Annette Bening Honors the Great Ruth Draper By
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Drama Book Shop Became an Independent Store in 1923
SAVORING THE CLASSICAL TRADITION IN DRAMA ENGAGING PRESENTATIONS BY THE SHAKESPEARE GUILD I N P R O U D COLLABORATION WIT H THE NATIONAL ARTS CLUB THE PLAYERS, NEW YORK CITY THE ENGLISH-SPEAKING UNION SALUTING A UNIQUE INSTITUTION ♦ Monday, November 26 Founded in 1917 by the Drama League, the Drama Book Shop became an independent store in 1923. Since 2001 it has been located on West 40th Street, where it provides a variety of services to the actors, directors, producers, and other theatre professionals who work both on and off Broadway. Many of its employees THE PLAYERS are young performers, and a number of them take part in 16 Gramercy Park South events at the Shop’s lovely black-box auditorium. In 2011 Manhattan the store was recognized by a Tony Award for Excellence RECEPTION 6:30, PANEL 7:00 in the Theatre . Not surprisingly, its beneficiaries (among them Admission Free playwrights Eric Bogosian, Moises Kaufman, Lin-Manuel Reservations Requested Miranda, Lynn Nottage, and Theresa Rebeck), have responded with alarm to reports that high rents may force the Shop to relocate or close. Sharing that concern, we joined The Players and such notables as actors Jim Dale, Jeffrey Hardy, and Peter Maloney, and writer Adam Gopnik to rally support for a cultural treasure. DAKIN MATTHEWS ♦ Monday, January 28 We look forward to a special evening with DAKIN MATTHEWS, a versatile artist who is now appearing in Aaron Sorkin’s acclaimed Broadway dramatization of To Kill a Mockingbird. In 2015 Dakin portrayed Churchill, opposite Helen Mirren’s Queen Elizabeth II, in the NATIONAL ARTS CLUB Broadway transfer of The Audience. -
The 2014 GALA EVENING Will Support
The 2014 GALA EVENING will support Theatre Communications Group’s core programs including its grantmaking arm, now celebrating more than 40 years of providing transformative grants to artists and theatre companies. This special evening will celebrate not only the work TCG has done, but also the indelible contribution made by all TCG grantees to the American theatre field. For more than 50 years, Theatre Communications Group (TCG), the national organization for theatre, has existed to strengthen, nurture and promote the professional not-for-profit American theatre. TCG’s constituency has grown from a handful of groundbreaking theatres to nearly 700 member theatres and affiliate organizations and more than 12,000 individuals nationwide. TCG offers its members networking and knowledge-building opportunities through conferences, events, research and communications; awards grants, approximately $2 million per year, to theatre companies and individual artists; advocates on the federal level; and serves as the US Center of the International Theatre Institute, connecting its constituents to the global theatre community. TCG is North America’s largest independent trade publisher of dramatic literature, with 13 Pulitzer Prizes for Best Play on the TCG booklist. It also publishes the award-winning AMERICAN THEATRE magazine and ARTSEARCH®, the essential source for a career in the arts. In all of its endeavors, TCG seeks to increase the organizational efficiency of its member theatres, cultivate and celebrate the artistic talent and achievements of the field and promote a larger public understanding of, and appreciation for, the theatre. For more information, visit www.tcg.org. TCG BOARD OF DIRECTORS Sarah Bellamy Michelle Hensley Lynn Nottage Sean San José Joseph P. -
2018 Annual Report
Annual Report 2018 Dear Friends, welcome anyone, whether they have worked in performing arts and In 2018, The Actors Fund entertainment or not, who may need our world-class short-stay helped 17,352 people Thanks to your generous support, The Actors Fund is here for rehabilitation therapies (physical, occupational and speech)—all with everyone in performing arts and entertainment throughout their the goal of a safe return home after a hospital stay (p. 14). nationally. lives and careers, and especially at times of great distress. Thanks to your generous support, The Actors Fund continues, Our programs and services Last year overall we provided $1,970,360 in emergency financial stronger than ever and is here for those who need us most. Our offer social and health services, work would not be possible without an engaged Board as well as ANNUAL REPORT assistance for crucial needs such as preventing evictions and employment and training the efforts of our top notch staff and volunteers. paying for essential medications. We were devastated to see programs, emergency financial the destruction and loss of life caused by last year’s wildfires in assistance, affordable housing, 2018 California—the most deadly in history, and nearly $134,000 went In addition, Broadway Cares/Equity Fights AIDS continues to be our and more. to those in our community affected by the fires and other natural steadfast partner, assuring help is there in these uncertain times. disasters (p. 7). Your support is part of a grand tradition of caring for our entertainment and performing arts community. Thank you Mission As a national organization, we’re building awareness of how our CENTS OF for helping to assure that the show will go on, and on. -
The Lady Onstage by Erin Bregman
The Lady Onstage by Erin Bregman Resource Guide for Teachers Created by: Lauren Bloom Hanover, Director of Education Jeff Denight, Dramaturgy Intern 1 Table of Contents About Profile Theatre 3 How to Use This Resource Guide 4 The Artists 5 Lesson 1: Historical Context 6 Classroom Activities: 1) Biography and Context 6 2) Knipper and Chekov in Their Own Words 6 3) The Development of The Lady Onstage 8 4) Considering Contemporary Cultural Shifts (Homework) 9 Supplemental Materials 10 Lesson 2: The Process of Play Development 21 Classroom Activities 1) Where Do New Plays Come From? 21 2) Exploring a Play We Know 23 3) How to Start - the Development Process in Action 24 4) Starting Your Own Play (Homework) 24 Supplemental Materials 26 Lesson 3: One Person Plays - A Unique Challenge 34 Classroom Activities 1) Exploring Single-Character Monologues 34 2) Exploring Multi-character Solo Performances 35 3) Writing Your Own Monologue (Homework) 36 Supplemental Materials 38 Lesson 4: Chekhov Today: Translations and Adaptations 41 Classroom Activities 1) Exploring Translations 42 2) Exploring Work Inspired by Chekhov 42 3) Creating Your Own Adaptation 43 Supplemental Materials 44 Lesson 5: Reflecting on the Performance Classroom Activities 1) Classroom Discussion and Reflection 52 2) What We’ve Learned 52 3) Creative Writing (Homework) 53 2 About Profile Theatre Profile Theatre was founded in 1997 with the mission of celebrating the playwright’s contribution to live theater. Each year Profile produces a season of plays devoted to a single playwright, engaging with our community to explore that writer’s vision and influence on theatre and the world at large. -
Twilight Los Angeles 2015
WNET Contact: Harry Forbes 212-560-8027 or [email protected] Press materials: http://www.thirteen.org/13pressroom/ Website: http://www.pbs.org/wnet/gperf/ Facebook: http://www.facebook.com/GreatPerformances Twitter: @GPerfPBS Anna Deavere Smith’s Twilight: Los Angeles Receives Special Encore Presentation on Great Performances Friday, June 12 at 9 p.m. on PBS Film adaptation of acclaimed stage drama returns on 23 rd anniversary of Los Angeles riots, dramatizing civil unrest in aftermath of Rodney King verdict When Anna Deavere Smith’s drama Twilight: Los Angeles premiered in Los Angeles at the Mark Taper Forum, it made national news for its unique and unflinching look at the fallout from the 1992 Los Angeles riots. Not only did Smith capture the tumultuous aftermath of the Rodney King trial verdict, she created a searing, innovative and truly American piece of theater by exploring the riots from multiple points of view. On April 22, 2012, David L. Ulin, Los Angeles Times book critic, assessing the literature of those riots, wrote, “the most comprehensive literary response to the riots remains Anna Deavere Smith's ‘Twilight: Los Angeles, 1992,’ a theater piece, written and performed by an outsider who channels the cacophony of voices at the city's heart.” 2 Now, on the 23rd anniversary of the Los Angeles riots, THIRTEEN’s Great Performances presents a special encore of Marc Levin ’s film adaptation Friday, June 12 at 9 p.m. ET (check local listings). Smith provides a new introduction to her landmark piece as its themes continue to reverberate powerfully within the context of today’s current events. -
Wellesley News
Wellesley College Library Wellesley College toellede XLVH 2 311 WELLESLEY, MASS., JANUARY 26, 1939 No. 15 Wellesley Will Leslie Glenn To Ruth Draper Conduct Forum Hear E. Fermi Four Day Forum Will Start Soon, To Present Schedule Will Include Chapel Italian Professor Was Winner And Dormitory Meetings Of Nobel Physics Prize Monologues For Research Work C. Leslie Glenn of Christ Church, Cambridge, will conduct the Religious Speech Department Sponsors Forum at Wellesley The Chemistry, Physics, and Ital- which will begin Well Known Actress In Sunday, February 19, and continue ian Departments will present Profes- Character Sketches sor Enrico Fermi of the University through Wednesday, February 22. A discussion of "Christian Faith and of Rome, to Wellesley as lecturer, Ruth Draper, world famous mono- Friday, February 17, at 8 p.m., in Living," conducted by Mr. Glenn, loguist, will present a program of Pendleton Hall. Professor Fermi has will open the Forum at the regular "Character Sketches", Monday eve- recently won the Nobel Prize in Sunday morning chapel service. ning, February 13, at 8:15 p.m. in Physics for his discovery of the fact A vesper service will take place TRUSTEES OFFER Alumnae Hall. Probably the fore- that bombardment with neutrons in- TWO Sunday evening, February 19. The most exponent of the "One Man duces artificial radioactivity. Pro- SCHOLARSHIPS YEARLY six meetings to be held during the Show". Miss Draper has performed fessor Fermi subsequently showed remaining days will include after- numerous times in York that the heaviest element, uranium, Senior Girls Will Continue Work noon chapel at 4:45 p.m. -
1 Nominations Announced for the 19Th Annual Screen Actors Guild
Nominations Announced for the 19th Annual Screen Actors Guild Awards® ------------------------------------------------------------------------------------------------------------------------------ Ceremony will be Simulcast Live on Sunday, Jan. 27, 2013 on TNT and TBS at 8 p.m. (ET)/5 p.m. (PT) LOS ANGELES (Dec. 12, 2012) — Nominees for the 19th Annual Screen Actors Guild Awards® for outstanding performances in 2012 in five film and eight primetime television categories as well as the SAG Awards honors for outstanding action performances by film and television stunt ensembles were announced this morning in Los Angeles at the Pacific Design Center’s SilverScreen Theater in West Hollywood. SAG-AFTRA Executive Vice President Ned Vaughn introduced Busy Philipps (TBS’ “Cougar Town” and the 19th Annual Screen Actors Guild Awards® Social Media Ambassador) and Taye Diggs (“Private Practice”) who announced the nominees for this year’s Actors®. SAG Awards® Committee Vice Chair Daryl Anderson and Committee Member Woody Schultz announced the stunt ensemble nominees. The 19th Annual Screen Actors Guild Awards® will be simulcast live nationally on TNT and TBS on Sunday, Jan. 27 at 8 p.m. (ET)/5 p.m. (PT) from the Los Angeles Shrine Exposition Center. An encore performance will air immediately following on TNT at 10 p.m. (ET)/7 p.m. (PT). Recipients of the stunt ensemble honors will be announced from the SAG Awards® red carpet during the tntdrama.com and tbs.com live pre-show webcasts, which begin at 6 p.m. (ET)/3 p.m. (PT). Of the top industry accolades presented to performers, only the Screen Actors Guild Awards® are selected solely by actors’ peers in SAG-AFTRA. -
Post No Bills
Rattlestick Playwrights Theater gratefully relies on donor support. Giving has never been easier. Use your phone to scan the QR code and donate now.. Post No Bills Or, detach the form below and return it to the house manager - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Name Billing address City, ST, Zip Code I (we) pledge a total of $____________________ to be paid: ☐now ☐monthly ☐quarterly ☐yearly. Credit card number | Exp. date By Mando Alvarado Authorized Signature Directed by Please make checks, corporate matches, or other gifts payable to: Michael Ray Escamilla Rattlestick Productions, Inc. 224 Waverly Place, New York, NY 10014 I (we) would like Rattlestick to use the following name(s) in all acknowledgements: ________________________________ ☐I (we) wish to have our gift remain anonymous. Support Rattlestick: As a nonprofit theater serving New York receive additional discounts, invitations City for the past 20 years, Rattlestick to private events, benefits and more. For Presents Playwrights Theater relies on the gener- more information, or to make a contri- osity of its patrons who donate through- bution, visit our website at out the season. Our Patron Program is a www.rattlestick.org/donatetorattlestick THE FEW new initiative for our most dedicated or contact: supporters to become a vital part of the Hannah Baxter by Rattlestick family, with seven levels of Individual Giving Manager giving tailored to fit all of our patrons, [email protected] Samuel D. Hunter no matter your budget. Please consider making a donation to Rattlestick and directed by 1. Friend—$75 Davis McCallum 25% discount on tickets to shows throughout the season 2. Donor—$150 50% discounts on tickets to shows throughout the season with 3. -
2021 Program
This organization is funded in part by the National Endowment for the Arts and the SC Arts Commission. Thirteen Years of Joye in Aiken In this year of change, when it has sometimes seemed as if nothing might ever be normal again, one thing that has not changed is the importance of the arts in our lives. Especially where sources of hope and inspiration are few, the arts retain their power to energize and refresh us. And so it is with even greater pleasure than usual that we welcome you (digitally, to be sure) to the 13th Annual Joye in Aiken Festival and Outreach Program. Though COVID-19 has forced us to rethink timeframes, formats and venues in the interest of ensuring the safety of our community and our artists, we have embraced those challenges as opportunities. If a single Festival week presented dangers, could we spread the events out to allow for responses to changing conditions? If it wasn’t possible to hold an event indoors, could we hold it outdoors? With those questions and a thousand others answered, we are proud to present to you a Festival that is necessarily different in many respects, but that is no less exciting. And because it’s so central to our mission, we’re especially proud to introduce to you an important new dimension of our Outreach Program. With COVID making it impossible for us to present our usual Kidz Bop and Young People’s Concerts, we turned to our nationally-known artists for help. And their solution was perfect: two engaging series of instructional videos designed specifically for the children of Aiken County by these world-class musicians. -
Respect for Acting Ffirs.Qxd 5/7/08 12:54 PM Page Ii
ffirs.qxd 5/7/08 12:54 PM Page vi ffirs.qxd 5/7/08 12:54 PM Page i respect for acting ffirs.qxd 5/7/08 12:54 PM Page ii Respect for Acting was first published in 1973 with the cover above. This edition reprints the original without alteration. ffirs.qxd 5/7/08 12:54 PM Page iii respect for acting uta hagen with haskel frankel John Wiley & Sons, Inc. ffirs.qxd 5/7/08 12:54 PM Page iv Copyright © 1973 by Uta Hagen. All rights reserved Foreword copyright © 2008 by David Hyde Pierce Published by John Wiley & Sons, Inc., Hoboken, New Jersey Published simultaneously in Canada No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning, or otherwise, except as permitted under Section 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropri- ate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 646-8600, or on the web at www.copyright.com. Requests to the Publisher for permission should be addressed to the Permissions Department, John Wiley & Sons, Inc., 111 River Street, Hoboken, NJ 07030, (201) 748-6011, fax (201) 748-6008, or online at http://www.wiley.com/go/permissions. Limit of Liability/Disclaimer of Warranty: While the publisher and the author have used their best efforts in preparing this book, they make no representa- tions or warranties with respect to the accuracy or completeness of the contents of this book and specifically disclaim any implied warranties of merchantability or fitness for a particular purpose. -
Age and the Politics of Performing King Lear - Successfully!
The Kennesaw Journal of Undergraduate Research Volume 7 Issue 1 Article 2 2020 Too Young or Too Old? Age and The Politics of Performing King Lear - Successfully! Jim B. Wallace Kennesaw State University, [email protected] Follow this and additional works at: https://digitalcommons.kennesaw.edu/kjur Part of the Acting Commons, Dramatic Literature, Criticism and Theory Commons, Literature in English, British Isles Commons, Other Theatre and Performance Studies Commons, Performance Studies Commons, and the Theatre History Commons Recommended Citation Wallace, Jim B. (2020) "Too Young or Too Old? Age and The Politics of Performing King Lear - Successfully!," The Kennesaw Journal of Undergraduate Research: Vol. 7 : Iss. 1 , Article 2. Available at: https://digitalcommons.kennesaw.edu/kjur/vol7/iss1/2 This Article is brought to you for free and open access by the Office of Undergraduate Research at DigitalCommons@Kennesaw State University. It has been accepted for inclusion in The Kennesaw Journal of Undergraduate Research by an authorized editor of DigitalCommons@Kennesaw State University. For more information, please contact [email protected]. Too Young or Too Old? Age and The Politics of Performing King Lear - Successfully! Cover Page Footnote This paper would not have seen the light of day without the support, encouragement, thoughtful guidance and research guidance provided by my faculty advisor, Dr. Angela Farr Schiller. I am deeply indebted to her for her kindness and guidance throughout this experience. I would also like to thank my wife, Ann, for her patience as I spent many hours revising and revising and revising . This article is available in The Kennesaw Journal of Undergraduate Research: https://digitalcommons.kennesaw.edu/ kjur/vol7/iss1/2 Wallace: Too Young Too Old?: Age and The Politics of Performing King Lear - Successfully! Too Young or Too Old? Age and The Politics of Performing King Lear - Successfully! Jim B. -
THE KEY REPORTER Which Involves Science and Technology Is Accentuated
REPORTER SPRING 1962 Institute and finally in 1911 to Hollins New Chapters Receive Charters College. The curriculum is drawn up with the idea that a common body of knowledge be held by all graduates, AT LAKE FOREST, Illinois, on The 166th chapter of Phi Beta Kappa but with sufficient flexibility to allow the February 9, Senator Laurence M. Iota of Virginia was installed at fullest development of the aptitudes and Gould, president of Carleton Col Hollins College on February 20 by proficiencies of the student. In its con lege, installed the Theta Chapter of Il William C. DeVane, president of the cern for widening the horizons of the linois at Lake Forest College. The charter United Chapters. John A. Logan, pres young woman of today, Hollins has de was accepted by the chapter president, ident of the college and of the chapter, veloped a foreign study program Hol Harold R. Hutcheson, professor of Eng accepted the charter for the fourteen lins Abroad, Russian Area Study, and lish, in behalf of the fourteen charter founding members in formal evening strong modern language offerings with members at a morning convocation in the ceremonies in the college Little Theater. emphasis on native-speaking faculty and First Presbyterian Church. The installation was followed by the modern language laboratory equipment. Adlai E. Stevenson, U.S. Ambassador initiation of eight alumnae members and The official installation ceremonies of to the United Nations, and Herbert L. four members in course. the Fordham University chapter of Phi Block, political cartoonist of the Wash Located five miles north of Roanoke, Beta Kappa, Tau of New York, were ington Post and Times-Herald, were Virginia, Hollins is a liberal arts college held on the evening of March 1, in the elected to honorary membership in the for women.