cary, Greg Daniels, Nate DiMeo, Emma Fletcher, Rachna