PLEASE SILENCE ALL ELECTRONIC MOBILE DEVICES PROGRAM SHORELINE SYMPHONIC WINDS Greg Flores—Conductor
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Romantic Listening Key
Name ______________________________ Romantic Listening Key Number: 7.1 CD 5/47 pg. 297 Title: Symphonie Fantastique, 4th mvmt Composer: Berlioz Genre: Program Symphony Characteristics Texture: ____________________________________________________ Text: _______________________________________________________ Voicing/Instrumentation: orchestra What I heard: timp start, high bsn solo Number: 7.2 CD 6/11 pg 339 Title: The Moldau Composer: Smetana Genre: symphonic poem Characteristics Texture: homophonic Text: _______________________________________________________ Voicing/Instrumentation: orchestra What I heard: flute start Sections: two springs, the river, forest hunt, peasant wedding, moonlight dance of river nymphs, the river, the rapids, the river at its widest point, Vysehrad the ancient castle Name ______________________________ Number: 7.3 CD 5/51 pg 229 Title: Symphonie Fantastique, 5th mvmt (Dream of a Witch's Sabbath) Composer: Berlioz Genre: program symphony Characteristics Texture: homophonic Text: _______________________________________________________ Voicing/Instrumentation: orchestra What I heard: funeral chimes, clarinet idee fix, trills & grace notes Number: 7.4 website Title: 1812 Overture Composer: Tchaikovsky Genre: concert overture Characteristics Texture: homophonic Text: _______________________________________________________ Voicing/Instrumentation: orchestra What I heard: soft beginning, hunter motive, “Go Napoleon”, the battle Name ______________________________ Number: 7.5 website Title: The Sorcerer's Apprentice -
Celebrations Press PO BOX 584 Uwchland, PA 19480
Enjoy the magic of Walt Disney World all year long with Celebrations magazine! Receive 1 year for only $29.99* *U.S. residents only. To order outside the United States, please visit www.celebrationspress.com. Subscribe online at www.celebrationspress.com, or send a check or money order to: Celebrations Press PO BOX 584 Uwchland, PA 19480 Be sure to include your name, mailing address, and email address! If you have any questions about subscribing, you can contact us at [email protected] or visit us online! Cover Photography © Garry Rollins Issue 67 Fall 2019 Welcome to Galaxy’s Edge: 64 A Travellers Guide to Batuu Contents Disney News ............................................................................ 8 Calendar of Events ...........................................................17 The Spooky Side MOUSE VIEWS .........................................................19 74 Guide to the Magic of Walt Disney World by Tim Foster...........................................................................20 Hidden Mickeys by Steve Barrett .....................................................................24 Shutters and Lenses by Mike Billick .........................................................................26 Travel Tips Grrrr! 82 by Michael Renfrow ............................................................36 Hangin’ With the Disney Legends by Jamie Hecker ....................................................................38 Bears of Disney Disney Cuisine by Erik Johnson ....................................................................40 -
MODEST MUSSORGSKY Born March 21, 1839 in Karevo, Pskov District, Russia; Died March 28, 1881 in St
MODEST MUSSORGSKY Born March 21, 1839 in Karevo, Pskov District, Russia; died March 28, 1881 in St. Petersburg A Night on Bald Mountain (1867; arranged in 1886) Arranged by Nikolai Rimsky-Korsakov (1844-1908) PREMIERE OF WORK: St. Petersburg, October 15, 1886 Russian Symphony Orchestra Nikolai Rimsky-Korsakov, conductor APPROXIMATE DURATION: 12 minutes INSTRUMENTATION: woodwinds in pairs plus piccolo, four horns, two trumpets, three trombones, tuba, timpani, percussion, harp and strings In the 1860s, Russian music was just beginning to find its distinctive voice. A number of composers — Balakirev, Cui, Borodin, Rimsky-Korsakov and Mussorgsky — explored native musical and folkloric sources as the basis of a national art, and became loosely confederated into a group known as “The Mighty Handful” in Russia and “The Five” in the West. Since their works took their inspiration largely from indigenous legends and folk music, Mussorgsky considered himself lucky to receive a commission in 1861 (when he was just 21) for a dramatic musical composition based on a specifically Russian subject. On January 7th, he wrote to his mentor, Balakirev, “I have received an extremely interesting commission [for music for a drama titled The Witch by his friend Baron Georgy Fyodorovitch Mengden], which I must prepare for next summer. It is this: a whole act to take place on Bald Mountain … a Witches’ Sabbath, separate episodes of sorcerers, a solemn march for all this nastiness, a finale — the glorification of the Sabbath into which is introduced the commander of the whole festival on the Bald Mountain. The libretto is very good. I already have some material for it; it may turn out to be a very good thing.” The mountain to which Mussorgsky referred, well known in Russian legend, is Mount Triglav, near Kiev, reputed to be the site of the annual witches’ sabbath that occurs on St. -
Mallory Troyer Final Version Master's Report
The Report Committee for Mallory Maria Troyer Certifies that this is the approved version of the following report: Life and Art in Paris: Stravinsky’s Le Sacre du printemps APPROVED BY SUPERVISING COMMITTEE: Supervisor: Elliott Antokoletz Marianne Wheeldon Life and Art in Paris: Stravinsky’s Le Sacre du printemps by Mallory Maria Troyer, B.Music Report Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Master of Music The University of Texas at Austin May 2014 Abstract Life and Art in Paris: Stravinsky’s Le Sacre du printemps Mallory Maria Troyer, M.Music The University of Texas at Austin, 2014 Supervisor: Elliott Antokoletz At the turn of the twentieth century, Paris was an international center for music, art, and fashion. It fostered the creation of a variety of innovative artistic developments and is widely considered to be the birthplace of Modernism. Stravinsky’s Le Sacre du printemps, the epitome of modernist innovation, could only have happened in this unique cultural climate in the context of the Franco-Russian alliance. Stravinsky’s early musical development reached its peak in his early ballets, most notably Le Sacre du printemps. This work is a culmination of the multiplicity of cultural activities that include art, scenario, choreography, and music that came together in Paris. In this essay, I will explore the various ways in which the city of Paris in the beginning of the twentieth century influenced Stravinsky’s musical voice. My discussion moves from an overview of the city to Stravinsky, exploring the ways in which the Parisian environment shaped his compositional style. -
Rimsky-Korsakov Romances
booklet-paginated:cover 11/09/2017 12:02 Page 1 5060192780772 RIMSKY-KORSAKOV ROMANCES Anush Hovhannisyan Yuriy Yurchuk Sergey Rybin 28 1 booklet-paginated:cover 11/09/2017 12:02 Page 3 Produced, engineered and edited by Spencer Cozens. Recorded 19-21 December 2016 at Steinway Recording, Fulbeck, Lincolnshire, U.K. Steinway technician: Peter Roscoe. Publisher: Moscow, Musyka. Booklet notes © 2017 Sergey Rybin. English translations of sung text © 2017 Sergey Rybin. Cover: Photograph © 2013 Anatoly Sokolov. Inside from cover: Photograph of Sergey Rybin, Anush Hovhannisyan and Yuriy Yurchuk © 2017 Inna Kostukovsky. Graphic design: Colour Blind Design. Printed in the E.U. 2 27 booklet-paginated:cover 11/09/2017 12:02 Page 5 24 Prorok Op.49, No.2 The Prophet Alexander Pushkin Dukhovnoï zhazhdoïu tomim Tormented by spiritual anguish V pustyne mrachnoï ïa vlachils’a, I dragged myself through a grim desert, I shestikrylyï serafim And a six-winged seraphim Na pereputïe mne ïavils’a; Appeared to me at a crossroads; RIMSKY-KORSAKOV Perstami l’ogkimi, kak son, With his fingers, light as a dream, Moikh zenits kosnuls’a on: He touched my eyes: ROMANCES Otverzlis’ vesh’iïe zenitsy, They burst open wide, all-seeing, Kak u ispugannoï orlitsy. Like those of a startled eagle. Moikh usheï kosnuls’a on, He touched my ears I ikh napolnil shum i zvon: And they were filled with clamour and ringing: I vn’al ïa neba sodroganïe, I heard the rumbling of the heavens, I gorniï angelov pol’ot, The high flight of the angels, I gad morskikh podvodnyï khod, The crawling of the underwater reptilians I dol’ney lozy proz’abanïe. -
Empire Brass
Houston Friends of Music PRESENT EMPIRE BRASS Rolf Smedvig, Trumpet Jeffrey Curnow, Trumpet Eric Ruske, French Horn Scott A. Hartman, Trombone J. Samuel Pilafian, Tuba Wednesday, December 5, 1990 8:00P.M. Hamman Hall Rice University FOURTH CONCERT H()LISt()Jl Fti(~tlds (>f~1usic PRESENT EMPIRE BRASS Procession of the Nobles, from Mlada . .... .. .......... ...... NIKOLAI RIMSKY-KORSAKOV Polovtsian Dance, from Prince Igor. .................................. ALEXANDER BORODIN Dance of the Comedians, from the Bartered Bride ........................... BED RICH SMETANA Nacht Poema (Night Poems) ............... .. ............................ PR. VAN EECHAUTE Prelude, Theme & Variations . ... .................................. ... GIOACCHINO ROSSINI Carmen Fantasy .......... ... .. ........ .... ........................... .. GEORGES BIZET Wedding Dance and Troika, from Lieutenant Kije ......................... SERGEI PROKOFIEV INTERMISSION Trio Sonata No.2 ..... ......................... ..... ..... ....... JOHANN SEBASTIAN BACH Allegro, Andante, Allegro Sabre Dance, from Gayane ...... ......... ................. ....... ARAM KHACHATURIAN Arabian Dance, from The Nutcracker. .......................... PIOTR IL YICH TCHAIKOVSKY Pavane, Op. 50 ........................................................... GABRIEL FAURE Boy Meets Horn ..... .. ....................... ... EDWARD KENNEDY "DUKE" ELLINGTON Jungle Nights ..... .... ....... ................... EDWARD KENNEDY "DUKE" ELLINGTON M-TV for Jerry (Jerome Robbins), from Dance Suite for Brass -
2021 Cirriculum Guide
2021 CIRRICULUM GUIDE Thank you for your interest in the 2021 Symphony of Color Art Contest sponsored by the Evansville Philharmonic Orchestra. We are delighted that you will be participating this year and anxiously await the always inspiring art to come. This year we commemorate Disney’s beloved classic, Fantasia with a selection of favorite music selections from the move. Specifically, artwork will focus on selections from Stravinsky’s The Firebird – there will be 3 programmatic movements performed from which your students may choose to base their artwork. PURPOSE We believe that the arts in all their forms are essential to a complete education. We further believe that the arts are a necessary and equal part of the total school curriculum and have produced this guide with those beliefs as our guiding principle. Students will receive the maximum benefit from their contest experience if the abundant connections between music and the other parts of the curriculum are emphasized. We hope you will take full advantage of this guide and recordings so your students can, in turn, become knowledgeable and eager participants in the Symphony of Color contest. Sponsored by the Evansville Philharmonic Crescendo Club and in cooperation with: HOW TO USE THIS GUIDE 1) Teacher preparation: Read all materials thoroughly. 2) Have your students listen to the musical selections. Selections may be found at https://www.youtube.com/watch?v=jmRU6cJeVDs https://www.youtube.com/watch?v=YWvOgda1g2E 3) Review the listening and discussion topics for each piece of music found within this guide and introduce the class to the background resource information. -
Maurice Ravel, After Nikolay Andreyevich Rimsky-Korsakov: Maurice Ravel (1875-1937) Antar – Incidental Music (1910/2014) 53:33 Orchestral Works • 5 1 No
RAVEL Orchestral Works • 5 Antar – Incidental music after works by Rimsky-Korsakov Shéhérazade André Dussollier, Narrator Isabelle Druet, Mezzo-soprano Orchestre National de Lyon Leonard Slatkin Maurice Ravel, after Nikolay Andreyevich Rimsky-Korsakov: Maurice Ravel (1875-1937) Antar – Incidental music (1910/2014) 53:33 Orchestral Works • 5 1 No. 1. Rimsky-Korsakov: Antar, 1st movement: Largo – Allegro giocoso – Furioso – Allegretto vivace – Adagio – Allegretto vivace – Largo Ravel was still a teenager when he fell under the spell of that the Orient had exerted over me since my childhood.” Russian music: he discovered both The Five That said, the work also boasts a number of trademark “Le désert n’est pas vide…” 11:09 (Mussorgsky, Rimsky-Korsakov, Cui, Borodin and Ravelian qualities – clarity of discourse, sophistication of 2 No. 1 bis. Ravel: Allegro 0:35 Balakirev) and the Javanese gamelan at the age of detail, and an ongoing conflict between instinct and 3 No. 2. Ravel: Cadenza ad libitum fourteen when he visited the 1889 Universal Exhibition in control. “En ce temps-là…” 1:39 Paris (an event whose centrepiece was the newly Ravel’s choice of orchestral forces also reflects the 4 No. 3. Ravel: Allegretto constructed Eiffel Tower). Ten years later, the dual impact influence of Debussy: divided strings, a large wind “Sa mère, Zébiba…” 0:53 of Russia and the Orient bore fruit in the “fairy overture” section, celesta, two harps and a rich array of percussion. 5 No. 5. Ravel: Allargando Shéhérazade, originally intended to be the curtain-raiser But where Debussy favours doubling and timbral “Sa renommée grandissait avec lui…” 0:32 for an opera based on the Arabian Nights – a work that in blending, uses the warmth of the brass section and the end never saw the light of day. -
Performances from 1974 to 2020
Performances from 1974 to 2020 2019-20 December 1 & 2, 2018 Michael Slon, Conductor September 28 & 29, 2019 Family Holiday Concerts Benjamin Rous, Conductor MOZART Symphony No. 32 February 16 & 17, 2019 ROUSTOM Ramal Benjamin Rous, Conductor BRAHMS Piano Concerto No. 2 in B-flat Major RAVEL Pavane pour une infante défunte RAVEL Piano Concerto in G Major November 16 & 17, 2019 MOYA Siempre Lunes, Siempre Marzo Benjamin Rous & Michael Slon, Conductors KODALY Variations on a HunGarian FolksonG MONTGOMERY Caught by the Wind ‘The Peacock’ RICHARD STRAUSS Horn Concerto No. 1 in E-flat Major March 23 & 24, 2019 MENDELSSOHN Psalm 42 Benjamin Rous, Conductor BRUCKNER Te Deum in C Major BARTOK Violin Concerto No. 2 MENDELSSOHN Symphony No. 4 in A Major December 6 & 7, 2019 Michael Slon, Conductor April 27 & 28, 2019 Family Holiday Concerts Benjamin Rous, Conductor WAGNER Prelude from Parsifal February 15 & 16, 2020 SCHUMANN Piano Concerto in A minor Benjamin Rous, Conductor SHATIN PipinG the Earth BUTTERWORTH A Shropshire Lad RESPIGHI Pines of Rome BRITTEN Nocturne GRACE WILLIAMS Elegy for String Orchestra June 1, 2019 VAUGHAN WILLIAMS On Wenlock Edge Benjamin Rous, Conductor ARNOLD Tam o’Shanter Overture Pops at the Paramount 2018-19 2017-18 September 29 & 30, 2018 September 23 & 24, 2017 Benjamin Rous, Conductor Benjamin Rous, Conductor BOWEN Concerto in C minor for Viola WALKER Lyric for StrinGs and Orchestra ADAMS Short Ride in a Fast Machine MUSGRAVE SonG of the Enchanter MOZART Clarinet Concerto in A Major SIBELIUS Symphony No. 2 in D Major BEETHOVEN Symphony No. 7 in A Major November 17 & 18, 2018 October 6, 2017 Damon Gupton, Conductor Michael Slon, Conductor ROSSINI Overture to Semiramide UVA Bicentennial Celebration BARBER Violin Concerto WALKER Lyric for StrinGs TCHAIKOVSKY Symphony No. -
Fantasias Music History Through Animation Background
Disney’s Two Fantasias Music History Through Animation Background “The beauty and inspiration of music must not be restricted to a privileged few, but must be made available to every man, woman and child.” - Leopold Stokowski, 1940 “Fantasia is.. the beginning of a new technique for the screen.. and a greater development of sound recording and reproduction.” - Walt Disney, 1940 - Disney’s idea of marrying animation and music had begun in 1929 with the Silly Symphonies series (The Skeleton Dance, 1929, Flowers and Trees, 1932, first Technicolor release, The Old Mill, 1937, first multi-plane animation). Mickey was purposely left out. - by late-1930’s, Mickey’s popularity was failing, so Disney conceived the idea of starring Mickey in a Silly Symphony based on Paul Dukas’ The Sorcerer’s Apprentice - Disney ran into Stokowski in a Beverly Hills restaurant and discussed the idea with him. They soon elaborated it into a feature length film consisting of several contrasting musical works. Disney at first called it The Concert Feature. - Stokowski suggested Fantasia, a musical term meaning “a composition unrestricted by formal design, free reign for fantasy and imagination” - originally conceived as a continually changing concert program, with new pieces added and old ones withdrawn on a continuing basis. Leopold Stokowski • born in London, 1882 emigrated to New York in 1905 • 1912 conductor of Philadelphia Orchestra • an early champion of recorded orchestra music - • “The recording process will one day reproduce music better than heard in the concert hall” • experiments with 3-channel stereo sound at Bell Labs • Philadelphia Orchestra transmitted over three phone lines to Washington, DC • unconventional positioning of instruments in order to produce a better recording • conducted without a baton (hands only), as shown in Fantasia and parodied in Long Haired Hare • by 1937 was well known to American audiences through film & radio appearances • had developed a 9 microphone recording system (mixed to mono) for earlier film recording. -
TCNJ Orchestra Repertoire • Bach
TCNJ Orchestra Repertoire • Bach - Brandenburg No. 1 • Bach - Brandenburg No. 3 for Strings • Bach: Brandenburg Concerto No.5 • Barber: 1st Essay for Orchestra • Bartók - Magyar Képek (Hungarian Pictures) • Bartók - Roumanian Dances • Beethoven: Symphony No. 5 • Beethoven: Symphony No.6 (Pastorale) • Beethoven - Coriolanus • Beethoven - Egmont • Beethoven - Fidelio • Beethoven - Piano Concerto No. 3 in C Minor • Beethoven - The Ruins of Athens • Beethoven: Choral Fantasie • Beethoven: Leonora No.3 • Beethoven: Violin Concerto in D • Bernstein - Candide • Bernstein - Symphonic Dances from West Side Story • Bizet - Carmen Suites 1 & 2 • Bizet - Jeux d'Enfants • Britten - Soirées Musicales Op. 9 • Bruch Violin Concerto No.1 in E minor Op.26 • Castelnuovo Tedesco - Concerto in D (Guitar) • Chabrier - Espana • Chabrier: Habanera • Chaminade - Concertino for Flute and Orchestra • Copland - Billy the Kid • Copland - Rodeo • Creston - Accordion Concerto • De Falla - Scenes and Dances from the "Three Cornered Hat" • Debussy - Petite Suite • Debussy - Prélude á l'après midi d'un Faune • Delius - The Walk to the Paradise Garden • Dvořák - Symphony No. 8 in G • Dvořák – Piano Quintet, Op. 81 • Dvořák: Symphony No.9 (From the New World) • Elgar: Cello Concerto in E minor • Elgar-Nimrod from 'The Enigma Variations' • Fauré - Bergamaster Suite • Fauré - Prelude from Pelleas and Melisande • Gershwin - Rhapsody in Blue • Gershwin: Cuban Overture • Ginestera - Danza del Trigo from "Estancia" • Glazunov-Violin Concerto in A Minor • Glinka - Russlan and Ludmilla • Gounod - Faust - Ballet Music • Grieg - Notturno from 'Lyric Suite' Op. 54 No. 3 • Grieg - Piano Concerto in A Minor Op 6 • Grieg - Triumphal March from "Sigurd Jorsalfar" • Haas- Sieben Klangräume • Haydn - Symphony No. 49 in F minor • Humperdink-Hansel and Gretel (Prelude) • Ives - The Unanswered question • Ives: Central Park in the Dark • Khachaturian: "Masquerade" Suite • Kodaly: Hary Janos • Lalo - Scherzo in D minor • Lalo: Le Roi d'Ys • Lecuona - Spanish Dances • Leighton – Festive • Mahler – Symphony No. -
Boris Godunov
Modest Mussorgsky Boris Godunov CONDUCTOR Opera in a prologue and four acts Valery Gergiev Libretto by the composer, based on the play by PRODUCTION Alexander Pushkin (1875 version, with additions Stephen Wadsworth from the 1869 version) SET DESIGNER Ferdinand Wögerbauer Saturday, October 23, 2010, 12:00–4:15 pm COSTUME DESIGNER Moidele Bickel New Production LIGHTING DESIGNER Duane Schuler CHOREOGRAPHER Apostolia Tsolaki This production of Boris Godunov was made possible by generous gifts from Karen and Kevin Kennedy, Mr. and Mrs. Howard Solomon, and Mr. and Mrs. Wilmer J. Thomas, Jr. GENERAL MANAGER Peter Gelb MUSIC DIRECTOR James Levine 2010–11 Season The 268th Metropolitan Opera performance of Modest Mussorgsky’s Boris Godunov Conductor Valery Gergiev in o r d e r o f v o c a l a p p e a r a n c e Nikitich, a police officer Xenia, daughter of Boris Valerian Ruminski Jennifer Zetlan Mitiukha, a peasant Feodor, son of Boris Mikhail Svetlov Jonathan A. Makepeace Shchelkalov, a boyar Nurse, nanny to Boris’s Alexey Markov children Larisa Shevchenko Prince Shuisky, a boyar Oleg Balashov Boyar in Attendance Brian Frutiger Boris Godunov René Pape Marina Ekaterina Semenchuk Pimen, a monk Mikhail Petrenko Rangoni, a Jesuit priest Evgeny Nikitin Grigory, a monk, later pretender to the Russian throne Holy Fool Aleksandrs Antonenko Andrey Popov Hostess of the Inn Chernikovsky, a Jesuit Olga Savova Mark Schowalter Missail Lavitsky, a Jesuit Nikolai Gassiev Andrew Oakden Varlaam Khrushchov, a boyar Vladimir Ognovenko Dennis Petersen Police Officer Gennady Bezzubenkov Saturday, October 23, 2010, 12:00–4:15 pm This afternoon’s performance is being transmitted live in high definition to movie theaters worldwide.