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ADALYA the Annual of the Koç University Suna & İnan Kıraç Research Center for Mediterranean Civilizations
21 2018 ISSN 1301-2746 ADALYA The Annual of the Koç University Suna & İnan Kıraç Research Center for Mediterranean Civilizations (OFFPRINT) AThe AnnualD of theA Koç UniversityLY Suna A& İnan Kıraç Research Center for Mediterranean Civilizations (AKMED) Adalya, a peer reviewed publication, is indexed in the A&HCI (Arts & Humanities Citation Index) and CC/A&H (Current Contents / Arts & Humanities) Adalya is indexed in the Social Sciences and Humanities Database of TÜBİTAK/ULAKBİM TR index. Mode of publication Worldwide periodical Publisher certificate number 18318 ISSN 1301-2746 Publisher management Koç University Rumelifeneri Yolu, 34450 Sarıyer / İstanbul Publisher Umran Savaş İnan, President, on behalf of Koç University Editor-in-chief Oğuz Tekin Editor Tarkan Kahya Advisory Board (Members serve for a period of five years) Prof. Dr. Engin Akyürek, Koç University (2018-2022) Prof. Dr. Mustafa Adak, Akdeniz University (2018-2022) Prof. Dr. Nicholas D. Cahill, University of Wisconsin-Madison (2018-2022) Prof. Dr. Thomas Corsten, Universität Wien (2014-2018) Prof. Dr. Edhem Eldem, Boğaziçi University / Collège de France (2018-2022) Prof. Dr. Mehmet Özdoğan, Emeritus, Istanbul University (2016-2020) Prof. Dr. C. Brian Rose, University of Pennsylvania (2018-2022) Prof. Dr. Christof Schuler, DAI München (2017-2021) Prof. Dr. R. R. R. Smith, University of Oxford (2016-2020) English copyediting Mark Wilson © Koç University AKMED, 2018 Production Zero Production Ltd. Abdullah Sok. No. 17 Taksim 34433 İstanbul Tel: +90 (212) 244 75 21 • Fax: +90 (212) 244 32 09 [email protected]; www.zerobooksonline.com Printing Oksijen Basım ve Matbaacılık San. Tic. Ltd. Şti. 100. Yıl Mah. Matbaacılar Sit. 2. -
Hesiod Theogony.Pdf
Hesiod (8th or 7th c. BC, composed in Greek) The Homeric epics, the Iliad and the Odyssey, are probably slightly earlier than Hesiod’s two surviving poems, the Works and Days and the Theogony. Yet in many ways Hesiod is the more important author for the study of Greek mythology. While Homer treats cer- tain aspects of the saga of the Trojan War, he makes no attempt at treating myth more generally. He often includes short digressions and tantalizes us with hints of a broader tra- dition, but much of this remains obscure. Hesiod, by contrast, sought in his Theogony to give a connected account of the creation of the universe. For the study of myth he is im- portant precisely because his is the oldest surviving attempt to treat systematically the mythical tradition from the first gods down to the great heroes. Also unlike the legendary Homer, Hesiod is for us an historical figure and a real per- sonality. His Works and Days contains a great deal of autobiographical information, in- cluding his birthplace (Ascra in Boiotia), where his father had come from (Cyme in Asia Minor), and the name of his brother (Perses), with whom he had a dispute that was the inspiration for composing the Works and Days. His exact date cannot be determined with precision, but there is general agreement that he lived in the 8th century or perhaps the early 7th century BC. His life, therefore, was approximately contemporaneous with the beginning of alphabetic writing in the Greek world. Although we do not know whether Hesiod himself employed this new invention in composing his poems, we can be certain that it was soon used to record and pass them on. -
Ritual, Cultura E Tradição
(2_ Regiane Aparecida Rossi Hilkner CIGANOS: PEREGRINOS DO TEMPO RITUAL, CULTURA E TRADIÇÃO. Universidade Estadual de Campinas - Unicamp Programa de Pós-Graduação em Multimeios - IA 2008 Regiane Aparecida Rossi Hilkner CIGANOS, PEREGRINOS DO TEMPO: RITUAL, CULTURA E TRADIÇÃO. Este exemplar é a redação final da Tese defendida pela Sra. Regiane aparecida Rossi Hikner e Tese apresentada ao Programa de aprovada pela Comissão Julgadora em 30/07/2008 . - . ·. Pos-Graduaçao em Mult1me1os do Prof. Dr. Etienne Ghistain Samain Instituto de Artes da UNICAMP para ~ --------;::-:---:-------- ~ obtenção do Título de Doutor sob Orientador ~ orientação do Prof. Dr. Etienne G. '-.._ 1.1~ ~tl_(---., '-=----=---=-.....,--=:s_,.._~-~........,.J Samain. Universidade Estadual de Campinas -Unicamp Programa de Pós-Graduação em Multimeios - IA. 2008. FICHA CATALOGRÁFICA ELABORADA PELA BIBLIOTECA DO INSTITUTO DE ARTES DA UNICAMP Hilkner, Regiane Aparecida Rossi. H549c Ciganos: Peregrino do Tempo - Ritual, cultura e tradição. I Regiane Aparecida Rossi Hilkner. - Campinas, SP: [s.n.], 2008. Orientador: Etienne G Samain. Tese(doutorado)- Universidade Estadual de Campinas, Instituto de Artes. I. Ciganos. 2. Corpo-Memória. 3. Dança. 4. Peregrinação. 5. ara Kali . I. Samain, Etienne G. 11. Universidade Estadual de Campinas. Instituto de Artes. 11 I. Título. (em/ia) Título em ingles: ··oypsies: Pilgrims ofthe time- Ritual, culture and tradition:· Palavras-chave em inglês (Keywords): Gypsies, Body-memory, Dance. Pilgrimage. ara Kal i. Titulação: Doutor em Multimeios. Banca examinadora: Prof. Dr. Etienne G Samain . Prof. Dr. Ronaldo Entler. Prof. Dr. Marcius César Soares Freire. Prof Dr. Severino Antônio Moreira Barbosa Prof'. Dr'. Claudia Regina Alves Prado Fortuna Prof. Dr. Crispim Antônio Campos ProF. Dr~'. Regina Pollo Muller Data da defesa: 30-07-2008 Programa de Pós-Graduação: Multimeios. -
Alanya Yöresinde Antik Bir Liman
ALANYA YÖRESINDE ANTIK BIR LIMAN GOLAY T~GREL Antik ça~larda Pamphylia Küçük Asya'n~n güneyinde yer alan, kuzeyden Toros'larla çevrili, güneyde ise Akdeniz'e aç~lan, bat~s~nda Lykia, do~usunda Kilikya Trakheia denilen Da~l~ k Kilikia'n~n bulundu~u sahil ovas~ na verilen add~ r. K~y~~ bat~da Khelidoniai'dan do~uda Anamur'a kadar uzanan geni~~ bir girinti yaparak oldukça büyük bir körfez meydana getirmektedir. Bu körfezden K~ br~s ada- s~na kadar uzanan bölüme ise ~lkça~da "Pamphylia Denizi" ad~~ verilmekteydi 1. Pamphylia bölgesinin hudutlar~~ konusu antik yazarlar aras~ nda oldu~u kadar halen günümüz ara~t~ rmac~lar~~ için de çe~itli görü~~ ve fikir ayr~l~ klar~na sebep te~kil etmektedir. Kuzeyde teraslar halinde denize do~ru inen Toros da~lar~, güneyde ise Akdeniz, ovay~~ iki yönden s~n~ rlamak bak~m~ndan ~üphe götürmezken, bat~~ ve bilhassa do~u hudutlar~~ hakk~ nda birbirinden oldukça farkl~~ görü~ler ortaya at~lmaktad~r. Güvenilir antik kaynaklar~n belirtti~i gibi genellikle Olbia Lykia bölgesinden evvel yer alan en bat~~ Pamphylia ~ehri olarak kabul edilir 2. Bizi konumuz dolay~s~ yla daha ziyade ilgilen- diren husus do~u s~ n~ r~~ olup Pamphylia bölgesinin nerede son buldu~u ve Da~l~k Kilikia'mn nereden ba~lat~lmas~~ gerekti~i sorunudur. Burada da bir genelleme yapacak olursak Pamphylia'n~n en do~u noktas~~ olarak Side ~ehrinin veya Melas'~ n a~z~ n~n kabul edildi~ini söyliyebiliriz 3. Strabon ise Pamphylia ve Kilikia aras~ ndaki s~n~ r~~ çok daha do~uya kadar götürmekte ve Korakesion'u yani bugünkü Alanya'y~~ Pamphylia'ya dahil etmektedir 4. -
Greek Mythology
Greek Mythology The Creation Myth “First Chaos came into being, next wide bosomed Gaea(Earth), Tartarus and Eros (Love). From Chaos came forth Erebus and black Night. Of Night were born Aether and Day (whom she brought forth after intercourse with Erebus), and Doom, Fate, Death, sleep, Dreams; also, though she lay with none, the Hesperides and Blame and Woe and the Fates, and Nemesis to afflict mortal men, and Deceit, Friendship, Age and Strife, which also had gloomy offspring.”[11] “And Earth first bore starry Heaven (Uranus), equal to herself to cover her on every side and to be an ever-sure abiding place for the blessed gods. And earth brought forth, without intercourse of love, the Hills, haunts of the Nymphs and the fruitless sea with his raging swell.”[11] Heaven “gazing down fondly at her (Earth) from the mountains he showered fertile rain upon her secret clefts, and she bore grass flowers, and trees, with the beasts and birds proper to each. This same rain made the rivers flow and filled the hollow places with the water, so that lakes and seas came into being.”[12] The Titans and the Giants “Her (Earth) first children (with heaven) of Semi-human form were the hundred-handed giants Briareus, Gyges, and Cottus. Next appeared the three wild, one-eyed Cyclopes, builders of gigantic walls and master-smiths…..Their names were Brontes, Steropes, and Arges.”[12] Next came the “Titans: Oceanus, Hypenon, Iapetus, Themis, Memory (Mnemosyne), Phoebe also Tethys, and Cronus the wily—youngest and most terrible of her children.”[11] “Cronus hated his lusty sire Heaven (Uranus). -
THE REACH of the ROMAN EMPIRE in ROUGH CILICIA by HUGHW.ELTON
THE ECONOMIC FRINGE: THE REACH OF THE ROMAN EMPIRE IN ROUGH CILICIA By HUGHW.ELTON Many discussions of the Roman economy are rather vague about what they mean by 'Roman'. Phrases such as 'Roman Europe' or 'the Roman Empire' often blur two different concepts, that of the cultures of Iron Age Europe and the political institution of the Roman Empire. Cultures in Iron Age Europe varied widely. The Welsh uplands or the Atlas mountains, for example, had an aceramic culture with few public buildings, though were mIed directly by Rome for several centuries. Other regions, not under Roman control, like the regions across the middle Danube, showed higher concentrations of Mediterranean consumer goods and coins than some of these aceramic areas. 1 In Mesopotamia, many societies were urban and literate, not differing in this respect from those in Italy or Greece. Thus, determining what was imperial Roman territory by archaeological criteria alone is very difficult? But these archaeological criteria are important for two reasons. First, they allow us to analyse the cultural and economic changes that occurred in Iron Age Europe between 100 B.C. and A.D. 250. Second, they allow for the possibility of change within Europe that was not caused by the Roman state? Unlike cultures within Iron Age Europe, the Roman Empire was a political structure, imposed by force and dedicated to extracting benefits for the mling elite of the city of Rome.4 As the empire developed and matured, its form changed, but it was never about the mIed, only the rulers. If we accept that the Empire was a political, not an archaeological, structure, it follows that an examination of 'Impact of Empire: Transformation of Economic Life', has to mean an examination of the impact of the Roman imperial state. -
Greek Mythology
Greek mythology Mythical characters Gods and goddesses Zeus is the king of the gods, ruler of Mount Olympus and god of the sky. His name means ‘bright’ or ‘sky’. His royal animals are the eagle and bull. Zeus’s favourite weapon is a lightning bolt made for him by the Cyclops. Zeus can be a greedy and dishonest god. If he desires something, he is unlikely to let anything stop him from gaining it. Because of this, he often lies about his behaviour to Hera, his wife. Hera is the queen of the gods and wife of Zeus. She is the goddess of women, marriage, childbirth, heirs, kings and empires. She often carries a lotus- tipped staff. Hera never forgets an insult or injury and can be cruel or vengeful. Poseidon is the god of rivers, seas, floods, droughts and earthquakes. Brother to Zeus, he is the king of the sea and protector of all waters. Poseidon carries a trident: a spear with three points. His sacred animals are the dolphin and the horse. Athena is the goddess of wisdom, intelligence, skill, peace and warfare. According to legend, she was born out of Zeus’s forehead fully formed and fully armoured. She looks over heroes such as Odysseus and Hercules. Athena is often accompanied by a sacred owl. Her symbol is the olive tree. KS2 | Page 1 copyright 2019 Greek mythology Gods and goddesses Aphrodite is the goddess of love and beauty, who can cause gods or mortals to fall in love with whomever she chooses. Aphrodite’s sacred animals include doves and sparrows. -
The Rough Cilicia Archaeological Survey Project: Report of the 1999 Season
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Anthropology Faculty Publications Anthropology, Department of 1999 The Rough Cilicia Archaeological Survey Project: Report of the 1999 Season Nicholas K. Rauh LuAnn Wandsnider Follow this and additional works at: https://digitalcommons.unl.edu/anthropologyfacpub Part of the Archaeological Anthropology Commons, and the Social and Cultural Anthropology Commons This Article is brought to you for free and open access by the Anthropology, Department of at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Anthropology Faculty Publications by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. The Rough Cilicia Archaeological Survey Project: Report of the 1999 Season Nicholas K. Rauh, Purdue University LuAnn Wandsnider, University of Nebraska at Lincoln The fourth season of the Rough Cilicia Archaeological survey project was conducted in August 1999.1 Figure 1: 1999 Rough Cilicia Survey Team: front row: LuAnn Wandsnider, Matt Dillon, Ali Bay; second row: Rhys Townsend, Betul Sahin, Molly Boekhe; Michael Hoff; Max Black; back row: Jason DeBlock, Nick Rauh, Matt Evans Our research during the 1999 season was supported by grants from the American Research Institute in Turkey, Purdue University, and the University of Nebraska at Lincoln. Electron1c measuring equipment was donated by Hickerson Instruments Inc. of Indianapolis, Indiana. To conduct our work we received authorization from the Director of the Turkish General Directorate of Monuments and Museums, and as always we were greatly assisted by Dr. Ismail Karamut, Director of the Alanya Archaeological Museum. Our service representative, Berrin Taymaz, researcher at the Alanya Archaeological Museum 1 This report was transformed from an html format into a PDF by Stanislav Pejša, the data curator at PURR. -
GM Creation Titans & Gods Myth Copy 2011
English I/Ms. Hoffman Name: ____________________________________________ Greek Mythology unit Date: _____________________________ Period: _________ from Retold Classic Myths Soon after, another immortal being was created. This was Erebus, the black hole of death. His home was called "Tartarus," or the Underworld. “The Creation of the Titans and Gods” Erebus then joined hands with his great sister Night, and they wept. From their tears, Light and Day came into being. "With great power comes great fear. " Light and Eros danced on the spiral to create still another immortal being. She was Gaea, the Earth. Her power was great and her belly brimmed with Does that seem like a contradiction? Not to the Greeks. They wisely life. Gaea gave birth to the Mountains and the Sea. But her belly wasn't guessed that even the mightiest ruler in the universe would feel empty yet. She next gave birth to the greatest of all her children: Uranus, the Sky. Gaea made this son her equal so he would surround her on all sides. threatened. So threatened, in fact, that he let his fear swallow everything—including his love. Then Gaea produced the Stars and the Four Seasons. After the delivery of these children, she married her son Uranus. He then became the supreme ruler of all creation. Gaea and Uranus had many children together. Their first In three offspring were the Hundred-handed Ones. Each of these giants sprouted the beginning was darkness. fifty heads from his mighty shoulders. And each had a hundred mighty arms Nothing existed. swinging in all directions. They were named Cottus, the Furious; Briareus, No human form. -
Genealogy of Major Gods and Goddesses in Greek Mythology The
Genealogy of major gods and goddesses in Greek mythology God/goddess Description Earth GAIA (GAEA) First goddess Married her son Sky First supreme god URANUS Married to his mother Overthrown by his son The Children of GAIA and URANUS God/goddess Description Gods of Blacksmiths Forged weapons for the Olympians CYCLOPES Arges, Steropes, Brontes Giants with a single eye in the middle of the forehead Gods of violent storms 100 arms and 50 heads HECATONCHERIES Cottus, Briarieus, Gyges Locked in Tartarus by their father Forces of nature 6 sons and 6 daughters (each son married a daughter) Most important were Cronus and Rhea TITANS o Cronus overthrew CRONUS and became supreme god o Was told by his father and mother that he would be overthrown by his child, too The Children of Cronus and Rhea God/goddess Description HESTIA Goddess of home and family The first and last born to Cronus and Rhea his fatherhis DEMETER Goddess of agriculture overthrew Goddess of marriage and childbirth HERA Very jealous and vindictive Became supreme goddess after getting married to ZEUS HADES Ruler of death and the dead POSEIDON Rule of the sea, earthquakes, and horses Cronus ate his first 5 children for fear that they would overthrow him he like Ruler of the sky and thunder Tricked his father and then overthrew him ZEUS Became supreme god Shamed HERA into marrying him The Children of ZEUS God/goddess Description DIONYSUS God of wine HEPHAESTUS God of fire and metalworkers Goddess of love and beauty APHRODITE Married to HEPHAESTUS God of commerce, thieves, and athletes HERMES Messenger of the gods Goddess of the hunt and wilderness ARTEMIS The twin of APOLLO Is sometimes considered goddess of the moon God of light, medicine, and the arts APOLLO Drives his golden chariot across the sky to bring the sun Twin of ARTEMIS Goddess of WIDSOM, JUSTICE, and WAR - IN THAT ORDER ATHENA Was literally Zeus’ “brainchild” She was Zeus’ favorite God of war ARES Didn’t get along with his sister ATHENA . -
Collection of Hesiod Homer and Homerica
COLLECTION OF HESIOD HOMER AND HOMERICA Hesiod, The Homeric Hymns, and Homerica This file contains translations of the following works: Hesiod: "Works and Days", "The Theogony", fragments of "The Catalogues of Women and the Eoiae", "The Shield of Heracles" (attributed to Hesiod), and fragments of various works attributed to Hesiod. Homer: "The Homeric Hymns", "The Epigrams of Homer" (both attributed to Homer). Various: Fragments of the Epic Cycle (parts of which are sometimes attributed to Homer), fragments of other epic poems attributed to Homer, "The Battle of Frogs and Mice", and "The Contest of Homer and Hesiod". This file contains only that portion of the book in English; Greek texts are excluded. Where Greek characters appear in the original English text, transcription in CAPITALS is substituted. PREPARER'S NOTE: In order to make this file more accessable to the average computer user, the preparer has found it necessary to re-arrange some of the material. The preparer takes full responsibility for his choice of arrangement. A few endnotes have been added by the preparer, and some additions have been supplied to the original endnotes of Mr. Evelyn-White's. Where this occurs I have noted the addition with my initials "DBK". Some endnotes, particularly those concerning textual variations in the ancient Greek text, are here ommitted. PREFACE This volume contains practically all that remains of the post- Homeric and pre-academic epic poetry. I have for the most part formed my own text. In the case of Hesiod I have been able to use independent collations of several MSS. by Dr. -
PDF Specimen
ARGES STYLES FORMATS DESIGNED BY Normal Files available for Mac and PC, Matthieu Salvaggio, © Blaze Type – Hairline Normal to Extra Heavy Normal, with in OTF, EOT, WOFF, WOFF2 formats, Released in 2019 corresponding obliques (24 fonts) TTF on request. Condensed – Hairline Condensed to Extra Heavy condensed, with corresponding obliques (24 fonts) LANGUAGES Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Bosnian, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Icelandic, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalenjin, Kinyarwanda, Latvian, Lithuanian, Luo, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Morisyen, North Ndebele, Northern Sami, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Romanian, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Vunjo, Welsh, Zulu BLAZE TYPE ARGES FAMILY SPECIMEN BLAZETYPE.EU 1 / 100 ARGES FAMILY INTRODUCTION HECATONCHEIRES Inspired by the famous Cyclope It comes in two styles with their who helped forge Zeus’ weapon. matching obliques for a total of 48 fonts: From Hairline to Extra This font family was completely Heavy. The mastering process C yclops (TITANOMACHY) Pyracmon? ONE-EYED! rethought and fully redesigned of these fonts was thought to be during 2018-2019 to become a a growing weight from within. super family of 11 weights + matching obliques & two styles Allowing Arges to be a sort (Normal/Condensed). of mechanical, yet fun toplay with, type-tool. The blackest of weights BRIGHTNESS → from → LIGHTNING Originally thought to be a heavy will allow one to have a strikeful font-tool meant for display and impact on mediums such as headlines it was completely posters, websites, newspapers, revamped into a typeface family movie titles and headline displaying.