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Civic Flag Policy
Civic Flag Policy Date Authorised by Council: 10 March 2021 Commencement Date: 11 March 2021 Review Date (4 years from authorised date): March 2025 Responsible Department Governance and Strategy This policy has been adopted by Council. 1 INTRODUCTION The flying of flags is a visible symbol of respect and acknowledgement. Every sovereign nation flies its own national flag as the symbol of the country, of the people, of the ideals and beliefs that those people live by and proclaim. Flying the Aboriginal and Torres Strait Islander flags demonstrates Council’s recognition of First Nation peoples and demonstrates our respect and acknowledgement. The flags that are to be flown permanently pursuant to this policy are the Australian National Flag, Aboriginal and Torres Strait Islander Flags and the Moreland City Council Flag. The Moreland City Council Flag will be substituted with other flags of significance as required by the Community Flag Schedule. Flags flown in accordance with the Community Flag Schedule will be flown in accordance with the relevant protocol and Council resolution. 2 CONTEXT 2.1 Alignment • The Flags Act 1953 • Australian National Flag protocol 3 OBJECTIVES To clearly outline Council’s approach to the flying of the flags at Council’s Town Halls and other facilities and to establish a mechanism to consider requests for flying of flags of significant to the Moreland community. 4 POLICY DETAILS 4.1 AUSTRALIAN NATIONAL FLAG The Australian National Flag is the chief national symbol and was raised for the first time on 3 September 1901 in the presence of the first Australian Prime Minister, the Hon. -
The Story of the Stars & Stripes
The Story of the Stars & Stripes By the US Marine Corps The story of the origin of our national flag parallels the story of the origin of our country. As our country received its birthright from the peoples of many lands who were gathered on these shores to found a new nation, so did the pattern of the Stars and Stripes rise from several origins back in the mists of antiquity to become emblazoned on the standards of our infant Republic. The star is a symbol of the heavens and the divine goal to which man has aspired from time immemorial; the stripe is symbolic of the rays of light emanating from the sun. Both themes have long been represented on the standards of nations, from the banners of the astral worshippers of ancient Egypt and Babylon to the 12-starred flag of the Spanish Conquistadors under Cortez. Continuing in favor, they spread to the striped standards of Holland and the West Indian Company in the 17th century and to the present patterns of stars and stripes on the flags of several nations of Europe, Asia, and the Americas. The first flags adopted by our Colonial forefathers were symbolic of their struggles with the wilderness of a new land. Beavers, pine trees, rattlesnakes, anchors, and various like insignia with mottoes such as “Hope”, “Liberty”, “Appeal to Heaven” or “Don’t Tread on Me” were affixed to the different banners of Colonial America. The first flag of the colonists to have any resemblance to the present Stars and Stripes was the Grand Union flag, sometimes referred to as the “Congress Colors”. -
The Colours of the Fleet
THE COLOURS OF THE FLEET TCOF BRITISH & BRITISH DERIVED ENSIGNS ~ THE MOST COMPREHENSIVE WORLDWIDE LIST OF ALL FLAGS AND ENSIGNS, PAST AND PRESENT, WHICH BEAR THE UNION FLAG IN THE CANTON “Build up the highway clear it of stones lift up an ensign over the peoples” Isaiah 62 vv 10 Created and compiled by Malcolm Farrow OBE President of the Flag Institute Edited and updated by David Prothero 15 January 2015 © 1 CONTENTS Chapter 1 Page 3 Introduction Page 5 Definition of an Ensign Page 6 The Development of Modern Ensigns Page 10 Union Flags, Flagstaffs and Crowns Page 13 A Brief Summary Page 13 Reference Sources Page 14 Chronology Page 17 Numerical Summary of Ensigns Chapter 2 British Ensigns and Related Flags in Current Use Page 18 White Ensigns Page 25 Blue Ensigns Page 37 Red Ensigns Page 42 Sky Blue Ensigns Page 43 Ensigns of Other Colours Page 45 Old Flags in Current Use Chapter 3 Special Ensigns of Yacht Clubs and Sailing Associations Page 48 Introduction Page 50 Current Page 62 Obsolete Chapter 4 Obsolete Ensigns and Related Flags Page 68 British Isles Page 81 Commonwealth and Empire Page 112 Unidentified Flags Page 112 Hypothetical Flags Chapter 5 Exclusions. Page 114 Flags similar to Ensigns and Unofficial Ensigns Chapter 6 Proclamations Page 121 A Proclamation Amending Proclamation dated 1st January 1801 declaring what Ensign or Colours shall be borne at sea by Merchant Ships. Page 122 Proclamation dated January 1, 1801 declaring what ensign or colours shall be borne at sea by merchant ships. 2 CHAPTER 1 Introduction The Colours of The Fleet 2013 attempts to fill a gap in the constitutional and historic records of the United Kingdom and the Commonwealth by seeking to list all British and British derived ensigns which have ever existed. -
Colonial Flags 1775-1781
THE AMERICAN FLAG IS BORN American Heritage Information Library and Museum about A Revolutionary Experience GRAND UNION BETSY ROSS The first flag of the colonists to have any During the Revolutionary War, several patriots made resemblance to the present Stars and Stripes. It was flags for our new Nation. Among them were Cornelia first flown by ships of the Colonial Fleet on the Bridges, Elizabeth (Betsy) Ross, and Rebecca Young, all Delaware River. On December 3, 1775 it was raised of Pennsylvania, and John Shaw of Annapolis, Maryland. aboard Capt. Esek Hopkin's flagship Alfred by John Although Betsy Ross, the best known of these persons, Paul Jones, then a navy lieutenant. Later the flag was made flags for 50 years, there is no proof that she raised on the liberty pole at Prospect Hill, which was made the first Stars and Stripes. It is known she made near George Washington's headquarters in flags for the Pennsylvania Navy in 1777. The flag Cambridge, MA. It was the unofficial national flag on popularly known as the "Betsy Ross Flag", which July 4, 1776, Independence Day; and it remained the arranged the stars in a circle, did not appear until the unofficial national flag and ensign of the Navy until early 1790's. June 14, 1777 when the Continental Congress Provided as a Public Service authorized the Stars and Stripes. for over 115 Years COLONIAL THIRD MOUNTAIN REGIMENT The necessity of a common national flag had not been thought of until the appointment of a committee composed of Benjamin Franklin, Messrs. -
The Eureka Flag
EUREKA EDUCATION — THE EUREKA FLAG 29 THE EUREKA FLAG image, right & p. 29 unknown artist The flag of the Southern Cross (Eureka Flag) 1854 wool, cotton Actual size: 260.0 x 324.0cm (irreg.) Original size: 260.0 x 370.5 cm Gift of the King family, 2001 Collection of the Art Gallery of Ballarat The original Flag of the Southern Cross (The Eureka Flag) can be viewed at the Eureka Centre, on loan from the Art Gallery of Ballarat. It was made in 1854. ORIGINS OF THE FLAG It is not known who designed or made the flag. It is widely believed that it was designed by a Canadian miner, Henry Charles Ross (see Key figures) There are traditional stories which suggest that it may have been sewn by three women – Anne Withers, Anne Duke and Anastasia Hayes (see Women on the goldfields) but there are alternative claims that the claim was made by local tentmakers Edwards and Davis. Neither of these stories have been proven. The flag was first raised at a Ballarat Reform League meeting at Bakery Hill on 29 November 1854. It was then moved to the Eureka Stockade where it was flown until torn down after the battle on 3 December, only five days later. FLAG DESCRIPTION The flag is 2.6 metres high and 4metres wide – more than double the size of a standard flag. The blue fabric is mostly cotton, while wool has been used for the white cross and the stars. The flag is made up of multiple panels of fabric that have been ART stitched together. -
Scanned Using Book Scancenter 5033
Proc. XVII International Congress of Vexillology 149 Copyright ©1999, Southern African Vexillological Assn. Australia’s new flag Peter Martinez (ed.) nullius - land belonging to none - is now discredited.^ Australia’s present makes sense only from its past. The seeds of its future and,its future flag are already there. Integration of symbols requires the integrity of candour. The elemental idea of this paper is that integration of peoples and syrnbols comes from integrity of mind. Integrity will not ignore atrocities. Nor Australia’s new flag - will it cultivate political correctness of one kind or another. Civic harmony grows from mutual respect for different traditions and from shared experience. a pageant of colours and What many in Australia still recognise as mateship. The second point of reference in this paper is the symbolic power of colour. integrated symbols Colour crosses many margins and several meanings. Applied to people who stand behind flags and symbols, colour is an atavistic and sensitive issue in any couptry. Colour, and the differences of which the rainbow is an ancient symbol,^ A.C. Burton is a subtle issue for Australia, which seeks a harmony of cultures. Despite the goodwill and the good works of the last 200 years that out- measure mcdice, Australia is still a whole continent where a nation-state - but ABSTRACT: The history and significance of colour themes in Aus not quite a state of nation - has been built upon the dispossession of peo tralian vexillography are explored to provide a reference pdint for ples. Sovereign in custom, language, ritual, religion, in seals and symbols, and evolving and depicting old symbols in a new way, to weave from an above all in deep relationship to the land, Australia’s Aboriginal people are still ancient Dreaming new myths for a nation’s healing. -
An Argument from Design
Raising the Standard: An Argument from Design Tony Burton Abstract The creative process and principles informing the design of some special purpose and other flags lead to conclusions for flag design in general. The dynamics of metaphor and shape- shifting are considered. The scope for greater pageantry and innovation in flag design is explored. Current national flags of complex or awkward design present a challenge. Possible remedies are suggested. To paraphrase a famous utterance, the known delivers the unknown, and as at least one national flag of recent vintage demonstrates, the unknown can lead to an unforeseen, but serendipitous result. Among the many instances of how not to design a flag, how to is more worthwhile. Vexillologists have higher standards. Proceedings of the 24th International Congress of Vexillology, Washington, D.C., USA 1–5 August 2011 © 2011 North American Vexillological Association (www.nava.org) 83 RAISING THE STANDARD: AN ARGUMENT FROM DESIGN Tony Burton Flags Australia Tony Burton—Raising the Standard 84 Proceedings of the 24th International Congress of Vexillology—2011 RAISING THE STANDARD: AN ARGUMENT FROM DESIGN INTRODUCTION FLAG DESIGN REALITIES GUIDELINES SOME CONGRESS FLAGS ICV 24 ICV 26 SHAPE-SHIFTING ICV 8 OTHER FLAGS CANADA BANGLADESH SURINAM(E) SOUTH AFRICA DESIGN CHANGE POSSIBILITIES MOZAMBIQUE CYPRUS DOMINICA ST VINCENT AND THE GRENADINES DESIGN ECONOMY AND A FUTURE FLAG AUSTRALIA EUREKA A CONSERVATIVE APPROACH RADICAL ORIGAMI A PARAGON OF DESIGN PRACTICAL GUIDELINES THE EUREKA MOMENT —A THEORETICAL FRAMEWORK NOTES BIBLIOGRAPHY APPENDIX A BANNER OF THE 26TH ICV SYDNEY 2015 APPENDIX B CANADA’S FLAG DESIGN QUEST Tony Burton—Raising the Standard 85 Proceedings of the 24th International Congress of Vexillology—2011 RAISING THE STANDARD: AN ARGUMENT FROM DESIGN INTRODUCTION Flags have evolved in many ways from the medieval models paraphrased in the title slide— and not always with their clarity and flair. -
Australia's Flag and Learn Why Australia's Only Pandas Might Be Headed Home to China
Episode 25 3rd September 2019 Amazon Fires 1. Discuss the Amazon Fires story as a class and record the main points of the discussion. 2. Where is the Amazon rainforest? Find using Google Maps. 3. Which South American country has most of the Amazon rainforest? 4. Complete the following sentence. The Amazon is the most biologically ____________ place on Earth. 5. How far away can the smoke from the fires in the Amazon be seen? 6. What Brazilian city was covered by so much smoke the skies went dark like night time? 7. What harmful gas is being produced by the fires? 8. How did the fires start? 9. The Amazon acts as a carbon sponge. What does this mean? 10. How have people reacted to the fires in the Amazon rainforest? Check out the Amazon Fires resource on the Teachers page. Second World War 1. Discuss the BTN Second World War story as a class and record the main points of the discussion. 2. At the end of the First World War what document did many countries sign? 3. Who was Adolf Hitler? 4. What year was Austria invaded by the Nazis? 5. Who were Britain’s and France’s Allies? 6. In 1941 Japan bombed Pearl Harbour. Where in the US is Pearl Harbour? 7. What was the Holocaust? 8. In which country did the US drop two nuclear bombs? 9. What words would you use to describe the Second World War? 10. What questions do you have about the BTN story? Music Rights 1. Before watching the BTN story discuss what you know about music rights. -
Objection Received to the Australia First Party Logo Application
26 April 2016 The Manager Australian Electoral Commission National Office Locked Bag 4007 CANBERRA ACT 2601 Via email [email protected] and facsimile 02 6215 9999 Dear Sir or Madam, Opposition to the registration of the proposed logo for the ‘Australia First’ party. The Australian Worker’s Union is Australia’s largest blue-collar union with a history dating back until 1896. Our union has been central to the industrial history of Australia and, on this basis, the AWU feels qualified to oppose the logo registration proposed by the so-called ‘Australia First’ party. While not wishing to provide the Australian Electoral Commission with a history lesson of which it is no doubt aware, it is vital to understand the cultural underpinnings of the Eureka Flag. Put simply, the Eureka Flag is central to Australia’s history and its working class values. It has a legendary status and understood meaning in the community. The Eureka Flag is central to the iconic Eureka Stockade dispute of 1854, an event that many unions jointly lay claim to in their historic and cultural underpinnings. The original flag still exists in the Ballarat Fine Art Museum where it stands as an icon to working Australians. The AWU encourages the AEC to closely consider and investigate the rich history of the symbol. Such national cultural icons are not for political hijacking. They should not be the plaything of those who seek to benefit from their appropriation. The AWU notes that the Electoral Commission can refuse to register a logo of a political party if the logo “is obscene; or so nearly resembles the logo of any other person that it is likely to be confused with or mistaken for that logo.” For the ‘Australia First’ party to attempt to hijack the Eureka Flag offensive to all trade unionists past and present. -
Seeking an Emblem Observations on the Tradition of the New Zealand Ensign
Seeking an Emblem Observations on the Tradition of the New Zealand Ensign By Tim Kerr 2 Seeking an Emblem Observations on the Tradition of the New Zealand Ensign By Tim Kerr ISBN 978-0-473-34875-5 Published by Tim Kerr Tika Media Ltd P O Box 12 043 Christchurch 8242 Copyright © 1 January 2016 T D Kerr Hard copy versions printed and bound by Angus Donaldson Copy Service 430 Colombo St, Sydenham, Christchurch Front cover illustration from the NZ Government website [email protected] The NZ flag – your choice to decide. 3 Seeking an Emblem Observations on the Tradition of the New Zealand Ensign Tim Kerr, December 2015 So, we need a new national flag? We are going through a voting process to decide the need – and the design – of a representative New Zealand national flag – an ‘ensign’. Before everyone rushes out to vote for a new flag it would pay to know a little about flags. They have been around for a long time, and there is considerable formal etiquette in the design, construction and flying of national flags. In the present debate about the New Zealand flag there are three objections to the current design: 1: Its lack of uniqueness fails to tell the rest of the world who we are. 2: It is too similar to the Australian Federal ensign 3: It has a British union ‘jack’ in the canton – the first or ‘hoist’ quarter of a flag. One of the first considerations as we explore the debate is the subtle difference between a national flag, a national ensign and a standard. -
Aboriginal and Torres Strait Islander Flags
Aboriginal and Torres Strait Islander Flags Aboriginal Flag The Aboriginal flag was created as a symbol of unity and national identity for Aboriginal people during the land rights movement of the early 1970s. The flag was designed by Harold Thomas, a Luritja man of Central Australia, and was first flown on National Aboriginal Day in Adelaide in 1971. In 1972, the flag became the official flag for the Aboriginal Embassy in front of Parliament House in Canberra. In 1995, the Aboriginal Flag was recognised by the Australian Government as an official 'Flag of Australia' under the Flags Act 1953. Symbolic meaning The flag consists of a colored rectangle divided in half horizontally, the upper half black and lower red. A yellow circle sits at the centre of the rectangle. The colors represent the Aboriginal people of Australia, the red ochre color of earth and a spiritual relation to the land and the sun, the giver of life and protector. Torres Strait Islander Flag The Torres Strait Islander flag was designed by the late Bernard Namok from Thursday Island in January 1992. The flag was officially recognised by the Australian Government as an official 'Flag of Australia' under the Flags Act 1953. Symbolic meaning The flag consists of horizontal bands: two green and one blue, separated by black lines; a Dhari which is a distinctive traditional dance and ceremonial headdress; and a five-pointed star are central motifs of the flag. Each part of the flag gives meaning to the Torres Strait Island culture: Green: represent the mainlands of Australia and Papua New Guinea. -
Australian Working Songs and Poems - a Rebel Heritage
University of Wollongong Research Online University of Wollongong Thesis Collection 1954-2016 University of Wollongong Thesis Collections 2014 Australian working songs and poems - a rebel heritage Mark Gregory University of Wollongong, [email protected] Follow this and additional works at: https://ro.uow.edu.au/theses University of Wollongong Copyright Warning You may print or download ONE copy of this document for the purpose of your own research or study. The University does not authorise you to copy, communicate or otherwise make available electronically to any other person any copyright material contained on this site. You are reminded of the following: This work is copyright. Apart from any use permitted under the Copyright Act 1968, no part of this work may be reproduced by any process, nor may any other exclusive right be exercised, without the permission of the author. Copyright owners are entitled to take legal action against persons who infringe their copyright. A reproduction of material that is protected by copyright may be a copyright infringement. A court may impose penalties and award damages in relation to offences and infringements relating to copyright material. Higher penalties may apply, and higher damages may be awarded, for offences and infringements involving the conversion of material into digital or electronic form. Unless otherwise indicated, the views expressed in this thesis are those of the author and do not necessarily represent the views of the University of Wollongong. Recommended Citation Gregory, Mark, Australian working songs and poems - a rebel heritage, Doctor of Philosophy thesis, School of Humanities and Social Inquiry - History and Politics, University of Wollongong, 2014.