ZEUS (Zoose Or Zyoose; Roman Name Jupiter) Was the Supreme God of the Olympians

Total Page:16

File Type:pdf, Size:1020Kb

ZEUS (Zoose Or Zyoose; Roman Name Jupiter) Was the Supreme God of the Olympians ZEUS (zoose or zyoose; Roman name Jupiter) was the supreme god of the Olympians. He was the father of the heroes Perseus and Heracles, the latter of whom once wrestled him to a draw. Zeus was the youngest son of the Titans Cronus and Rhea. When he was born, his father Cronus intended to swallow him as he had all of Zeus's siblings: Poseidon, Hades, Hestia, Demeter and Hera. But Rhea hid the newborn in a cave on Mount Dicte in Crete. (To this day, the guides at the "cave of Zeus" use their flashlights to cast shadow puppets in the cave, creating images of baby Zeus from the myth.) When he had grown up, Zeus caused Cronus to vomit up his sisters and brothers, and these gods joined him in fighting to wrest control of the universe from the Titans and Cronus, their king. Having vanquished his father and the other Titans, Zeus imprisoned most of them in the underworld of Tartarus. Then he and his brothers Poseidon and Hades divided up creation. Poseidon received the sea as his domain, Hades got the Underworld and Zeus took the sky. Zeus also was accorded supreme authority on earth and on Mount Olympus. POSEIDON (puh-SYE-dun or poh-SYE-dun; Roman name Neptune) was the god of the sea, earthquakes and horses. Although he was officially one of the supreme gods of Mount Olympus, he spent most of his time in his watery domain. Poseidon was brother to Zeus and Hades. These three gods divided up creation. Zeus was ruler of the sky, Hades had dominion of the Underworld and Poseidon was given all water, both fresh and salt. Although there were various rivers personified as gods, these would have been technically under Poseidon's sway. Similarly, Nereus, the Old Man of the Sea, wasn't really considered on a par with Poseidon, who was known to drive his chariot through the waves in unquestioned dominance. Poseidon had married Nereus's daughter, the sea-nymph Amphitrite. In dividing heaven, the watery realm and the subterranean land of the dead, the Olympians agreed that the earth itself would be ruled jointly, with Zeus as king. This led to a number of territorial disputes among the gods. Poseidon vied with Athena to be patron deity of Athens. The god demonstrated his power and benevolence by striking the Acropolis with his three-pronged spear, which caused a spring of salt water to emerge. Athena, however, planted an olive tree, which was seen as a more useful favor. Her paramount importance to the Athenians is seen in her magnificent temple, the Parthenon, which still crowns the Acropolis. The people of Athens were careful, all the same, to honor Poseidon as well (as soon as his anger calmed down and he withdrew the flood of seawater with which he ravaged the land after his loss in the contest with Athena). Poseidon was father of the hero Theseus, although the mortal Aegeus also claimed this distinction. Theseus was happy to have two fathers, enjoying the lineage of each when it suited him. Thus he became king of Athens by virtue of being Aegeus's son, but availed himself of Poseidon's parentage in facing a challenge handed him by King Minos of Crete. This monarch threw his signet ring into the depths of the sea and dared Theseus to retrieve it. The hero dove beneath the waves and not only found the ring but was given a crown by Poseidon's wife, Amphitrite. Poseidon was not so well-disposed toward another famous hero. Because Odysseus blinded the Cyclops Polyphemus, who was Poseidon's son, the god not only delayed the hero's homeward return from the Trojan War but caused him to face enormous perils. At one point he whipped up the sea with his trident and caused a storm so severe that Odysseus was shipwrecked. Poseidon similarly cursed the wife of King Minos. Minos had proved his divine right to rule Crete by calling on Poseidon to send a bull from the sea, which the king promised to sacrifice. Poseidon sent the bull, but Minos liked it too much to sacrifice it. So Poseidon asked Aphrodite, the goddess of love, to make Minos's queen, Pasiphae, fall in love with the bull. The result was the monstrous Minotaur, half-man, half-bull. As god of horses, Poseidon often adopted the shape of a steed. It is not certain that he was in this form when he wooed Medusa. But when Perseus later killed the Gorgon, the winged horse Pegasus sprang from her severed neck. Poseidon sometimes granted the shape-shifting power to others. And he ceded to the request of the maiden Caenis that she be transformed into the invulnerable, male warrior Caeneus. HERMES (HUR-meez; Roman name Mercury) was the messenger of the gods and guide of dead souls to the Underworld. A prankster and inventive genius from birth, Hermes aided the heroes Odysseus and Perseus in their quests. Hermes was the son Zeus and a mountain nymph. As a newborn he was remarkably precocious. On his very first day of life, he found the empty shell of a tortoise and perceived its utility as a sounding chamber. Stringing sinews across it, he created the first lyre. Hermes was known for his helpfulness to mankind, both in his capacity as immortal herald and on his own initiative. When Perseus set out to face the Gorgon Medusa, Hermes aided him in the quest. According to one version of the myth, he loaned the hero his own magic sandals, which conferred upon the wearer the ability to fly. Some say that Hermes loaned Perseus a helmet of invisibility as well. Also known as the helmet of darkness, this was the same headgear that Hermes himself had worn when he vanquished the giant Hippolytus. This was on the occasion when the gargantuan sons of Earth rose up in revolt against the gods of Olympus. Hermes' symbol of office as divine messenger was his staff, or caduceus. This was originally a willow wand with entwined ribbons, traditional badge of the herald. But the ribbons were eventually depicted as snakes. To support this mythologically, a story evolved that Hermes used the caduceus to separate two fighting snakes which forthwith twined themselves together in peace. It was Hermes' job to convey dead souls to the Underworld. And as patron of travelers, he was often shown in a wide-brimmed sun hat of straw. Hermes was known to the Romans as Mercury. His most famous depiction, a statue by Bellini, shows him alight on one foot, wings at his heels, the snaky caduceus in hand and, on his head, a rather stylized combination helmet-of-darkness and sun hat. HERA (HEE-ruh; Roman name Juno) was the goddess of marriage. Hera was the wife of Zeus and Queen of the Olympians. Hera hated the great hero Heracles since he was the son of her husband Zeus and a mortal woman. When he was still an infant, she sent snakes to attack him in his crib. Later she stirred up the Amazons against him when he was on one of his quests. On the other hand, Hera aided the hero Jason, who would never have retrieved the Golden Fleece without her sponsorship. In Greek mythology, Hera was the reigning female goddess of Olympus because she was Zeus's wife. But her worship is actually far older than that of her husband. It goes back to a time when the creative force we call "God" was conceived of as a woman. The Goddess took many forms, among them that of a bird. Hera was worshipped throughout Greece, and the oldest and most important temples were consecrated to her. Her subjugation to Zeus and depiction as a jealous shrew are mythological reflections of one of the most profound changes ever in human spirituality. Tens of thousands of years ago, as the evidence of cave art and artifacts makes clear, humanity was focused on the female body, either pregnant or fit to bear children. Childbirth was the closest humans came to the great power that caused the earth to bring forth new life in the spring. To the extent that these distant ancestors of ours were evolved enough to think of worshipping this power, we may safely conclude that they thought of it as female. Thousands of years later (and some five to nine thousand years before our own time), the European descendants of these people lived in large villages, with specialized crafts and religious institutions. It is clear from the artifacts they left behind that they worshipped a power (or a group of powers) that came in many forms--a bird, a snake, perhaps the earth itself. And this great power was female. For the human female has the ability to procreate--to bring forth new life. It is said that it was only when humanity discovered man's role in procreation that male gods began to be worshipped. There is no reason to doubt, though, that male gods were worshipped before the mystery of birth was fully known. In all probability the greatest powers were thought of as female but there were male deities as well. And it is clear that even after procreation was properly understood, the more peaceful Europeans--perhaps down to the "Minoans" of Crete--continued to worship the Great Mother. And there were many peaceful Europeans. Many of the largest villages of that distant era were unfortified. The culture known as "Old European" did not fear aggression from its neighbors.
Recommended publications
  • Hyperion-Iapetus: Collisional Relationships
    A&A 381, 1059–1065 (2002) Astronomy DOI: 10.1051/0004-6361:20011587 & c ESO 2002 Astrophysics Hyperion-Iapetus: Collisional relationships S. Marchi1,C.Barbieri2, A. Dell’Oro3, and P. Paolicchi4 1 Dipartimento di Astronomia, Universit`a di Padova, Vicolo dell’Osservatorio 2, 35122 Padova, Italy 2 Dipartimento di Astronomia, Universit`a di Padova, Vicolo dell’Osservatorio 2, 35122 Padova, Italy e-mail: [email protected] 3 Dipartimento di Fisica, Universit`a di Pisa, piazza Torricelli 2, 56127 Pisa, Italy e-mail: [email protected] 4 Dipartimento di Fisica, Universit`a di Pisa, piazza Torricelli 2, 56127 Pisa, Italy e-mail: [email protected] Received 29 June 2001 / Accepted 25 October 2001 Abstract. In this paper, we will deal with one of the most fascinating problems of the Solar System: the origin of the double face of Iapetus, where one half of the satellite is significantly brighter than the other. The “transfer of mass” process (see Marchi et al. 2001) may be a viable explanation for the visible dichotomy. In this process a satellite undergoes mass transfer from other satellites belonging to the same system. We analyze the pair Hyperion–Iapetus and suggest a possible explanation for the formation of the dark region, which is also known as Cassini Regio. Key words. minor planets, asteroids – solar system: general 1. Introduction 2. Transfer of mass Iapetus’ surface is divided into two parts: one with a very In a previous paper (Marchi et al. 2001), we have studied low albedo, about 0.015–0.05, which covers about a third the efficiency of mass transfer between pairs of satellites of the whole surface; the other with an albedo of about 0.5 in the whole Solar System.
    [Show full text]
  • Heracles's Weariness and Apotheosis in Classical Greek Art
    Dourado Lopes, Antonio Orlando Heracles's weariness and apotheosis in Classical Greek art Synthesis 2018, vol. 25, nro. 2, e042 Dourado Lopes, A. (2018). Heracles's weariness and apotheosis in Classical Greek art. Synthesis, 25 (2), e042. En Memoria Académica. Disponible en: http://www.memoria.fahce.unlp.edu.ar/art_revistas/pr.10707/pr.10707.pdf Información adicional en www.memoria.fahce.unlp.edu.ar Esta obra está bajo una Licencia Creative Commons Atribución-NoComercial-CompartirIgual 4.0 Internacional https://creativecommons.org/licenses/by-nc-sa/4.0/ ARTÍCULO / ARTICLE Synthesis, vol. 25, nº 2, e042, diciembre 2018. ISSN 1851-779X Universidad Nacional de La Plata. Facultad de Humanidades y Ciencias de la Educación. Centro de Estudios Helénicos Heracles's weariness and apotheosis in Classical Greek art Agotamiento físico y apoteosis de Heracles en el arte clásico griego Antonio Orlando Dourado Lopes Universidad Federal de Minas Gerais, Brasil [email protected] Resumen: Este estudio propone una interpretación general de las imágenes realizadas en Grecia, a partir del siglo V a. C. en monedas, joyas, pinturas de vasijas y esculturas, que muestran el agotamiento físico de Heracles y su apoteosis divina. Luego de una extendida consideración de los principales trabajos académicos que abordaron el tema desde finales del siglo XIX, procuro mostrar que la representación iconográfica del agotamiento de Heracles y de su apoteosis da testimonio de la influencia de nuevas concepciones religiosas y filosóficas en su mito, fundamentalmente del pitagorismo, del orfismo y de los cultos mistéricos, así como del fuerte intelectualismo de la Atenas del siglo V a. C.
    [Show full text]
  • Learning Objective: to Find out What the Romans Believed and to Investigate the Gods and Goddesses of Ancient Rome
    The Romans Learning Objective: To find out what the Romans believed and to investigate the gods and goddesses of ancient Rome. www.planbee.com NEXT Religion was a part of everyday life in ancient Rome. The Romans didn’t believe in just one god but had many different gods and goddesses. They believed that the gods controlled different aspects of their lives and that the gods were all around them. As the Roman empire expanded, new gods were adopted into Roman religion. Many of the Roman gods were also the same as the ancient Greek gods except with different names. BACK www.planbee.com NEXT The ancient Romans would go to the temple everyday to give offerings of meat and other gifts such as flowers to the gods. In the temples and in different places around the city there were also lots of statues of different gods and goddesses. Remains of a Roman temple Statute of Venus, a Roman goddess BACK www.planbee.com NEXT Jupiter Juno Minerva Juno was the wife of Jupiter is the supreme Minerva was the Jupiter. She was the Roman god. He was goddess of wisdom. protector of Rome the son of Saturn. She was also the and guarded over Jupiter is the god of goddess of poetry, the finances of the light and sky. His medicine and empire. Her Greek Greek name is Zeus. warriors. Her Greek name is Hera. name is Athena. BACK www.planbee.com NEXT Vesta Ceres Diana Vesta was the Ceres was the Diana was the goddess of the hearth.
    [Show full text]
  • A Journey in Pictures Through Roman Religion
    A Journey in Pictures through Roman Religion By Ursula Kampmann, © MoneyMuseum What is god? As far as the Romans are concerned we think we know that all too well from our unloved Latin lessons: Jupiter, Juno, Minerva, the Roman Triad as well as the usual gods of the ancient world, the same as the Greek gods in name and effect. In fact, however, the roots of Roman religion lie much earlier, much deeper, in dark, prehistoric times ... 1 von 20 www.sunflower.ch How is god experienced? – In the way nature works A bust of the goddess Flora (= flowering), behind it blossom. A denarius of the Roman mint master C. Clodius Vestalis, 41 BC Roman religion emerged from the magical world of the simple farmer, who was speechless when faced with the miracles of nature. Who gave the seemingly withered trees new blossom after the winter? Which power made the grain of corn in the earth grow up to produce new grain every year? Which god prevented the black rust and ensured that the weather was fine just in time for the harvest? Who guaranteed safe storage? And which power was responsible for making it possible to divide up the corn so that it sufficed until the following year? Each individual procedure in a farmer's life was broken down into many small constituent parts whose success was influenced by a divine power. This divine power had to be invoked by a magic ritual in order to grant its help for the action. Thus as late as the imperial period, i.e.
    [Show full text]
  • Kretan Cult and Customs, Especially in the Classical and Hellenistic Periods: a Religious, Social, and Political Study
    i Kretan cult and customs, especially in the Classical and Hellenistic periods: a religious, social, and political study Thesis submitted for degree of MPhil Carolyn Schofield University College London ii Declaration I, Carolyn Schofield, confirm that the work presented in this thesis is my own. Where information has been derived from other sources, I confirm that this has been acknowledged in the thesis. iii Abstract Ancient Krete perceived itself, and was perceived from outside, as rather different from the rest of Greece, particularly with respect to religion, social structure, and laws. The purpose of the thesis is to explore the bases for these perceptions and their accuracy. Krete’s self-perception is examined in the light of the account of Diodoros Siculus (Book 5, 64-80, allegedly based on Kretan sources), backed up by inscriptions and archaeology, while outside perceptions are derived mainly from other literary sources, including, inter alia, Homer, Strabo, Plato and Aristotle, Herodotos and Polybios; in both cases making reference also to the fragments and testimonia of ancient historians of Krete. While the main cult-epithets of Zeus on Krete – Diktaios, associated with pre-Greek inhabitants of eastern Krete, Idatas, associated with Dorian settlers, and Kretagenes, the symbol of the Hellenistic koinon - are almost unique to the island, those of Apollo are not, but there is good reason to believe that both Delphinios and Pythios originated on Krete, and evidence too that the Eleusinian Mysteries and Orphic and Dionysiac rites had much in common with early Kretan practice. The early institutionalization of pederasty, and the abduction of boys described by Ephoros, are unique to Krete, but the latter is distinct from rites of initiation to manhood, which continued later on Krete than elsewhere, and were associated with different gods.
    [Show full text]
  • The Cambridge Companion to Greek Mythology (2007)
    P1: JzG 9780521845205pre CUFX147/Woodard 978 0521845205 Printer: cupusbw July 28, 2007 1:25 The Cambridge Companion to GREEK MYTHOLOGY S The Cambridge Companion to Greek Mythology presents a comprehensive and integrated treatment of ancient Greek mythic tradition. Divided into three sections, the work consists of sixteen original articles authored by an ensemble of some of the world’s most distinguished scholars of classical mythology. Part I provides readers with an examination of the forms and uses of myth in Greek oral and written literature from the epic poetry of the eighth century BC to the mythographic catalogs of the early centuries AD. Part II looks at the relationship between myth, religion, art, and politics among the Greeks and at the Roman appropriation of Greek mythic tradition. The reception of Greek myth from the Middle Ages to modernity, in literature, feminist scholarship, and cinema, rounds out the work in Part III. The Cambridge Companion to Greek Mythology is a unique resource that will be of interest and value not only to undergraduate and graduate students and professional scholars, but also to anyone interested in the myths of the ancient Greeks and their impact on western tradition. Roger D. Woodard is the Andrew V.V.Raymond Professor of the Clas- sics and Professor of Linguistics at the University of Buffalo (The State University of New York).He has taught in the United States and Europe and is the author of a number of books on myth and ancient civiliza- tion, most recently Indo-European Sacred Space: Vedic and Roman Cult. Dr.
    [Show full text]
  • Ovid Book 12.30110457.Pdf
    METAMORPHOSES GLOSSARY AND INDEX The index that appeared in the print version of this title was intentionally removed from the eBook. Please use the search function on your eReading device to search for terms of interest. For your reference, the terms that ap- pear in the print index are listed below. SINCE THIS index is not intended as a complete mythological dictionary, the explanations given here include only important information not readily available in the text itself. Names in parentheses are alternative Latin names, unless they are preceded by the abbreviation Gr.; Gr. indi- cates the name of the corresponding Greek divinity. The index includes cross-references for all alternative names. ACHAMENIDES. Former follower of Ulysses, rescued by Aeneas ACHELOUS. River god; rival of Hercules for the hand of Deianira ACHILLES. Greek hero of the Trojan War ACIS. Rival of the Cyclops, Polyphemus, for the hand of Galatea ACMON. Follower of Diomedes ACOETES. A faithful devotee of Bacchus ACTAEON ADONIS. Son of Myrrha, by her father Cinyras; loved by Venus AEACUS. King of Aegina; after death he became one of the three judges of the dead in the lower world AEGEUS. King of Athens; father of Theseus AENEAS. Trojan warrior; son of Anchises and Venus; sea-faring survivor of the Trojan War, he eventually landed in Latium, helped found Rome AESACUS. Son of Priam and a nymph AESCULAPIUS (Gr. Asclepius). God of medicine and healing; son of Apollo AESON. Father of Jason; made young again by Medea AGAMEMNON. King of Mycenae; commander-in-chief of the Greek forces in the Trojan War AGLAUROS AJAX.
    [Show full text]
  • Tradition and Innovation in Olympiodorus' "Orphic" Creation of Mankind Radcliffe .G Edmonds III Bryn Mawr College, [email protected]
    Bryn Mawr College Scholarship, Research, and Creative Work at Bryn Mawr College Greek, Latin, and Classical Studies Faculty Research Greek, Latin, and Classical Studies and Scholarship 2009 A Curious Concoction: Tradition and Innovation in Olympiodorus' "Orphic" Creation of Mankind Radcliffe .G Edmonds III Bryn Mawr College, [email protected] Let us know how access to this document benefits ouy . Follow this and additional works at: http://repository.brynmawr.edu/classics_pubs Part of the Classics Commons Custom Citation Edmonds, Radcliffe .,G III. "A Curious Concoction: Tradition and Innovation in Olympiodorus' 'Orphic' Creation of Mankind." American Journal of Philology 130, no. 4 (2009): 511-532. This paper is posted at Scholarship, Research, and Creative Work at Bryn Mawr College. http://repository.brynmawr.edu/classics_pubs/79 For more information, please contact [email protected]. Radcliffe G. Edmonds III “A Curious Concoction: Tradition and Innovation in Olympiodorus' ‘Orphic’ Creation of Mankind” American Journal of Philology 130 (2009), pp. 511–532. A Curious Concoction: Tradition and Innovation in Olympiodorus' Creation of Mankind Olympiodorus' recounting (In Plat. Phaed. I.3-6) of the Titan's dismemberment of Dionysus and the subsequent creation of humankind has served for over a century as the linchpin of the reconstructions of the supposed Orphic doctrine of original sin. From Comparetti's first statement of the idea in his 1879 discussion of the gold tablets from Thurii, Olympiodorus' brief testimony has been the
    [Show full text]
  • The Chaotic Rotation of Hyperion*
    ICARUS 58, 137-152 (1984) The Chaotic Rotation of Hyperion* JACK WISDOM AND STANTON J. PEALE Department of Physics, University of California, Santa Barbara, California 93106 AND FRANGOIS MIGNARD Centre d'Etudes et de Recherehes G~odynamique et Astronomique, Avenue Copernic, 06130 Grasse, France Received August 22, 1983; revised November 4, 1983 A plot of spin rate versus orientation when Hyperion is at the pericenter of its orbit (surface of section) reveals a large chaotic zone surrounding the synchronous spin-orbit state of Hyperion, if the satellite is assumed to be rotating about a principal axis which is normal to its orbit plane. This means that Hyperion's rotation in this zone exhibits large, essentially random variations on a short time scale. The chaotic zone is so large that it surrounds the 1/2 and 2 states, and libration in the 3/2 state is not possible. Stability analysis shows that for libration in the synchronous and 1/2 states, the orientation of the spin axis normal to the orbit plane is unstable, whereas rotation in the 2 state is attitude stable. Rotation in the chaotic zone is also attitude unstable. A small deviation of the principal axis from the orbit normal leads to motion through all angles in both the chaotic zone and the attitude unstable libration regions. Measures of the exponential rate of separation of nearby trajectories in phase space (Lyapunov characteristic exponents) for these three-dimensional mo- tions indicate the the tumbling is chaotic and not just a regular motion through large angles. As tidal dissipation drives Hyperion's spin toward a nearly synchronous value, Hyperion necessarily enters the large chaotic zone.
    [Show full text]
  • Sons and Fathers in the Catalogue of Argonauts in Apollonius Argonautica 1.23-233
    Sons and fathers in the catalogue of Argonauts in Apollonius Argonautica 1.23-233 ANNETTE HARDER University of Groningen [email protected] 1. Generations of heroes The Argonautica of Apollonius Rhodius brings emphatically to the attention of its readers the distinction between the generation of the Argonauts and the heroes of the Trojan War in the next genera- tion. Apollonius initially highlights this emphasis in the episode of the Argonauts’ departure, when the baby Achilles is watching them, at AR 1.557-5581 σὺν καί οἱ (sc. Chiron) παράκοιτις ἐπωλένιον φορέουσα | Πηλείδην Ἀχιλῆα, φίλωι δειδίσκετο πατρί (“and with him his wife, hold- ing Peleus’ son Achilles in her arms, showed him to his dear father”)2; he does so again in 4.866-879, which describes Thetis and Achilles as a baby. Accordingly, several scholars have focused on the ways in which 1 — On this marker of the generations see also Klooster 2014, 527. 2 — All translations of Apollonius are by Race 2008. EuGeStA - n°9 - 2019 2 ANNETTE HARDER Apollonius has avoided anachronisms by carefully distinguishing between the Argonauts and the heroes of the Trojan War3. More specifically Jacqueline Klooster (2014, 521-530), in discussing the treatment of time in the Argonautica, distinguishes four periods of time to which Apollonius refers: first, the time before the Argo sailed, from the beginning of the cosmos (featured in the song of Orpheus in AR 1.496-511); second, the time of its sailing (i.e. the time of the epic’s setting); third, the past after the Argo sailed and fourth the present inhab- ited by the narrator (both hinted at by numerous allusions and aitia).
    [Show full text]
  • Hesiod Theogony.Pdf
    Hesiod (8th or 7th c. BC, composed in Greek) The Homeric epics, the Iliad and the Odyssey, are probably slightly earlier than Hesiod’s two surviving poems, the Works and Days and the Theogony. Yet in many ways Hesiod is the more important author for the study of Greek mythology. While Homer treats cer- tain aspects of the saga of the Trojan War, he makes no attempt at treating myth more generally. He often includes short digressions and tantalizes us with hints of a broader tra- dition, but much of this remains obscure. Hesiod, by contrast, sought in his Theogony to give a connected account of the creation of the universe. For the study of myth he is im- portant precisely because his is the oldest surviving attempt to treat systematically the mythical tradition from the first gods down to the great heroes. Also unlike the legendary Homer, Hesiod is for us an historical figure and a real per- sonality. His Works and Days contains a great deal of autobiographical information, in- cluding his birthplace (Ascra in Boiotia), where his father had come from (Cyme in Asia Minor), and the name of his brother (Perses), with whom he had a dispute that was the inspiration for composing the Works and Days. His exact date cannot be determined with precision, but there is general agreement that he lived in the 8th century or perhaps the early 7th century BC. His life, therefore, was approximately contemporaneous with the beginning of alphabetic writing in the Greek world. Although we do not know whether Hesiod himself employed this new invention in composing his poems, we can be certain that it was soon used to record and pass them on.
    [Show full text]
  • Epigraphic Bulletin for Greek Religion 2011 (EBGR 2011)
    Kernos Revue internationale et pluridisciplinaire de religion grecque antique 27 | 2014 Varia Epigraphic Bulletin for Greek Religion 2011 (EBGR 2011) Angelos Chaniotis Electronic version URL: http://journals.openedition.org/kernos/2266 DOI: 10.4000/kernos.2266 ISSN: 2034-7871 Publisher Centre international d'étude de la religion grecque antique Printed version Date of publication: 1 November 2014 Number of pages: 321-378 ISBN: 978-2-87562-055-2 ISSN: 0776-3824 Electronic reference Angelos Chaniotis, « Epigraphic Bulletin for Greek Religion 2011 (EBGR 2011) », Kernos [Online], 27 | 2014, Online since 01 October 2016, connection on 15 September 2020. URL : http:// journals.openedition.org/kernos/2266 This text was automatically generated on 15 September 2020. Kernos Epigraphic Bulletin for Greek Religion 2011 (EBGR 2011) 1 Epigraphic Bulletin for Greek Religion 2011 (EBGR 2011) Angelos Chaniotis 1 The 24th issue of the Epigraphic Bulletin for Greek Religion presents epigraphic publications of 2011 and additions to earlier issues (publications of 2006–2010). Publications that could not be considered here, for reasons of space, will be presented in EBGR 2012. They include two of the most important books of 2011: N. PAPAZARKADAS’ Sacred and Public Land in Ancient Athens, Oxford 2011 and H.S. VERSNEL’s Coping with the Gods: Wayward Readings in Greek Theology, Leiden 2011. 2 A series of new important corpora is included in this issue. Two new IG volumes present the inscriptions of Eastern Lokris (119) and the first part of the inscriptions of Kos (21); the latter corpus is of great significance for the study of Greek religion, as it contains a large number of cult regulations; among the new texts, we single out the ‘sacred law of the tribe of the Elpanoridai’ in Halasarna.
    [Show full text]