DOCSLIB.ORG

PDF Specimen

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
PDF Specimen ARGES STYLES FORMATS DESIGNED BY Normal Files available for Mac and PC, Matthieu Salvaggio, © Blaze Type – Hairline Normal to Extra Heavy Normal, with in OTF, EOT, WOFF, WOFF2 formats, Released in 2019 corresponding obliques (24 fonts) TTF on request. Condensed – Hairline Condensed to Extra Heavy condensed, with corresponding obliques (24 fonts) LANGUAGES Afrikaans, Albanian, Asu, Basque, Bemba, Bena, Bosnian, Chiga, Colognian, Cornish, Croatian, Czech, Danish, Dutch, English, Estonian, Faroese, Filipino, Finnish, French, Friulian, Galician, Ganda, German, Gusii, Hungarian, Icelandic, Indonesian, Irish, Italian, Jola-Fonyi, Kabuverdianu, Kalenjin, Kinyarwanda, Latvian, Lithuanian, Luo, Luyia, Machame, Makhuwa-Meetto, Makonde, Malagasy, Malay, Maltese, Manx, Morisyen, North Ndebele, Northern Sami, Norwegian Bokmål, Norwegian Nynorsk, Nyankole, Oromo, Polish, Portuguese, Romanian, Rombo, Rundi, Rwa, Samburu, Sango, Sangu, Sena, Shambala, Shona, Slovak, Slovenian, Soga, Somali, Spanish, Swahili, Swedish, Swiss German, Taita, Teso, Turkish, Vunjo, Welsh, Zulu BLAZE TYPE ARGES FAMILY SPECIMEN BLAZETYPE.EU 1 / 100 ARGES FAMILY INTRODUCTION HECATONCHEIRES Inspired by the famous Cyclope It comes in two styles with their who helped forge Zeus’ weapon. matching obliques for a total of 48 fonts: From Hairline to Extra This font family was completely Heavy. The mastering process C yclops (TITANOMACHY) Pyracmon? ONE-EYED! rethought and fully redesigned of these fonts was thought to be during 2018-2019 to become a a growing weight from within. super family of 11 weights + matching obliques & two styles Allowing Arges to be a sort (Normal/Condensed). of mechanical, yet fun toplay with, type-tool. The blackest of weights BRIGHTNESS → from → LIGHTNING Originally thought to be a heavy will allow one to have a strikeful font-tool meant for display and impact on mediums such as headlines it was completely posters, websites, newspapers, revamped into a typeface family movie titles and headline displaying. containing several useful weights While the lighter weights will for various text sizes and layouts. bring forward an interesting optical Creating a complex, mech-like grey on large and long texts. font with playful twist ruled the completely new version of this Arges is meant to burst on BRONTES? work. It is still a very narrowed layouts like lightning: strike down VIRGIL? and condensed typeface family your layouts. OVID! Steropes! and will do wondersif you plan on designing complex layouts. GAIA’S CHILDREN™ [URANUS] CRONUS # GIANT † POSEIDONEIRES URANUS Tartarus HADES Acmonides BLAZE TYPE ARGES FAMILY SPECIMEN STUBORNBLAZETYPE.EU HEARTED2 / 100 ARGES FAMILY OVERVIEW A TOTAL 0F 48 FONTS NORMAL CONDENSED Arges Hairline Hairline Oblique Arges Hairline Hairline Oblique Arges Thin Thin Oblique Arges Thin Thin Oblique Arges Extra Light Extra Light Oblique Arges Extra Light Extra Light Oblique Arges Light Light Oblique Arges Light Light Oblique Arges Regular Regular Oblique Arges Regular Regular Oblique Arges Medium Medium Oblique Arges Medium Medium Oblique Arges Semi Bold Semi Bold Oblique Arges Semi Bold Semi Bold Oblique Arges Bold Bold Oblique Arges Bold Bold Oblique Arges Extra Bold Extra Bold Oblique Arges Extra Bold Extra Bold Oblique Arges Black Black Oblique Arges Black Black Oblique Arges Heavy Heavy Oblique Arges Heavy Heavy Oblique Arges Extra Heavy Extra Heavy Oblique Arges Extra Heavy Extra Heavy Oblique BLAZE TYPE ARGES FAMILY SPECIMEN BLAZETYPE.EU 3 / 100 ARGES HAIRLINE CHARACTER SET UPPERCASE ÆABCDEFGHIJKLMNOŒPQRSTUVWXYZ PROPORTIONAL LINING Ha0123456789 $100 UPPERCASE ALTERNATE × TABULAR OLDSTYLE Ha0123456789 $100 PUNCTUATION !¡?¿.…,:; ·•«»‹›'"‘’“”‚„|-–—_\/()[]{} UPPERCASE ACCENTED ������������D��E������G���HI������K�L���N�� ��O�������PR��S���T���U�������W���Y� *#¶@&†‡l°©®™%‰ ��Z� PUNCTUATION ALTERNATE @& LOWERCASE aabcdefghijklmnopqrstuvwxyz MATHEMATICAL SIGNS +<=>|~±×÷⁄−≈≠≤≥ LOWERCASE ACCENTED áăâäàāąåãàáâãäåāăąæćčçċðďđéěêëėèēęğģġħı íîïìīįķĺľļłńňņŋñóôöòőōøõœþŕřŗśšşșßŧťţțúûüùűūų CURRENCIES €£$¢¥ ůẃŵẅẁýŷÿỳźžż DENOMINATORS AND H0123456789 H0123456789 LOWERCASE ALTERNATE NUMERATORS × FRACTIONS ¼½¾⅛⅜⅝⅞ LIGATURES × FIGURES Ha0123456789 $100 ARROWS ←↑→↓↔↖↗↘↙ PROPORTIONAL OLDSTYLE Ha0123456789 $100 BLAZE TYPE ARGES FAMILY SPECIMEN BLAZETYPE.EU 4 / 100 ARGES HAIRLINE IN USE 260 PT 78 PT TELL ME, O Muse, of That ingenious Hero 42 PT 41 PT SO NOW ALL who escaped death in eattle 110 PTHero trav Or by shipwreck dad got safely home Ex- cept Ulysses, and he, though he was 20 PT MANY CITIES d 17 PTid he NOW NEPTUNE HAD gone off to the ethiopians, who are at the world’s end, and lie in two halves, the one looking West and the other East. He had gone there to accept a hecatomb of sheep and oxen, and was enjoying himself at his festival; but the other visit, and man ygods met were in the house of olympian jove, and the sire of gods and men spoke first. At BLAZE TYPE ARGES FAMILY SPECIMEN BLAZETYPE.EU 5 / 100 ARGES HAIRLINE OBLIQUE CHARACTER SET UPPERCASE ÆABCDEFGHIJKLMNOŒPQRSTUVWXYZ PROPORTIONAL LINING Ha0123456789 $100 UPPERCASE ALTERNATE × TABULAR OLDSTYLE Ha0123456789 $100 PUNCTUATION !¡?¿.…,:; ·•«»‹›'"‘’“”‚„|-–—_\/()[]{} *#¶@&†‡l° UPPERCASE ACCENTED ������������D��E������G���HI������K�L���N�� ��O�������PR��S���T���U�������W���Y� ©®™%‰ ��Z� PUNCTUATION ALTERNATE @& LOWERCASE aabcdefghijklmnopqrstuvwxyz MATHEMATICAL SIGNS +<=>|~±×÷⁄−≈≠≤≥ LOWERCASE ACCENTED áăâäàāąåãàáâãäåāăąæćčçċðďđéěêëėèēęğģġħı íîïìīįķĺľļłńňņŋñóôöòőōøõœþŕřŗśšşșßŧťţțúûüùűūų CURRENCIES €£$¢¥ ůẃŵẅẁýŷÿỳźžż DENOMINATORS AND H0123456789 H0123456789 LOWERCASE ALTERNATE NUMERATORS × FRACTIONS ¼½¾⅛⅜⅝⅞ LIGATURES × FIGURES Ha0123456789 $100 ARROWS ←↑→↓↔↖↗↘↙ PROPORTIONAL OLDSTYLE Ha0123456789 $100 BLAZE TYPE ARGES FAMILY SPECIMEN BLAZETYPE.EU 6 / 100 ARGES HAIRLINE OBLIQUE IN USE 260 PT 78 PT TELL ME, O Muse, of That ingenious Hero 42 PT 41 PT SO NOW ALL who escaped death in eattle 110 PTHero trav Or by shipwreck dad got safely home Ex- cept Ulysses, and he, though he was 20 PT MANY CITIES d 17 PTid he NOW NEPTUNE HAD gone off to the ethiopians, who are at the world’s end, and lie in two halves, the one looking West and the other East. He had gone there to accept a hecatomb of sheep and oxen, and was enjoying himself at his festival; but the other visit, and man ygods met were in the house of olympian jove, and the sire of gods and men spoke first. At BLAZE TYPE ARGES FAMILY SPECIMEN BLAZETYPE.EU 7 / 100 ARGES THIN CHARACTER SET UPPERCASE ÆABCDEFGHIJKLMNOŒPQRSTUVWXYZ PROPORTIONAL LINING Ha0123456789 $100 UPPERCASE ALTERNATE × TABULAR OLDSTYLE Ha0123456789 $100 PUNCTUATION !¡?¿.…,:; ·•«»‹›'"‘’“”‚„|-–—_\/()[]{} *#¶@&†‡l° UPPERCASE ACCENTED ������������D��E������G���HI������K�L���N�� ��O�������PR��S���T���U�������W���Y� ©®™%‰ ��Z� PUNCTUATION ALTERNATE @& LOWERCASE aabcdefghijklmnopqrstuvwxyz MATHEMATICAL SIGNS +<=>|~±×÷⁄−≈≠≤≥ LOWERCASE ACCENTED áăâäàāąåãàáâãäåāăąæćčçċðďđéěêëėèēęğģġħı íîïìīįķĺľļłńňņŋñóôöòőōøõœþŕřŗśšşșßŧťţțúûüùűūų CURRENCIES €£$¢¥ ůẃŵẅẁýŷÿỳźžż DENOMINATORS AND H0123456789 H0123456789 LOWERCASE ALTERNATE NUMERATORS × FRACTIONS ¼½¾⅛⅜⅝⅞ LIGATURES × FIGURES Ha0123456789 $100 ARROWS ←↑→↓↔↖↗↘↙ PROPORTIONAL OLDSTYLE Ha0123456789 $100 BLAZE TYPE ARGES FAMILY SPECIMEN BLAZETYPE.EU 8 / 100 ARGES THIN IN USE 260 PT 78 PT TELL ME, O Muse, of That ingenious Hero 42 PT 41 PT SO NOW ALL who escaped death in eattle 110 PTHero trav Or by shipwreck dad got safely home Ex- cept Ulysses, and he, though he was 20 PT MANY CITIES d 17 PTid he NOW NEPTUNE HAD gone off to the ethiopians, who are at the world’s end, and lie in two halves, the one looking West and the other East. He had gone there to accept a hecatomb of sheep and oxen, and was enjoying himself at his festival; but the other visit, and man ygods met were in the house of olympian jove, and the sire of gods and men spoke first. At BLAZE TYPE ARGES FAMILY SPECIMEN BLAZETYPE.EU 9 / 100 ARGES THIN OBLIQUE CHARACTER SET UPPERCASE ÆABCDEFGHIJKLMNOŒPQRSTUVWXYZ PROPORTIONAL LINING Ha0123456789 $100 UPPERCASE ALTERNATE × TABULAR OLDSTYLE Ha0123456789 $100 PUNCTUATION !¡?¿.…,:; ·•«»‹›'"‘’“”‚„|-–—_\/()[]{} *#¶@&†‡l° UPPERCASE ACCENTED ������������D��E������G���HI������K�L���N�� ��O�������PR��S���T���U�������W���Y� ©®™%‰ ��Z� PUNCTUATION ALTERNATE @& LOWERCASE aabcdefghijklmnopqrstuvwxyz MATHEMATICAL SIGNS +<=>|~±×÷⁄−≈≠≤≥ LOWERCASE ACCENTED áăâäàāąåãàáâãäåāăąæćčçċðďđéěêëėèēęğģġħı íîïìīįķĺľļłńňņŋñóôöòőōøõœþŕřŗśšşșßŧťţțúûüùűūų CURRENCIES €£$¢¥ ůẃŵẅẁýŷÿỳźžż DENOMINATORS AND H0123456789 H0123456789 LOWERCASE ALTERNATE NUMERATORS × LIGATURES × FRACTIONS ¼½¾⅛⅜⅝⅞ FIGURES Ha0123456789 $100 ARROWS ←↑→↓↔↖↗↘↙ PROPORTIONAL OLDSTYLE Ha0123456789 $100 BLAZE TYPE ARGES FAMILY SPECIMEN BLAZETYPE.EU 10 / 100 ARGES THIN OBLIQUE IN USE 260 PT 78 PT TELL ME, O Muse, of That ingenious Hero 42 PT 41 PT SO NOW ALL who escaped death in eattle 110 PTHero trav Or by shipwreck dad got safely home Ex- cept Ulysses, and he, though he was 20 PT MANY CITIES d 17 PTid he NOW NEPTUNE HAD gone off to the ethiopians, who are at the world’s end, and lie in two halves, the one looking West and the other East. He had gone there to accept a hecatomb of sheep and oxen, and was enjoying himself at his festival; but the other visit, and man ygods met were in the house of olympian jove, and the sire of gods and men spoke first. At BLAZE TYPE ARGES FAMILY SPECIMEN BLAZETYPE.EU 11 / 100 ARGES EXTRA LIGHT CHARACTER SET UPPERCASE ÆABCDEFGHIJKLMNOŒPQRSTUVWXYZ PROPORTIONAL LINING Ha0123456789 $100 UPPERCASE ALTERNATE × TABULAR OLDSTYLE Ha0123456789 $100 PUNCTUATION !¡?¿.…,:; ·•«»‹›'"‘’“”‚„|-–—_\/()[]{}
Load more

Recommended publications
  • Hesiod Theogony.Pdf
    Hesiod (8th or 7th c. BC, composed in Greek) The Homeric epics, the Iliad and the Odyssey, are probably slightly earlier than Hesiod’s two surviving poems, the Works and Days and the Theogony. Yet in many ways Hesiod is the more important author for the study of Greek mythology. While Homer treats cer- tain aspects of the saga of the Trojan War, he makes no attempt at treating myth more generally. He often includes short digressions and tantalizes us with hints of a broader tra- dition, but much of this remains obscure. Hesiod, by contrast, sought in his Theogony to give a connected account of the creation of the universe. For the study of myth he is im- portant precisely because his is the oldest surviving attempt to treat systematically the mythical tradition from the first gods down to the great heroes. Also unlike the legendary Homer, Hesiod is for us an historical figure and a real per- sonality. His Works and Days contains a great deal of autobiographical information, in- cluding his birthplace (Ascra in Boiotia), where his father had come from (Cyme in Asia Minor), and the name of his brother (Perses), with whom he had a dispute that was the inspiration for composing the Works and Days. His exact date cannot be determined with precision, but there is general agreement that he lived in the 8th century or perhaps the early 7th century BC. His life, therefore, was approximately contemporaneous with the beginning of alphabetic writing in the Greek world. Although we do not know whether Hesiod himself employed this new invention in composing his poems, we can be certain that it was soon used to record and pass them on.
    [Show full text]
  • Greek Mythology
    Greek Mythology The Creation Myth “First Chaos came into being, next wide bosomed Gaea(Earth), Tartarus and Eros (Love). From Chaos came forth Erebus and black Night. Of Night were born Aether and Day (whom she brought forth after intercourse with Erebus), and Doom, Fate, Death, sleep, Dreams; also, though she lay with none, the Hesperides and Blame and Woe and the Fates, and Nemesis to afflict mortal men, and Deceit, Friendship, Age and Strife, which also had gloomy offspring.”[11] “And Earth first bore starry Heaven (Uranus), equal to herself to cover her on every side and to be an ever-sure abiding place for the blessed gods. And earth brought forth, without intercourse of love, the Hills, haunts of the Nymphs and the fruitless sea with his raging swell.”[11] Heaven “gazing down fondly at her (Earth) from the mountains he showered fertile rain upon her secret clefts, and she bore grass flowers, and trees, with the beasts and birds proper to each. This same rain made the rivers flow and filled the hollow places with the water, so that lakes and seas came into being.”[12] The Titans and the Giants “Her (Earth) first children (with heaven) of Semi-human form were the hundred-handed giants Briareus, Gyges, and Cottus. Next appeared the three wild, one-eyed Cyclopes, builders of gigantic walls and master-smiths…..Their names were Brontes, Steropes, and Arges.”[12] Next came the “Titans: Oceanus, Hypenon, Iapetus, Themis, Memory (Mnemosyne), Phoebe also Tethys, and Cronus the wily—youngest and most terrible of her children.”[11] “Cronus hated his lusty sire Heaven (Uranus).
    [Show full text]
  • Greek Mythology
    Greek mythology Mythical characters Gods and goddesses Zeus is the king of the gods, ruler of Mount Olympus and god of the sky. His name means ‘bright’ or ‘sky’. His royal animals are the eagle and bull. Zeus’s favourite weapon is a lightning bolt made for him by the Cyclops. Zeus can be a greedy and dishonest god. If he desires something, he is unlikely to let anything stop him from gaining it. Because of this, he often lies about his behaviour to Hera, his wife. Hera is the queen of the gods and wife of Zeus. She is the goddess of women, marriage, childbirth, heirs, kings and empires. She often carries a lotus- tipped staff. Hera never forgets an insult or injury and can be cruel or vengeful. Poseidon is the god of rivers, seas, floods, droughts and earthquakes. Brother to Zeus, he is the king of the sea and protector of all waters. Poseidon carries a trident: a spear with three points. His sacred animals are the dolphin and the horse. Athena is the goddess of wisdom, intelligence, skill, peace and warfare. According to legend, she was born out of Zeus’s forehead fully formed and fully armoured. She looks over heroes such as Odysseus and Hercules. Athena is often accompanied by a sacred owl. Her symbol is the olive tree. KS2 | Page 1 copyright 2019 Greek mythology Gods and goddesses Aphrodite is the goddess of love and beauty, who can cause gods or mortals to fall in love with whomever she chooses. Aphrodite’s sacred animals include doves and sparrows.
    [Show full text]
  • GM Creation Titans & Gods Myth Copy 2011
    English I/Ms. Hoffman Name: ____________________________________________ Greek Mythology unit Date: _____________________________ Period: _________ from Retold Classic Myths Soon after, another immortal being was created. This was Erebus, the black hole of death. His home was called "Tartarus," or the Underworld. “The Creation of the Titans and Gods” Erebus then joined hands with his great sister Night, and they wept. From their tears, Light and Day came into being. "With great power comes great fear. " Light and Eros danced on the spiral to create still another immortal being. She was Gaea, the Earth. Her power was great and her belly brimmed with Does that seem like a contradiction? Not to the Greeks. They wisely life. Gaea gave birth to the Mountains and the Sea. But her belly wasn't guessed that even the mightiest ruler in the universe would feel empty yet. She next gave birth to the greatest of all her children: Uranus, the Sky. Gaea made this son her equal so he would surround her on all sides. threatened. So threatened, in fact, that he let his fear swallow everything—including his love. Then Gaea produced the Stars and the Four Seasons. After the delivery of these children, she married her son Uranus. He then became the supreme ruler of all creation. Gaea and Uranus had many children together. Their first In three offspring were the Hundred-handed Ones. Each of these giants sprouted the beginning was darkness. fifty heads from his mighty shoulders. And each had a hundred mighty arms Nothing existed. swinging in all directions. They were named Cottus, the Furious; Briareus, No human form.
    [Show full text]
  • Genealogy of Major Gods and Goddesses in Greek Mythology The
    Genealogy of major gods and goddesses in Greek mythology God/goddess Description Earth GAIA (GAEA) First goddess Married her son Sky First supreme god URANUS Married to his mother Overthrown by his son The Children of GAIA and URANUS God/goddess Description Gods of Blacksmiths Forged weapons for the Olympians CYCLOPES Arges, Steropes, Brontes Giants with a single eye in the middle of the forehead Gods of violent storms 100 arms and 50 heads HECATONCHERIES Cottus, Briarieus, Gyges Locked in Tartarus by their father Forces of nature 6 sons and 6 daughters (each son married a daughter) Most important were Cronus and Rhea TITANS o Cronus overthrew CRONUS and became supreme god o Was told by his father and mother that he would be overthrown by his child, too The Children of Cronus and Rhea God/goddess Description HESTIA Goddess of home and family The first and last born to Cronus and Rhea his fatherhis DEMETER Goddess of agriculture overthrew Goddess of marriage and childbirth HERA Very jealous and vindictive Became supreme goddess after getting married to ZEUS HADES Ruler of death and the dead POSEIDON Rule of the sea, earthquakes, and horses Cronus ate his first 5 children for fear that they would overthrow him he like Ruler of the sky and thunder Tricked his father and then overthrew him ZEUS Became supreme god Shamed HERA into marrying him The Children of ZEUS God/goddess Description DIONYSUS God of wine HEPHAESTUS God of fire and metalworkers Goddess of love and beauty APHRODITE Married to HEPHAESTUS God of commerce, thieves, and athletes HERMES Messenger of the gods Goddess of the hunt and wilderness ARTEMIS The twin of APOLLO Is sometimes considered goddess of the moon God of light, medicine, and the arts APOLLO Drives his golden chariot across the sky to bring the sun Twin of ARTEMIS Goddess of WIDSOM, JUSTICE, and WAR - IN THAT ORDER ATHENA Was literally Zeus’ “brainchild” She was Zeus’ favorite God of war ARES Didn’t get along with his sister ATHENA .
    [Show full text]
  • And Egyptian Magic 164
    Q-CD vol 12: KA, Ch. 13: 'KA', and Egyptian Magic 164 CHAPTER THIRTEEN 'KA', AND EGYPTIAN MAGIC HOMER and the Greek tragic poets often use periphrasis when addressing people. Achilles might be addressed as "strength of Achilles." The words sthenos, is, menos, bia, each meaning force of some kind, are used, also kara and kephale, head. The Latin word vis, strength or quantity, suggests that a digamma was originally present in the Greek word is, and that it was vis. Hesiod, Theogony 332, even refers to Herakles as "is bias Herakleies", and Homer refers to Telemachus as "hiere is Telemachoio", the holy power of Telemachus. Iphi, from is, means 'with might'; iphi anassein means to rule with might. Oidipou kara means simply Oedipus, but literally it is 'head of Oedipus'. Phile kephale, dear head, is used in greeting [1], like the Latin carum caput. Vis, Latin for strength, is personified as Juno by the writer Ausonius. In the seventh book of the Aeneid, the Fury Allecto in disguise speaks to Turnus, the prince of the Rutuli, to whom King Latinus has promised his daughter. She urges him to attack the Tyrrhenians who are threatening to supplant him. An attack would have divine approval -- "caelestum vis magna iubet", the great force of the celestial ones orders it. Phaos, light, is used as periphrasis by Homer. (Odyssey XVI:23), and by Sophocles (Electra 1224). Ophthalmos, eye, is also used. If we turn to Egyptian, we find a word which seems to correspond, and to explain some important words in Latin and Greek.
    [Show full text]
  • Collection of Hesiod Homer and Homerica
    COLLECTION OF HESIOD HOMER AND HOMERICA Hesiod, The Homeric Hymns, and Homerica This file contains translations of the following works: Hesiod: "Works and Days", "The Theogony", fragments of "The Catalogues of Women and the Eoiae", "The Shield of Heracles" (attributed to Hesiod), and fragments of various works attributed to Hesiod. Homer: "The Homeric Hymns", "The Epigrams of Homer" (both attributed to Homer). Various: Fragments of the Epic Cycle (parts of which are sometimes attributed to Homer), fragments of other epic poems attributed to Homer, "The Battle of Frogs and Mice", and "The Contest of Homer and Hesiod". This file contains only that portion of the book in English; Greek texts are excluded. Where Greek characters appear in the original English text, transcription in CAPITALS is substituted. PREPARER'S NOTE: In order to make this file more accessable to the average computer user, the preparer has found it necessary to re-arrange some of the material. The preparer takes full responsibility for his choice of arrangement. A few endnotes have been added by the preparer, and some additions have been supplied to the original endnotes of Mr. Evelyn-White's. Where this occurs I have noted the addition with my initials "DBK". Some endnotes, particularly those concerning textual variations in the ancient Greek text, are here ommitted. PREFACE This volume contains practically all that remains of the post- Homeric and pre-academic epic poetry. I have for the most part formed my own text. In the case of Hesiod I have been able to use independent collations of several MSS. by Dr.
    [Show full text]
  • Divine Riddles: a Sourcebook for Greek and Roman Mythology March, 2014
    Divine Riddles: A Sourcebook for Greek and Roman Mythology March, 2014 E. Edward Garvin, Editor What follows is a collection of excerpts from Greek literary sources in translation. The intent is to give students an overview of Greek mythology as expressed by the Greeks themselves. But any such collection is inherently flawed: the process of selection and abridgement produces a falsehood because both the narrative and meta-narrative are destroyed when the continuity of the composition is interrupted. Nevertheless, this seems the most expedient way to expose students to a wide range of primary source information. I have tried to keep my voice out of it as much as possible and will intervene as editor (in this Times New Roman font) only to give background or exegesis to the text. All of the texts in Goudy Old Style are excerpts from Greek or Latin texts (primary sources) that have been translated into English. Ancient Texts In the field of Classics, we refer to texts by Author, name of the book, book number, chapter number and line number.1 Every text, regardless of language, uses the same numbering system. Homer’s Iliad, for example, is divided into 24 books and the lines in each book are numbered. Hesiod’s Theogony is much shorter so no book divisions are necessary but the lines are numbered. Below is an example from Homer’s Iliad, Book One, showing the English translation on the left and the Greek original on the right. When citing this text we might say that Achilles is first mentioned by Homer in Iliad 1.7 (i.7 is also acceptable).
    [Show full text]
  • Hesiod, the Poems and Fragments (8Thc Bc)
    Hesiod_0606 10/14/2005 05:13 PM THE ONLINE LIBRARY OF LIBERTY © Liberty Fund, Inc. 2005 http://oll.libertyfund.org/Home3/index.php HESIOD, THE POEMS AND FRAGMENTS (8THC BC) URL of this E-Book: http://oll.libertyfund.org/EBooks/Hesiod_0606.pdf URL of original HTML file: http://oll.libertyfund.org/Home3/HTML.php?recordID=0606 ABOUT THE AUTHOR The early Greek poet Hesiod is credited with the invention of didactic poetry around 700 B.C. His surviving works are the Theogony, relating to the stories of the gods, and the Works and Days, relating to peasant life. Hesiod’s poetry includes passages critical of those aristoi who support themselves on the labors of others rather than through their own exertions. ABOUT THE BOOK A collection of Hesiod’s poems and fragments, including Theogony which are stories of the gods, and the Works and Days which deals with peasant life. THE EDITION USED The Poems and Fragments done into English Prose with Introduction and Appendices by A.W. Mair M.A. (Oxford: Clarendon Press, 1908). COPYRIGHT INFORMATION The text of this edition is in the public domain. FAIR USE STATEMENT This material is put online to further the educational goals of Liberty Fund, Inc. Unless otherwise stated in the Copyright Information section above, this material may be used freely for educational and academic purposes. It may not be used in any way for profit. http://oll.libertyfund.org/Home3/EBook.php?recordID=0606 Page 1 of 163 Hesiod_0606 10/14/2005 05:13 PM _______________________________________________________ TABLE OF CONTENTS PREFACE INTRODUCTION I.
    [Show full text]
  • Hesiod: Man, Law and Cosmos
    polis, The Journal for Ancient Greek Political Thought 3� (�0�4) �33-�60 brill.com/polis Hesiod: Man, Law and Cosmos Alex Priou Department of Philosophy, Sarah Lawrence College, 1 Mead Way, Bronxville, NY 10708, USA [email protected] Abstract In his two chief works, the Theogony and Works and Days, Hesiod treats the possibil- ity of providence. In the former poem, he considers what sort of god could claim to gives human beings guidance. After arriving at Zeus as the only consistent possibil- ity, Hesiod presents Zeus’ rule as both cosmic and legalistic. In the latter poem, how- ever, Hesiod shows that so long as Zeus is legalistic, his rule is limited cosmically to the human being. Ultimately, Zeus’ rule emerges as more human than cosmic, and thus unable to fulfil the cosmic demands of piety. Hesiod’s presentation thus begs, without thematically posing, the question of how human beings ought to live. Accordingly, Hesiod’s theological analysis, and not his theogony (or, implicit cosmogony or cosmol- ogy), sets the stage for the inquiries of the early Greek philosophers, and so political philosophy as a whole. Keywords Hesiod – providence – law 1 Introduction (Theogony 1-115) Hesiod begins the Theogony with a justification of his ability to speak on matters from long ago, from a time without men, indeed from that time when the gods first came to be. More precisely, he begins from the Muses and lists the gods of whom they sing, and, with the end of that list, remarks that the Muses taught him, Hesiod, a lowly shepherd, to sing of such exalted events.
    [Show full text]
  • Titans and the Elder Deities That Existed Before the Olympic Gods
    The Greek legends appear in many different mythological works, and not all the authors agree about which deity gave birth to whom when. The major accounts include Hesiod's Theogony, Aeschylus' Prometheus Bound, Ovid's Metamorphoses, and, of course, Sophocles, Homer, and Virgil. Titans and the Elder Deities That Existed Before The Olympic Gods Nox (Night) and Erebus (Darkness) gave birth to a variety of beings that beautify Out of the spinning chaos the night sky or that torment before time began three forces humans. The Three Fates were or beings emerged. One was so powerful that not even Erebus, or darkness. The next Key: the gods could avert their was Gaea, the Earth-Mother. decisions. Clotho wove the Primal The third was Eros, or irrational Black: Primordial Forces of Night cloth of life, then Lachesis desire. In some myths, Eros measured its length, and Chaos is equated with Cupid, and Green: Primordial Forces of Nature Atropos cut the thread of life he is instead considered the son when it was time for mortals to of Aphrodite. Red: Monsters die. Collectively, they are called the Moira or the Parcae. Blue: Titans An alternative genealogy has them born from a union of Zeus Gold: Gods with Themis. White: Lesser Deities Nox Erebus Gaea Eros Ether (heavenly light) When Chronos overthrew and murdered his father, Hemera (daylight) Uranus, he feared that his Doom As the ages passed, the feminine force own children would treat Mortis (Death) Gaea (Earth) either split in half or gave birth to him in the same way. To Morpheus (Sleep) Uranus, the sky.
    [Show full text]
  • ZEUS (Zoose Or Zyoose; Roman Name Jupiter) Was the Supreme God of the Olympians
    ZEUS (zoose or zyoose; Roman name Jupiter) was the supreme god of the Olympians. He was the father of the heroes Perseus and Heracles, the latter of whom once wrestled him to a draw. Zeus was the youngest son of the Titans Cronus and Rhea. When he was born, his father Cronus intended to swallow him as he had all of Zeus's siblings: Poseidon, Hades, Hestia, Demeter and Hera. But Rhea hid the newborn in a cave on Mount Dicte in Crete. (To this day, the guides at the "cave of Zeus" use their flashlights to cast shadow puppets in the cave, creating images of baby Zeus from the myth.) When he had grown up, Zeus caused Cronus to vomit up his sisters and brothers, and these gods joined him in fighting to wrest control of the universe from the Titans and Cronus, their king. Having vanquished his father and the other Titans, Zeus imprisoned most of them in the underworld of Tartarus. Then he and his brothers Poseidon and Hades divided up creation. Poseidon received the sea as his domain, Hades got the Underworld and Zeus took the sky. Zeus also was accorded supreme authority on earth and on Mount Olympus. POSEIDON (puh-SYE-dun or poh-SYE-dun; Roman name Neptune) was the god of the sea, earthquakes and horses. Although he was officially one of the supreme gods of Mount Olympus, he spent most of his time in his watery domain. Poseidon was brother to Zeus and Hades. These three gods divided up creation. Zeus was ruler of the sky, Hades had dominion of the Underworld and Poseidon was given all water, both fresh and salt.
    [Show full text]