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Cambridge University Press 978-0-521-84606-6 - The Cambridge Companion to the Actress Edited by Maggie B. Gale and John Stokes Index More information INDEX accents, middle class, 129 Adler, Stella, and Red Channels, 138 changes in, 130 African-American actresses Achurch, Janet, and new drama, 261, Harlem Renaissance, 217–18 262 typecasting, 215 actor-managers Agate, May lack of female parts, 157–8, 168 Bernhardt’s death scenes, 258 role of, 159 Bernhardt’s use of technique, 260, Actors’ Association, 96 261 reconstituted as union, 96 Agboluaje, Dipo, and Brecht’s Mother actors’ union, need for, 96 Courage, 221 actress, use of term, 11, 17 Aide,´ Hamilton, 61 actress managers, 7, 170 Alboni, 64 commercial success of, 161 Alexander, George, appeal for male students critical reaction to, 167–9 at RADA, 101 domination of Spanish stage, 276 Alexander, Helen, on casting established stars, 184 Shakespeare, 317 family relationships, 162–4 Almodovar,´ Pedro, 275 social and professional stigma, 158 American actresses, employed as leads, 203 staging of plays with strong women American Civil Rights movement, 143 characters, 168 Anderson, Mary actresses memoirs, 181 earnings compared with men, 24 motives for writing, 183 as fallen women, 3 photographs of, 88 commodities of exchange, 254 Andreini, Isabella, 1 redemption through celebrity status, Angelou, Maya 253–4 American Civil Rights movement, 143–4 similarity with own life, 253 biography, 149 improved social status of, 42–4 Angier, L’Aventuriere` , 254 involved in production, 29 anti-semitism, and
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